Winesburg, Ohio

  The tales that Doctor Parcival told George Willard began nowhere and ended nowhere. Sometimes the boy thought they must all be inventions, a pack of lies. And then again he was convinced that they contained the very essence of truth.

  "I was a reporter like you here," Doctor Parcival began. "It was in a town in Iowa—or was it in Illinois? I don't remember and anyway it makes no difference. Perhaps I am trying to conceal my identity and don't want to be very definite. Have you ever thought it strange that I have money for my needs although I do nothing? I may have stolen a great sum of money or been involved in a murder before I came here. There is food for thought in that, eh? If you were a really smart newspaper reporter you would look me up. In Chicago there was a Doctor Cronin who was murdered. Have you heard of that? Some men murdered him and put him in a trunk. In the early morning they hauled the trunk across the city. It sat on the back of an express wagon and they were on the seat as unconcerned as anything. Along they went through quiet streets where everyone was asleep. The sun was just coming up over the lake. Funny, eh—just to think of them smoking pipes and chattering as they drove along as unconcerned as I am now. Perhaps I was one of those men. That would be a strange turn of things, now wouldn't it, eh?" Again Doctor Parcival began his tale: "Well, anyway there I was, a reporter on a paper just as you are here, running about and getting little items to print. My mother was poor. She took in washing. Her dream was to make me a Presbyterian minister and I was studying with that end in view.

  "My father had been insane for a number of years. He was in an asylum over at Dayton, Ohio. There you see I have let it slip out! All of this took place in Ohio, right here in Ohio. There is a clew if you ever get the notion of looking me up.

  "I was going to tell you of my brother. That's the object of all this. That's what I'm getting at. My brother was a railroad painter and had a job on the Big Four. You know that road runs through Ohio here. With other men he lived in a box car and away they went from town to town painting the railroad property—switches, crossing gates, bridges, and stations.

  "The Big Four paints its stations a nasty orange color. How I hated that color! My brother was always covered with it. On pay days he used to get drunk and come home wearing his paint-covered clothes and bringing his money with him. He did not give it to mother but laid it in a pile on our kitchen table.

  "About the house he went in the clothes covered with the nasty orange colored paint. I can see the picture. My mother, who was small and had red, sad-looking eyes, would come into the house from a little shed at the back. That's where she spent her time over the washtub scrubbing people's dirty clothes. In she would come and stand by the table, rubbing her eyes with her apron that was covered with soap-suds.

  "'Don't touch it! Don't you dare touch that money,' my brother roared, and then he himself took five or ten dollars and went tramping off to the saloons. When he had spent what he had taken he came back for more. He never gave my mother any money at all but stayed about until he had spent it all, a little at a time. Then he went back to his job with the painting crew on the railroad. After he had gone things began to arrive at our house, groceries and such things. Sometimes there would be a dress for mother or a pair of shoes for me.

  "Strange, eh? My mother loved my brother much more than she did me, although he never said a kind word to either of us and always raved up and down threatening us if we dared so much as touch the money that sometimes lay on the table three days.

  "We got along pretty well. I studied to be a minister and prayed. I was a regular ass about saying prayers. You should have heard me. When my father died I prayed all night, just as I did sometimes when my brother was in town drinking and going about buying the things for us. In the evening after supper I knelt by the table where the money lay and prayed for hours. When no one was looking I stole a dollar or two and put it in my pocket. That makes me laugh now but then it was terrible. It was on my mind all the time. I got six dollars a week from my job on the paper and always took it straight home to mother. The few dollars I stole from my brother's pile I spent on myself, you know, for trifles, candy and cigarettes and such things.

  "When my father died at the asylum over at Dayton, I went over there. I borrowed some money from the man for whom I worked and went on the train at night.It was raining. In the asylum they treated me as though I were a king.

  "The men who had jobs in the asylum had found out I was a newspaper reporter. That made them afraid. There had been some negligence, some carelessness, you see, when father was ill. They thought perhaps I would write it up in the paper and make a fuss. I never intended to do anything of the kind.

  "Anyway, in I went to the room where my father lay dead and blessed the dead body. I wonder what put that notion into my head. Wouldn't my brother, the painter, have laughed, though. There I stood over the dead body and spread out my hands. The superintendent of the asylum and some of his helpers came in and stood about looking sheepish. It was very amusing. I spread out my hands and said, "Let peace brood over this carcass.' That's what I said."

  Jumping to his feet and breaking off the tale, Doctor Parcival began to walk up and down in the office of the Winesburg Eagle where George Willard sat listening. He was awkward and, as the office was small, continually knocked against things. "What a fool I am to be talking," he said. "That is not my object in coming here and forcing my acquaintanceship upon you. I have something else in mind. You are a reporter just as I was once and you have attracted my attention. You may end by becoming just such another fool. I want to warn you and keep on warning you. That's why I seek you out."

  Doctor Parcival began talking of George Willard's attitude toward men. It seemed to the boy that the man had but one object in view, to make everyone seem despicable. "I want to fill you with hatred and contempt so that you will be a superior being," he declared. "Look at my brother. There was a fellow, eh? He despised everyone, you see. You have no idea with what contempt he looked upon mother and me. And was he not our superior? You know he was. You have not seen him and yet I have made you feel that. I have given you a sense of it. He is dead. Once when he was drunk he lay down on the tracks and the car in which he lived with the other painters ran over him."

  One day in August Doctor Parcival had an adventure in Winesburg. For a month George Willard had been going each morning to spend an hour in the doctor's office. The visits came about through a desire on the part of the doctor to read to the boy from the pages of a book he was in the process of writing. To write the book Doctor Parcival declared was the object of his coming to Winesburg to live.

  On the morning in August before the coming of the boy, an incident had happened in the doctor's office. There had been an accident on Main Street. A team of horses had been frightened by a train and had run away. A little girl, the daughter of a farmer, had been thrown from a buggy and killed.

  On Main Street everyone had become excited and a cry for doctors had gone up. All three of the active practitioners of the town had come quickly but had found the child dead. From the crowd someone had run to the office of Doctor Parcival who had bluntly refused to go down out of his office to the dead child. The useless cruelty of his refusal had passed unnoticed. Indeed, the man who had come up the stairway to summon him had hurried away without hearing the refusal.

  All of this, Doctor Parcival did not know and when George Willard came to his office he found the man shaking with terror. "What I have done will arouse the people of this town," he declared excitedly. "Do I not know human nature? Do I not know what will happen? Word of my refusal will be whispered about. Presently men will get together in groups and talk of it. They will come here. We will quarrel and there will be talk of hanging. Then they will come again bearing a rope in their hands."

  Doctor Parcival shook with fright. "I have a presentiment," he declared emphatically. "It may be that what I am talking about will not occur this morning. It may be put off until to-night but I will be hanged. Everyone will get excited. I will be hang
ed to a lamp-post on Main Street."

  Going to the door of his dirty little office, Doctor Parcival looked timidly down the stairway leading to the street. When he returned the fright that had been in his eyes was beginning to be replaced by doubt. Coming on tip-toe across the room he tapped George Willard on the shoulder. "If not now, sometime," he whispered, shaking his head. "In the end I will be crucified, uselessly crucified."

  Doctor Parcival began to plead with George Willard. "You must pay attention to me," he urged. "If something happens perhaps you will be able to write the book that I may never get written. The idea is very simple, so simple that if you are not careful you will forget it. It is this—that everyone in the world is Christ and they are all crucified. That's what I want to say. Don't you forget that. Whatever happens, don't you dare let yourself forget."

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  Nobody Knows

  Looking cautiously about, George Willard arose from his desk in the office of the Winesburg Eagle and went hurriedly out at the back door. The night was warm and cloudy and although it was not yet eight o'clock, the alleyway back of the Eagle office was pitch dark. A team of horses tied to a post somewhere in the darkness stamped on the hard-baked ground. A cat sprang from under George Willard's feet and ran away into the night. The young man was nervous. All day he had gone about his work like one dazed by a blow. In the alleyway he trembled as though with fright.

  In the darkness George Willard walked along the alleyway, going carefully and cautiously. The back doors of the Winesburg stores were open and he could see men sitting about under the store lamps. In Myerbaum's Notion Store Mrs. Willy the saloon keeper's wife stood by the counter with a basket on her arm. Sid Green the clerk was waiting on her. He leaned over the counter and talked earnestly.

  George Willard crouched and then jumped through the path of light that came out at the door. He began to run forward in the darkness. Behind Ed Griffith's saloon old Jerry Bird the town drunkard lay asleep on the ground. The runner stumbled over the sprawling legs. He laughed brokenly.

  George Willard had set forth upon an adventure. All day he had been trying to make up his mind to go through with the adventure and now he was acting. In the office of the Winesburg Eagle he had been sitting since six o'clock trying to think.

  There had been no decision. He had just jumped to his feet, hurried past Will Henderson who was reading proof in the print shop and started to run along the alleyway.

  Through street after street went George Willard, avoiding the people who passed. He crossed and recrossed the road. When he passed a street lamp he pulled his hat down over his face. He did not dare think. In his mind there was a fear but it was a new kind of fear. He was afraid the adventure on which he had set out would be spoiled, that he would lose courage and turn back.

  George Willard found Louise Trunnion in the kitchen of her father's house. She was washing dishes by the light of a kerosene lamp. There she stood behind the screen door in the little shedlike kitchen at the back of the house. George Willard stopped by a picket fence and tried to control the shaking of his body. Only a narrow potato patch separated him from the adventure. Five minutes passed before he felt sure enough of himself to call to her. "Louise! Oh, Louise!" he called. The cry stuck in his throat. His voice became a hoarse whisper.

  Louise Trunnion came out across the potato patch holding the dish cloth in her hand. "How do you know I want to go out with you," she said sulkily. "What makes you so sure?"

  George Willard did not answer. In silence the two stood in the darkness with the fence between them. "You go on along," she said. "Pa's in there. I'll come along. You wait by William's barn."

  The young newspaper reporter had received a letter from Louise Trunnion. It had come that morning to the office of the Winesburg Eagle. The letter was brief. "I'm yours if you want me," it said. He thought it annoying that in the darkness by the fence she had pretended there was nothing between them. "She has a nerve! Well, gracious sakes, she has a nerve," he muttered as he went along the street and passed a row of vacant lots where corn grew. The corn was shoulder high and had been planted right down to the sidewalk.

  When Louise Trunnion came out of the front door of her house she still wore the gingham dress in which she had been washing dishes. There was no hat on her head. The boy could see her standing with the door knob in her hand talking to someone within, no doubt to old Jake Trunnion, her father. Old Jake was half deaf and she shouted. The door closed and everything was dark and silent in the little side street. George Willard trembled more violently than ever.

  In the shadows by William's barn George and Louise stood, not daring to talk. She was not particularly comely and there was a black smudge on the side of her nose. George thought she must have rubbed her nose with her finger after she had been handling some of the kitchen pots.

  The young man began to laugh nervously. "It's warm," he said. He wanted to touch her with his hand. "I'm not very bold," he thought. Just to touch the folds of the soiled gingham dress would, he decided, be an exquisite pleasure. She began to quibble. "You think you're better than I am. Don't tell me, I guess I know," she said drawing closer to him.

  A flood of words burst from George Willard. He remembered the look that had lurked in the girl's eyes when they had met on the streets and thought of the note she had written. Doubt left him. The whispered tales concerning her that had gone about town gave him confidence. He became wholly the male, bold and aggressive. In his heart there was no sympathy for her. "Ah, come on, it'll be all right. There won't be anyone know anything. How can they know?" he urged.

  They began to walk along a narrow brick sidewalk between the cracks of which tall weeds grew. Some of the bricks were missing and the sidewalk was rough and irregular. He took hold of her hand that was also rough and thought it delightfully small. "I can't go far," she said and her voice was quiet, unperturbed.

  They crossed a bridge that ran over a tiny stream and passed another vacant lot in which corn grew. The street ended. In the path at the side of the road they were compelled to walk one behind the other. Will Overton's berry field lay beside the road and there was a pile of boards. "Will is going to build a shed to store berry crates here," said George and they sat down upon the boards.

  When George Willard got back into Main Street it was past ten o'clock and had begun to rain. Three times he walked up and down the length of Main Street. Sylvester West's Drug Store was still open and he went in and bought a cigar. When Shorty Crandall the clerk came out at the door with him he was pleased. For five minutes the two stood in the shelter of the store awning and talked. George Willard felt satisfied. He had wanted more than anything else to talk to some man. Around a corner toward the New Willard House he went whistling softly.

  On the sidewalk at the side of Winny's Dry Goods Store where there was a high board fence covered with circus pictures, he stopped whistling and stood perfectly still in the darkness, attentive, listening as though for a voice calling his name. Then again he laughed nervously. "She hasn't got anything on me. Nobody knows," he muttered doggedly and went on his way.

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  Godliness

  A Tale in Four Parts

  Part One

  There were always three or four old people sitting on the front porch of the house or puttering about the garden of the Bentley farm. Three of the old people were women and sisters to Jesse. They were a colorless, soft-voiced lot. Then there was a silent old man with thin white hair who was Jesse's uncle.

  The farmhouse was built of wood, a board outer-covering over a framework of logs. It was in reality not one house but a cluster of houses joined together in a rather haphazard manner. Inside, the place was full of surprises. One went up steps from the living room into the dining room and there were always steps to be ascended or descended in passing from one room to another. At meal times the place was like a beehive. At one moment all was quiet, then doors began to open, feet clattered on stairs, a murmur of soft voice
s arose and people appeared from a dozen obscure corners.

  Beside the old people, already mentioned, many others lived in the Bentley house. There were four hired men, a woman named Aunt Callie Beebe, who was in charge of the housekeeping, a dull-witted girl named Eliza Stoughton, who made beds and helped with the milking, a boy who worked in the stables, and Jesse Bentley himself, the owner and overlord of it all.

  By the time the American Civil War had been over for twenty years, that part of Northern Ohio where the Bentley farms lay had begun to emerge from pioneer life. Jesse then owned machinery for harvesting grain. He had built modern barns and most of his land was drained with carefully laid tile drain, but in order to understand the man we will have to go back to an earlier day.

  The Bentley family had been in Northern Ohio for several generations before Jesse's time. They came from New York State and took up land when the country was new and land could be had at a low price. For a long time they, in common with all the other Middle Western people, were very poor. The land they had settled upon was heavily wooded and covered with fallen logs and underbrush. After the long hard labor of clearing these away and cutting the timber, there were still the stumps to be reckoned with. Plows run through the fields caught on hidden roots, stones lay all about, on the low places water gathered, and the young corn turned yellow, sickened and died.