Collected Short Stories Volume 3

  She was a tall, thin woman of fifty, rather drawn and faded, but she looked as though she had once been pretty. It was obvious that she was very well-bred. She vaguely reminded you of an exotic plant, reared in a hot-house, that had begun to lose its bloom. She was dressed in black.

  'What was the concert like?' asked Sir Herbert.

  'Oh, not bad at all. They gave a Brahms Concerto and the Fire-music from the Walküre, and some Hungarian dances of Dvorak. I thought them rather showy.' She turned to Ashenden. 'I hope you haven't been bored all alone with my husband. What have you been talking about? Art and Literature?'

  'No, its raw material,' said Ashenden.

  He took his leave.

  Mr Harrington's washing

  When Ashenden went on deck and saw before him a low-lying coast and a white town he felt a pleasant flutter of excitement. It was early and the sun had not long risen, but the sea was glassy and the sky was blue; it was warm already and one knew that the day would be sweltering. Vladivostok. It really gave one the sensation of being at the end of the world. It was a long journey that Ashenden had made from New York to San Francisco, across the Pacific in a Japanese boat to Yokohama, then from Tsuruki in a Russian boat, he the only Englishman on board, up the Sea of Japan. From Vladivostok he was to take the Trans-Siberian to Petrograd. It was the most important mission that he had ever had and he was pleased with the sense of responsibility that it gave him. He had no one to give him orders, unlimited funds (he carried in a belt next to his skin bills of exchange for a sum so enormous that he was staggered when he thought of them), and though he had been set to do something that was beyond human possibility he did not know this and was prepared to set about his task with confidence. He believed in his own astuteness. Though he had both esteem and admiration for the sensibility of the human race, he had little respect for their intelligence: man has always found it easier to sacrifice his life than to learn the multiplication table.

  Ashenden did not much look forward to ten days on a Russian train, and in Yokohama he had heard rumours that in one or two places bridges had been blown up and the line cut. He was told that the soldiers, completely out of hand, would rob him of everything he possessed and turn him out on the steppe to shift for himself. It was a cheerful prospect. But the train was certainly starting and whatever happened later (and Ashenden had always a feeling that things never turned out as badly as you expected) he was determined to get a place on it. His intention on landing was to go at once to the British Consulate and find out what arrangements had been made for him; but as they neared the shore and he was able to discern the untidy and bedraggled town he felt not a little forlorn. He knew but a few words of Russian. The only man on the ship who spoke English was the purser and though he promised Ashenden to do anything he could to help him, Ashenden had the impression that he must not too greatly count upon him. It was a relief then, when they docked, to have a young man, small and with a mop of untidy hair, obviously a Jew, come up to him and ask if his name was Ashenden.

  'Mine is Benedict. I'm the interpreter at the British Consulate. I've been told to look after you. We've got you a place on the train tonight.'

  Ashenden's spirits went up. They landed. The little Jew looked after his luggage and had his passport examined and then, getting into a car that waited for them, they drove off to the Consulate.

  'I've had instructions to offer you every facility,' said the Consul, 'and you've only got to tell me what you want. I've fixed you up all right on the train, but God knows if you'll ever get to Petrograd. Oh, by the way, I've got a travelling companion for you. He's a man called Harrington, an American, and he's going to Petrograd for a firm in Philadelphia. He's trying to fix up some deal with the Provisional Government.'

  'What's he like?' asked Ashenden.

  'Oh, he's all right. I wanted him to come with the American Consul to luncheon, but they've gone for an excursion in the country. You must get to the station a couple of hours before the train starts. There's always an awful scrimmage and if you're not there in good time someone will pinch your seat.'

  The train started at midnight and Ashenden dined with Benedict at the station restaurant, which was, it appeared, the only place in that slatternly town where you could get a decent meal. It was crowded. The service was intolerably slow. Then they went on to the platform, where, though they had still two hours to spare, there was already a seething mob. Whole families, sitting on piles of luggage, seemed to be camped there. People rushed to and fro, or stood in little groups violently arguing. Women screamed. Others were silently weeping. Here two men were engaged in a fierce quarrel. It was a scene of indescribable confusion. The light in the station was wan and cold and the white faces of all those people were like the white faces of the dead waiting, patient or anxious, distraught or penitent, for the judgement of the last day. The train was made up and most of the carriages were already filled to overflowing. When at last Benedict found that in which Ashenden had his place a man sprang out of it excitedly.

  'Come in and sit down,' he said. 'I've had the greatest difficulty in keeping your seat. A fellow wanted to come in here with a wife and two children. My Consul has just gone off with him to see the stationmaster.'

  'This is Mr Harrington,' said Benedict.

  Ashenden stepped into the carriage. It had two berths in it. The porter stowed his luggage away. He shook hands with his travelling companion.

  Mr John Quincy Harrington was a very thin man of somewhat less than middle height, he had a yellow, bony face, with large, pale-blue eyes, and when he took off his hat to wipe his brow wet from the perturbation he had endured he showed a large, bald skull; it was very bony and the ridges and protuberances stood out disconcertingly. He wore a bowler-hat, a black coat and waistcoat, and a pair of striped trousers; a very high white collar, and a neat, unobtrusive tie. Ashenden did not know precisely how you should dress in order to take a ten days' journey across Siberia, but he could not but think that Mr Harrington's costume was eccentric. He spoke with precision in a high-pitched voice and in an accent that Ashenden recognized as that of New England.

  In a minute the stationmaster came accompanied by a bearded Russian, suffering evidently from profound emotion, and followed by a lady holding two children by the hand. The Russian, tears running down his face, was talking with quivering lips to the stationmaster, and his wife between her sobs was apparently telling him the story of her life. When they arrived at the carriage the altercation became more violent and Benedict joined in with his fluent Russian. Mr Harrington did not know a word of the language, but being obviously of an excitable turn broke in and explained in voluble English that these seats had been booked by the Consuls of Great Britain and the United States respectively, and though he didn't know about the King of England, he could tell them straight and they could take it from him that the President of the United States would never permit an American citizen to be done out of a seat on the train that he had duly paid for. He would yield to force, but to nothing else, and if they touched him he would register a complaint with the Consul at once. He said all this and a great deal more to the stationmaster, who of course had no notion what he was talking about, but with much emphasis and a good deal of gesticulation made him in reply a passionate speech. This roused Mr Harrington to the utmost pitch of indignation, for shaking his fist in the station-master's face, his own pale with fury, he cried out:

  'Tell him I don't understand a word he says and I don't want to understand. If the Russians want us to look upon them as a civilized people, why don't they talk a civilized language? Tell him that I am Mr John Quincy Harrington and I'm travelling on behalf of Messrs Crewe and Adams of Philadelphia with a special letter of introduction to Mr Kerensky and if I'm not left in peaceful possession of this carriage Mr Crewe will take the matter up with the Administration in Washington.'

  Mr Harrington's manner was so truculent and his gestures so menacing that the stationmaster, throwing up the sponge, turned on his heel wit
hout another word and walked moodily away. He was followed by the bearded Russian and his wife arguing heatedly with him and the two apathetic children. Mr Harrington jumped back into the carriage.

  'I'm terribly sorry to have to refuse to give up my seat to a lady with two children,' he said. 'No one knows better than I the respect due to a woman and a mother, but I've got to get to Petrograd by this train if I don't want to lose a very important order and I'm not going to spend ten days in a corridor for all the mothers in Russia.'

  'I don't blame you,' said Ashenden.

  'I am a married man and I have two children myself. I know that travelling with your family is a difficult matter, but there's nothing that I know to prevent you from staying at home.'

  When you are shut up with a man for ten days in a railway carriage you can hardly fail to learn most of what there is to know about him, and for ten days (for eleven to be exact) Ashenden spent twenty-four hours a day with Mr Harrington. It is true that they went into the dining-room three times a day for their meals, but they sat opposite to one another; it is true that the train stopped for an hour morning and afternoon so that they were able to have a tramp up and down the platform, but they walked side by side. Ashenden made acquaintance with some of his fellow-travellers and sometimes they came into the compartment to have a chat, but if they only spoke French or German Mr Harrington would watch them with acidulous disapproval and if they spoke English he would never let them get a word in. For Mr Harrington was a talker. He talked as though it were a natural function of the human being, automatically, as men breathe or digest their food; he talked not because he had something to say, but because he could not help himself, in a high-pitched, nasal voice, without inflexion, at one dead level of tone. He talked with precision, using a copious vocabulary and forming his sentences with deliberation; he never used a short word when a longer one would do; he never paused. He went on and on. It was not a torrent, for there was nothing impetuous about it, it was like a stream of lava pouring irresistibly down the side of a volcano. It flowed with a quiet and steady force that overwhelmed everything that was in its path.

  Ashenden thought he had never known as much about anyone as he knew about Mr Harrington, and not only about him, with all his opinions, habits, and circumstances, but about his wife and his wife's family, his children and their schoolfellows, his employers and the alliances they had made for three or four generation with the best families in Philadelphia. His own family had come from Devonshire early in the eighteenth century and Mr Harrington had been to the village where the graves of his forebears were still to be seen in the churchyard. He was proud of his English ancestry, but proud too of his American birth, though to him America was a little strip of land along the Atlantic coast and Americans were a small number of persons of English or Dutch origin whose blood had never been sullied by foreign admixture. He looked upon the Germans, Swedes, Irish, and the inhabitants of Central and Eastern Europe who for the last hundred years have descended upon the United States, as interlopers. He turned his attention away from them as a maiden lady who lived in a secluded manor might avert her eyes from the factory chimneys that had trespassed upon her retirement.

  When Ashenden mentioned a man of vast wealth who owned some of the finest pictures in America Mr Harrington said:

  'I've never met him. My great-aunt Maria Penn Warmington always said his grandmother was a very good cook. My great-aunt Maria was terribly sorry when she left her to get married. She said she never knew anyone who could make an apple pancake as she could.'

  Mr Harrington was devoted to his wife, and he told Ashenden at unbelievable length how cultivated and what a perfect mother she was. She had delicate health and had undergone a great number of operations all of which he described in detail. He had had two operations himself, one on his tonsils and one to remove his appendix and he took Ashenden day by day through his experiences. All his friends had had operations and his knowledge of surgery was encyclopedic. He had two sons, both at school, and he was seriously considering whether he would not be well-advised to have them operated on. It was curious that one of them should have enlarged tonsils, and he was not at all happy about the appendix of the other. They were more devoted to one another than he had ever seen two brothers be, and a very good friend of his, the brightest surgeon in Philadelphia, had offered to operate on them both together so that they should not be separated. He showed Ashenden photographs of the boys and their mother. This journey of his to Russia was the first time in their lives that he had been separated from them, and every morning he wrote a long letter to his wife telling her everything that had happened and a good deal of what he had said during the day. Ashenden watched him cover sheet after sheet of paper with his neat, legible, and precise handwriting.

  Mr Harrington had read all the books on conversation and knew its technique to the last detail. He had a little book in which he noted down the stories he heard and he told Ashenden that when he was going out to dinner he always looked up half a dozen so that he should not be at a loss. They were marked with a G if they could be told in general society and with an M (for men) if they were more fit for rough masculine ears. He was a specialist in that peculiar form of anecdote that consists in narrating a long serious incident, piling detail upon detail, till a comic end is reached. He spared you nothing, and Ashenden, foreseeing the point long before it arrived, would clench his hands and knit his brows in the strenuous effort not to betray his impatience and at last force from his unwilling mouth a grim and hollow laugh. If someone came into the compartment in the middle Mr Harrington would greet him with cordiality.

  'Come right in and sit down. I was just telling my friend a story. You must listen to it, it's one of the funniest things you ever heard.'

  Then he would begin again from the very beginning and repeat it word for word, without altering a single apt epithet, till he reached the humorous end. Ashenden suggested once that they should see whether they could find two people on the train who played cards so that they might while away the time with a game of bridge, but Mr Harrington said he never touched cards and when Ashenden in desperation began to play patience he pulled a wry face.

  'It beats me how an intelligent man can waste his time card-playing, and of all the unintellectual pursuits I have ever seen it seems to me that solitaire is the worst. It kills conversation. Man is a social animal and he exercises the highest part of his nature when he takes part in social intercourse.'

  'There is a certain elegance in wasting time,' said Ashenden. 'Any fool can waste money, but when you waste time you waste what is priceless. Besides,' he added with bitterness, 'you can still talk.'

  'How can I talk when your attention is taken up by whether you are going to get a black seven to put on a red eight? Conversation calls forth the highest powers of the intellect and if you have made a study of it you have the right to expect that the person you're talking to will give you the fullest attention he is capable of.'

  He did not say this acrimoniously, but with the good-humoured patience of a man who has been much tried. He was just stating a plain fact and Ashenden could take it or leave it. It was the claim of the artist to have his work taken seriously.

  Mr Harrington was a diligent reader. He read pencil in hand, underlining passages that attracted his attention, and on the margin making in his neat writing comments on what he read. This he was fond of discussing and when Ashenden himself was reading and felt on a sudden that Mr Harrington, book in one hand and pencil in the other, was looking at him with his large pale eyes he began to have violent palpitations of the heart. He dared not look up, he dared not even turn the page, for he knew that Mr Harrington would regard this as ample excuse to break into a discourse, but remained with his eyes fixed desperately on a single word, like a chicken with its beak to a chalk line, and only ventured to breathe when he realized that Mr Harrington, having given up the attempt, had resumed his reading. He was then engaged on a History of the American Constitution in two volumes,
and for recreation was perusing a stout volume that purported to contain all the great speeches of the world. For Mr Harrington was an after-dinner speaker and had read all the best books on speaking in public. He knew exactly how to get on good terms with his audience, just where to put in the serious words that touched their hearts, how to catch their attention by a few apt stories, and finally with what degree of eloquence, suiting the occasion, to deliver his peroration.

  Mr Harrington was very fond of reading aloud. Ashenden had had frequent occasion to observe the distressing propensity of Americans for this pastime. In hotel drawing-rooms at night after dinner he had often seen the father of a family seated in a retired corner and surrounded by his wife, his two sons, and his daughter, reading to them. On ships crossing the Atlantic he had sometimes watched with awe the tall, spare gentleman of commanding aspect who sat in the centre of fifteen ladies no longer in their first youth and in a resonant voice read to them the history of Art. Walking up and down the promenade deck he had passed honeymooning couples lying on deck-chairs and caught the unhurried tones of the bride as she read to her young husband the pages of a popular novel. It had always seemed to him a curious way of showing affection. He had had friends who had offered to read to him and he had known women who had said they loved being read to, but he had always politely refused the invitation and firmly ignored the hint. He liked neither reading aloud nor being read aloud to. In his heart he thought the national predilection for this form of entertainment the only flaw in the perfection of the American character. But the immortal gods love a good laugh at the expense of human beings and now delivered him, bound and helpless, to the knife of the high priest. Mr Harrington flattered himself that he was a very good reader and he explained to Ashenden the theory and practice of the art. Ashenden learned that there were two schools, the dramatic and the natural: in the first you imitated the voices of those who spoke (if you were reading a novel), and when the heroine wailed you wailed and when emotion choked her you choked too; but in the other you read as impasssively as though you were reading the price-list of a mail-order house in Chicago. This was the school Mr Harrington belonged to. In the seventeen years of his married life he had read aloud to his wife, and to his sons as soon as they were old enough to appreciate them, the novels of Sir Walter Scott, Jane Austen, Dickens, the Bronte sisters, Thackeray, George Eliot, Nathaniel Hawthorne, and W. D. Howells. Ashenden came to the conclusion that it was second nature with Mr Harrington to read aloud, and to prevent him from doing so made him as uneasy as cutting off his tobacco made the confirmed smoker. He would take you unawares.