Landing

  Landing

  Emma Donoghue

  * * *

  HARCOURT, INC.

  Orlando Austin New York San Diego Toronto London

  * * *

  Copyright © 2007 by Emma Donoghue

  All rights reserved. No part of this publication may be reproduced

  or transmitted in any form or by any means, electronic or mechanical,

  including photocopy, recording, or any information storage and retrieval

  system, without permission in writing from the publisher.

  Requests for permission to make copies of any part of the work

  should be submitted online at www.harcourt.com/contact or mailed

  to the following address: Permissions Department, Harcourt, Inc.,

  6277 Sea Harbor Drive, Orlando, Florida 32887-6777.

  www.HarcourtBooks.com

  This is a work of fiction. Names, characters, places, organizations,

  and events are the products of the author's imagination or are used

  fictitiously, and any resemblance to actual persons, living or dead,

  events, or locales is entirely coincidental.

  Portions of "Home Base" were previously published in No Margins, edited

  by Nairne Holtz and Catherine Lake, Insomniac Press, Toronto, 2006.

  Library of Congress Cataloging-in-Publication Data

  Donoghue, Emma, 1969–

  Landing/Emma Donoghue.

  p. cm.

  1. Long-distance relationships—Fiction. 2. Lesbians—Fiction.

  3. Flight attendants—Fiction. 4. Women archivists—Fiction.

  5. Dublin (Ireland)—Fiction. 6. Ontario—Fiction. I. Title.

  PR6054.O547L36 2007

  823'.914—dc22 2006025375

  ISBN 978-0-15-101297-8

  Text set in Adobe Garamond

  Designed by Linda Lockowitz

  Printed in the United States of America

  First edition

  K J I H G F E D C B A

  * * *

  For Chris,

  worth any journey.

  * * *

  Contents

  New Year's Eve 1

  Travel Sickness 7

  Sic Transit 15

  What When Where How Why 28

  Genii Loci 33

  Old Habits 44

  Foreign Correspondents 54

  Virtually Nothing 66

  Family Feeling 75

  Human Habitation 83

  Purge 90

  Consequences 105

  Home Base 111

  Peak Time 139

  That Which Moves, That Which Changes 168

  Songs of Absence 193

  Here and Now 200

  Geography Lessons 222

  Heavy Weather 236

  Flying Visit 250

  Spring Forward, Fall Back 255

  Living History 262

  Going the Distance 276

  Provenance 303

  Place Markers 312

  * * *

  Note

  Ireland, Ontario, occupies the same spot on the map as the real Dublin, Ontario, but is in all other respects fictional. Likewise, the Irish airline for which one of my protagonists works is entirely imaginary.

  New Year's Eve

  DISORIENTATION (from French, désorienter,

  to turn from the east).

  (1) Loss of one's sense of position or direction.

  (2) Mental confusion.

  Later on, Jude Turner would look back on December thirty-first as the last morning her life had been firm, graspable, all in one piece.

  She'd been sleeping naked and dreamless. She woke at six, as always, in the house in Ireland, Ontario, where she'd been born; she didn't own an alarm clock. In her old robe she gave her narrow face the briefest of glances in the mirror as she splashed it with cold water, damped down her hair, reached for her black rectangular glasses. The third and eighth stairs groaned under her feet, and the stove was almost out; she wedged logs into the bed of flushed ash. She drank her coffee black from a blue mug she'd made in second grade.

  As Jude drew on her second cigarette it was beginning to get light. She watched the backyard through a portcullis of two-foot icicles: Were those fresh raccoon tracks? Soon she'd shovel the driveway, then the Petersons' next door. The neighbour on the other side was Bub, a cryptic turkey plucker with a huge mustache. Usually her mother would be down by now, hair in curlers, but since Boxing Day, Rachel Turner had been away at her sister's in England. The silence trickled like oil into Jude's ears.

  She'd walk the three blocks to the museum by seven so she could get some real work done before anyone called, or dropped by to donate a mangy fur tippet, because this afternoon was the postmortem on the feeble results of the Christmas fundraising campaign. At twenty-five, Jude—the curator—was the age of most of the board members' grandchildren.

  The phone started up with a shrill jangle, and though she was inclined not to answer it, she did. It was the accent she recognized, more than the voice.

  "Louise! Merry Christmas. Why are you whispering?" Jude broke in on her aunt's gabbled monologue. "Not herself, how?"

  "I just don't think—" Louise interrupted herself in a louder voice: "I'm only on the phone, Rachel, I'll be right in."

  As she stubbed out her cigarette, Jude tried to picture the house in England—a town called Luton—though she'd never seen it. "Put Mom on the line, would you?"

  Instead of answering, her aunt called out, "Could you stick the kettle on?" Then, hissed into the phone, "Just a tick."

  Waiting, Jude felt irritation bloom behind her eyes. Her aunt had always liked her gin; could she possibly be drunk at, what—she checked the grandfather clock and added five hours—11:30 in the morning?

  Louise came back on the line, in the exaggerated style of a community theatre production: "Your mother's making tea."

  "What's up, is she sick?"

  "She'd never complain, and I haven't told her I'm ringing you," her aunt whispered, "but if you ask me, you should pop over and bring her home."

  Pop over, as if Luton were a couple of kilometres down the road. Jude couldn't keep her voice from cracking like a whip. "Could I please speak to my mother?"

  "The yellow pot," Louise shouted, "the other's for herbal. And a couple of those Atkins gingernuts." Then, quieter, "Jude, dear, I must go, I've tai chi at noon—just take my word for it, would you please, she needs her daughter—"

  The line went dead. Jude stared at the black Bakelite receiver, then dropped it back in the cradle.

  She looked up the number in the stained address book on the counter, but after four rings she got the message, in Louise's guarded tones: "You have reached 3688492..."

  "Me again, Jude," she told the machine. "I—listen, I really don't get what's wrong. I'd appreciate it if Mom could call me back right away." Rachel must be well enough to use the phone if she was walking around making tea, surely?

  Jude cooked some oatmeal, just to kill a few minutes. After two spoonfuls her appetite disappeared.

  This was ridiculous. Sixty-six, lean, and sharp, Jude's mother never went to the doctor except for flu shots. Not a keen traveler, but a perfectly competent one. Louise was six years her elder, or was it seven? If there was something seriously wrong with Rachel—pain or fever, bleeding or a lump—surely Louise would have said? It struck Jude now that her aunt had sounded evasive, paranoid, almost. Could these be the first signs of senility?

  Jude tried the Luton number again and got the machine. This time she didn't leave a message, because she knew she'd sound too fierce. Surely the two sisters wouldn't have gone out a minute after making a pot of tea?

  Her stomach was a nest of snakes. Pop over, as easy as that. The Atlantic stretched out in her mind, a wide gray
horror.

  It wasn't as if she were phobic, exactly. She'd just never felt the need or inclination to get on an airplane. It was one of those things that people wrongly assumed to be compulsory, like cell phones or gym memberships. Jude had got through her first quarter century just fine without air travel. In February, for instance, when much of the population of Ontario headed like shuddering swallows to Mexico or Cuba, she preferred to go snowshoeing in the Pinery. Two years ago, to get to her cousin's wedding in Vancouver, she'd taken a week each way and slept in the back of her Mustang. And the summer her friends from high school had been touring Europe, Jude had been up north planting trees to pay for her first motorbike. Surely it was her business if she preferred to stay on the ground?

  Your mother's not herself. What was that supposed to mean?

  Neither of them had called back. This whole thing, Jude told herself, would no doubt turn out to be nothing more than an inconvenient and expensive fantasy of her aunt's. But in her firm, slightly childish script that hadn't changed since grade school, she started writing out a CLOSED DUE TO FAMILY EMERGENCY notice to tape on the door of the one-room museum.

  Rizla took the afternoon off from the garage to drive her to the airport in his new orange pickup. He was in a full-length shearling coat of Ben Turner's; Jude had found it in a dry-cleaners' bag in the basement, years after her father had decamped to Florida, and it gave her a shiver of pleasant spite to see Rizla wear it slung over a White Snake T-shirt stained with motor oil.

  White specks spiraled into the windshield; the country roads were thickly coated with snow. Jude took a drag on the cigarette they were sharing. "So, how come when I called, it said 'This number has been disconnected'?"

  "Just a temporary misunderstanding with those dumb-asses at the phone company," he said out of the side of his mouth.

  "Uh-huh." After a second, she asked, "What are your payments on the truck?"

  "Isn't she a beaut?"

  "She is, she's a big gorgeous tangerine. What are your payments?"

  Rizla kept his eyes on the road. "Leasing's better value in the long run."

  "But if you can't cover your phone bill—"

  "Shit, if you're planning to grill me on my budget all the way to Detroit, you can ride in the back."

  "Okay, okay." Jude passed him the cigarette. "Why wouldn't either of them have called me back? I left three messages," she muttered, aware of repeating herself.

  "Maybe your mom's got something unmentionable," he suggested. "She is British, after all."

  "Like what? Bloody stools?"

  "Syphilis. Pubic lice."

  She flicked his ear, and Rizla yelped in pain. She took the cigarette back, and smoked it down to the filter.

  "I bet the old gals are just getting on each other's tits," he said after a minute. "My sisters used to rip each other's hair out, literally."

  "All your sisters?"

  "Mostly the middle ones." Rizla came fifth in a Mohawk-Dutch family of eleven. An only child, Jude had always been fascinated by the Vandeloos.

  "But if that's all it is, why wouldn't she just send Mom to a hotel? Why drag me halfway 'round the world with some line about 'She needs her daughter'?"

  "England's hardly halfway, more like a quarter," said Rizla, scratching his armpit with the complacent air of a guy who'd been to Bangkok. "Hey, is it really Ma Turner's health you're freaking out about, or having to finally get on a plane?"

  Jude lit another cigarette. "Why do you call her that?"

  "Why shouldn't I? When she brings her little Honda in for a tune-up, she always sort of squints at me, called me 'Richard.'"

  "It is your name."

  He snorted at that.

  When he wrenched his black ponytail out of his collar she noticed, for the first time, some streaks of gray. "It's mostly the flying," she admitted. "I'm nauseous already."

  "Have a couple whiskeys, nothing to it. Actually, it's fun to see you lose your rag, for once. Everyone thinks you're so mature," Rizla added with a smirk. He put on a quavery voice: "'That Turner girl that set up our museum, she's got her feet on the ground all right.'"

  The image struck Jude as heavy, mud-locked. She changed the subject to hockey. While Rizla raved about his Leafs' chances of making it to the play-offs, her mind was working over every word Louise had said on the phone.

  Dropping her off, he pointed up at the sign that said KISS 'N FLY, and pursed his lips like a gargoyle. She gave his ponytail a tug instead, and climbed out into the freezing air.

  The Detroit airport was worse than a mall: fluorescent lights, announcements, stray children, suitcases mummified in plastic wrap. Jude lined up at one desk after another until she was put on standby to London Heathrow with some Irish carrier she'd never heard of. Thank god she'd gotten around to applying for a passport last year because of the new U.S. border regulations. Then there was a commotion about her paying with cash. (She'd emptied her account this morning.) "You can't turn me away just because I don't have a credit card," she argued.

  She inched through security in her socks, and had to buy a padded envelope to send her Swiss Army knife home rather than have it confiscated. Let the flight be full; then she could call Luton with a clear conscience and say she'd done her best. But at the gate, the woman in the green uniform and boxy little hat called out a list of names that included Jude Turner.

  I'm off to England, she told herself, trying to rouse some enthusiasm, but all she could think of were those royal guards on the postcards, with bearskin straps cutting into their chins. As she shuffled down the tube that led to the plane, her tongue was glued to the roof of her mouth. Mountains cloaked in fog, wings bursting into flame, suicide bombers ... Your fears are total clichés, she told herself. Come on, how truly likely is any of that?

  Travel Sickness

  TRAVEL (originally the same word

  as TRAVAIL), to go on a journey.

  TRAVAIL (from Medieval Latin,

  trepalium, a three-staked instrument

  of torture), to work, tire, suffer.

  Jude was ten thousand metres above the earth, with her eyes jammed shut. She was trying to ignore the tang of puke from the waxed paper bag the old man on her left had just squashed into the seat pocket. He must have been too embarrassed to ask one of the cabin crew to take it away; maybe he was hungover from starting New Year early.

  After the long, screeching takeoff—it's all right, it's all right, Jude had mouthed to herself, hunched against the tug of gravity—she'd thought the worst must be over. But the sensation of imprisonment only tightened as the hours dragged by. Every overhead locker was crammed, every inch of floor was littered with baggage, and three rows ahead, a woman's tote had spilled into the aisle: What quantities of garbage people hauled around the world with them! Jude prayed for the night to be over and herself safe at London Heathrow, where—according to the screen over her head—it was 4:29 on January first. Back home it was still last year; that was kind of funny, or would have been if she could have found anything funny right now. Did time zones only work on the ground, or above it as well? What time was it up here in the black void, where the plane seemed to be hanging quite motionless?

  Last May, Jude had spent a day and a night looking after a baby, and the experience had taught her that time was a human invention. Of course the planet had a pulse—light and dark, winter and summer—but humans, in their elaborate arrangements, had long left earth time behind. At two months, Lia slept and woke according to her miniature body's dictates, and as Jude yawned over the aromatic little head at four in the morning she'd come to the conclusion that night and day, hours and weeks were all fictions. ( Hadn't the French revolutionaries tried to implement a ten-day week, she remembered now? That couldn't have been popular.) And what a hoo-ha people made at New Year's Eve parties, shrieking "Don't go out for a smoke now, it's three minutes to, you'll miss it!" As if there were any real it to miss.

  Jude arched in her seat to stretch her back. In the movies, airpla
nes looked so spacious, but this had to be how pigs were brought to the abattoir. She was only five foot six, but there was barely room for her knees; how did tall guys cope? To her right, across the aisle, sat a nun whose body spilled over the armrest, engrossed in something called The Poisonwood Bible. To Jude's left was the puker, his head tilted back, pale eyelids down. His briefcase was digging into her ankle; overdue for retirement, a minor executive for a multinational? Poor guy, but Jude wished him anywhere in the world but limp and acrid in the seat beside her.

  Compassionless, worn out, rigid as a crowbar: What a way to see in the New Year! Jude was trying to remember the last time she'd gone this long without a cigarette, except in her sleep. On her fifteenth birthday she'd bummed her first off some girl with braids whose name escaped her now. She could feel the slim packet in her shirt pocket now, tantalizing the skin below her collarbone. Jude's palms were damp. She tried crossing her legs but there wasn't room, so she crossed her ankles instead.

  Not herself—what could Louise have meant by that? Rachel Turner was always herself, sick or well. She scorned a fuss, and she was generally easy to live with. (Jude's friend Anneka thought the very idea of sharing a house with one's mother was peculiar; she claimed she got on much better with her own back in Stockholm now that their communication was limited to Web cam.) Jude started a list of all the illnesses Rachel could possibly have developed in the six days since she'd left Ontario, crossing off the ones that would prevent her from walking around making tea. Then she told herself to stop it. She couldn't stand people who worked themselves into frenzies.

  Jude wrenched the in-flight magazine out of its plastic sheath: Irish Eyes, it was called. (Back home, she was halfway through The Scarlet Letter, but in her state of dislocation she'd left it by her bed, she remembered now.) The editorial was all about "rebranding as a low-cost, low-fares airline to meet the challenges of today's competitive climate." She scanned articles on body language, "Survival Strategies for Road Warriors," Cajun cookery. She was briefly distracted by the advertisements; she speculated about the kind of person who'd buy a CD of the sound of surf on pebbles, or a Personal Inflatable Oxygen Bubble for escaping from a burning hotel.