Long Live Hitch
I was suddenly visited by a long-ago memory of my father’s father, breaking into a harangue when it became generally known in family circles that his elder grandson had declared for the Labour Party and for socialism. This must therefore have been about 1964 or perhaps, given the glacial pace at which news was delivered on his side of the family, as late as 1965 or ’66. He favored me, I remember, in his rather grinding and harsh Portsmouth tones, with a sort of bestiary of sinister surnames, all tending to show the unsoundness of Labour’s then-parliamentary Left. I can remember it now: “Look at them: Sidney Silverman, John Mendelson, Tom Driberg, Ian Mikardo” (this last a Portsmouth lad into whom, along with the fat-headed future Labour Prime Minister James Callaghan, my schoolmaster grandpa had attempted to wallop the rudiments of an education). At the time I hadn’t any idea what he meant to convey by all this, unless it was to identify unpatriotically German names — my later pal Tom Driberg had suffered cognomen-persecution all his life without being in the least Jewish — but I was later able to guess by a sort of reverse-engineering.* The old man was very forbidding in manner at the best of times: I can’t imagine what it would have been like for my mother, let alone her mother, to be introduced to the patriarch in 1945, when her marriage to the Commander was first mooted. One of the Commander’s very few surviving letters makes my point for me: it’s to his brother Ray and is dated 28 March 1945, from HMS Jamaica, which means that the warship must have been lying at anchor in the nearby Portsmouth harbor:
Dear Ray,
Many thanks for your letter of felicitation. Yes I quite agree that it does need a sense of proportion to enter the homestead and emerge unscathed and I thought it as well to put Yvonne through this acid test before enquiring whether she was further interested . . .
I don’t think it would or could have taken Yvonne very long to decide against embarking upon some easy chat with her prospective father-in-law, about the long line of milliners, tailors, kosher butchers, and (to be fair) dentists from which I now know she had sprung. Looking back, I can’t see my grandpa ever having had much use for any of the above professions. What he liked, or what I remember him liking, was lavishly illustrated histories of Protestant missionaries in Africa. On this topic, she could have been of little comfort or joy to him.
Sitting now with Dodo and recalling all this, I had to ask myself what Jewishness had meant to me, if anything, when I was a boy. I was completely sure that it meant nothing at all until I was thirteen, except as a sort of subtext to the Christian Bible stories with which I had been regaled at prep school. In some odd fashion the Nazarene Jesus had been a sort of rabbi, and horribly executed under the mocking title of “King of the Jews,” but it had also been the Jews who most thirsted for his torture and death. Very, very occasionally some boy would make a mean or meaning or even demeaning remark about this, but in my early life there were no actual Jewish targets at which to direct such stuff. Moreover, the Nuremberg trials were a recent memory and, though most of our TV and movie fare still made it seem as if the Second World War had been a personal matter between Hitler and the better sort of English or British person, there were moments of documentary footage which showed the barely conceivable human detritus of the Final Solution, being bulldozed into mass graves. My mother in my hearing, when I was very small, had once used the expression “anti-Semitism” and I remember feeling with a sort of qualm that without having it fully explained, I somehow knew what it meant.
In Cambridge later on, there were Jewish boys at the school, and I suppose I noticed that they tended to have curlier hair and fleshier noses, rather as I had been led to expect. They also had names which were different — Perutz, the son of the Nobel Prize winner; Kissin, the clever boy who recommended that everyone read the New Statesman; Wertheimer, who wore a big lapel-button saying that “Hanging Is Murder.” They were among the few supporters of my failed Labour campaign of 1964 and I suppose that, subliminally, they confirmed my grandfather’s view that there was something almost axiomatically subversive about Jewishness. In history classes I read about the Dreyfus case and in English class wrote a defense of Shylock against his Venetian tormentors. There was mild, occasional anti-Jewish vulgarity to be heard among some of the more dense boys — always a version of the same cliché about the Jews being over-sharp in business — but one almost never saw or heard it directed at an actual Jew.
In the summer of 1967, between my leaving my boarding school and going to Oxford, and while I was undergoing my long-distance postal mentorship with Peter Sedgwick, the various Arab “republics” and feudal monarchies made common cause, it seemed, in a war to extinguish the State of Israel. It seemed to me obvious that here was a tiny state, clinging to the seaboard of the Eastern Mediterranean, and faced not with defeat but with existential obliteration. Like many leftists of the time, I sympathized by instinct with the Jewish state. I didn’t do so completely without misgivings: I had heard so many foam-flecked Tories raving on about the hated “Nasser” ever since the Suez war of 1956 that I was on my guard at hearing the same rhetoric again. And I sent off in the mail for a pamphlet that was co-produced by the “Israeli Socialist Organization” and the “Palestine Democratic Front,” a screed which purported to offer a nonsectarian solution but also proved to be written in a jargon that was based on no known language. Events anyway outpaced the pamphlet. Israel’s paratroopers were soon at the Wailing Wall and at Sharm el-Sheikh, and all the braggadocio of Nasserism rhetoric was shown as both rather empty and rather hateful. In those days I still thought, as most people did, of the struggle between Israel and “the Arabs” and not Israel and the Palestinians.
“But just look how the press treats the Israelites [sic],” said Dodo with indignation, abolishing my reverie and recalling me to the unchanging present in this respect. “We’ve never been liked, you know. I suppose I shouldn’t say it, but I think it’s because they’re jealous.” By this stage of my life I knew slightly too much to accept this ancient self-pity as the explanation of everything, but I didn’t want to have an argument with my sweet and sad old grandma so I took my leave and, turning at her little garden gate, somewhat awkwardly uttered the salute “Shalom!” She responded, “Shalom, shalom” as easily as if we’d always greeted and parted this way and, as I wrote it down at the time, I turned and trudged off to the station in the light, continuous English rain that was also my birthright.
Landscapes of Memory
“The deep, deep sleep of England,” wrote Orwell half-admiringly and half-despairingly about the eternal and unchanging charm of the southern English countryside as seen from the train between the English Channel and London itself. Being newly returned from the ever-freshening hells of the Spanish Civil War, he remembered enough to add rather severely that England might not jerk out of this slumber until it was abruptly roused by the roar and crash of bombs. (Not far from the peaceful, rural Anglican churchyard in which he lies buried are the Cotswold villages of Upper and Lower Slaughter. Upper Slaughter is almost the only village in England that does not have a war memorial to commemorate the fallen of 1914–1918. These few hamlets are known in the war-memorial literature as “blessed,” if you can imagine such a designation. What does that make the dead of the other hamlets?)
Even though I grew up in south coast naval towns where whole sleeves of streetscape had been stripped to show the scars of Nazi bombardment, I never failed to be struck by how swiftly one could slip from the city, into the woods or along the back roads and onto the downs, and be transported* into a landscape that was almost contemplative in its quietude. The off-beat names of the Hampshire and Sussex villages — Warblington was one of my favorites, with its flinted Saxon church, but East and indeed West Wittering ran it pretty close — seemed to convey a near Wodehousian and Blandings-like beatitude and serenity. There were two especially favorite places within an easy drive, one of them the renowned Selbourne, where Gilbert White had observed the ecology of just one little place in order to produce a micro-masterpiece
of natural history, and then Chawton, near Alton. Some readers may already have caught their breath, I hope enviously.
It was as easy as breathing to go and have tea near the place where Jane Austen had so wittily scribbled and so painfully died. One of the things that causes some critics to marvel at Miss Austen is the laconic way in which, as a daughter of the epoch that saw the Napoleonic Wars, she contrives like a Greek dramatist to keep it off the stage while she concentrates on the human factor. I think this comes close to affectation on the part of some of her admirers. Captain Frederick Wentworth in Persuasion, for example, is partly of interest to the female sex because of the “prize” loot he has extracted from his encounters with Bonaparte’s navy. Still, as one born after Hiroshima I can testify that a small Hampshire township, however large the number of names of the fallen on its village-green war memorial, is more than a world away from any unpleasantness on the European mainland or the high or narrow seas that lie between. (I used to love the detail that Hampshire’s “New Forest” is so called because it was only planted for the hunt in the late eleventh century.) I remember watching with my father and brother through the fence of Stan-stead House, the Sussex mansion of the Earl of Bessborough, one evening in the early 1960s, and seeing an immense golden meadow carpeted entirely by grazing rabbits. I’ll never keep that quiet, or be that still, again.
This was around the time of countrywide protest against the introduction of a horrible laboratory-confected disease, named “myxomatosis,” into the warrens of old England to keep down the number of nibbling rodents. Richard Adams’s lapine masterpiece Watership Down is the remarkable work that it is, not merely because it evokes the world of hedgerows and chalk-downs and streams and spinneys better than anything since The Wind in the Willows, but because it is only really possible to imagine gassing and massacre and organized cruelty on this ancient and green and gently rounded landscape if it is organized and carried out against herbivores.
In the German tongue, in the Polish town
Scraped flat by the roller
Of wars, wars, wars . . .
— Sylvia Plath: “Daddy” (1962)
“If this is Upper Silesia,” observed P.G. Wodehouse after being interned in Poland by the Nazis in 1940, “what on earth must Lower Silesia be like?” He was being flippant, but with the excuse that he could have had no idea of what was about to make this region famous.
When it came time for me to make my “roots” visit, in search of my mother’s Polish and German ancestors, it was actually for the lower-lying latitudes of Silesia that I set off. The city of Wrocław, which until 1945 had been called Breslau, was the big historic melting-pot town that set the tone even for places across the Prussian border like Kempen/Kempno. When Dodo and others spoke of the place of their forebears, it was “Breslau” that they rather proudly if sadly named. And it was easy to see why. There was nothing provincial about it. In his book Microcosm, co-written with Roger Moorhouse, Norman Davies illustrates its eminence as a hub of Bohemian and Prussian life as well as the epicenter of the Silesian question, itself the trigger of the Seven Years’ War. “Wars, wars, wars”: reading up on the region I came across one moment when quintessential Englishness had in fact intersected with this darkling plain. In 1906 Winston Churchill, then the minister responsible for British colonies, had been honored by an invitation from Kaiser Wilhelm II to attend the annual maneuvers of the Imperial German Army, held at Breslau. The Kaiser was “resplendent in the uniform of the White Silesian Cuirassiers” and his massed and regimented infantry . . .
Reminded one more of great Atlantic rollers than human formations. Clouds of cavalry, avalanches of field-guns and — at that time a novelty — squadrons of motor-cars (private and military) completed the array. For five hours the immense defilade continued. Yet this was only a twentieth of the armed strength of the regular German Army before mobilization.
Strange to find Winston Churchill and Sylvia Plath both choosing the word “roller,” in both its juggernaut and wavelike declensions, for that scene.
I had a ghost or two at my elbow the entire time I was on (what is now) Polish soil. These revenants were of two kinds. The first, which was the nicest, had been gently summoned by my relatives known and unknown. Every article and review and book that I have ever published has constituted an appeal to the person or persons to whom I should have talked before I dared to write it. I never launch any little essay without the hope — and the fear, because the encounter may also be embarrassing — that I shall draw a letter that begins, “Dear Mr. Hitchens, it seems that you are unaware that . . .” It is in this sense that authorship is collaborative with “the reader.” And there’s no help for it: you only find out what you ought to have known by pretending to know at least some of it already.
It doesn’t matter how obscure or arcane or esoteric your place of publication may be: some sweet law ensures that the person who should be scrutinizing your work eventually does do so. Thus I came into contact with a woman who was, or would have been if they had known of each other, and thus was anyway, my mother’s first cousin. She now lived on the coast of Norfolk. One of her Blumenthal/Dale relatives had seen one of the reprints of my original article for Ben Sonnenberg, to which I had given the additional title: “On Not Knowing the Half of It.” Cast your bread on the waters . . . I’ll condense the time that all this took but simply say that by the time I arrived in Poland I had a goodish oil-painting portrait of Nathan Blumenthal, a fair piece of his genealogy, and two chief questions remaining. Why had he left when he did, and were there any of his relations still around?
Jane Austen died two years after the Battle of Waterloo, where the combined forces of the Duke of Wellington and (as some British historians remember to mention) the Prussians under Marshal Blucher put an end to the Napoleonic era. On the territories of the Prussian/Silesian frontier, the echoes of this and later events are very far from being “noises off.” In particular was this true for the Jews of Kempen/Kempno. In 1812 Napoleon had issued his emancipation decree, liberating the Jews from ancient church-mandated legal disabilities. In 1814/1815 the Kempen Jews had begun the construction of a rather magnificent synagogue in a sort of neo-Palladian style. At the time, they constituted perhaps eighty percent of the town. I found it unsettling yet confirming to think of this side of my mitochondrial DNA being replicated in this context: I have had my mother’s wing of my genetic ancestry analyzed by the National Geographic tracing service and there it all is: the arrow moving northward from the African savannah, skirting the Mediterranean by way of the Levant, and passing through Eastern and Central Europe before crossing to the British Isles. And all of this knowable by an analysis of the cells on the inside of my mouth.
I almost prefer the more rambling and indirect and journalistic investigation, which seems somehow less . . . deterministic. In Breslau/Wrocław, where I arrived on the day that Professor Leszek Kolakowski died, a national hero, and was honored to be invited to speak at a meeting in his memory, I was lucky to be introduced to Mr. Jerzy Kichler, the head of the local Jewish community and a veteran of the Polish-Jewish diaspora. He also helps curate the city’s Jewish cemetery, around which he guided me. It’s like a memorial to Atlantis or Lyonesse: these are the stone buoys that mark a drowned world. From this city came the parents of Edith Stein, later martyred as a convert to Catholicism (and as a nun) in Auschwitz. Max Born, the Nobel laureate in physics in 1954 — and the man to whom Einstein wrote that celebrated 1926 letter about god’s refusal to play dice with the universe — was born here, to a father who hailed from Kempen. (Max’s daughter Irene moved to Cambridge and married a leader of the Enigma/Ultra disencryption team: their daughter became famous under the name Olivia Newton-John.) Born’s conversion to Lutheranism did him no more good than Edith Stein’s when the Nazis applied their own laws about who was a Jew. Dietrich Bonhoeffer, another son of this place, had a twin sister who married a converted Jew. He was hanged in Flossenburg concentration camp — his murder c
ommemorated in one of W.H. Auden’s weaker poems — on almost the last day of the war in April 1945.
One must beware of the temptation to invest everything with significance in retrospect, yet it chills the soul a bit to learn that from this great city-center of humane science and medicine, which produced the good doctor Alois Alzheimer as well as the physicist Max Born, Professor Fritz Haber moved his operations to Berlin in 1914 in order to place his chemistry skills at the service of a military government in search of weapons of mass destruction. (He oversaw the German chlorine-gas attack at Ypres and after 1918 concerned himself with the development of Zyklon-B, thus radically attenuating his own posterity.)
Mr. Kichler was an excellent guide through all this, offering information when it was requested and leaving me alone when I seemed to need that. Together we made a point of visiting the tomb of Ernst Geiger, one of the originators of Reform Judaism, and of Ferdinand Lassalle, founder of the first German Social Democratic party (who in a private letter from Karl Marx to Friedrich Engels had been rather regrettably described as a “Jewish nigger”). He had been born on 13 April, the birthday that I share with Thomas Jefferson, Seamus Heaney, Alan Clark, Eudora Welty, and Orlando Letelier. The dates and the territory could also be made to “fit” with my own historical obsessions: when Nathan Blumenthal was born in 1844, Marx was just beginning to publish his Economic and Philosophical Manuscripts in the Rhineland to the west and, by the time he first turned up in English paperwork in 1871, Rosa Luxemburg was being born, in the Russian-Polish town of Zamo far to the east.