Bend Sinister
Another important feature of our press is the voluntary collaboration of local correspondents—letters, suggestions, discussions, criticism, and so on. Thus we observe that our citizens have free access to the papers, a state of affairs which is unknown anywhere else. True, in other countries there is a lot of talk about “freedom” but in reality a lack of funds does not allow one the use of the printed word. A millionaire and a working man clearly do not enjoy equal opportunities.
Our press is the public property of our nation. Therefore it is not run on a commercial basis. Even the advertisements in a capitalistic newspaper can influence its political trend: this of course would be quite impossible here.
Our newspapers are published by governmental and public organizations and are absolutely independent of individuals, private and commercial interests. Independence, in its turn, is synonymous with freedom. This is obvious.
Our newspapers are completely and absolutely independent of all such influences as do not coincide with the interests of the People to whom they belong and whom they serve to the exclusion of all other masters. Thus our country enjoys the use of free speech not in theory but in real practice. Obvious again.
The constitutions of other countries also mention various “freedoms.” In reality, however, these “freedoms” are extremely restricted. A shortage of paper limits the freedom of the press; unheated halls do not encourage free gatherings; and under the pretext of regulating traffic the police break up demonstrations and processions.
Generally the newspapers of other countries are in the service of capitalists who either have their own organs or acquire columns in other papers. Recently, for instance, a journalist called Ballplayer was sold by one businessman to another for several thousand dollars.
On the other hand, when half a million American textile workers went on strike, the papers wrote about kings and queens, movies and theatres. The most popular photograph which appeared in all capitalist newspapers of that period was a picture of two rare butterflies glittering vsemi tzvetami radugi [with all the hues of the rainbow]. But not a word about the strike of the textile workers!
As our Leader has said: “The workers know that ‘freedom of speech’ in the so-called ‘democratic’ countries is an empty sound.” In our own country there cannot be any contradiction between reality and the rights granted to the citizens by Paduk’s Constitution for we have sufficient supplies of paper, plenty of good printing presses, spacious and warm public halls, and splendid avenues and parks.
We welcome queries and suggestions. Photographs and detailed booklets mailed free on application.
(I will keep it, thought Krug, I shall have it treated by some special process which will make it endure far into the future to the eternal delight of free humorists. O yes, I will keep it.)
As for news, there was practically none in the Ekwilist or the Evening Bell or any of the other government-controlled dailies. The editorials, however, were superb:
We believe that the only true Art is the Art of Discipline. All other arts in our Perfect City are but submissive variations of the supreme Trumpet-call. We love the corporate body we belong to better than ourselves and still better do we love the Ruler who symbolizes that body in terms of our times. We are for perfect Co-operation blending and balancing the three orders of the State: the productive, the executive, and the contemplative one. We are for an absolute community of interests among fellow citizens. We are for the virile harmony between lover and beloved.
(As Krug read this he experienced a faint “Lacedaemonian” sensation: whips and rods; music; and strange nocturnal terrors. He knew slightly the author of the article—a shabby old man who under the pen name of “Pankrat Tzikutin” had edited a pogromystic magazine years ago.)
Another serious article—it was curious how austere newspapers had become.
“A person who has never belonged to a Masonic Lodge or to a fraternity, club, union, or the like, is an abnormal and dangerous person. Of course, some organizations used to be pretty bad and are forbidden today, but nevertheless it is better for a man to have belonged to a politically incorrect organization than not to have belonged to any organization at all. As a model that every citizen ought to sincerely admire and follow we should like to mention a neighbour of ours who confesses that nothing in the world, not even the most thrilling detective story, not even his young wife’s plump charms, not even the day-dreams every young man has of becoming an executive some day can vie with the weekly pleasure of foregathering with his likes and singing community songs in an atmosphere of good cheer and, let us add, good business.”
Lately the elections to the Council of Elders were taking up a good deal of space. A list of candidates, thirty in number, drawn by a special commission under Paduk’s management, was circulated throughout the country; of these the voters had to select eleven. The same commission nominated “backer-grupps,” that is, certain clusters of names received the support of special agents, called “megaphonshchiki” [megaphone-armed “backers”] that boosted the civic virtues of their candidates at street corners, thus creating the illusion of a hectic election fight. The whole business was extremely confused and it did not matter in the least who won, who lost, but nevertheless the newspapers worked themselves into a state of mad agitation, giving every day, and then every hour, by means of special editions, the results of the struggle in this or that district. An interesting feature was that at the most exciting moments teams of agricultural or industrial workers, like insects driven to copulation by some unusual atmospheric condition, would suddenly issue challenges to other such teams declaring their desire to arrange “production matches” in honour of the elections. Therefore the net result of these “elections” was not any particular change in the composition of the Council, but a tremendously enthusiastic albeit somewhat exhausting “zoom-curve” in the manufacture of reaping machines, cream caramels (in bright wrappers with pictures of naked girls soaping their shoulder blades), kolbendeckelschrauben [piston-follower-bolts], nietwippen [lever-dollies], blechtafel [sheet iron], krakhmalchiki [starched collars for men and boys], glockenmetall [bronzo da campane], geschützbronze [bronzo da cannoni], blasebalgen [vozdukhoduvnye mekha] and other useful gadgets.
Detailed accounts of various meetings of factory people or collective kitchen gardeners, snappy articles, devoted to the problems of bookkeeping, denunciations, news of the activities of innumerable professional unions and the clipped accents of poems printed en escalier (incidentally tripling the per line honorarium) dedicated to Paduk, completely replaced the comfortable murders, marriages, and boxing matches of happier and more flippant times. It was as if one side of the globe had been struck with paralysis while the other smiled an incredulous—and slightly foolish—smile.
14
HE HAD never indulged in the search for the True Substance, the One, the Absolute, the Diamond suspended from the Christmas Tree of the Cosmos. He had always felt the faint ridicule of a finite mind peering at the iridescence of the invisible through the prison bars of integers. And even if the Thing could be caught, why should he, or anybody else for that matter, wish the phenomenon to lose its curls, its mask, its mirror, and become the bald noumenon?
On the other hand, if (as some of the wiser neo-mathematicians thought) the physical world could be said to consist of measure groups (tangles of stresses, sunset swarms of electric midgets) moving like mouches volantes on a shadowy background that lay outside the scope of physics, then, surely, the meek restriction of one’s interest to measuring the measurable smacked of the most humiliating futility. Take yourself away, you, with your ruler and scales! For without your rules, in an unscheduled event other than the paper chase of science, barefooted Matter does overtake Light.
We shall imagine then a prism or prison where rainbows are but octaves of ethereal vibrations and where cosmogonists with transparent heads keep walking into each other and passing through each other’s vibrating voids while, all around, various frames of reference
pulsate with Fitz-Gerald contractions. Then we give a good shake to the telescopoid kaleidoscope (for what is your cosmos but an instrument containing small bits of coloured glass which, by an arrangement of mirrors, appear in a variety of symmetrical forms when rotated—mark: when rotated) and throw the damned thing away.
How many of us have begun building anew—or thought they were building anew! Then they surveyed their construction. And lo: Heraclitus the Weeping Willow was shimmering by the door and Parmenides the Smoke was coming out of the chimney and Pythagoras (already inside) was drawing the shadows of the window frames on the bright polished floor where the flies played (I settle and you buzz by; then I buzz up and you settle; then jerk-jerk-jerk; then we both buzz up).
Long summer days. Olga playing the piano. Music, order.
The trouble with Krug, thought Krug, was that for long summer years and with enormous success he had delicately taken apart the systems of others and had acquired thereby a reputation for an impish sense of humour and delightful common sense whereas in fact he was a big sad hog of a man and the “common sense” affair had turned out to be the gradual digging of a pit to accommodate pure smiling madness.
He was constantly being called one of the most eminent philosophers of his time but he knew that nobody could really define what special features his philosophy had, or what “eminent” meant or what “his time” exactly was, or who were the other worthies. When writers in foreign countries were called his disciples he never could find in their writings anything remotely akin to the style or temper of thought which, without his sanction, critics had assigned to him, so that he finally began regarding himself (robust rude Krug) as an illusion or rather as a shareholder in an illusion which was highly appreciated by a great number of cultured people (with a generous sprinkling of semi-cultured ones). It was much the same thing as is liable to happen in novels when the author and his yes-characters assert that the hero is a “great artist” or a “great poet” without, however, bringing any proofs (reproductions of his paintings, samples of his poetry); indeed, taking care not to bring such proofs since any sample would be sure to fall short of the reader’s expectations and fancy. Krug, while wondering who had puffed him up, who had projected him on to the screen of fame, could not help feeling that in some odd way he did deserve it, that he really was bigger and brighter than most of the men around him; but he also knew that what people saw in him, without realizing it perhaps, was not an admirable expansion of positive matter but a kind of inaudible frozen explosion (as if the reel had been stopped at the point where the bomb bursts) with some debris gracefully poised in mid-air.
When this type of mind, so good at “creative destruction,” says to itself as any poor misled philosopher (oh, that cramped uncomfortable “I,” that chess-Mephisto concealed in the cogito!) might say: “Now I have cleared the ground, now I will build, and the gods of ancient philosophy shall not intrude”—the result generally is a cold little heap of truisms fished out of the artificial lake into which they had been especially put for the purpose. What Krug hoped to fish out was something belonging not only to an undescribed species or genus or family or order, but something representing a brand-new class.
Now let us have this quite clear. What is more important to solve: the “outer” problem (space, time, matter, the unknown without) or the “inner” one (life, thought, love, the unknown within) or again their point of contact (death)? For we agree, do we not, that problems as problems do exist even if the world be something made of nothing within nothing made of something. Or is “outer” and “inner” an illusion too, so that a great mountain may be said to stand a thousand dreams high and hope and terror can be as easily charted as the capes and bays they helped to name?
Answer! Oh, that exquisite sight: a wary logician picking his way among the thorn bushes and pitfalls of thought, marking a tree or a cliff (this I have passed, this Nile is settled), looking back (“in other words”) and cautiously testing some quaggy ground (now let us proceed——); having his carload of tourists stop at the base of a metaphor or Simple Example (let us suppose that an elevator——); pressing on, surmounting all difficulties and finally arriving in triumph at the very first tree he had marked!
And then, thought Krug, on top of everything, I am a slave of images. We speak of one thing being like some other thing when what we are really craving to do is to describe something that is like nothing on earth. Certain mind pictures have become so adulterated by the concept of “time” that we have come to believe in the actual existence of a permanently moving bright fissure (the point of perception) between our retrospective eternity which we cannot recall and the prospective one which we cannot know. We are not really able to measure time because no gold second is kept in a case in Paris but, quite frankly, do you not imagine a length of several hours more exactly than a length of several miles?
And now, ladies and gentlemen, we come to the problem of death. It may be said with as fair an amount of truth as is practically available that to seek perfect knowledge is the attempt of a point in space and time to identify itself with every other point: death is either the instantaneous gaining of perfect knowledge (similar say to the instantaneous disintegration of stone and ivy composing the circular dungeon where formerly the prisoner had to content himself with only two small apertures optically fusing into one; whilst now, with the disappearance of all walls, he can survey the entire circular landscape), or absolute nothingness, nichto.
And this, snorted Krug, is what you call a brand-new class of thinking! Have some more fish.
Who could have believed that his powerful brain would become so disorganized? In the old days whenever he took up a book, the underscored passages, his lightning notes in the margin used to come together almost automatically, and a new essay, a new chapter was ready—but now he was almost incapable of lifting the heavy pencil from the dusty thick carpet where it had fallen from his limp hand.
15
ON THE FOURTH, he searched through some old papers and found a reprint of a Henry Doyle Lecture which he had delivered before the Philosophical Society of Washington. He reread a passage he had polemically quoted in regard to the idea of substance: “When a body is sweet and white all over, the motions of whiteness and sweetness are repeated in various places and intermixed.…” [Da mi basia mille.]
On the fifth, he went on foot to the Ministry of Justice and demanded an interview in connection with the arrest of his friends but it gradually transpired that the place had been turned into a hotel and that the man whom he had taken for a high official was merely the headwaiter.
On the eighth, as he was showing David how to touch a pellet of bread with the tips of two crossed fingers so as to produce a kind of mirror effect in terms of contact (the feel of a second pellet), Mariette laid her bare forearm and elbow upon his shoulder and watched with interest, fidgeting all the time, tickling his temple with her brown hair and scratching her thigh with a knitting needle.
On the tenth, a student called Phokus attempted to see him but was not admitted, partly because he never allowed any scholastic matters to bother him outside his (for the moment nonexistent) office, but mainly because there were reasons to think that this Phokus might be a Government spy.
On the night of the twelfth, he dreamt that he was surreptitiously enjoying Mariette while she sat, wincing a little, in his lap during the rehearsal of a play in which she was supposed to be his daughter.
On the night of the thirteenth, he was drunk.
On the fifteenth, an unknown voice on the telephone informed him that Blanche Hedron, his friend’s sister, had been smuggled abroad and was now safe in Budafok, a place situated apparently somewhere in Central Europe.
On the seventeenth, he received a curious letter:
“Rich Sir, an agent of mine abroad has been informed by two of your friends, Messrs Berenz and Marbel, that you are seeking to purchase a reproduction of Turok’s masterpiece “Escape.” If you care to visit my shop (“Brikabr
ak,” Dimmerlamp Street 14) around five in the afternoon Monday, Tuesday or Friday, I shall be glad to discuss the possibility of your——” a large blot eclipsed the end of the sentence. The letter was signed “Peter Quist, Antiques.”
After a prolonged study of a map of the city, he discovered the street in its north-western corner. He laid down his magnifying glass and removed his spectacles. Making those little sticky sounds he was wont to make at such times, he put his spectacles on again, and took up the glass and tried to discover whether any of the bus routes (marked in red) would bring him there. Yes, it could be done. In a casual flash, for no reason at all, he recollected a way Olga had of lifting her left eyebrow when she looked at herself in the mirror.
Do all people have that? A face, a phrase, a landscape, an air bubble from the past suddenly floating up as if released by the head warden’s child from a cell in the brain while the mind is at work on some totally different matter? Something of the sort also occurs just before falling asleep when what you think you are thinking is not at all what you think. Or two parallel passenger trains of thought, one overtaking the other.
Outside, the roughish edges of the air had a touch of spring about them although the year had only begun.
An amusing new law demanded that everyone boarding a motor bus not only show his or her passport, but also give the conductor a signed and numbered photograph. The process of checking whether the likeness, signature and number corresponded to those of the passport was a lengthy one. It had been further decreed that in case a passenger did not have the exact fare (17⅓ cents per mile), whatever surplus he paid would be refunded to him at a remote post office, provided he took his place in the queue there not more than thirty-three hours after leaving the bus. The writing and stamping of receipts by a harassed conductor resulted in some more delay; and since, in accordance with the same decree, the bus stopped only at those points at which not fewer than three passengers wished to alight, a good deal of confusion was added to the delay. In spite of these measures buses were singularly crowded these days.