Ripper
Dedication
To William C. Gordon, my partner in love and crime
Contents
Dedication
Mom is still alive, but
January
Monday, 2
Tuesday, 3
Wednesday, 4
Thursday, 5
Saturday, 7
Sunday, 8
Monday, 9
Tuesday, 10
Wednesday, 11
Friday, 13
Sunday, 15
Monday, 16
Friday, 20
Sunday, 22
Wednesday, 25
Thursday, 26
Saturday, 28
Monday, 30
Tuesday, 31
February
Thursday, 2
Saturday, 4
Sunday, 5
Tuesday, 7
Friday, 10
Saturday, 11
Monday, 13
Tuesday, 14
Thursday, 16
Friday, 17
Saturday, 18
Sunday, 19
Monday, 20
Friday, 24
Saturday, 25
Tuesday, 28
March
Friday, 2
Sunday, 4
Monday, 5
Friday, 9
Sunday, 11
Saturday, 17
Monday, 19
Saturday, 24
Monday, 26
Saturday, 31
April
Sunday, 1
Tuesday, 3
Wednesday, 4
Thursday, 5
Friday, 6
Saturday, August 25, 2012
Acknowledgments
About the Author
Also by Isabel Allende
Copyright
About the Publisher
Mom is still alive, but she’s going to be murdered at midnight on Good Friday,” Amanda Martín told the deputy chief, who didn’t even think to question the girl; she’d already proved she knew more than he and all his colleagues in Homicide put together. The woman in question was being held at an unknown location somewhere in the seven thousand square miles of the San Francisco Bay Area; if they were to find her alive, they had only a few hours, and the deputy chief had no idea where or how to begin.
They referred to the first murder as the Case of the Misplaced Baseball Bat, so as not to insult the victim by giving it a more explicit name. “They” were five teenagers and an elderly man who met up online for a role-playing game called Ripper.
On the morning of October 11, 2011, at 8:15 a.m., the fourth-grade students of Golden Hills Elementary School raced into the gym to whistle blasts from their coach in the doorway. The vast, modern, well-equipped gym—built using a generous donation from a former pupil who had made a fortune in the property market before the bubble burst—was also used for graduation ceremonies, school plays, and concerts. Normally the fourth-graders would run two laps around the basketball court to warm up, but this morning they came to a shuddering halt in the middle of the hall, shocked by the grisly sight of a man sprawled across a vaulting horse, his pants pooled around his ankles, his buttocks bared, and the handle of a baseball bat inserted into his rectum. The stunned children stood motionless around the corpse until one nine-year-old boy, more daring than his classmates, bent down, ran his finger through the dark stain on the floor, and realized that it was not chocolate but congealed blood; a second boy picked up a spent bullet cartridge and slipped it into his pocket, intending to swap it during recess for a porn magazine, while a girl filmed the scene on her cell phone. Just then the coach bounded over to the little group of students, whistle trilling with every breath, and, seeing this strange spectacle—which did not look like a prank—suffered a panic attack. The fourth-graders raised the alarm; other teachers quickly appeared and dragged the children kicking and screaming from the gym, followed reluctantly by the coach. The teachers removed the baseball bat, and as they laid the corpse out on the floor, they noticed a bullet hole in the center of the victim’s forehead. They covered the body with a pair of sweatpants, closed the door, and waited for the police, who arrived precisely nineteen minutes later, by which time the crime scene had been so completely contaminated it was impossible to tell what the hell had happened.
A little later, during the first press conference, Bob Martín announced that the victim had been identified as one Ed Staton, forty-nine, a school security guard. “Tell us about the baseball bat!” a prurient tabloid journalist yelled. Furious to discover that information about the case had been leaked, which was not only humiliating to Ed Staton but possibly damaging to the reputation of the school, the deputy chief snapped that such details would be addressed during the autopsy.
“What about suspects?”
“This security guard, was he gay?”
Deputy Chief Martín ignored the barrage of questions and brought the press conference to a close, assuring those present that the Personal Crimes Division would keep the media informed of all pertinent facts in the investigation now under way—an investigation he would personally oversee.
A group of twelfth-graders from a nearby high school had been in the gym the night before, rehearsing a Halloween musical involving zombies and rock ’n’ roll, but they did not find out what had happened until the following day. By midnight—some hours before the crime was committed, according to police—there was no one in the school building. Three teenagers in the parking lot, loading their instruments into a van, had been the last people to see Ed Staton alive. In their statements they said that the guard had waved to them before driving off in a small car at about twelve thirty. Although they were some way off, and there was no lighting in the parking lot, they had clearly recognized Staton’s uniform in the moonlight, but could not agree on the color or make of the car he was driving or whether anyone had been in the vehicle with him. The police quickly worked out that it was not the victim’s car, since Staton’s silver-gray SUV was parked a few yards from the band’s van. It was suggested that Staton had driven off with someone who was waiting for him, and who came back to the school later to pick up his car.
At a second press conference, the deputy chief of the Personal Crimes Division explained that the guard was not due to finish his shift until 6:00 a.m., and that they had no information about why he had left the school that night, returning later only to find death lying in wait. Martín’s daughter Amanda, who was watching the press conference on TV, phoned her father to correct him: it was not death that had been lying in wait for Ed Staton, but a murderer.
For the Ripper players, this first murder was the start of what would become a dangerous obsession. The questions they were faced with were those that also puzzled the police: Where did the guard go in the brief period between being seen by the band members and the estimated time of death? How did he get back to the school? Why had the guard not tried to defend himself before being shot through the head? What was the significance of a baseball bat being inserted into such an intimate orifice?
Perhaps Ed Staton had deserved his fate, but the kids who played Ripper were not interested in moral issues; they focused strictly on the facts. Up to this point the game had revolved around fictional nineteenth-century crimes in a fog-shrouded London where characters were faced with scoundrels armed with axes and icepicks, archetypal villains intent on disturbing the peace of the city. But when the players agreed to Amanda Martín’s suggestion that they investigate murders in present-day San Francisco—a city no less shrouded in fog—the game took on a more realistic dimension. Celeste Roko, the famous astrologer, had predicted a bloodbath in the city, and Amanda decided to take this unique opportunity to put the art of divination to the test. To do so she enlisted the help of the other Ripper players and her best
friend, Blake Jackson—her grandfather, coincidentally—little suspecting that the game would turn violent and that her mother, Indiana Jackson, would number among its victims.
The kids who played Ripper were a select group of freaks and geeks from around the world who had first met up online to hunt down and destroy the mysterious Jack the Ripper, tackling obstacles and enemies along the way. As games master, Amanda was responsible for plotting these adventures, carefully bearing in mind the strengths and weaknesses of the players’ alter egos.
A boy in New Zealand who had been paralyzed by an accident and was confined to a wheelchair—but whose mind was still free to explore fantastical worlds, to live in the past or in the future—created the character of Esmeralda, a cunning and curious gypsy girl. A shy, lonely teenager who lived with his mother in New Jersey, and who for two years now had left his bedroom only to go to the bathroom, played Sir Edmond Paddington, a bigoted, cantankerous retired English colonel—an invaluable character, since he was an expert in weapons and military strategy. A nineteen-year-old girl in Montreal who had spent much of her short life in the hospital suffering from an eating disorder, had created Abatha, a psychic capable of reading minds, manipulating memories, and communicating with the dead. A thirteen-year-old African American orphan with an IQ of 156 and a scholarship to an academy in Reno for gifted children decided to be Sherlock Holmes, since logic and deductive reasoning came effortlessly to him.
In the beginning, Amanda did not have her own character. Her role was simply to oversee the game and make sure players respected the rules; but given the impending bloodbath, she allowed herself to bend those rules a little. She moved the action of the game from London, 1888, to San Francisco, 2011. Furthermore—now in direct breach of the rules—she created for herself a henchman named Kabel, a dim-witted but loyal and obedient hunchback she tasked with obeying her every whim, however ridiculous. It didn’t escape her grandfather’s notice that the henchman’s name was an anagram of his own. At sixty-four, Blake Jackson was much too old for children’s games, but he agreed to participate in Ripper so he and his granddaughter would have something more in common than horror movies, chess matches, and the brainteasers they set each other—puzzles and problems he sometimes managed to solve by consulting a couple of friends who were professors of philosophy and mathematics at Berkeley.
January
Monday, 2
Lying facedown on the massage table, Ryan Miller was dozing under the healing hands of Indiana Jackson, a first-degree Reiki practitioner, well versed in the techniques developed by the Japanese Buddhist Mikao Usui in 1922. Having read sixty-odd pages on the subject, Ryan knew that there was no scientific proof that Reiki was actually beneficial, but he figured it had to have some mysterious power, since it had been denounced by the US Conference of Catholic Bishops in 2009 as dangerous to Christian spiritual welfare.
Indiana worked in Treatment Room 8 on the second floor of North Beach’s famous Holistic Clinic, in the heart of San Francisco’s Little Italy. The door to the surgery was painted indigo—the color of spirituality—and the walls were pale green, the color of health. A sign in copperplate script read INDIANA, HEALER, and beneath it was a list of the therapies she offered: intuitive massage, Reiki, magnet therapy, crystal therapy, aromatherapy. One wall of the tiny waiting room was decorated with a garish tapestry, bought from an Asian store, of the Hindu goddess Shakti as a sensual young woman with long raven hair, dressed all in red and adorned with golden jewels. In one hand she held a sword, in another a flower. The goddess was depicted as having many arms, and each hand held one of the symbols of her power—which ranged from a musical instrument to something that looked like a cell phone. Indiana was such a devout disciple of Shakti that she had once considered taking her name until her father, Blake Jackson, managed to convince her that a Hindu goddess’s name was not appropriate for a tall, voluptuous blond American with the looks of an inflatable doll.
Given the nature of his work and his background in the military, Ryan was a skeptic, yet he gratefully surrendered to Indiana’s tender ministrations. He left each session feeling weightless and euphoric—something that could be explained either as a placebo effect combined with his puppyish infatuation with the healer, as his friend Pedro Alarcón suggested, or, as Indiana insisted, by the fact that his chakras were now correctly aligned. This peaceful hour was the most pleasurable in his solitary existence, and Ryan experienced more intimacy in his healing sessions with Indiana than he did in his strenuous sexual gymnastics with Jennifer Yang, the most regular of his lovers. He was a tall, heavyset man with the neck and shoulders of a wrestler, arms as thick and stout as tree trunks, and the delicate hands of a pastry chef. He had dark, close-cropped hair streaked with gray, teeth that seemed too white to be natural, pale gray eyes, a broken nose, and thirteen visible scars, including his stump. Indiana suspected he had other scars, but she hadn’t seen him without his boxer shorts. Yet.
“How do you feel?” the healer asked.
“Great. I’m starving, though—that’s probably because I smell like dessert.”
“That’s orange essential oil. If you’re just going to make fun, I don’t know why you bother coming.”
“To see you, babe, why else?”
“In that case, my therapies aren’t right for you,” Indiana snapped.
“You know I’m just kidding, Indi.”
“Orange oil is a youthful and happy essence—two qualities you seem to lack, Ryan. And I’ll have you know that Reiki is so powerful that second-degree practitioners are capable of ‘distance healing’; they can work without the patient even being present—though I’d probably need to spend twenty years studying in Japan to get to level two.”
“Don’t even think about distance healing. Without you here, this would be a lousy deal.”
“Healing is not a deal!”
“Everyone’s got to make a living. You charge less than your colleagues at the Holistic Clinic. Do you know how much Yumiko charges for a single acupuncture session?”
“I’ve no idea, and it’s none of my business.”
“Nearly twice as much as you,” said Ryan. “Why don’t you let me pay you more?”
“You’re my friend. I’d rather you didn’t pay at all, but if I didn’t let you pay, you probably wouldn’t come back. You won’t allow yourself to be in anyone’s debt. Pride is your great sin.”
“Would you miss me?”
“No, because we’d still see each other as friends. But I bet you’d miss me. Come on, admit it, these sessions have really helped. Remember how much pain you were in when you first came? Next week, we’ll do a session of magnet therapy.”
“And a massage, please. You’ve got the hands of an angel.”
“Okay, and a massage. Now get your clothes on, I’ve got another client waiting.”
“Don’t you find it weird that almost all your clients are men?” asked Ryan, clambering down from the massage table.
“They’re not all men—I treat women too, as well as a few children. And one arthritic poodle.”
Ryan was convinced that if Indiana’s other male clients were anything like him, they paid simply to be near her, not because they had any faith in her healing methods. This was what had first brought him to Treatment Room 8, something he admitted to Indiana during their third session so there would be no misunderstandings, and also because his initial attraction had blossomed into friendship. Indiana had burst out laughing—she was well used to come-ons—and made a bet with him that after two or three weeks, when he felt the results, he would change his mind. Ryan accepted the bet, suggesting dinner at his favorite restaurant. “If you can cure me, I’ll pick up the tab, otherwise dinner is on you,” he said, hoping to spend time with her somewhere more conducive to conversation than these two cramped cubicles, watched over by the omniscient Shakti.
Ryan and Indiana had met in 2009, on one of the trails that wound through Samuel P. Taylor State Park among thousand-year-old, three
-hundred-foot-high trees. Indiana had taken her bicycle on the ferry across San Francisco Bay, and once in Marin County cycled the twenty or so miles to the park as part of her training for a long bike ride to Los Angeles she planned to make a few weeks later. As a rule, Indiana thought sports were pointless, and she had no particular interest in keeping fit; but her daughter, Amanda, was determined to take part in a charity bike ride for AIDS, and Indiana was not about to let her go alone.
She had just stopped the bike to take a drink from her water bottle, one foot on the ground, when Ryan raced past with Attila on a leash. She didn’t see the dog until it was practically on top of her; the shock sent her flying, and she ended up tangled in the bike frame. Ryan apologized, helped her to her feet, and tried to straighten the buckled wheel while Indiana dusted herself off. She was more concerned about Attila than with her own bumps and bruises. She’d never before seen such a disfigured animal: the dog had scars everywhere, bald patches on its belly, and two metallic fangs worthy of Dracula in an otherwise toothless maw; one of its ears was missing, as though hacked off with scissors. She stroked the animal’s head gently and leaned down to kiss its snout, but Ryan quickly jerked her away.
“Don’t get your face too close! Attila’s a war dog.”
“What breed is he?”
“Purebred Belgian Malinois. They’re smarter and stronger than German shepherds, and they keep their backs straight, so they don’t suffer from hip problems.”
“What on earth happened to the poor thing?”
“He survived a land-mine explosion,” Ryan said, dipping his handkerchief in the cold water of the river, where a week earlier he’d watched salmon leaping against the current in their arduous swim upstream to spawn. Miller handed Indiana the wet handkerchief to dab the grazes on her legs. He was wearing track pants, a sweatshirt, and something that looked like a bulletproof jacket—it weighed forty-five pounds, he explained, making it perfect for training because when he took it off to race, he felt like he was flying. They sat among the thick, tangled roots of a tree and talked, watched over by Attila, who studied Ryan’s every move as though waiting for an order and from time to time nuzzled Indiana and discreetly sniffed her. The warm afternoon, heady with the scent of pine needles and dead leaves, was lit by shafts of sunlight that pierced the treetops like spears; the air quivered with birdsong, the hum of mosquitoes, the lapping of the creek, and the wind in the leaves; it was the perfect setting for a meeting in a romantic novel.