Birdy
Birdy’s always making bird models. He makes them with balsa wood and paper the way you make a model airplane, only his are bird designs with rubber-band power to make the wings flap up and down. Some of them are complicated, with wings that rotate so they twist vertically on the up stroke and horizontally on the down. He’s actually gotten some of them to fly. Trouble is, none of them fly as far as a regular model airplane; it takes too much rubber-band time to flap the wings for any kind of long flight.
– Boy, you really fell like a ton of bricks for that crappy map, Birdy.
The message part has all kinds of complicated directions, like from this tree to that rock, all that treasure map talk. It leads us to a wall where we’re supposed to find another message. Birdy eats it up; Christ, he’ll believe anything. He’s talking about how he’s going to build a giant aviary with his money. I almost give away the whole thing; I don’t want to hurt Birdy, I’m just having a joke and getting my English homework done.
We go down that night. It’s raining like hell. I try getting Birdy to postpone but nothing can stop him. He believes things so hard he’s getting me to believe; I almost expect to actually find some treasure myself.
We tromp around in the dark, sopping wet, no flashlights. Birdy’s leading me to a treasure I didn’t put there. We do find the old tobacco can where I hid the second message; it’s shoved between stones of the Cosgrove ruin, beside where the fireplace used to be. Birdy slips it into his pocket and we hightail out of there and run all the way back to his house. We go in through the cellar so nobody’ll see us. Birdy’s a little runt but he runs like the wind.
We sneak back up to his room again and spread out the new map. I’ve used the same code and burnt off a part of the writing but left enough for us to figure out it’s a treasure map. There’s an X to mark the spot. Birdy wants to go straight out again. I talk him into going the next night. We need proper tools and stuff. I’m wishing I’d never started the whole damned thing. I’m sorry I don’t have some kind of treasure to bury for Birdy to find.
The treasure is supposed to be buried at the north-east corner of the old barn ruin. This is all said in treasure talk again so we have to figure it out. I help Birdy over some hard parts but he gets most of it himself. He deserves a treasure all right.
We agree to get together after supper when it’s dark. I have no trouble getting out, but Birdy has a fancy plan with a dummy in his bed and a way to lock his door from inside. He could probably just say he was coming over to my place but he’s deep into the treasure business. The Tom Sawyer of Upper Merion.
We have a shovel and he has a compass and a string and I bring along my twenty-two just in case. Naturally, it’s started raining again. Didn’t rain all day but now it’s pouring. It’s a thick, dark night. We go across center field, down the hill behind the flagpole and along the path leading to the Cosgrove barn. It’s late fall, past my birthday, so there isn’t much grass or bushes. Summer, you can hardly get into this part; wouldn’t even know the old walls are there.
I didn’t come down here when I made the map. I just made up the spot, ‘north-east corner of barn’. It runs out, with a compass, there is a north-east corner. Turns out, eerily, that there’s a slight depression in the ground right where the X should be. I’m ready to dig for gold myself. Maybe I’m getting messages from the other world. Maybe old man Cosgrove’s been getting through to me. Everybody always says Cosgrove buried his money. For years people used to dig around here hoping to find some of it.
We start digging, taking turns every five minutes. I’m torn between laughing my balls off and shitting my pants. Birdy’s dead serious, checking my watch to see I don’t get more’n my share of digging. He’s digging when he hits something. ‘That’s it!’ he says. I’m turning green. What if there is a treasure; it’s too spooky. He digs like mad, clears a corner of something made out of metal. I start digging on my turn and turn it up finally. It’s an old can of motor oil. I laugh; I figure now’s the time to tell him. I’m mud up to my ass and wet. We’re getting into clay and it’s slippery. Digging in the dark when you can’t even see the rocks you clink against is no fun.
‘There isn’t any treasure, Birdy, I made the whole thing up.’
He takes the shovel and starts digging again.
‘Christ, no sense digging anymore, Birdy, there isn’t any treasure here! I made up the map and everything. I did it as a school project.’
Birdy keeps on digging.
‘Aw, come on, Birdy. Let’s go home and get dry.’
Birdy stops, looks over at me. Then he says he knows the treasure is here and we shouldn’t give up. It’s got to be here and I only think I made up the map. That’s too much. I tell him he’s crazy and I’m leaving. He keeps digging. I stand around another five minutes, then take off. He’s still digging madly, not saying anything.
I don’t see Birdy for another two or three days. I decide not to write about the treasure hunt for school. I go down to where we’d been digging and there’s a hole at least six feet deep, deep as a grave. I don’t know how the hell Birdy got out of the hole when he was finished.
When I finally do see Birdy again, we don’t talk about the treasure hunt at first. A few days later, Birdy says he figures somebody got to it before us; that’s why the ground was sunk in like that. He still won’t believe I made it all up; even when I tell him how I did it. He only gives me one of his crazy eye-wiggling looks.
I want to think to make real this that I know and can’t hold. I’m pulled down. The earth in me is strong; the drifting dust is in my bones.
We get such a good business going, selling pigeons, we decide to go out and get some birds ourselves. That’s what we were doing up on the gas tank that night. It’s a big storage tank at Marshall Road and Long Lane. This is a place where several different flocks of pigeons roost and nest.
– How about us up on top of the gas tank, Birdy. That was wild. That night you almost convinced me you might just be part bird.
Damn; he’s not paying any attention to me at all.
– Listen here, birdbrain! I’m tired talking to the back of your head; you can’t be that crazy! Maybe if I come in and give you a coupla hard ones you’ll hear better!
Crazy ass thing to say; anybody hear me, they’d lock me up too. Anyway, Birdy’s not afraid of things people are supposed to be afraid of. No way you can make him do something he doesn’t want. No way to hurt him; like he just doesn’t feel anything he doesn’t want to. Typical of what I mean is the way I met Birdy.
Mario, my kid brother, comes in and tells me this freak down at the Cosgrove place took his knife. I ask him where he got the knife; he tells me he found it. I figure he stole it but I’m always looking for fights anyway. I’m naturally strong and I’ve already started lifting weights; have my own miniature gym down in the cellar. I’m walking around squeezing spring things to increase my grip; reading Strength and Health; York, Pennsylvania, is a kind of Mecca for me. I start all this crap when I’m only about eleven – probably because the old man used to beat me up so much. Anyway, I’ve got all this strength and I want to try it out with fights.
I’m just starting these crazy ideas when Mario tells me about Birdy taking his knife. I’m thirteen. Birdy must be all of twelve. I see us in my mind as older, not as little punks like that.
I go down and walk across the ball field. I’m wearing my new brown leather jacket and Mario’s tagging along behind me. He shows me the place. I lean over the gate in the wall and Birdy’s sitting on the steps of his back porch cleaning off the knife. I tell him to come over. He comes with a look on his face as if he’s glad to meet me.
Living things grow upward but are not free. The highest branches trap air and light but only feed endless grindings of earth. Growth itself is without meaning.
I tell him to give me the knife. He says it’s his; says he bought it from a kid named Zigenfus. He tells me I can check with this Zigenfus if I want. I ask him to let me see the knife. He
gives it to me. We’re talking over the wooden gate in the wall to his house. It’s the wall of the baseball field.
I see right away this is a really good knife, a switchblade. I try to work it. Tricky kind of catch and spring; seems to be broken. Birdy reaches over to show me how it works. I pull the knife away and tell him to keep his crummy hands off my knife. He looks at me with his wiggly eyes as if I’m nuts. I turn and start walking away with Mario. He opens the gate and comes after us. We keep walking. He gets in front of us, walking backwards, and asks for his knife. I stop. I hold it up. ‘This knife?’ I say. ‘Try and take it.’ He reaches for the knife. I’m holding it up in my left hand so I can give him a good one with the right. Somehow I miss, and he gets hold of the knife. I snatch the knife out of his hand. I hold it up and he reaches again. I swing and miss again. His head is right there, but by the time my fist gets to that place, he’s gone. I swear he moves after I start the punch. I put the knife in my pocket so I can use both hands; I figure I’m really going to massacre this fool. He keeps reaching for the pocket. He’s always there and I keep swinging but can’t hit him. I start trying to set him up. Nothing doing; it’s like I’m doing everything in slow motion and he’s at full speed. He’s not doing anything like bobbing and weaving; he just moves away from the place I hit at, the way you’d step from in front of a car.
I decide to grab him. If I have to, I’ll put him on the ground where he can’t move, then clobber him. Mario’s not saying anything. Next time Birdy reaches in for the knife, I step forward and get a good headlock on him. I bend to throw him over my leg and he’s gone. The feeling is exactly the way it feels when a snake slips out of your hand. He squirmed or vibrated.
I try everything. I try tackling him. I try getting him in a bear hug. I try another headlock. Nothing holds him.
Later, when Birdy switches to old U.M. High, I want him to go out for wrestling but he won’t do it. The only exception is one time when we have an intramural competition and there’s nobody to wrestle against Vogel at a hundred thirty-five. Vogel is district champ; Birdy says he’ll suit up to fill in.
The whole school is out to see the match; intramural sports are a big thing at U.M. At the opening of the first period, Vogel misses the takedown a couple times, then he dives at Birdy. Birdy steps aside and falls on Vogel for a takedown. Birdy can’t weigh more than one twenty-five soaking wet. Vogel’s getting mad. He tries to roll. Birdy slips loose and lets Vogel roll alone onto his back. All Birdy has to do is flop on him, hold him down and he has a pin, or at least a near pin. Birdy stands up and smiles down at Vogel. Vogel scrambles for an escape. Birdy has two points for the takedown and Vogel one for the escape.
Same thing happens again and Birdie has another two points for takedown. Vogel escapes again just at the end of the period. Score: Birdy four, Vogel two. The crowd’s beginning to laugh; everybody’s rooting for Birdy. Birdy’s walking around looking goof y as ever, the wrestling suit hanging all loose on him.
The second period starts in referee position with Vogel on top. He really hunkers in on Birdy. Birdy’s not even looking at anything, just smiling to himself. I figure this is where Birdy gets pinned. Vogel’s a strong kraut bastard; he’s all red in the face he’s so mad.
The ref slaps his hand on the mat and calls ‘wrestle’. Vogel pulls Birdy’s arm for a breakdown and somehow, I don’t know what he did, some kind of forward roll, but Birdy’s standing and Vogel’s there all alone on the mat. Jesus, the crowd breaks up. Vogel’s on his hands and knees like an old bear, and Birdy is standing, looking down at him.
Vogel charges across the mat at Birdy. He fakes going into a wrestle position, then goes down for a leg drop. Birdy twists around and winds up sitting on Vogel’s head. It’s too much. I get so excited I bump my knee into the back of the guy in front of me. He has a sharp pencil in his hip pocket. The point jams into my knee and sticks there. I still have the mark; souvenir of the day Birdy beat the district champion hundred thirty-five pounder. Beat him twelve to six on points, didn’t even work up a sweat. Vogel’s so pissed he spends all season trying to make up for it. He just misses being state champion by two points; gets beaten in the final at Harrisburg.
When brought to meaning, all importance becomes small, as in death, all life seems nothing. Knowing is destroyed by thinking, not destroyed but sterilized; distilled into knowledge. Thinking, the processing of knowing to knowledge.
Finally, I’m puffing so from trying to catch Birdy I straighten up and look at him. He smiles at me. He’s still playing games. He wants his knife all right but he’s not mad at me. I’m just the long arm of fate. I take out the knife. I open it slowly to scare him. I go into a crouch like I’m going to kill him. He stands there watching me. I begin to suspect there’s no way I can get him with that knife, even if I want to. Throw it and he’s liable to reach into the air and catch it. I begin to see how funny the whole thing is. Mario’s still standing there. I throw the knife into the ground at Birdy’s feet. Birdy picks it up. He cleans it, closes it, then walks over and gives it to Mario. He says if it’s really his knife, he can have it. Says, maybe Zigenfus found it, or stole it, and maybe it’s Mario’s all the time. I tell Mario not to touch the fucking knife. I take it from Birdy, then give it back to him. I feel like General Lee surrendering his sword. That’s when Birdy asks me if I like pigeons and invites me into his yard to look at the loft he’s building. Mario goes along home and Birdy and I get to be friends.
– Birdy, you know you could’ve been state champion if you wanted to. You could’ve wrestled all those shrimps at a hundred twenty-five without even trying. Could’ve broken all kinds of track records too.
We’d sit across the street on Saturdays watching pigeons on the gas tank. Birdy has great binoculars he got at a pawn shop. They’re perfect for watching pigeons. We’d watch all day, taking turns and eating hoagie sandwiches we bought on Long Lane.
Birdy makes drawings of the pigeons. Birdy’s always drawing pigeons or any kind of bird, the way other guys draw hot rods, or motorcycles, or girls. He draws details of feathers or feet and he makes drawings of birds like blueprints, with arrows and top views and side views. When he sets himself to draw a pigeon like a pigeon, he can do that too. One of the things Birdy is, is an artist.
One day some cops sneak up on us. They say we’re peeping into people’s windows with the binoculars and they’ve had complaints. People are nuts. By luck, Birdy has a lot of his bird drawings and we say we’re making a report for school. This is something even a cop can understand. He’s going to have a hard time explaining to some lady why we’d rather look at pigeons than peep through her window and watch her pee.
There are a few good strays in those flocks at the gas tank and we want to get some. Birdy, most likely, could’ve talked them into his pocket, but we’re both sold on the idea of climbing that tank. It has to be done at night when the pigeons are roosting. There’s a fence and a night watchman but we’ve been checking and know where to go over.
It’s hard for me to do this. I must kill each bird, defeather it, disembowel it, for one bite. I must. I am hungry; I starve for knowledge. My brain spins in knowing. We trade all for knowledge.
We use our rope ladder with the hook to throw up and pull down the bottom section of the ladder on the back side of the tank. I go first; we both have gunny sacks to put birds in. We have flashlights, too, so we can see the birds and choose the ones we want.
We get to the top OK. There’s a fantastic view up there; we pick out the Tower Theater and lights going all the way into Philadelphia. We sit up there and promise ourselves we’ll come up again sometime just to watch the stars. That’s something we never get to do.
Scary as shit catching birds. We have to reach over the edge into the slits on the tank where the pigeons roost. I try it first with Birdy holding my legs, but I can’t make it. The top of the tank slants to the edge and you have to lean out so your shoulders’re clear over. I can’t get myself to do it. No matter h
ow strong you think you are, there’re some things you can’t make yourself do.
Birdy doesn’t mind at all. He reaches under and hands them to me. If they’re junk, I hand them back; good ones I shove in the bag. We go all around the tank, stopping and checking whenever we hear pigeons. First time around, we get about ten reasonable birds that way.
Birdy says there’re more good ones in the next slit down. He shimmies out till he’s practically hanging from his waist over the edge. I put the bag of birds down and sit on his feet to keep him from flipping over. I’m ready to quit. It scares me just sitting on his feet that close to the edge. He’s leaning out so far now he can’t hand the birds back, so he takes another bag to put them in directly. I figure we’re liable to get all kinds of crap with Birdy choosing, but we can always let them go later.
That’s when there’s a clatter, and some pigeons flap in the dark behind me. I look around and see two birds getting out of the bag. Without thinking, I lean back to shut the bag. Birdy’s legs swing up in front of me and over the edge!
There’s a rush and pigeons fly out and up into the dark. I’m scared shitless; I wait, afraid to move. I have a feeling the whole tank is rocking. Nothing happens. I slide on my stomach toward the edge. Birdy’s clinging to the slits. He still has the gunny sack over his arm. He looks up and gives me one of his loose smiles. He holds out a hand.
‘Gimme a hand up, Al.’
I reach out but can’t make myself lean far enough out to grab him. I close my eyes but then I get dizzy and I’m about to fall off. He takes his hand back and shifts his grip. He tries to leg up over the edge of the tank but can’t make it. I’m beginning to shake.
‘I’ll go get somebody, Birdy!’