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    Fourteen

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      Fourteen

      Bill Yarrow

      Copyright 2011 by Bill Yarrow

      FOURTEEN

      Bill Yarrow

     

      EYES OFF THE ROAD

       

      One by one I lost my desires.

      Dirty ambition left first.

      Knowledge raged but then it cooled.

      Riches never had the hook very deep.

      Achievement uncoupled from success seemed pointless.

      Friendship became recursive.

      Appetite lost its urgency.

      Form declined into artifice.

      Love stopped feeding me so I stopped feeding it.

      Insight evaporated when memory left.

      Lust lingered longest.

       

      My desires, gaily arrayed, bolted to a

      lapis slab, await me in Heaven.

      With any luck I’ll go to Hell.

     

      HITTING THE WALL

       

      I hadn’t seen her since Carter was

      President. Everything about her had

      turned white, even her beauty marks.

      I faced her strangeness and fumbled

      for the past. The time we went crabbing

      on the Chesapeake. Her imitation of

      Barbara Mandrell. Playing lawn darts

      at my Mom’s. I tried to talk, but only

      whispers slithered out. She pretended

      to understand what I was saying,

      then said, “Wasn’t it fungible to have

      run across each other?” Fungible? I

      questioned. She slapped me—hard.

      Then her perfume returned—with a vengeance.

     

      BOGDAN

      Dad was dying. Meanwhile, the blood

      from a puncture wound was drying on

      Bogdan’s palm. He was a tenth grade

      messiah famous for acts of attrition.

      I had solicited his help with a bully

      who had been threatening to beat me

      up for wearing a leather tie to school.

      He said he’d see what he could do.

      The next day, my tormentor was not

      in class. I went looking for my savior.

      He was loitering by the cafeteria tray

      return, eyeing the cruelty in passersby.

      I went up to him and asked for another

      favor. “You only get one.” I pondered that.

     

      LOVE AND HOW IT GETS THAT WAY

      You were the most beautiful girl in third grade.

      My thoughts were restless escapades. My heart

      was roasted butter. I donned wax wings and flew

      toward the highest sky I could find. And then,

      among a score of others, to be invited to your party!

      We all stood on the lawn behind your house, most

      of us in wide-striped tees, one of us in a bowtie,

      eyeing that thing in your backyard, that thing

      you pumped to spin around, and we all took turns,

      you on one side in a yellow dress and one after

      the other of us on the other, and we spun you,

      spun you! and then that kid in the bowtie got on, got

      dizzy, and vomited, and you looked at him with disgust

      and I felt like Adam’s apple had just landed in my lap.

     

      JOAN OF DARK

      What happens in heaven stays in heaven.

      “That’s not true,” she said to me. “You know

      it’s not true.”  Yes, the acts of paradise,

      slippery like syrup, slide down the clouds

      and drip onto the tops of the trees where

      birds and squirrels reveal them to man.

      “What color are the birds?” she asked. Pink.

      The pink birds and checkerboard squirrels

      reveal the sly doings of the chubby cherubs.

      “What’s sly doings?” I meant “sky” doings.

      Reveal the sky doings of half-pint angels.

      “I love heaven, don’t you?” I’m not allowed to

      tell. They will burn me at the stake if I tell.

      “Like Joan of Dark?” Just like Joan of Dark.

     

      STEVIE’S KNEES

      They broke both of Stevie’s knees.

      Gambling debt. Just like in the movies.

      Except in real life it’s a little more

      tearful, a little less marauding.

      Aunt Pol didn’t see it. She was diabetes

      blind by then or dead. I don’t remember.

      The main thing is to avoid heartache,

      but only the frozen know how to do

      that. The arteries of time are running

      out of blood. The lungs of love are caked

      with soot. Stevie’s skin was a peerless

      jewel undervalued by the college

      bourgeois. I’ve read about the algebra

      of need. Stevie’s need was arithmetic.

     

      GEORGE

      Skinny guy with glasses sent to Viet­nam,

      comes back with an under­stand­ing of heroin,

      an acquain­tance with who­r­ish­ness, a clar­i­fied

      wife, and a hel­met on his soul. His fam­ily alive

      but indif­fer­ent, he makes his way back

      to the ocean, back to the pop­corn, back

      to the pin­ball machines, wants to see

      the boss who had treated him well. “Hey

      Bob! It's me, George!” Kind­ness is mag­netic

      but the past is a loose adhe­sive and rarely

      is employ­ment a glue. “How nice to see

      you, George!” He hangs around for about

      an hour, then slinks back to the deserted

      battlefield he has had tattooed on his future.

     

      NOTHING BESIDE REMAINS

       

      It was the 70s. My students carried

      guns. My colleagues died of AIDS.

      My married neighbors were cineastes.

      I walked the rent-controlled boulevards

      of Sunnyside and watched the glib sun

      set over loquacious Manhattan. Every day’s

      evaporated apogee had its inky epitaph.

      We exist only insofar as we are remembered.

      Remember going to Carroll Gardens for those

      fake IDs? Remember the urine urn in LeFrak

      City? Remember the coconut kishke from

      Zabar’s? Remember the Ely Avenue Cleaver?

      Under the bridges of Kew Gardens Hills

      the invented truth still has street value.

     

      FOUR NOBLE LIES

       

      When Carlotta left me I cried

      into my soup. I shriveled into

      harsh mathematics. A decade

      later I was living on Iowa Street

      with Karen. She had goldfish and

      good taste. I loved her for her fleshy

      neck. We drank sinewy Dos Equis

      and played Mahjong. In March

      I developed that cruel facial tic.

      That precipitated the divorce.

      At the thought of losing her

      my heart contracted into a span.

      But I knew one day I’d replace her

      with a brutally neutered cat.

     

      THE PROUD ACCOUNTING

      You were the first to be found

      head down in the sewage

      of what we do for a living

      but time will purify that.

      Your wife is losing weight

      in the hope that grief will

      make her body attractive

      and it will. S
    he is radiantly

      unhappy without you

      but worst off is your daughter

      wrapped in the newspaper

      that announced your death.

      She walks alone in black high heels

      down the corridor of sterile engagement.

     

      UNCLE MOSCOW

      He asked me to bury him in Vegas.

      Instead, I had him cremated in Trenton.

      But I did hang his dog tags on a high bough

      of an alder tree outside the Frontier Hotel.

      The last time I saw him was in an assisted-

      living facility in Pennsauken. He stuck out

      a wine dark tongue and punched me

      in the chest. Poor one-eyed Uncle

      Moscow—a fruit fly flew into his eyeball

      and stuck there—then two hitchhikers

      in his backseat hit him on the head

      with a ball-peen hammer and stole his car.

      He had a mind like a whorehouse martini, but

      that doesn’t negate the leverage of a man’s heart.

     

      RAW SALT

      I poured bleach on the bloody moon

      and turned it scalding white. Then I

      wrote my autobiography on it in ash.

      When the bill came due, I joined the

      cowboys who navigate by fear. They

      locked me in a cabin inhabited by

      moles. I escaped through the mirror

      and landed in a lake. I baked for weeks

      in seaweed and lost a lot of flesh.

      Hittites picked the barnacles off me

      and packed me in raw salt. I healed

      in time to see the airmen welcomed home.

      A tall barker was hawking condo lots.

      It was Gatlinburg in mid July.

     

      GABRIELLE IN ARREARS

       

      It’s 10:46 in Newark on New Year’s Eve.

      You’re rushing to the Ramada ballroom

      for an evening of kisses, hors d’oeuvres,

      and darkened drinks. Someone honks.

      Unnerved, you swerve to the right, side-

      swipe a Buick, slide back across the lane,

      flip into a ditch. Doctor Causson warned you

      more than once about the consequences of

      being distracted. Well, it’s too late to resuscitate

      advice now. You should be calling 911, waving

      at headlights, flagging down trucks, pulling

      your bleeding husband from the car. Instead

      you’re just staring at your hands as if somehow

      they were imperious tools capable of magic.

     

      PICKING THE BARK OFF EXPERIENCE

      As he gets into the oil-soaked tub

      he recognizes the Jupiter Symphony

      playing on the floor below.

      Any minute now the waiter will

      bring him his lobster omelet.

      After breakfast he dresses and heads

      for the blackjack tables. When he

      wins a million dollars he will stop.

      He remembers his mother’s dead body,

      the reunion strippers at the funeral.

      Carrying a mimosa in a fluted glass

      he fights his way through the lobby

      packed with firefighters from Marietta.

      His mind is full of anchors and Bar Harbor.

      ###

      Copyright © 2011 Bill Yarrow

      All rights reserved

      These poems have previously appeared in other publications:

      “Bogdan”

      Negative Suck

      “Love and How It Gets That Way”

      And

      “Gabrielle in Arrears”

      Ramshackle Review

      “George”

      BLIP/New World Writing

      “Four Noble Lies”

      Right Hand Pointing

      “The Proud Accounting”

      LITSNACK

      “Uncle Moscow”

      Everyday Genius

      “Raw Salt”

      new aesthetic

      Cover design and artwork by Matthew S. Barton

      Cover photograph ©2011 Bill Yarrow

      First Edition 2011

      ISBN 978-1-61584-282-7

      With generous support of Exact Change Press

      Printed in the United States of America

      NAKED MANNEKIN

     
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