The Laughter of Carthage: Pyat Quartet
I would be wise to leave New York. Those same forces were lying in wait for me there, though I hardly guessed it then. In my wanderings I had seen the dark emissaries of Carthage scurrying about their destructive work. Here and there the signs were still up, but they would not stay there for long. In those parts of Harlem occupied by decent German families, threatened on all sides by blacks and orientals, I had seen the placards in the windows: Keine Juden, und keine Hunde. But it would be no more than a year or two before they were removed. Then the families themselves would be driven from the city and grinning negroes would turn those comfortable houses into squalid slums. New York would try to accept them: it was a question of pride. But New York was wrong to let it go so far. It tolerated monumental heresies: these black messiahs and philosemitic quasi-prophets abounding there today. Christians are taught to tolerate everything and so we do - but we cannot and should not tolerate evil, nor should hypocrisy and theft go unpunished. Those Sephardic Jews, they claimed to be Dons of Spain, as if that were something to boast of. The Spanish Empire was financed by Carthaginian gold, advanced by Catholic ruthlessness, informed by a pagan lust for destruction. Americans had already driven them back in a series of heroic wars. Now they are returning in a thousand guises. They cannot be stopped. And their Einiklach gloat in their massive towers, their steel and concrete fortresses, riding in Rolls Royces up and down Wall Street, controlling the destinies of all the world’s nations, while the Dons of Little Italy, of Brooklyn, the Bronx and Spanish Harlem, are richer than any Morgan or Carnegie, yet leave no charities, no foundations, no libraries behind them: only ruin.
I cannot blame myself for what became of New York. The rot, if I had chosen to look, was already there. I was blinded by the fabulous potential of the city, its grandiosity, its beauty. And for me it remains the most beautiful city on Earth. When the warm morning sun shone on those grey and yellow towers, or when it set, brilliant scarlet over Brooklyn Bridge, I would gasp in wonder, no matter how many times I had seen it before. I have heard they are demolishing more and more of it, replacing the old skyscrapers with things of black glass and featureless stone, that they have torn down almost everything and what they have not torn down they have gutted and spoiled. The Pennsylvania Hotel is now a grey, uncomfortable warren, without style or taste, taken over by the Hilton firm: a machine for processing travellers when they step out of those flying cylinders. And all done in the noble cause of democracy. This is egalitarianism corrupted. The dreams of New York’s great builders, of the murdered architect Stanford White, become wretched nightmares. The ghost of the old city hovers over the new. White was murdered in the roof garden of Madison Square, across the street from where my hotel stood. He built the set for his own destruction. And now that is demolished, too. He brought the best of Europe to America and he created architecture which was purely, confidently American in style and proportions. They mock all that now. Everywhere in the world the forces of Carthage are dynamiting our culture, our memories, our aesthetic monuments, replacing them with buildings indistinguishable one from the other, or from one country to another. They are wiping out our heritage; they are driving away our memories. Our very identities are therefore threatened. In 1906 White’s enemies conspired to kill him. The assassin was a Jew named Thaw who alleged White had seduced his wife. It was significant, however, that Thaw was eventually found ‘not guilty because insane’ and so avoided the consequences of his crime. Another shot fired for Carthage which went unpunished. Ich vil geyn mayn aveyres shiteln, indeed!
By eight the next morning, having pulled myself together with the help of cocaine and packed my trunks, I called for a porter, following him down to the echoing lobby. As I paid the balance of my bill (which took an alarming bite from my remaining funds) Jimmy Rembrandt approached me. He was smiling and full of energy, shaking my hand and saying I looked one hundred percent. Mortimer, he said, felt ill and could hardly speak, but would be with us on the train. We began to cross from the entrance hall to the Pennsylvania Station, immediately over the street, my bags on a trolley behind us. ‘Luce is afraid he has the ‘flu. But we know what’s caused his symptoms, don’t we, Max.’ Entering the Doric arcade with its rows of elegant shops and shafts of dusty sunlight, we saw Mortimer waiting for us near the Grand Stairway. He was as smartly dressed as Rembrandt, but did look pale and sorry for himself. He tried to smile at me. ‘Ah, Colonel Peterson, the famous French aviator.’
Jimmy laughed. ‘I hope you can learn to like the colour red, colonel.’ He was amused by my confusion. ‘They’ll be rolling out the carpet for you in Washington very soon now.’ Everywhere around us vast numbers of New Yorkers came and went about their business. The station actually lay below us and we descended steps forty feet wide (built in ‘Travertine’ stone after a Roman model) to the main waiting room which was also of the same mellow cream tinted stone and was meant, apparently, to resemble a Roman bath. For many years the original New Yorkers had seen themselves as following on from the traditions of Classical Rome. Today, of course, the armies of the Vatican have created on unexpected and unwelcome comparison with a more recent Rome. ‘Rely on us,’ Jimmy went on, ‘and within a week the whole of Washington will be eating out of our hands.’ Our luggage was stowed and we went to have breakfast at one of the station’s many lovely restaurants. By noon we were aboard a magnificent ‘limited’ train, a symphony of dignified steel pulled by a massive articulated locomotive. We slowly moved out of Pennsylvania Station. Only the old Tsarist trains could begin to match American luxury. She, like Russia, had been a country more dependent upon the railroad than any other kind of transport. Like Russia, she had lavished all her pride and creative artistry on these rolling citadels of comfort. We had reservations in the dining-car, but Major Mortimer did not feel like eating. He let Captain Rembrandt and I leave him to his misery and take our seats beside the wide window. Slowly New York’s skyscrapers gave way to single-storeyed suburbs and then to New Jersey’s rolling hills and forests. We crossed wide iron webs of bridges spanning rivers as broad as any I knew in Russia; we steamed along the ocean coast itself, then turned West through fields of corn which might have grown on my native Ukrainian steppe. Soon we passed the occasional factory or power station, flaring and belching against the shimmering summer sky, and I thought suddenly that all this timber, this cultivated farmland, these steel mills and generators, represented not merely enormous wealth, but tremendous optimism, too. The size of the country became apparent to me for the first time. It shared that sense of limitless space with Russia and it also shared the same richness of resources, the same will to expansion. The problems of Europe became as insignificant as their parochial ambitions. There was no need for me to fear little countries with little ideas. Here in America I should be able to grow as I had once hoped to grow in Ukraine. Eating lunch, I looked out at the plains and meadows of America, at her great, grey cities and her golden hills, and I spoke to Jimmy of the technological Utopia I envisioned. It would be fundamentally American, rejecting the old hampering traditions of Europe, concentrating on a future wholly ‘Made in U.S.A.’
Jimmy was delighted and at the same time seemed almost surprised by my fervour. ‘That’s the stuff,’ he kept saying. ‘That’s exactly the stuff.’ He was as convinced as I that my genius had been wasted on Europe. My talent was too big for them. The United States was large enough and confident enough to welcome what I could offer and pay me what I deserved. America was about to boom bigger than ever before. So much money was being generated there were not enough things to spend it on. He told me I should think of forming a company like Edison’s. I should employ staff, technicians, different experts, and I should have workshops built, ‘Invest in America, Max, and you will win all the hearts and minds you’ll ever need. This is the right time for it.’
The very rhythm of the train, steady, ebullient, increased my notion that Washington must provide me with the funds, prestige, resources I had always known were my due. The Parisian affair ha
d been an unimportant diversion. It had taught me to be careful of those in whom I put my trust. I prayed Kolya would soon escape that dreadful web of greed and intrigue and, bringing Esmé with him, join me in the American capital.
‘France has neither the cash nor the nerve to go for anything really big,’ said Jimmy. We were crossing the Delaware. In the distance an alliance of tall pines, smokestacks, pylons, marched up both the river’s steep banks. ‘That was where you went wrong. Max. It doesn’t matter how good the scheme is. It has to have a true grounding in the realities of time and place.’
I said I still blamed the socialist trade unions, but he disagreed. ‘Unions strike one way or another because it pays them or their leaders to strike. They might have meant to get better wages. More likely someone was slipping them the dough.’ He paused significantly and looked at me, but I had no idea what he wanted to hear. He went on: ‘It could have been anyone. Your own directors. The Germans. The British.’
‘I still find it hard to believe people could be so devious.’
‘You have that in common with Americans, old man. We’re shocked by it. And that’s why we’re determined to have no more truck with Europe. Let them knife each other in the back. They won’t have a chance to get a crack at us.’
Having made sure Lucius was not seriously ill, we continued on to the deep plush chairs, the brass and mahogany fixtures, of the Club Car where we smoked cigars and drank root beer into which Jimmy had somehow introduced strong Scotch. The Limited now moved with stately, unhurried swiftness through wooded hills and valleys. It was supremely comfortable with its padded seats set in spacious carriages served by efficiently trained waiters capable of finding almost anything one desired. I wondered if, when she came to her senses, Russia could one day restore her rail service to the same standard. After all, Russia, like the USA, had an almost limitless supply of suitable raw materials. Here was the model we should seek to emulate. America had learned to deal with the Bolshevik threat. Unlike New York, the rest of the country recognised the danger, pursuing its Reds with a directness Europe should have imitated. The most lazily tolerant of all nations before the War, America, as a result, quickly found out the heavy price of such decency. Now when she closed her doors no one could blame her. She was anxious to quarantine herself from the social and mental diseases rife beyond the Atlantic. She would not discover until 1929, when Carthage struck, that she had acted too late. The whole country tottered and cried desperately for help. And who should turn up with smiling lips and helping hand, as if out of the blue? An apparent Samaritan calling himself by the name of a great American? Franklin D. Roosevelt. Bolshevik sympathiser and Mishling, stepped forward, took the helm and from then on the United States was doomed. She became the greatest single prize that ever fell to Carthage. But when I sat in the Pullman smoking Coronas with Rembrandt, the fight was still undecided. I was more than willing to join the struggle. I did my best along with so many noble Americans, but we were laughed at for our pains: we were hounded from power. And all the while the Orient was patiently biding her time. Nito tsu vemen isu reydn . . .
She put a Jew in the White House just as, a half century before, she put one in 10, Downing Street. Another ruled France. A committee of them ruled Germany. Of Spain, we need say nothing. Portugal? Denmark? Who knows? They would say Ver veyst? And the terrible thing is they would probably be right. Oriental fatalism seizes them. They sprawl on the public street, the opium pipes still in their hands. And they call me a fool? They are zombies, drugged by secret masters, then sent in a howling mass against the President. They are not killed. The police are humane. They know what corrupts these shambling, filthy creatures, the sons and daughters of respectable citizens. What can they do?
It was not long before the train began to near Washington and Jimmy led me back to where Lucius Mortimer lay curled in sleep across three seats. He woke up suddenly, glaring at Jimmy as if we had attacked him, then as he recognised us he began to smile. Upon our enquiring after his health, he said he felt much better. We prepared to disembark.
Since our carriages had been cooled by fans, I was not ready for the heat. It struck me the moment I stepped onto the platform. I had thought, since New York had been so warm, I was suitably dressed for Washington, but the humidity here was profound. One waded in it as if eye deep in a lake, constantly struggling for breath. I was aware of nothing else until we had entered the cab taking us to our hotel. I sank back, gasping, while Jimmy and Lucius laughed at my discomfort. They had known what to expect and were used to it. I asked what kind of person would site the centre of government in the middle of what was plainly a tropical swamp. For a moment, through the windows, I saw nothing but confirming greenery, but this gave way to lawns, brick and stone buildings spaced so far apart I felt almost uneasy, for I had become used to the dense concentration of New York. Indeed. I had a desire to pull down the cab’s blinds until we reached our hotel. It was close to dusk, yet the air was still hot and damp, and to me the city seemed virtually deserted; hardly a city at all. ‘You’ll either learn to take it easy here.’ Jimmy explained sympathetically, ‘or the weather’ll kill you.’ Now there were vague glimpses of wide, tree-lined streets, large white buildings, a few illuminated signs. The buildings came closer together and grew a little taller by the time we stopped, but I still felt uncomfortable, physically and psychically, as we entered the dim lobby of the old-fashioned hotel my friends had selected. It was called Wormley’s and was apparently very respectable. We seemed the youngest guests by twenty years. In contrast to the world outside, the hotel seemed unusually cramped and everything in it crowded together. My room was small. Its wallpaper displayed a succession of golden eagles. It had a large fan on the ceiling and this cooled the air enough for me to recover, wash, and dress for dinner. Jimmy and Lucius had already arranged to meet their political friends, so I wished to look my best.
By the time we went out again, the city was dark. The streets were well lit, though unnaturally wide, and the electrics glinted off the thick foliage of oaks, chestnuts and cherries. Washington gave the impression of being half town, half forest. Again I felt extremely uneasy, as if foolishly I had allowed myself to be lured out of an environment where I could trust my judgment and into one where it would be impossible for me to make well calculated decisions. There was something at once artificial and rural about the place. It was even less of a ‘natural’ capital than St Petersburg. Perhaps its only industry was politics? I suggested this to my companions and they were amused. ‘Its main products are hot air and niggers,’ said Jimmy, ‘and you can’t see much of either in the dark.’
Pennsylvania Avenue was as wide and tree-lined as the other streets I had so far seen. Set back from the road was the Colonial (what the English tend to call ‘Georgian’) neo-Graecian structure known as the Restaurant Pocock. Inside was all the atmosphere associated with the best sort of London club. Women were not allowed there and the main rooms were filled with well to do, self-confident men, most of whom evidently knew one another. Again, the three of us were the youngest guests. I assumed most of the restaurant’s clients were in politics. They carried themselves with the amiable assurance of men used to authority. There was a preponderance of grey hair and white whiskers, large cigars and quiet, private humour. I could not remember ever before visiting an establishment which had, down to the pattern on the carpet, such an impervious ambience. One could be certain that every single individual in the place was a true born American. I think this added to my own sense of relaxation. As our trio (‘the Three Musketeers’, Jimmy called us) entered we were greeted by a deferential negro who showed us to a table already occupied by two older men. The table was in an alcove made invisible from the street by lace curtains and heavy drapes. Arranged about the Restaurant Pocock’s walls glass cases contained old books, ornaments, a variety of bric-a-brac. All of these, Jimmy assured me, had historical importance. This was my first real encounter with the American obsession for honouring almost any artefac
t older than twenty years as an antique. He apologised for arranging the meeting at Pocock’s which he thought stuffy and ‘dry’. It was almost impossible to get a drink in Washington unless you were at someone’s private house. We should have to go through the dinner on grape juice and pop. I am still more amused than upset by this state of affairs, though wine had become commonplace to me, but it was a source of permanent anger to many Americans.
At the table I was introduced to Mr Charles Roffy and Mr Richard Gilpin who received me with exquisite and elaborate manners. They said they were glad to know me. ‘Delighted to welcome such a distinguished visitor to our capital,’ said Mr Roffy. I was to call them Charlie and Dick. I said I also was glad to know them and would be flattered if they would address me as Max. They smiled and laughed and patted my arm saying they were easy-going people down here and not given to a whole lot of formality. They were pleased I found their rough country ways acceptable. This self-deprecating style was, I knew, a feature of genuinely good breeding in America. Charlie Roffy was a tall man whose large, comfortable belly threatened the buttons of his waistcoat. He breathed heavily, as fat men sometimes do, and the redness of his face served to emphasise his slate-coloured eyes, a shock of fading sandy hair and greying moustache. He had heard my mother was English. His own ancestors were from Yorkshire. Did I know Yorkshire? I said I had rarely been North of the Border, save as a boy. This evidently satisfied Jimmy Rembrandt who glanced at Lucius Mortimer with the air of a teacher observing a favourite student. Dick Gilpin, older, with that stern, military face once identified with Victorian generals, a thick white walrus moustache and snow-white hair worn rather long, was the epitome of the distinguished statesman. He looked me over shrewdly even as he joked that his own forefathers had been somewhat more cautious in describing their exact origins. He believed some to have been cattle thieves in Kent. Quite possibly my ancestors had hanged some of his. This was another feature of the American aristocrat, they frequently claimed wild antecedents in a vaguely located past. I was a little confused by the statement. Later I would meet men who boasted romantically of their Indian blood while their grandfathers, who had been settlers, cheerfully described how they had almost single-handedly wiped out an entire aboriginal nation. Moreover nothing had really prepared me for the dry humour, subtlety and breeding of these two Southern diplomats. Russia had always identified Americans as rough, naive characters wearing shaggy buckskins or vulgar checks, eating raw buffalo meat, loudly bullying waiters with demands for ‘pie’. These called me ‘my dear sir’ and discussed with some regret the decline in the cuisine at Delmonico’s.