Witch Catcher

  "Have a seat, Jen." Moura motioned toward a chair. Her lips curved briefly into a smile that didn't reach her strange eyes. Somehow she made me feel unwelcome without being anything but polite.

  Reluctantly, I slid into the seat and sat there tongue-tied with discomfort, the third person, totally unnecessary. Dad patted my hand, but I had a feeling he wished I hadn't interrupted the conversation.

  Cadoc lay at Moura's feet, his head resting on her sandals. When he saw me. he raised his head and stared with eyes as pale and cold as his mistress's. Although he didn't growl, I moved my chair away, ready to run if he so much as opened his mouth. I was glad Tink hadn't followed me downstairs.

  Moura patted the dog's head. "Cadoc won't hurt you, Jen," she said. "Come closer."

  Feeling childish, I forced myself to do as she said. Her perfume was strong, cloying. It made my head ache just to sit near her. And her eyes ... When she looked at me, I wished she'd kept her glasses on.

  "Cadoc," Moura said, "this is Jen."

  The dog sat up and extended a paw for me to shake. I took it gingerly, feeling the hard claws housed in soft fur and velvety footpads. "Pleased to meet you," I lied.

  The introduction finished, I backed away from Moura and her dog, relishing the distance from both of them.

  "Isn't he amazing?" Dad asked me. "Moura has trained that dog perfectly."

  I nodded, but I was glad to see Cadoc lie down again.

  "Perhaps we could take a walk with Cadoc one fine day," Moura suggested to me. "I know a lovely path by the river."

  Dad went on for a while about how much fun it would be to ramble through the woods with the scariest dog I'd ever seen. Of course, he didn't think Cadoc was scary. No, he was Moura's dog and just as perfect as she was.

  During a lull in the conversation, I asked Moura what she thought of Great-Uncle Thaddeus's things.

  She smiled. "The house is full of treasures—paintings, sculpture, porcelain, silver, old books. If your father wants to sell his great-uncle's possessions, he'll be a rich man indeed. Why, the dining-room furniture alone is worth at least fifteen thousand dollars."

  I stared at her, absolutely amazed. "Who on earth would pay that much for old furniture?"

  "Collectors," Moura said, "dealers, maybe even a museum. The set is solid walnut, handcrafted, and in perfect condition."

  I turned to Dad. "Are you going to sell it?"

  He shrugged. "Maybe, maybe not. We just moved in, Jen. I want to live with Uncle Thaddeus's things for a while before I make any decisions."

  When Dad paused to sip his tea, Moura turned to me, her eyes keen. "I was expecting to find something I was told your uncle owned," she said slowly, "but I didn't see it anywhere."

  "What were you looking for?" I asked.

  "A glass globe, about this big." Moura cupped her hands to show me. "It's decorated with a swirling pattern of colors. There's a little spout on one side and a loop at the top so it can be hung in a window."

  While Moura described my globe, I drank my tea silently. I didn't dare look at my father for fear I'd give myself away. The globe was mine. I'd found it, and I wasn't going to give it to anyone—especially Moura.

  "Some people call it a sun catcher," Moura went on, "but its original name was witch catcher. In the old days, superstitious people believed the pretty pattern in the glass had the power to draw witches and other evil creatures through the spout and into the globe. Trapped inside, the witch was powerless."

  "Is that right?" Dad leaned toward Moura, amused by her story.

  More worried than amused, I studied the tea leaves in my cup, wishing I could tell my own fortune. I was haunted by the girl I'd seen in the painting, her hands pressed against what I'd thought was a glass wall. Had Great-Uncle Thaddeus captured a witch in that globe? Was she at this very moment hidden in my closet?

  Moura smiled her strange smile. "Well, it's certainly true that the globes were called witch catchers, and people hung them in their windows to protect themselves." She stared for a moment into her own teacup, her long slender fingers curved around the fragile china. "Today witch catchers are valued for their beauty, but I find their history fascinating. Suppose the old superstitions are true and witches actually are held captive in those pretty globes? Suppose you broke one and the witch escaped?"

  As she spoke, Moura gazed directly at me. Her voice was light, even playful, but the expression in her eyes was anything but humorous.

  I shrugged and looked away. If Moura thought she could scare me into confessing I had the trap, she was mistaken.

  "Nonsense," Dad said with a laugh. "These days, you won't find witches roaming the countryside just waiting to be trapped in glass globes."

  "You'd be surprised," Moura said in a voice so low Dad didn't seem to hear. But I did. Maybe because she was looking at me, not my father. Despite myself, I shivered. Was she warning me? Or just trying to scare me?

  "I have a client who collects witch catchers," Moura went on in a normal voice. "He's most anxious to acquire another. I know for a fact he's willing to pay several hundred dollars for the one your uncle owned."

  Her head swung toward me, and her long hair swirled around her pale face. "Have you seen the globe, Jen?"

  Taken by surprise, I shook my head. Near my feet Cadoc stirred and sighed, his breath warm on my leg.

  "We haven't explored the tower," Dad said. "Maybe Uncle Thaddeus kept it up there."

  "There's nothing in the tower," I said. "You told me so yourself."

  "Would you mind if I had a look?" Moura asked.

  "We'll all go," Dad said. 'Jen's dying to explore the place."

  "But you told me it's not safe," I reminded him. "You said it was about to fall down."

  Dad laughed. "Goodness, Jen, I didn't think you believed anything I told you."

  He meant it as a joke, but his words stung. Sarcasm wasn't Dad's style.

  "I'm sure the tower's perfectly safe," Moura said, apparently missing both the joke and the sarcasm. Getting to her feet, she reached for her glasses.

  Reluctantly, I followed Dad and Moura outside. Cadoc ran gracefully ahead, his long, lithe body stretching as if his bones were strung together with elastic.

  The first thing Dad noticed, of course, was the broken lock. He turned to me and frowned. "Do you know anything about this, Jen?"

  "A burglar could have done it last night," I said, choosing my words carefully. Not a lie, but not quite the truth, either.

  Dad stared at me, his eyes filled with suspicion. "What thief would come all the way out here just to break into this old ruin?"

  Moura surprised me by saying, "Jen may be right, Hugh. We've had several robberies lately. Probably teenagers with nothing else to do."

  Dad obviously didn't want to argue with Moura, but I could tell he wasn't convinced I was being truthful. Without saying more, he shoved the door open, letting out a whiff of dank, moldy air. Moura stepped back, her nose wrinkled in distaste.

  Dad smiled. "The tower's been closed for so long, it's no wonder it smells bad. Once we get to the top, you won't notice the odor."

  When Moura hesitated, Dad took her arm. "Come on, Moura. Where's your sense of adventure?"

  Cadoc ran up the winding stairs, ahead of us all. Moura allowed Dad to lead her across the threshold and up the creaky old stairs, but the expression of distaste stayed on her face.

  Unfortunately, I hadn't thought to straighten up before I'd left. The chair stood on the table where I'd put it. Worse yet, the dust was marked with footprints, clearly showing the ridges on the soles of my running shoes.

  Dad frowned at me. "Someone's been up here," he said. "With feet just about the size of yours. How do you explain that, Jen?"

  Moura surprised me again by laughing. "Children will be children," she told Dad. "They're as curious as cats. And just as devious."

  "Let's hope they have nine lives as well." Dad gave me a look that plainly said I'd hear more about this later.

  Pretendin
g indifference, I watched the two of them search the room. Dad bumped his head on a low rafter. Moura coughed. A pigeon took wing from a rafter and flew out a broken window. Mice scurried from one hiding place to another. Cadoc made no move to chase them. He seemed more interested in prowling about, sniffing at things.

  When they'd looked in all the obvious places, Dad turned his attention to his great-uncle's paintings, but Moura came to me. "You're sure you didn't see the witch catcher, Jen? It might have been hanging in one of the windows."

  I gave Moura the sweet look that worked so well with my teachers. "I didn't stay up here very long. The dust bothered me." As proof, I covered my mouth and coughed.

  "But why is the chair on the table?" Moura asked. "Was there something up there that you were trying to reach?"

  I shrugged. "I wanted to see out the window better."

  Moura continued to study me, her eyes hidden behind those tinted glasses. No trace of her earlier smile lingered on her lips.

  I drew away, not wanting her to see how uncomfortable she'd made me. Somehow she knew I had the glass globe. Not guessed. Knew. And it scared me.

  With a sigh, Moura touched Dad's arm. "I think we've seen all there is to see up here," she said.

  "Before we go, take a look at these," Dad said. "They remind me of those strange old Victorian paintings of fairies."

  An odd look crossed Moura's face, but it was gone before Dad saw it. "Oh, yes," she said quickly. "Do you realize that most of the artists were lunatics? Some were incarcerated in insane asylums." She laughed. "That's where believing in fairies leads—straight to Bedlam."

  Dad nodded, too absorbed in the paintings to hear the tension in her voice and laugh.

  Her face half in shadow, Moura turned to me. "According to legend, fairies aren't the dear little creatures you imagine them to be. On the contrary, they are malicious, spiteful, and completely untrustworthy."

  Her soft voice concealed a warning meant for me. Danger tingled in the very air around us. But danger from what? Fairies? Hie globe hidden in my closet? I drew closer to my father, comforted by his everyday ordinariness.

  Pointing to the painting on the easel. Dad said, "This girl certainly has an unearthly quality. Is she good or evil?"

  "Wicked beyond imagining." A flash of hatred crossed Moura's face—gone, of course, before Dad noticed. "Look at her eyes, the curious slant, the malice in their depths. She's a fairy I wouldn't want to meet in a dark wood."

  "How about you, Jen?" Dad asked. "What do you think? I can't quite make up my mind about her."

  "She looks scared," I whispered. "Not evil."

  Moura removed her glasses and contemplated me, her head tilted so that her hair fell straight and shiny to one side. "Children," she murmured. "So naive, so unaware of danger. They truly need to be protected from themselves."

  Unnerved by her disdainful gaze, I took a step backward and almost stumbled over Cadoc. He raised his head and growled softly, as if he, too. were warning me. I didn't know which one scared me more—the hound or his mistress.

  With a smile, Moura turned back to Dad. "The same client who collects witch traps has a keen interest in fairy lore. Shall I tell him about these paintings? He'd be willing to pay a great deal for them."

  Dad hesitated before he answered. "I'm not sure I want to part with them just yet," he said at last. "But if your client wants to look at them, I have no objection."

  Taking the paintings with him, Dad led the way downstairs with Moura behind him, her long skirt flowing. Cadoc followed, close at her heels. I brought up the rear, allowing plenty of distance between myself and the dog.

  At the bottom of the steps, I lingered in the tower doorway and watched Dad and Moura walk across the lawn, their heads close, talking softly. Cadoc loped in circles around them, as lean and graceful as a greyhound but far more menacing.

  When I caught up with them, I heard Moura tell Dad, "I'm sorry I can't accept your invitation. I have a business engagement this evening. Perhaps tomorrow night?"

  Dad's face brightened. "That will be even better. I'll have more time to plan a great dinner for you."

  Moura waved to Dad and me and got into her car. Cadoc made himself comfortable in the passenger seat, and off they went, leaving a cloud of dust behind.

  As soon as the car was out-of-sight, Dad turned to me.

  "I'm disappointed in you, Jen," he said. "Not only did you go into the tower, but you lied about it. Worse yet, I have a feeling you know exactly where that witch catcher is."

  Ashamed to meet his eyes, I looked at the ground and shook my head. Even though it upset me to lie to my father, I had no intention of giving the glass globe to Moura. I enjoyed knowing I had something she wanted.

  That night, I retrieved the globe from its hiding place and stared into the glass. I saw nothing. No witch. No evil spirit. It was all nonsense anyway. How could a full-size witch be sucked into a glass globe no bigger than a softball?

  I strung a green ribbon through the loop at the top and tied the ribbon around my curtain rod. The globe spun slowly in the night breeze, catching light from the moon. link watched the globe turn, his eyes big. He rose on his hind legs as if he longed to bat it back and forth like one of his toys.

  "Oh, no, you don't." I scooped him up, and he snuggled against me purring, his eyes fixed on the globe.

  The breeze blew harder, and the globe spun faster, casting its pattern of delicate blues and greens and violets faintly on the moonlit floor. An insect buzzed loudly—a cicada hidden in the ivy draping my window, I guessed.

  Suddenly, Tink twisted out of my arms and leapt at the globe as if he meant to knock it down.

  "No!" I shouted and gave him a light spank on his side. He hissed at me and ran under the bed.

  I knelt down and peered at him, almost invisible in the shadows. "I'm sorry, Tink," I whispered. "I was afraid you'd break it—and let the witch out."

  I was joking, but he growled at me, his tail twice as big as usual.

  "Tink!" I reached for him, but he growled again, louder this time. "What's the matter with you? Are you afraid of that cicada?"

  I reached for him again but got the same grumpy response. "Okay, stay there. See if I care, silly old cat."

  I slid under the covers and turned out the bedside lamp. The cicada cried louder, buzzing as if it were in my room, not in the ivy outside the window.

  Drowsily, I watched the witch catcher turn this way and that, subject to every whim of the breeze. The glass seemed to glow with a greenish light, as if it caught moonlight as well as sunlight. A moon catcher, I thought, liking that better than witch catcher.

  Slowly I slid into a deep sleep full of strange dreams. In the first, I was alone in a dark forest. Tall trees loomed over me, hiding the sky. There was no movement, no sound; not one leaf stirred, yet I sensed someone watching me. I turned slowly, fearfully, but saw nothing. I walked farther. The mossy ground was soft and damp. My feet sank into it, making no noise but releasing the smell of decaying leaves. I was frightened. I tried to run, but the soft ground held me back.

  Suddenly, not very far ahead, Moura stepped out from behind a tree, her face like the moon, her clothes like the night, her glasses trapping darkness. "Give me the witch catcher, Jen," she said in her soft voice. "I know you have it."

  I looked at my cupped hands. Though I hadn't noticed it earlier, I was holding the globe. An odd green light seeped through my fingers, and the glass warmed my skin.

  Moura came closer, taller and more menacing with each step. Her neck lengthened, her body thinned. A black gown clung to her body in a scaly pattern. "No games," she whispered. "You don't know who I really am. You don't know what I can do. Foolish girl, you don't even know what you hold in your hands."

  I tried to call for help but could do no more than gasp. The globe grew wanner, its light shone brighter, and it moved in my hands like an egg about to break open.

  "Give it to me quickly!" Moura grabbed my hands and tried to take the
globe. Its heat burned her fingers, and she sprang back with a curse. Dropping to the ground, she took the shape of a long black snake.

  Just as she reared to strike, the dream changed, and I was alone in the tower. The moon shone through the tiny windows, illuminating the painting of the girl's face. Suddenly, the leaves behind her stirred and rustled. Turning her strange eyes to me, she pressed her hands against the canvas as if she were trapped behind a wall. "Help me!" she cried. "Please help me."

  Terrified, I backed away and tripped on something long and sinuous. The snake slithered across the tower floor behind me. But I wasn't what it wanted this time. Its attention was focused on the girl in the painting.

  "Help me," the girl begged again as the snake coiled around the base of the easel.

  But I could do nothing, neither move nor speak. Para lyzed, I watched the snake rise higher and strike the painting. At the same moment, a flock of crows smashed through the window, exploding into the room, filling it with wild cries, sharp beaks, and black feathers. The serpent fled, the crows swooping after it.

  The girl was a painting again. The leaves were still and so was she. I was alone in the dark, silent tower.

  I woke suddenly with the image of the girl's face before me. In my bedroom window, the witch catcher sparkled in the morning light. Tink perched on the windowsill beneath it, watching the globe intently, his ears pricked as if he heard something.

  While the cat watched, I carried the globe back to its hiding place in my closet. Still under the sped of my dream, I almost expected it to feel warm in my hands, to glow and pulsate, but its glass surface remained cool.

  5

  AFTER BREAKFAST, DAD suggested a trip to Mingo. Since he'd seen Uncle Thaddeus's paintings, he had an itch to buy some art supplies and start working on his own pictures. He also had to buy food for tonight's dinner.

  "There's a little ice cream parlor you might enjoy," he added.

  Mingo wasn't exactly a mecca for shopping. The only store that sold art supplies was a small place called Crafty Corners. I followed Dad inside and looked at scrapbook supplies while he talked to a woman with long silvery blond hair pulled back in a careless knot. She had a nice smile, and she seemed happy to show Dad a small display of acrylic paints, drawing tablets, and brushes.