It

e had left by the door at the kindergarten end of the school building just in case, but Henry had stuck Belch Huggins there, also just in case. Har-de-har-har-har.

Richie saw Belch first or there would have been no contest at all. Belch was looking out toward Derry Park, holding an unlit cigarette in one hand and dreamily picking the seat of his chinos out of his ass with the other. Heart pounding hard, Richie had walked quietly across the playground and was most of the way down Charter Street before Belch turned his head and saw him. He yelled for Henry and Victor, and since then the chase had been on.

When Richie reached the toy department it had been utterly, horribly deserted. There wasn't even a sales clerk hanging out--a welcome adult to put a stop to things before they got entirely out of hand. He could hear the three dinosaurs of the apocalypse closing in now. And he simply couldn't run anymore. Each breath produced a deep hurting stitch in his left side.

His eye fixed on a door which read EMERGENCY EXIT ONLY! ALARM WILL SOUND! Hope kindled in his chest.

Richie ran down an aisle crammed with Donald Duck jack-in-the-boxes, United States Army tanks made in Japan, Lone Ranger cap pistols, wind-up robots. He reached the door and slammed the push-bar as hard as he could. The door opened, letting in cool mid-March air. The alarm went off with a strident bray. Richie immediately doubled back and dropped to his hands and knees in the next aisle over. He was down before the door could settle closed again.

Henry, Belch, and Victor thundered into the toy department just as the door clicked shut and the alarm cut off. They raced for it, Henry in the lead, his face set and intent.

A sales clerk finally appeared, coming on the run. He wore a blue nylon duster over a plaid sportcoat of excruciating ugliness. The rims of his spectacles were as pink as the eyes of a white rabbit. Richie thought he looked like Wally Cox in his Mr. Peepers role, and he had to slam his traitor mouth into the fat part of his forearm to keep from screaming out gales of exhausted laughter.

"You boys!" Mr. Peepers exclaimed. "You boys can't go out there! That's an emergency exit! You! Hey! You boys!"

Victor glanced at him a little nervously, but Henry and Belch never turned from their course and Victor followed them. The alarm brayed again, longer this time as they charged into the alley. Before it stopped clanging Richie was on his feet and trotting back toward ladies' lingerie.

"You boys will be barred from the store!" the clerk yelled after him.

Looking back over his shoulder Richie squealed in his Granny Grunt Voice, "Did anyone ever tell you you look just like Mr. Peepers, young man?"

And so he had escaped. And so he had finished up almost a mile from Freese's, in front of City Center ... and, he devoutly hoped, out of harm's way. At least for the time being. He was spent. He sat down on a bench just to the left of the Paul Bunyan statue, wanting only a little peace while he got himself back together. In a bit he would get up and head home, but for now it felt too good to just sit here in the afternoon sun. The day had opened in a cold drizzly gloom, but now you could believe spring might actually be on the way.

Farther up the lawn he could see the City Center marquee, which on that March day bore this message in large blue translucent letters: HEY TEENS!

COMING MARCH 28TH!

THE ARNIE "WOO-WOO" GINSBERG ROCK AND ROLL SHOW!

JERRY LEE LEWIS

THE PENGUINS

FRANKIE LYMON AND THE TEENAGERS

GENE VINCENT AND THE BLUE CAPS

FREDDY "BOOM-BOOM" CANNON

AN EVENING OF WHOLESOME ENTERTAINMENT!!



That was a show Richie really wanted to see, but he knew there wasn't a chance. His mother's idea of wholesome entertainment did not include Jerry Lee Lewis telling the young people of America we got chicken in the barn, whose barn, what barn, my barn. Nor, for that matter, did it include Freddy Cannon, whose Tallahassee lassie had a hi-fi chassis. She was willing to admit that she had done her share of screaming for Frank Sinatra (whom she now called Frankie the Snot) as a bobby-soxer, but, like Bill Denbrough's mother, she was death on rock and roll. Chuck Berry terrified her, and she declared that Richard Penniman, better known to his teen and subteen constituency as Little Richard, made her want to "barf like a chicken."

This was a phrase for which Richie had never asked a translation.

His dad was neutral on the subject of rock and roll and could perhaps have been swayed, but Richie knew in his heart that his mother's wishes would rule on this subject--until he was sixteen or seventeen, anyway--and by then, his mother was firmly convinced, the country's rock and roll mania would have passed.

Richie thought Danny and the Juniors were more right on that subject than his mom--rock and roll would never die. He himself loved it, although his sources were really only two-American Bandstand on Channel 7 in the afternoon and WMEX out of Boston at night, when the air had thinned and the hoarse enthusiastic voice of Arnie Ginsberg came wavering in and out like the voice of a ghost called up at a seance. The beat did more than make him happy. It made him feel bigger, stronger, more there. When Frankie Ford sang "Sea Cruise" or Eddie Cochran sang "Summertime Blues," Richie was actually transported with joy. There was power in that music, a power which seemed to most rightfully belong to all the skinny kids, fat kids, ugly kids, shy kids--the world's losers, in short. In it he felt a mad hilarious voltage which had the power to both kill and exalt. He idolized Fats Domino (who made even Ben Hanscom look slim and trim) and Buddy Holly, who, like Richie, wore glasses, and Screaming Jay Hawkins, who popped out of a coffin at his concerts (or so Richie had been told), and the Dovells, who danced as good as black guys.

Well, almost.

He would have his rock and roll someday if he wanted it--he was confident it would still be there for him when his mother finally gave in and let him have it--but that would not be on March 28th, 1958 ... or in 1959 ... or ...

His eyes had drifted away from the marquee and then ... well ... then he must have fallen asleep. It was the only explanation that made sense. What had happened next could only happen in dreams.

And now here he was again, a Richie Tozier who had finally gotten all the rock and roll he had ever wanted ... and who had found, happily, that it still wasn't enough. His eyes went to the marquee in front of City Center and saw that, with a hideous kind of serendipity, those same blue letters spelled out: JUNE 14TH

HEAVY METAL MANIA!!

JUDAS PRIEST

IRON MAIDEN

BUY YOUR TICKETS HERE OR AT ANY TICKETRON OUTLET



Somewhere along the way they dropped the wholesome entertainment line, but as far as I can tell that's just about the only difference, Richie thought.

And heard Danny and the Juniors, dim and distant, like voices heard down a long corridor coming out of a cheap radio: Rock and roll will never die, I'll dig it to the end ... It'll go down in history, just you watch my friend....

Richie looked back at Paul Bunyan, patron saint of Derry--Derry, which had come into being, according to the stories, because this was where the logs fetched up when they came downriver. There had been a time when, in the spring, both the Penobscot and the Kenduskeag would have been solid logs from one side to the other, their black bark hides glistening in the spring sun. A fellow who was fast on his feet could walk from Wally's Spa in Hell's Half-Acre over to Ramper's in Brewster (Ramper's was a tavern of such horrible repute that it was commonly called the Bucket of Blood) without getting his boots wet over the third crossing of his rawhide laces. Or so it had been storied in Richie's youth, and he supposed there was a bit of Paul Bunyan in all such stories.

Old Paul, he thought, looking up at the plastic statue. What you been doing since I've been gone? Made any new riverbeds coming home tired and dragging your axe behind you? Made any new lakes on account of wanting a bathtub big enough so you could sit in water up to your neck? Scared any more little kids the way you scared me that day?

Ah, and suddenly he remembered it all, the way you will sometimes suddenly remember a word which has been dancing on the tip of your tongue.

There he had been, sitting in that mellow March sunshine, drowsing a little, thinking about going home and catching the last half hour of Bandstand, and suddenly there had been a warm swash of air into his face. It blew his hair back from his forehead. He looked up and Paul Bunyan's huge plastic face had been right in front of his, bigger than a face on a movie screen, filling everything. The rush of air had been caused by Paul's bending down ... although he did not precisely look like Paul anymore. The forehead was now low and beetling; tufts of wiry hair poked from a nose as red as the nose of a long-time drunkard; his eyes were bloodshot and one had a slight cast to it.

The axe was no longer on his shoulder. Paul was leaning on its haft, and the blunt end of its head had crushed a trench in the concrete of the sidewalk. He was still grinning, but there was nothing cheery about it now. From between gigantic yellow teeth there drifted a smell like small animals rotting in hot underbrush.

"I'm going to eat you up," the giant had said in a low rumbling voice. It was the sound of boulders rocking against each other during an earthquake. "Unless you give me back my hen and my harp and my bags of gold, I'm going to eat you right the fuck up!"

The breath of these words made Richie's shirt flutter and flap like a sail in a hurricane. He shrank back against the bench, eyes bugging, hair standing out to all sides like quills, wrapped in a pocket of carrion-stink.

The giant began to laugh. It settled its hands on the haft of its axe the way Ted Williams might have laid hold of his favorite baseball bat (or ash-handle, if you prefer), and pulled it out of the hole it had made in the sidewalk. The axe began to rise into the air. It made a low lethal rushing sound. Richie suddenly understood that the giant meant to split him right down the middle.

But he felt that he could not move; a logy sort of apathy had stolen over him. What did it matter? He was dozing, having a dream. Any moment now some driver would blow his horn at a kid running across the street and he would wake up.

"That's right," the giant had rumbled, "you'll wake up in hell!" And at the last instant, as the axe slowed to its apogee and balanced there, Richie understood that this wasn't a dream at all ... and if it was, it was a dream that could kill.

Trying to scream but making no sound at all, he rolled off the bench and onto the raked gravel plot which surrounded what had been a statue and was now only a base with two huge steel bolts sticking out of it where the feet had been. The sound of the descending axe filled the world with its pressing insistent whisper; the giant's grin had become a murderer's grimace. Its lips had pulled back so far from its teeth that its plastic red gums, hideously red, gleamed.

The blade of the axe struck the bench where Richie had been only an instant before. The edge was so sharp that there was almost no sound at all, but the bench was sheared instantly in two. The halves sagged away from each other, the wood inside the green-painted skin a bright and somehow sickening white.

Richie was on his back. Still trying to scream, he pushed himself with his heels. Gravel went down the collar of his shirt, down the back of his pants. And there was Paul, towering above him, looking down at him with eyes the size of manhole covers; there was Paul, looking down at one small boy cowering on the gravel.

The giant took a step toward him. Richie felt the ground shudder when the black boot came down. Gravel spumed up in a cloud.

Richie rolled over onto his stomach and staggered to his feet. His legs were already trying to run before he was balanced, and as a result he fell flat on his belly again. He heard the wind whoof out of his lungs. His hair fell in his eyes. He could see the traffic going back and forth on Canal and Main Streets as it did every day, as if nothing was happening, as if no one in any of those cars could see or care that Paul Bunyan had come to life and stepped down from its pedestal in order to commit murder with an axe roughly the size of a deluxe motor home.

The sunshine was blotted out. Richie lay in a patch of shade that looked like a man.

He scrambled to his knees, almost fell over sideways, managed to get to his feet, and ran as fast as he could--he ran with his knees popping almost all the way up to his chest and his elbows pistoning. Behind him he could hear that awful persistent whisper building again, a sound that seemed to be not really sound at all but pressure on the skin and eardrums: Swiiipppppp!--

The earth shook. Richie's upper and lower teeth rattled against each other like china plates in an earthquake. He did not have to look to know that Paul's axe had buried itself haft-deep in the sidewalk inches behind his feet.

Madly, in his mind, he heard the Dovells: Oh the kids in Bristol are sharp as a pistol When they do the Bristol Stomp....

He passed out of the giant's shadow into sunlight again, and as he did he began to laugh--the same exhausted laughter that had come from him when he bolted downstairs in Freese's. Panting, that hot stitch in his side again, he had at last risked a glance back over his shoulder.

There was the statue of Paul Bunyan, standing on its pedestal where it always stood, axe on its shoulder, head cocked toward the sky, lips parted in the eternal optimistic grin of the myth-hero. The bench which had been sheared in two was whole and intact, thank you very much. The gravel where Tall Paul (He's-a my all, Annette Funicello sang maniacally in Richie's head) had planted his huge foot was raked and immaculate except for the scuffed spot where Richie had fallen off while he was

(getting away from the giant)

dreaming. There was no footprint, no axe-slash in the concrete. There was nothing here but a boy who had been chased by other boys, bigger boys, and so had had himself a very small (but very potent) dream about a homicidal Colossus ... the Giant Economy-Size Henry Bowers, if you pleased.

"Shit," Richie said in a tiny wavering voice, and then uttered an uncertain laugh.

He stood there awhile longer, waiting to see if the statue would move again--perhaps wink, perhaps shift its axe from one shoulder to the other, perhaps come down and have at him again. But of course none of those things happened.

Of course.

What, me worry? Har-de-har-har-har.

A doze. A dream. No more than that.

But, as Abraham Lincoln or Socrates or someone like that had once observed, enough was enough. It was time to go home and cool out; to make like Kookie on 77 Sunset Strip and just lay chilly.

And although it would have been quicker to cut through the City Center grounds, he decided not to. He didn't want to get close to that statue again. So he had gone the long way around and by that evening he had nearly forgotten the incident.

Until now.

Here sits a man, he thought, here sits a man dressed in a mossy-green sportcoat purchased at one of the best shops on Rodeo Drive; here sits a man with Bass Weejuns on his feet and Calvin Klein underwear to cover his ass; here sits a man with soft contact lenses resting easily on his eyes; here sits a man remembering the dream of a boy who thought an Ivy League shirt with a fruit-loop on the back and a pair of Snap-Jack shoes was the height of fashion; here sits a grownup looking at the same old statue, and hey, Paul, Tall Paul, I'm here to say you're the same in every way, you ain't aged a motherfucking day.

The old explanation still rang true in his mind: a dream.

He supposed he could believe in monsters if he had to; monsters were no big deal. Hadn't he sat in radio studios at one time or another reading news copy about such fellows as Idi Amin Dada and Jim Jones and that guy who had blown away all those folks in a McDonald's just down the road apiece? Shitfire and save matches, monsters were cheap! Who needed a five-buck movie ticket when you could read about them in the paper for thirty-five cents or hear about them on the radio for free? And he supposed if he could believe in the Jim Jones variety, he could believe in Mike Hanlon's version, at least for awhile; It even had Its own sorry charm, because It came from Outside and no one had to claim responsibility for It. He could believe in a monster that had as many faces as there are rubber masks in a novelty shop (if you're gonna have one, you might as well have a pack of em, he thought, cheaper by the dozen, right, gang?), at least for the sake of argument ... but a thirty-foot-high plastic statue that stepped off its pedestal and then tried to carve you up with its plastic axe? That was just a little too ripe. As Abraham Lincoln or Socrates or someone had also said, I'll eat fish and I'll eat meat, but there is some shit I will not eat. It just wasn't--

That sharp needling pain struck his eyes again, without warning, jerking a dismayed cry from him. This was the worst yet, going deeper and lasting longer, scaring the bejesus out of him. He clapped his hands to his eyes and then groped instinctively for the bottom lids with his forefingers, meaning to pop his contacts out. It's maybe some kind of infection, he thought dimly. But Jesus it hurts!

He pulled the lids down and was ready to give the single practiced blink that would send them tumbling out (and he would spend the next fifteen minutes grovelling myopically for them in the gravel surrounding the bench but Jesus God who gave a shit, right now it felt like there were nails in his eyes), when the pain disappeared. It did not dwindle; it just went. One moment there, the next moment gone. His eyes teared briefly and then stopped.

He lowered his hands slowly, his heart running fast in his chest, ready to blink them out the instant the pain started again. It didn't. And suddenly he found himself thinking about the only horror movie that had ever really scared him as a kid, possibly because he had taken so much shit about his glasses and had spent so much time thinking about his eyes. That movie had been The Crawling Eye, with Forrest Tucker. Not very good. The other kids had laughed themselves into hysterics over it, but Richie had not laughed. Richie had been rendered cold and white and dumb, for once with not a single Voice to command, as that gelatinous tentacled eye came out of the manufactured fog of some English movie set, waving its fibrous tentacles in front of it. The sight of that eye had been very bad, the embodiment of a hundred not-quite-realized fears and disquiets. On some night not long after, he had dreamed of looking at himself in a mirror and bringing a large pin up and sticking it slowly into the black iris of his eye and feeling a numb, w