Out Like a Light
VIII.
He walked along Sixty-ninth Street to Park Avenue without noticing wherehe was going. Luckily, the streets weren't really crowded, and Maloneonly had to apologize twice, once for stepping on a man's toe and oncefor absently toeing a woman's dog. When he reached the corner he headeddowntown, humming "Kathleen Mavourneen" under his breath and trying tofigure out his next move.
He needed more than one move. He needed a whole series of moves. Thiswas not the usual kind of case. Burris had called it a vacation and, inone way, Malone supposed, Burris was perfectly right. For once there wasno question about who had committed the crimes. It was obvious by nowthat Mike Fueyo and his Silent Spooks had been stealing the Cadillacs.
It was even obvious that Mike--or someone with Mike's talent--had boppedhim on the head, and taken the red Cadillac he had been examining. Andthe same gang probably accounted for the Sergeant Jukovsky affair, too.
Or at least it was reasonable to assume that they did, Malone thought.He could see how it had worked: one of the Silent Spooks was a lotsmaller than a grown man, and the two cops who hadn't seen anyone in theparked car just hadn't been able to catch sight of the undersizeddriver. Of course, there _had_ been someone in the car when it had beendriving along the West Side Highway. Someone who had teleported himselfright out of the car when it had gone over the embankment.
That, of course, meant that there would be no secret machines found inthe red Cadillacs Leibowitz & Hardin were examining now. But Malone hadalready decided to let that phase of things go on. First of all, it wasalways possible that he was wrong, and that some such machine reallydid exist. Second, even if they didn't find a machine, they might findsomething else. Almost anything, he thought, might turn up.
And, third, it kept Boyd decently busy, and out of Malone's hair.
That had been an easy solution. And, Malone thought, the problem of whohad been taking the red Cadillacs looked just as easy now, if hisanswers were right. And he was reasonably sure of that.
Unfortunately, he was now left with a new and unusual question:
_How do you catch a teleport?_
Malone looked up, jarred to a stop by a man built like a brown bear,with a chunky body and an oval, slightly sloping head and face. He hadvery short brown hair shot through with gray, and he gave Malone asmall, inquisitive stare and looked away without a word.
Malone mumbled: "Sorry," and looked up at the street sign. He was atForty-seventh Street and Park Avenue. He jerked a hand up to his face,and managed to hook the chunky man by the suit. It fell away, exposingthe initials SM carefully worked into his shirt. Second Mistake, Malonethought wildly, muttered: "Sorry," again and turned west, feeling fairlygrateful to the unfortunate bystander.
He had reminded Malone of one thing. If he wanted to get even a part ofhis plan past the drawing-board stage, he had to make a phone call in ahurry.
He found a phone booth in a bar called the Ad Lib, at Madison Avenue.Sternly telling himself that he was stopping there to make a phone call,a business phone call, and not to have a drink, he marched right pastthe friendly bartender and went into the phone booth, where he made acall to New York Police Commissioner John Henry Fernack.
Fernack's face was that of an old man, but there was no telling how old.The early seventies was one guess, Malone imagined; the late fiftiesmight be another. He looked tough, as if he had spent all of his lifetrying to persuade other people that he was young enough for thehandball tournament. When he saw Malone, his eyebrows lifted slightly,but he didn't say anything.
"Commissioner," Malone said, "I called to ask you to do me a favor."
There was caution hidden in the calm and quiet voice. "Well," Fernacksaid, "what is it, Malone?"
"Can you have all the robberies for a given period run through thecomputer?" Malone said. "I need some dope."
"Depends on the given period," Fernack said. "I can't do it for 1774."
"What would I need data on robberies in 1774 for?" Malone said, honestlyinterested.
"I never question the FBI," Fernack said soberly. "But what dates do youwant?"
"The past year, maybe the past year and a half."
"And what data?"
"I want every reported crime that hasn't been solved," Malone said,"which also seems to have been committed by some impossible means. Asafe that was robbed without being opened, for instance--that's the kindof thing I mean."
"Every unsolved crime?" Fernack said. "Now, hold your horses, Malone.I'm not at all sure that--"
"Don't worry about a thing, commissioner," Malone said. "This isconfidential."
"You know how I'd feel about this if word ever got out to--"
"I said confidential, John Henry," Malone said, trying to sound friendlyand trustworthy. "After all, every place has unsolved crimes. Even theFBI isn't absolutely perfect."
"Oh," Fernack said. "Sure. But confidential, Malone."
"You have my word," Malone said sincerely.
Fernack said: "Well--"
"How fast can you get the dope?" Malone said.
"I don't exactly know," Fernack said. "The last time anything evenremotely like this was run through--departmental survey, but youwouldn't be interested--it took something like eight hours."
"Fine," Malone said. "Eight hours then. I'll look everything over and ifwe need a second run-through it won't take too long. I'll let you knowas soon as I can about that." He grinned into the phone.
Fernack cleared his throat and asked delicately: "Mind telling me whatall this is for?"
Malone offered up a little prayer before answering, and when he didanswer it was in his softest and most friendly tones: "I'd rather notsay just now, John Henry."
"But Malone--" Fernack's voice sounded a little strained, and his jawset just a trifle. "If you--"
Malone knew perfectly well how Fernack reacted when he didn't get a bitof information he wanted. And this was no time to set off any fireworksin the commissioner's office. "Look, John Henry," he said gently, "I'lltell you as soon as I can. Honest. But this is classifiedinformation--it's not my fault."
Fernack said: "But--" and apparently realized that argument was notgoing to do him any good. "All right, Malone," he said at last. "I'llhave it for you as soon as possible."
"Great," Malone said. "Then I'll see you later."
"Sure," Fernack said. He paused, as if he were about to open thecontroversy just once more. But all he said was: "So long, Malone."
* * * * *
Malone breathed a great sigh of relief and flipped the phone off. Hestepped out of the booth feeling so proud of himself that he couldbarely walk. Not only had he managed to calm down Commissioner Fernack,he had also walked right past a bar on the way to the phone. He hadperformed several acts, he felt, above and beyond the call of duty, andhe told himself that he deserved a reward.
Happily, the reward was convenient to hand. He went to the bar andbeckoned the bartender over to him. "Bourbon and soda," he said. "And amedal, if possible."
"What?" the bartender said.
"A medal," Malone said. "For conduct beyond reproach."
The bartender nodded sadly. "Maybe you just ought to go home, Mac," hesaid. "Sleep it off."
New Yorkers, Malone decided as the bartender went off to get his drink,had no sense of humor. Back in Chicago--where he'd been more or lessweaned on gin, and discovered that, unlike his father, he didn't muchcare for the stuff--and even in Washington, people didn't go aroundaccusing you of drunkenness just because you made some harmless littlepleasantry.
Oh, well. Malone drank his drink and went out into the afternoonsunlight.
He considered the itinerary of the Magical Miguel Fueyo. He had gonestraight home from the police station, apparently, and had then told hismother that he was going to leave home. But he had promised to send hermoney.
Of course, money was easy for Mike to get. With a shudder, Malonethought he was beginning to realize just _how_ easy. Houdini had onceboasted that no ba
nk vault could hold him. In Mike Fueyo's case, thatwas just doubly true. The vault could neither hold him out or keep himin.
But he was going to leave home.
Malone said: "Hm-m-m," to himself, cleared his throat and tried itagain. By now he was at the corner of the block, where he nearlycollided with a workman who was busily stowing away a gigantic ladder, apot of paint and a brush. Malone looked up at the street sign, where thewords: "Avenue of the Americas" had been painted out, and "Sixth Avenue"hand-lettered in.
"They finally gave in," the painter told him. "But do you think they'llbuy new signs? Nah. Cheap. That's all they are. Cheap as pretzels." Hegave Malone a friendly push with one end of the ladder and disappearedinto the crowd.
Malone didn't have the faintest idea of what he was talking about. Andhow cheap could a pretzel be, anyway? Malone didn't remember ever havingseen an especially tight-fisted one.
New York, he decided for the fifteenth time, was a strange place.
He walked downtown for a block, still thinking about Mike Fueyo, andabsently turned west again. Between Sixth and Seventh, he had anotherattack of brilliance and began looking for another phone booth.
He found one in a Mexican bar named the Xochitl, across the street fromthe Church of Saint Mary the Virgin. It was just a coincidence that hehad landed in another bar, he told himself hopefully, but he didn'tquite believe it. To prove it to himself, he headed straight for thephone booths again and put in his call, ignoring the blandishments ofseveral rows of sparkling bottles which he passed on the way.
He dialed the number for Lieutenant Lynch's precinct, and then foundhimself connected with a new desk sergeant.
"I'm Malone," he said. "I want to talk to Lynch."
"Glad to know you, Malone," the desk sergeant said pleasantly. "Only_Lieutenant_ Lynch doesn't want to subscribe to the Irish _Echo_."
"I'm the FBI." He showed his badge.
The desk sergeant took a good long look at it. "Maybe you are, and maybeyou aren't," he said at last. "Does the lieutenant know you?"
"We were kids together," Malone said. "We're brothers. Siamese twins.Put him on the phone."
"Wait a minute," said the desk sergeant. "I'll check."
The screen went blank for two agonizing minutes before it cleared againto show Lynch's face.
"Hello, Mr. Malone," Lynch said formally. "Have you found some newlittle trick to show us poor, stupid policemen? Like, say, makingyourself vanish?"
"I'll make the whole police force vanish," Malone said, "in a couple ofminutes. I called to ask a favor."
"Anything," Lynch said. "Anything within my poor power. Whatever I haveis yours. Whither thou goest--"
"Knock it off," Malone said, and then grinned. After all, there was nosense in making an enemy out of Lynch.
Lynch blinked, took a deep breath, and said in an entirely differentvoice: "O.K., Malone. What's the favor?"
"Do you still have that list of Silent Spooks?" Malone said.
"Sure I do," Lynch said. "Why? I gave you a copy of it."
"I can't do this job," Malone said "You'll have to."
"Yes, sir," Lynch said, and saluted.
"Just listen," Malone said. "I want you to check up on every kid on thatlist."
"And what are we supposed to do when we find them?" Lynch said.
"That's the trouble," Malone said. "You won't."
"And why not?"
"I'll lay you ten to one," Malone said, "that every one of them hasskipped out. Left home. Without giving a forwarding address."
Lynch nodded slowly. "Ten to one?" he said. "Want to make that a moneybet? Or does the FBI frown on gambling?"
"Ten dollars to your one," Malone said. "O.K.?"
"Made," Lynch said. "You've got the bet ... just for the hell of it,understand."
"Oh, sure," Malone said.
"And where can I call you to collect?"
Malone shook his head. "You can't," he said. "I'll call you."
"I will wait with anxiety," Lynch said. "But it had better be beforeeight. I get off then."
"If I can make it," Malone said.
"If you can't," Lynch said, "call me at home." He gave Malone thenumber, and then added: "Whatever information I get, I can keep for myown use this time, can't I?"
"You've already got all the information you're going to get. I just gaveit to you."
"That," Lynch said, "we'll see."
"I'll call to collect my money," Malone said.
"We'll talk about it later," Lynch said. "Farewell, old pal."
"Flights of angels," Malone said, "sing thee to thy rest."
* * * * *
Malone replaced the microphone and headed for the door. Halfway there,however, he stopped. He hadn't had a _tequila_ in a long time, and hethought he owed it to himself. He felt he had come out ahead in hisexchange with Lynch, and another medal was in order.
Only a small one, though. He told himself that he would order one_tequila_ and quit. Besides, he had to meet Dorothy.
He sat down on one of the tall bar stools. The bartender bustled overand eyed him speculatively.
"_Tequila con limon_" he said negligently.
"Ah," the bartender said. "_Si, senor_."
Malone waited with ill-concealed impatience. At last it arrived.
Malone took the small glass of _tequila_ in his right hand, with theslice of lemon held firmly between the index and middle fingers of thesame hand, the rind facing in toward the glass. On the web between thethumb and forefinger of his left hand he had sprinkled a little salt.Moving adroitly and with dispatch, he downed the _tequila_, licked offthe salt and bit his teeth into the lemon slice.
It felt better than good; it felt wonderful. He hadn't had such a goodtime in years.
He had three more before he left the Xochitl.
Then, noticing the time, he moved in a hurry and got out of the barbefore temptation overcame him and he started ordering still more. Itwas nearly six o'clock, and he had to meet Dorothy at Topp's.
He hoped he could find it.
He headed downtown toward Forty-second Street, turned left and--sureenough--there was a big red sign. It said Topp's. Malone beamed hisapproval at it. It was just where it ought to be, and he was grateful.
He pushed open the glass door of the place and went in.
The _maitre d'hotel_ was a chunky man with a pleasant face, a recedinghairline and some distance back on his head, dark, curly hair. He beamedat Malone as if the FBI agent were a long-lost brother. "Table for one,sir?" he said.
"No," Malone said, peering into the place. It was much bigger than hehad expected. "No," he said again. "I guess I'll just have a drink atthe bar."
The _maitre d'_ smiled and bowed him to a bar stool. Malone sat down andlooked the place over again. His first glance had shown him that Dorothywasn't there yet, but he saw no harm in making sure. _Always be carefulof your facts_, he admonished himself a little fuzzily.
There were a lot of women in the place, but they were all with escorts.Some of them had two escorts, and Malone wondered about them. Were theydrunk, or was he? It was obvious that someone was seeing double, butMalone wasn't quite sure who.
He stared at his face in the bar mirror for a few seconds, and ordered abourbon and soda when a bartender came over and occluded the image. Thebartender went away and Malone went on studying himself.
He wasn't bad-looking for an FBI agent. He was taller than his father,anyway, and less heavily built. That was one good thing. As a matter offact, Malone told himself, he was really a pretty good-looking guy.
So why did women keep him waiting?
He heard her voice before he saw her, behind him. But she wasn't talkingto him.
"Hello, Milty," she said. "How's everything?"
Malone turned around to get a look at Milty. He turned out to be the_maitre d'_. What did he have that Malone didn't have? the agent askedhimself sourly. Obviously Dorothy was captivated by his charm. Well,that showed him what
city girls were like. Butterflies. Socialbutterflies. Flitting hither and yon with the wind, now attracted tothis man, now to that. Once, Malone told himself sadly, he had knownthis beautiful woman. Now she belonged to someone else.
He felt a little bit sad about it, but he told himself to buck up andlearn to live with his tragedy. He drank some more of his bourbon andsoda, and then she noticed him.
He heard her say: "Oh. Excuse me, Milty. There's my man." She came overand sat down next to him.
He wanted to ignore her, just to teach her a lesson. But he had alreadyturned around and smiled at her, and she smiled back.
"Hi," she said. "Did you get the tickets?"
_Tickets!_
Malone knew there had been something he'd forgotten, and now he knewwhat it was. "Oh," he said. "Sure. Just a second. I've got to check up."
"Check up?"
"Friend of mine," Malone improvised hurriedly. "Bringing them." He gaveDorothy a big smile and climbed down off the bar stool. He managed tofind a phone booth, and dialed FBI headquarters on Sixty-ninth Streetand blessed several saints when he found that A-in-C was still there.
"Tickets," Malone said.
The Agent-in-Charge blinked at him. "What tickets?" he said.
"The 'Hot Seat' tickets," Malone said. "Did you get 'em?"
"I got 'em," the Agent-in-Charge said sourly. "Had to chase all overtown and pull more wires than there are on a grand piano. But theyturned up, brother. Two seats. Do you know what a job like thatentails?"
"I'm grateful," Malone said. "I'm hysterical with gratitude."
"I'd rather track down a gang of fingerless second-story men than gothrough that again," the Agent-in-Charge said. He looked as if hisstomach trouble had suddenly gotten a great deal worse. Malone thoughtthat the A-in-C was considering calling a doctor, and would probablydecide to make it the undertaker instead, and save the price of a call.
"I can't express my gratitude," Malone told him. "Where are they? Wheredo I pick them up?"
"Box office," the A-in-C said sourly. "I tell you, everybody inWashington must be nuts. The things I have to go through--"
"Thanks," Malone said. "Thanks a lot. Thanks a million. If there's everanything I can do for you, let me know and I'll do it." He hung up andwent back to the bar.
"Well?" Dorothy said. "Where do we go tonight? Joe's Hot Dog stand? Or arevival of 'The Wild Duck' in a loft on Bleecker Street?"
There was pride in Malone's manner as he stood there on his feet. Therewas just a touch of hauteur as he said: "We'll see 'Hot Seat'."
And he was repaid for all of the Agent-in-Charge's efforts. Dorothy'seyes went wide with appreciation and awe. "My goodness," she said. "Aman of his word--and what a tough word, too! Mr. Malone, I congratulateyou."
"Nothing," Malone said. "A mere absolute nothing."
"Nothing, the man says," Dorothy muttered. "My goodness. And modest,too. Tell me: how do you do, Mr. Malone?"
"Me?" Malone said. "Very well, so far." He finished his drink. "Andyou?"
"I work at it," she said cryptically. "May I have another drink?"
Malone gave her a grin. "Another?" he said. "Have two. Have a dozen."
"And what," she said, "would I do with half a dozen drinks? Don'tanswer. I think I can guess. But let's just take them one at atime--O.K.?" She signaled to the bartender. "Wally, I'll have a Martini.And Mr. Malone will have whatever it is he has, I imagine."
"Bourbon and soda," Malone said, and gave the bartender a grin, too,just to make sure he didn't feel left out. The sun was shining--althoughit was evening outside--and the birds were singing--although, Malonereflected, catching a bird on Forty-second Street and Broadway mighttake a bit of doing--and all was well with the world.
There was only a tiny, nagging disturbing thought in his mind. It had todo with Mike Fueyo and the Silent Spooks, and a lot of red Cadillacs.But he pushed it resolutely away. It had nothing to do with the eveninghe was about to spend. Nothing at all.
After all, this _was_ supposed to be a vacation, wasn't it?
"Well, Mr. Malone," Dorothy said, when the drinks had arrived.
"Very well indeed," Malone said, raising his. "And just call me Ken.Didn't I tell you that once before?"
"You did," she said. "And I asked you to call me Dorothy. Not Dotty. Tryand remember that."
"I will remember it," Malone said, "just as long as ever I live. Youdon't look the least bit dotty, anyhow. Which is probably more thananybody could say for me." He started to look at himself in the barmirror again, and decided not to. "By the way," he added, as a suddenthought struck him. "Dotty what?"
"Now," she said. "There you go doing it."
"Doing what?"
"Calling me that name."
"Oh," Malone said. "Make it Dorothy. Dorothy what?" He blinked. "I mean,I know you've got a last name. Dorothy Something. Only it probably isn'tSomething. What is it?"
"Francis," she said obligingly. "Dorothy Francis. My middle name isSomething, in case you ever want to call me by my middle name. Justyell: 'Hey, Something,' and I'll come a-running. Unless I have somethingelse to do. In which case everything will be very simple: I won't come."
"Ah," Malone said doubtfully. "And what do--"
"What do I do?" she said. "A standard question. Number two of a series.I do modeling. Photographic modeling. And that's not all--I also docommercials on 3-D. If I look familiar to you, it's probably becauseyou've seen me on 3-D. Do I look familiar to you?"
"I never watch 3-D," Malone said, crestfallen.
"Fine," Dorothy said unexpectedly. "You have excellent taste."
"Well," Malone said, "it's just that I never seem to get the time--"
"Don't apologize for it," Dorothy said. "I have to appear on it, but Idon't have to like it. And, now that I've answered your questions, howabout answering some of mine?"
"Gladly," Malone said. "The inmost secrets of the FBI are yours for theasking."
"Hm-m-m," Dorothy said slowly. "What do you do as an FBI agent, anyhow?Dig up spies?"
"Oh, no," Malone said. "We've got enough trouble with the live ones. Wedon't go around digging anybody up. Believe me." He paused, feelingdimly that the conversation was beginning to get out of control. "Have Itold you that you are the most beautiful woman I've ever met?" he saidat last.
"No," Dorothy said. "Not yet, anyway. But I was expecting it."
"You were?" Malone said, disappointed.
"Certainly," Dorothy said. "You've been drinking. As a matter of fact,you've managed to get quite a head start."
Malone hung his head guiltily. "True," he said in a low voice. "Tootrue. Much too true."
Dorothy nodded, downed her drink and waved to the bartender. "Wally,bring me a double this time."
"A double?"
"Sure," Dorothy said. "I've got to do some fast catching-up on Mr.Malone here."
"Call me Ken," Malone muttered.
"Don't be silly," Dorothy told him. "Wally hardly knows you. He'll callyou Mr. Malone, and like it."
The bartender went away and Malone sat on his stool and thought busilyfor a minute. At last he said: "If you really want to catch up withme--"
"Yes?" Dorothy said.
"Better have a triple," Malone muttered.
Dorothy's eyebrows rose slightly.
"Because I intend to have another one," Malone added.