Point Counter Point

  'Loving eyes too.'

  He smiled at her and stroked her hand. 'The result...' he hesitated.

  'Yes, what would the result be?' she asked.

  'Queer,' he answered. 'A very queer picture indeed.'

  'Rather too queer, I should have thought.'

  'But it can't be too queer,' said Philip. 'However queer the picture is, it can never be half so odd as the original reality. We take it all for granted; but the moment you start thinking, it becomes queer. And the more you think, the queerer it grows. That's what I want to get in this book--the astonishingness of the most obvious things. Really any plot or situation would do. Because everything's implicit in anything. The whole book could be written about a walk from Piccadilly Circus to Charing Cross. Or you and I sitting here on an enormous ship in the Red Sea. Really, nothing could be queerer than that. When you reflect on the evolutionary processes, the human patience and genius, the social organisation, that have made it possible for us to be here, with stokers having heat apoplexy for our benefit and steam turbines doing five thousand revolutions a minute, and the sea being blue, and the rays of light not flowing round obstacles, so that there's a shadow, and the sun all the time providing us with energy to live and think--when you think of all this and a million other things, you must see that nothing could well be queerer and that no picture can be queer enough to do justice to the facts.'

  'All the same,' said Elinor, after a long silence, 'I wish one day you'd write a simple straightforward story about a young man and a young woman who fall in love and get married and have difficulties, but get over them, and finally settle down.'

  'Or why not a detective novel?' He laughed. But if, he reflected, he didn't write that kind of story, perhaps it was because he couldn't. In art there are simplicities more difficult than the most serried complications. He could manage the complications as well as anyone. But when it came to the simplicities, he lacked the talent--that talent which is of the heart, no less than of the head, of the feelings, the sympathies, the intuitions, no less than of the analytical understanding. The heart, the heart, he said to himself. 'Perceive ye not, neither understand? have ye your heart yet hardened?' No heart, no understanding.

  '...a terrible flirt!' cried one of the four cavaliers, as the party rounded the corner into hearing.

  'I am not!' the young lady indignantly retorted.

  'You are!' they all shouted together. It was courtship in chorus and by teasing.

  'It's a lie!' But, one could hear, the ticklish impeachment really delighted her.

  Like dogs, he thought. But the heart, the heart The heart was Burlap's speciality. 'You'll never write a good book,' he had said oracularly, 'unless you write from the heart.' It was true; Philip knew it. But was Burlap the man to say so, Burlap whose books were so heartfelt that they looked as though they had come from the stomach, after an emetic? If he went in for the grand simplicities, the results would be no less repulsive. Better to cultivate his own particular garden for all it was worth. Better to remain rigidly and loyally oneself. Oneself? But this question of identity was precisely one of Philip's chronic problems. It was so easy for him to be almost anybody, theoretically and with his intelligence. He had such a power of assimilation, that he was often in danger of being unable to distinguish the assimilator from the assimilated, of not knowing among the multiplicity of his roles who was the actor. The amoeba, when it finds a prey, flows round it, incorporates it and oozes on. There was something amoeboid about Philip Quarles's mind. It was like a sea of spiritual protoplasm, capable of flowing in all directions, of engulfing every object in its path, of trickling into every crevice, of filling every mould and, having engulfed, having filled, of flowing on towards other obstacles, other receptacles, leaving the first empty and dry. At different times in his life and even at the same moment he had filled the most various moulds. He had been a cynic and also a mystic, a humanitarian and also a contemptuous misanthrope; he had tried to live the life of detached and stoical reason and another time he had aspired to the unreasonableness of natural and uncivilized existence. The choice of moulds depended at any given moment on the books he was reading, the people he was associating with. Burlap, for example, had redirected the flow of his mind into those mystical channels which it had not filled since he discovered Boehme in his undergraduate days. Then he had seen through Burlap and flowed out again, ready however at any I time to let himself trickle back once more, whenever the circumstances seemed to require it. He was trickling back at this moment, the mould was heart-shaped. Where was the self to which he could be loyal?

  The female missionaries passed in silence. Looking over Elinor's shoulder he saw that she was reading the Arabian Nights in Mardrus's translation. Burtt's Metaphysical Foundations of Modern Science lay on his knees; he picked it up and began looking for his place. Or wasn't there a self at all? he was wondering. No, no, that was untenable, that contradicted immediate experience. He looked over the top of his book at the enormous blue glare of the sea. The essential character of the self consisted precisely in that liquid and undeformable ubiquity; in that capacity to espouse all contours and yet remain unfixed in any form, to take, and with an equal facility efface, impressions. To such moulds as his spirit might from time to time occupy, to such hard and burning obstacles as it might flow round, submerge, and, itself cold, penetrate to the fiery heart of, no permanent loyalty was owing. The moulds were emptied as easily as they had been filled, the obstacles were passed by. But the essential liquidness that flowed where it would, the cool indifferent flux of intellectual curiosity--that persisted and to that his loyalty was due. If there was any single way of life he could lastingly believe in, it was that mixture of pyrrhonism and stoicism which had struck him, an enquiring schoolboy among the philosophers, as the height of human wisdom and into whose mould of sceptical indifference he had poured his unimpassioned adolescence. Against the pyrrhonian suspense of judgment and the stoical imperturbability he had often rebelled. But had the rebellion ever been really serious? Pascal had made him a Catholic--but only so long as the volume of Pensees was open before him. There were moments when, in the company of Carlyle or Whitman or bouncing Browning, he had believed in strenuousness for strenuousness' sake. And then there was Mark Rampion. After a few hours in Mark Rampion's company he really believed in noble savagery; he felt convinced that the proudly conscious intellect ought to humble itself a little and admit the claims of the heart, aye and the bowels, the loins, the bones and skin and muscles, to a fair share of life. The heart again! Burlap had been right, even though he was a charlatan, a sort of swindling thimble-rigger of the emotions. The heart! But always, whatever he might do, he knew quite well in the secret depths of his being that he wasn't a Catholic, or a strenuous liver, or a mystic, or a noble savage. And though he sometimes nostalgically wished he were one or other of these beings, or all of them at once, he was always secretly glad to be none of them and at liberty, even though his liberty was in a strange paradoxical way a handicap and a confinement to his spirit.

  'That simple story of yours,' he said aloud; 'it wouldn't do.'

  Elinor looked up from the Arabian Nights. 'Which simple story?'

  'That one you wanted me to write.'

  'Oh, that!' She laughed. 'You've been brooding over it a long time.'

  'It wouldn't give me my opportunity,' he explained.

  'It would have to be solid and deep. Whereas I'm wide; wide and liquid. It wouldn't be in my line.'

  'I could have told you that the first day I met you,' said Elinor, and returned to Scheherazade.

  'All the same,' Philip was thinking, 'Mark Rampion's right. In practice, too; which makes it so much more impressive. In his art and his living, as well as in his theories. Not like Burlap.' He thought with disgust of Burlap's emetic leaders in the World. Like a spiritual channel crossing. And such a nasty, slimy sort of life. But Rampion was the proof of his own theories. 'If I could capture something of his secret!' Philip sighed to himself. 'I'll
go and see him the moment I get home.'

  CHAPTER XV

  During the weeks which followed their final scene, Walter and Marjorie lived in relations of a peculiar and unpleasant falsity. They were very considerate to one Another, very courteous, and whenever they were left together alone they made a great deal of polite unintimate conversation. The name of Lucy Tantamount was never mentioned and no reference whatsoever was made to Walter's almost nightly absences. There was a tacit agreement to pretend that nothing had happened and that all was for the best in the best of all possible worlds.

  In the first outburst of anger Marjorie had actually begun to pack her clothes. She would leave at once, that very night, before he came back. She would show him that there was a limit to the outrages and insults she would put up with. Coming home reeking of that woman's scent! It was disgusting. He seemed to imagine that she was so abjectly devoted to him and materially so dependent on him, that he could go on insulting her without any fear of provoking her to open revolt. She had made a mistake not to put her foot down before. She oughtn't to have allowed herself to be touched by his misery the previous night. But better late than never. This time it was final. She had her self-respect to consider. She pulled out her trunks from the box-room and began to pack.

  But where was she going? What was she going to do? What should she live on? The questions asked themselves more and more insistently with every minute. The only relation she had was a married sister, who was poor and had a disapproving husband. Mrs. Cole had quarrelled with her. There were no other friends who could or would support her. She had been trained to no profession, she had no particular gifts. Besides, she was going to have a baby; she would never find a job. And after all and in spite of everything she was very fond of Walter, she loved him, she didn't know how she would be able to do without him. And he had loved her, did still love her a little, she was sure. And perhaps this madness would die down of its own accord; or perhaps she would be able to bring him round again gradually. And in any case it was better not to act precipitately. In the end she unpacked her clothes again and dragged the trunks back to the box room. Next day she started to play her comedy of pretence and deliberately feigned ignorance.

  On his side Walter was only too happy to play the part assigned to him in the comedy. To say nothing, to act as though nothing particular had happened, suited him perfectly. The evaporation of his anger, the slaking of his desire had reduced him from momentary strength and ruthlessness to his normal condition of gentle, conscience-stricken timidity. Upon the fibres of the spirit bodily fatigue has a softening effect. He came back from Lucy feeling guiltily that he had done Marjorie a great wrong and looking forward with dread to the outcry she was sure to raise. But she was asleep when he crept to his room. Or at any rate she pretended to be, she didn't call him. And next day it was only the more than ordinarily courteous and formal manner of her greeting that so much as hinted at any untowardness. Enormously relieved, Walter requited portentous silence with silence and politely trivial courtesy with a courtesy that, in his case, was more than merely formal, that came from the heart, that was a genuine attempt (so uneasy was his conscience) to be of service, to make solicitous and affectionate amends for past offences, to beg forgiveness in advance for the offences he had no intention of not committing in the future.

  That there had been no outcry, no reproaches, only a polite ignoring silence, was a great relief. But as the days passed, Walter began to find the falsity of their relationship more and more distressing. The comedy got on his nerves, the silence was accusatory. He became more and more polite, solicitous, affectionate; but though he genuinely did like her, though he genuinely desired to make her happy, his nightly visits to Lucy made even his genuine affection for Marjorie seem a lie and his real solicitude had the air of an hypocrisy, even to himself, so long as he persisted in doing, in the intervals of his kindness, precisely those things which he knew must make her unhappy. 'But if only,' he said to himself, with impotent complaining anger, 'if only she'd be content with what I can give her and stop distressing herself about what I can't." (For it was obvious, in spite of the comedy of silence and courtesy, that she was distressing herself. Her thin, haggard face was alone sufficient to belie the studied indifference of her manner.) 'What I can give her is so much. What I can't give is so unimportant. At any rate for her,' he added; for he had no intention of cancelling his unimportant engagement with Lucy that evening.

  'Enjoy'd no sooner but despised straight;

  Past reason hunted; and no sooner had,

  Past reason hated.'

  Literature, as usual, had been misleading. So far from making him hate and despise, having and enjoying had only made him long for more having and enjoying. True, he was still rather ashamed of his longing. He wanted it to be justified by something higher--by love. ('After all,' he argued, 'there's nothing impossible or unnatural in being in love with two women at the same time. Genuinely in love.') He accompanied his ardours with all the delicate and charming tenderness of his rather weak and still adolescent nature. He treated Lucy, not as the hard, ruthless amusementhunter he had so clearly recognized her as being before he became her lover, but as an ideally gracious and sensitive being, to be adored as well as desired, a sort of combined child, mother and mistress, whom one should maternally protect and be maternally protected by, as well as virilely and yes! faunishly make love to. Sensuality and sentiment, desire and tenderness are as often friends as they are enemies. There are some people who no sooner enjoy, but they despise what they have enjoyed. But there are others in whom the enjoyment is associated with kindliness and affection. Walter's desire to justify his longings by love was only, on final analysis, the articulately moral expression of his natural tendency to associate the act of sexual enjoyment with a feeling of tenderness, at once chivalrously protective and childishly self-abased. In him sensuality produced tenderness; and conversely, where there was no sensuality, tenderness remained undeveloped. His relations with Marjorie were too sexless and platonic to be fully tender. JIt was as a hard, angrily cynical sensualist that Walter had conquered Lucy. But put into action, his sensuality sentimentalized him. The Walter who had held Lucy naked in his arms was different from the Walter who had only desired to do so; and this new Walter required, in sheer self-preservation, to believe that Lucy felt no less tenderly under the influence of his caresses than he did himself. Tenderness can only live in an atmosphere of tenderness. To have gone on believing, as the old Walter had believed, that she was hard, selfish, incapable of warm feeling would have killed the soft tenderness of the new Walter. It was essential for him to believe her tender. He did his best to deceive himself. Every movement of languor and abandonment was eagerly interpreted by him as a symptom of inner softening, of trustfulness and surrender. Every loving word--and Lucy was fashionably free with her'darlings' and 'angels' and 'beloveds,' her rapturous or complimentary phrases--was treasured as a word come straight from the depths of the heart. To these marks of an imaginary softness and warmth of feeling he responded with a grateful redoubling of his own tenderness; and this redoubled tenderness was doubly anxious to find an answering tenderness in Lucy. Love produced a desire to be loved. Desire to be loved begot a strained precarious belief that he was loved. The belief that he was loved strengthened his love. And so, self-intensified, the circular process began again.

  Lucy was touched by his adoring tenderness, touched and surprised. She had had him because she was bored, because his lips were soft and his hands knew how to caress and because, at the last moment, she had been amused and delighted by his sudden conversion from abjectness to conquering impertinence. What a queer evening it had been! Walter sitting opposite to her at dinner with that hard look on his face, as though he were terribly angry and wanted to grind his teeth; but being very amusing, telling the most malicious stories about everybody, producing the most fantastic and grotesque pieces of historical information, the most astonishing quotations from old books. When dinner was o
ver, 'We'll go back to your house,' he said. But Lucy wanted to go and see Nellie Wallace's turn at the Victoria Palace and then drop in at the Embassy for some food and a little dancing, and then perhaps drive round to Cuthbert Arkwright's on the chance that...Not that she had any real and active desire to go to the music hall, or dance, or listen to Cuthbert's conversation. She only wanted to assert her will against Walter's. She only wanted to dominate, to be the leader and make him do what she wanted, not what he wanted. But Walter was not to be shaken. He said nothing, merely smiled. And when the taxi came to the restaurant door, he gave the address in Bruton Street.

  'But this is a rape,' she protested.

  Walter laughed. 'Not yet,' he answered. 'But it's going to be.'

  And in the grey and rose-coloured sittingroom it almost was. Lucy provoked and submitted to all the violences of sensuality. But what she had not expected to provoke was the adoring and passionate tenderness which succeeded those first violences. The hard look of anger faded from his face and it was as though a protection had been stripped from him and he were left bare, in the quivering, vulnerable nakedness of adoring love. His caresses were like the soothing of pain or terror, like the appeasements of anger, like delicate propitiations. His words were sometimes like whispered and fragmentary prayers to a god, sometimes words of whispered comfort to a sick child. Lucy was surprised, touched, almost put to shame by this passion of tenderness.