A Dance to the Music of Time: 1st Movement
Then she walked slowly towards the house, humming to herself, and swinging her racquet at the grass borders. Peter shouted after her: ‘Has Sunny arrived yet?’
‘He turned up just after you left.’
She made this answer without turning her head. It conveyed no implication of disapproval; no enthusiasm either. I watched her disappear from sight.
‘Leave your stuff here,’ said Peter. ‘Someone is bound to collect it. Let’s have some tea. What bloody bad manners my sisters have.’
Wearing a soft felt hat squashed down in the shape of a pork-pie, he already showed signs of having freed himself from whatever remaining restraints school had imposed. He had spent a month or two in Amsterdam, where his father had business interests. Mr. Templer’s notion was that Peter should gain in this way some smattering of commercial life before going into the City; as all further idea of educating or improving his son had now been abandoned by him. Peter could give no very coherent account of Dutch life, except to say that the canals smelt bad, and that there were two night-clubs which were much better than the others in that city. Apart from such slightly increased emphasis on characteristics already in evidence, he was quite unchanged.
‘Who is Sunny?’
‘He is called Sunny Farebrother, a friend of my father’s. He was staying in the neighbourhood for a funeral and has come over to talk business.’
‘Your father’s contemporary?’
‘Oh, no,’ said Peter. ‘Much younger. Thirty or thirty-five. He is supposed to have done well in the war. At least I believe he got rather a good D.S.O.’
The name ‘Sunny Farebrother’ struck me as almost redundant in its suggestion of clear-cut, straightforward masculinity. It seemed hardly necessary for Peter to add that someone with a name like that had ‘done well’ in the war, so unambiguous was the portrait conjured up by the syllables. I imagined a kind of super-Buster, in whom qualities of intrepidity and simplicity of heart had been added to those of dash and glitter.
‘Why is he called Sunny?’ I asked, expecting some confirmation of this imaginary personality with which I had invested Mr. Farebrother.
‘Because his Christian name is Sunderland,’ said Peter. ‘I expect we shall have to listen to a lot of pretty boring conversation between the two of them.’
We entered the house at a side door. The walls of the greater part of the ground floor were faced with panelling, coloured and grained like a cigar-box. At the end of a large hall two men were sitting on a sofa by a tea-table at which Jean was pouring out cups of tea. The elder of this couple, a wiry, grim little fellow, almost entirely bald, and smoking a pipe, was obviously Peter’s father. His identity was emphasised by the existence of a portrait of himself hanging on the wall above him—the only picture in the room—representing its subject in a blue suit and hard white collar. The canvas, from the hand of Isbister, the R.A., had been tackled in a style of decidedly painful realism, the aggressive nature of the pigment intensified by the fact that each feature had been made to appear a little larger than life.
‘Hullo, Jenkins,’ said Mr. Templer, raising his hand. ‘Have some tea. Pour him out some tea, Jean. Well, go on, Farebrother—but try and stick to the point this time.’
He turned again to the tall, dark man sitting beside him. This person, Sunny Farebrother presumably, had shaken hands warmly, and given a genial smile when I approached the table. At Mr. Templer’s interpellation, this smile faded from his face in a flash, being replaced by a look of almost devotional intensity; and, letting drop my hand with startling suddenness, he returned to what seemed to be a specification of the terms and bearings of a foreign loan—apparently Hungarian—which he and Mr. Templer had evidently been discussing before our arrival. Jean handed me the plate of buttered toast, and, addressing herself to Peter, spoke once more of the hard tennis court.
During tea I had an opportunity of examining Sunny Farebrother more closely. His regular features and ascetic, serious manner did remind me in some way of Buster, curiously enough: though scarcely for the reasons I had expected. In spite of neatness and general air of being well-dressed, Farebrother had none of Buster’s consciously reckless manner of facing the world; while, so far from dispensing anything that might be interpreted as an attitude of indirect hostility, his demeanour—even allowing for the demands of a proper respect for a man older than himself and at the same time his host—appeared to be almost unnecessarily ingratiating. I was not exactly disappointed with the reality of someone whose outward appearance I had, rather absurdly, settled already in my mind on such slender grounds; but I was surprised, continuing to feel that I should like to know more of Sunny Farebrother.
The train of thought engendered by this association with Buster took me on, fairly logically, to Miss Weedon; and, for a second, it even occurred to me that some trait possessed in common by Buster and Miss Weedon linked both of them with Sunny Farebrother; the two latter being the most alike, ridiculous as it might sound, of the three. This was certainly not on account of any suggestion, open or inadequately concealed, that Farebrother’s temperament was feminine in any abnormal manner, either physically or emotionally; on the contrary; though Miss Weedon for her part might perhaps lay claim to some remotely masculine air. It was rather that both had in common some smoothness, an acceptance that their mission in life was to iron out the difficulties of others: a recognition that, for them, power was won by self-abasement.
Sunny Farebrother’s suit, though well cut, was worn and a trifle dilapidated in places. The elbows of the coat were shiny, and, indeed, his whole manner suggested that he might be in distinctly straitened circumstances. I imagined him a cavalryman—something about his long legs and narrow trousers suggested horses—unable to support the expenses of his regiment, unwillingly become a stockbroker, or agent for some firm in the City, in an attempt to make two ends meet; though I learnt later that he had never been a regular soldier. With folded hands and head bent, he was listening, attentively, humbly—almost as if his life depended on it—to the words that Mr. Templer was speaking.
Years later, when I came to know Sunny Farebrother pretty well, he always retained for me something of this first picture of him; a vision—like Jean’s—that suggested an almost saintly figure, ill-used by a coarse-grained world: some vague and uncertain parallel with Colonel Newcome came to mind, in the colonel’s latter days in the Greyfriars almshouses, and it was easy to imagine Mr. Farebrother answering his name in such a setting, the last rays of sunset falling across his, by then, whitened hair. Everything about him supported claims to such a rôle: from the frayed ends of the evening tie that he wore later at dinner, to the immensely battered leather hat-box that was carried through the hall with the rest of his luggage while we sat at tea. He seemed to feel some explanation for the existence of this last object was required, saying that it contained the top-hat he had recently worn at his great-uncle’s funeral, adding that it was the headgear that normally hung on a hook in his office for use as part of the uniform of his calling in the City.
‘It cost me a tidy sum in lost business to pay that last tribute,’ he said. ‘But there aren’t many of that grand old fellow’s sort left these days. I felt I ought to do it.’
Mr. Templer, his hands deep in his trousers pockets, took scarcely any notice of such asides. He discoursed instead, in a rasping undertone, of redemption dates and capital requirements. Jean finished what she had to say to Peter regarding the hard tennis court, then scarcely spoke at all. Later she went off on her own.
This introduction to the Templer household was fairly representative of its prevailing circumstances for the next few days. Mr. Templer was gruff, and talked business most of the time to Sunny Farebrother: Jean kept to herself: Peter and I bathed, or lounged away the day. I discovered that Peter’s account of his lack of accord with his father had been much exaggerated. In reality, they understood each other well, and had, indeed, a great deal in common. Mr. Templer possessed a few simple ideas upon which he
had organised his life; and, on the whole, these ideas had served him well, largely because they fitted in with each other, and were of sufficiently general application to be correct perhaps nine times out of ten. He was very keen on keeping fit, and liked to describe in detail exercises he was in the habit of performing when he first rose from his bed in the morning. He was always up and about the house long before anyone else was awake, and he certainly looked healthy, though not young for his age, which was somewhere in the sixties. Sunny Farebrother continued to impress me as unusually agreeable; and I could not help wondering why he was treated by the Templers with so little consideration. I do not mean that, in fact, I gave much thought to this matter; but I noticed from time to time that he seemed almost to enjoy being contradicted by Mr. Templer, or ignored by Jean, whom he used to survey rather hungrily, and attempt, without much success, to engage in conversation. In this, as other respects, Jean remained in her somewhat separate world. Peter used to tease her about this air of existing remote from everything that went on round her. I continued to experience a sense of being at once drawn to her, and yet cut off from her utterly.
The party was increased a few days after my arrival by the addition of the Striplings—that is to say Peter’s married sister, Babs, and her husband, the racing motorist—who brought with them a friend called Lady McReith. These new guests radically altered the tone of the house. Babs was good-looking, with reddish fair hair, and she talked a lot, and rather loudly. She was taller than Jean, without her sister’s mysterious, even melancholy, presence. Sitting next to her at dinner there was none of the difficulty that I used to experience in getting some scraps of conversation from Jean. Babs seemed very attached to Peter and asked many questions about his life at school. Her husband, Jimmy Stripling, was tall and burly. He wore his hair rather long and parted in the middle. Like his father-in-law he was gruff in manner, and always looked beyond, rather than at, the person he was talking to. Uncle Giles was, at that period, the only grumbler I had ever met at all comparable in volume: though Stripling, well-equipped financially for his pursuit of motor-racing, had little else in common with my uncle.
It is not unusual for people who look exceptionally robust, and who indulge in hobbies of a comparatively dangerous kind, to suffer from poor health. Stripling belonged to this category. On that account he had been unable to take an active part in the war; unless—as Peter had remarked—persuading Babs to run away with him while her husband was at the front might be regarded as Jimmy having ‘done his bit’. This was no doubt an unkind way of referring to what had happened; and, if Peter’s own account of Babs’s early married life was to be relied upon, there was at least something to be said on her side, as her first husband, whatever his merits as a soldier, had been a far from ideal husband. It was, however, unfortunate from Stripling’s point of view that his forerunner’s conduct had been undeniably gallant; and this fact had left him with a consuming hatred for all who had served in the armed forces. Indeed, anyone who mentioned, even casually, any matter that reminded him that a war had taken place was liable to be treated by him in a most peremptory manner; although, at the same time, all his topics of conversation seemed, sooner or later, to lead to this subject. His state of mind was perhaps the outcome of too many persons like Peter having made the joke about ‘doing his bit’. In consequence of this attitude he gave an impression of marked hostility towards Sunny Farebrother.
In spite of the circumstances of their marriage, outward relations between the Striplings were cool, almost formal; and the link which seemed most firmly to bind them together was, in some curious manner, vested in the person of their friend Lady McReith, known as ‘Gwen’, a figure whose origins and demeanour suggested enigmas that I could not, in those days, even attempt to fathom. In the first place I could form no idea of her age. When she came into the room on their arrival, I thought she was a contemporary of Jean’s: this was only for a few seconds, and immediately after I supposed her to be nine or ten years older; but one afternoon, strolling across the lawn from tennis, when the air had turned suddenly cold and a chilly breeze from the sea had swept across the grass, she had shivered and changed colour, her face becoming grey and mottled, almost as if it were an old woman’s. She was tall, though slightly built, with dark hair over a fair skin, beneath which the veins showed: her lips always bright red. Something about her perhaps hinted vaguely of the stage, or at least what I imagined theatrical people to be like. This fair skin with the blue veins running across had a look of extraordinary softness.
‘She was married to a partner of my father’s,’ Peter said, when questioned. ‘He had a stroke and died ten days after he was knighted—a remarkable instance of delayed shock.’
Although appearing to accept her as in some manner necessary for the well-being of their household, Jimmy Stripling seemed less devoted than his wife to Lady McReith. There was a certain amount of ragging between them, and Stripling liked scoring off her in conversation: though, for that matter, he liked scoring off anyone. Babs, on the other hand, seemed never tired of walking about the lawn, or through the rose garden, arm in arm with Lady McReith; and demonstrative kissing took place between them at the slightest provocation.
Lady McReith was also on excellent terms with the Templer family, especially Peter. Even Mr. Templer himself sometimes took her arm, and led her into dinner, or towards the drink tray in the evening. Sunny Farebrother, however, evidently regarded her without approval, though he was always scrupulously polite: so much so that Lady McReith was often unable to do more than go off into peals of uncontrollable laughter when addressed by him: the habit of giggling being one of her most pronounced characteristics. Personally, I found her rather alarming, chiefly because she talked, when she spoke at all, of people and things I had never heard of. The Striplings were always laughing noisily at apparently pointless remarks made by her on the subject of acquaintances possessed by them in common. Apart from this banter, she had little or nothing to say for herself; and, unlike Jean, her silences suggested to me no hidden depths. Mr. Templer used to say: ‘Come on, Gwen, try and behave for once as if you were grown-up,’ a request always followed by such immoderate fits of laughter from Lady McReith that she was left almost helpless. At dinner there would be exchanges between herself and Peter:
‘Why aren’t you wearing a clean shirt tonight, Peter?’
‘I thought this one would be clean enough for you.’
‘You ought to keep your little brother up to the mark, Babs.’
‘He is always very grubby, isn’t he?’
‘What about those decomposing lip-sticks Gwen is always leaving about the house? They make the place look like the ladies’ cloak-room in a third-rate night-club.’
‘Do you spend much of your time in the ladies’ cloakrooms of third-rate night-clubs, Peter? What a funny boy you must be.’
Sunny Farebrother gave the impression of being not at all at his ease in the midst of this rough-and-tumble, in which he was to some degree forced to participate. Mr. Templer fell from time to time into fits of moroseness which made his small-talk at best monosyllabic: at worst, drying up all conversation. He treated his son-in-law with as little ceremony as he did Farebrother; evidently regarding the discussion of serious matters with Stripling as waste of time. He was, however, prepared to listen to Farebrother’s views—apparently sensible enough—on how best to handle the difficulties of French reoccupation of the Ruhr (which had taken place earlier in the year), especially in relation to the general question of the shortage of pig-iron on the world market. When on one occasion Farebrother ventured to change the subject and give his opinion regarding professional boxing, Mr. Templer went so far as to say: ‘Farebrother, you are talking through your hat. When you have watched boxing for forty years, as I have, it will be quite soon enough to start criticising the stewards of the National Sporting.’
Sunny Farebrother showed no sign of resenting this capricious treatment. He would simply nod his head, and chuckle to h
imself, as if in complete agreement; after a while giving up any attempt to soothe his host, and trying to join in whatever was happening at the other end of the table. It was at such moments that he sometimes became involved in cross-fire between Peter, Lady McReith, and the Striplings. I was not sure how often the Striplings had met Sunny Farebrother in the past. Each seemed to know a good deal about the other, though they remained on distant terms, Stripling making hardly an effort to conceal his dislike. They would sometimes talk about City matters, in which Stripling took an interest that was probably of a rather amateurish sort; for it was clear that Farebrother rarely agreed with his judgment, even when he outwardly concurred. After these mild contradictions, Stripling would raise his eyebrows and make faces at Farebrother behind his back. Farebrother showed no more sign of being troubled by this kind of behaviour than by Mr. Templer’s gruffness; but he sometimes adopted a manner of exaggerated good-fellowship towards Stripling, beginning sentences addressed to him with the words: ‘Now then, Jimmy——’: and sometimes making a sweeping dive with his fist towards Stripling’s diaphragm, as if in a playful effort to disembowel him. It was not Stripling so much as Lady McReith, and, to a lesser degree, Babs, who seemed to make Farebrother uncomfortable. I decided—as it turned out, correctly—that this was a kind of moral disapproval, and that some puritan strain in Farebrother rebelled against Lady McReith especially.