The Philip K. Dick Reader

  After a time, Fergesson said huskily, "But the others noticed. They sent a replacement as soon as they could."

  "It was too late!" Untermeyer grunted. "The settlement had already gone back. All that was left were maybe a couple of survivors wandering around with nothing on, freezing and starving, and the dogs devouring them. The damn dogs, flocking from everywhere, having a regular feast!"

  They stood together on the corroded sidewalk, frightened and apprehen­sive. Even John Dawes' lean face had a look of bleak horror on it, a fear that cut to the bone. Fergesson thought yearningly of his own settlement, a dozen miles to the East. Thriving and virile -- the Pittsburgh Biltong was in his prime, still young and rich with the creative powers of his race. Nothing like this! The buildings in the Pittsburgh settlement were strong and spotless. The sidewalks were clean and firm underfoot. In the store windows, the television sets and mixers and toasters and autos and pianos and clothing and whiskey and frozen peaches were perfect prints of the originals -- authentic, detailed reproductions that couldn't be told from the actual articles preserved in the vacuum-sealed subsurface shelters.

  "If this settlement goes out," Fergesson said awkwardly, "maybe a few of you can come over with us."

  "Can your Biltong print for more than a hundred people?" John Dawes asked softly.

  "Right now he can," Fergesson answered. He proudly indicated his Buick. "You rode in it -- you know how good it is. Almost as good as the original it was printed from. You'd have to have them side by side to tell the difference." He grinned and made an old joke. "Maybe I got away with the original."

  "We don't have to decide now," Charlotte said curtly. "We still have some time, at least." She picked up the steel box from the seat of the Buick and moved toward the steps of the apartment building. "Come on up with us, Ben." She nodded toward Dawes. "You, too. Have a shot of whiskey. It's not too bad -- tastes a little like anti-freeze, and the label isn't legible, but other than that it's not too puddinged."

  A workman caught her as she put a foot on the bottom step. "You can't go up, miss."

  Charlotte pulled away angrily, her face pale with dismay. "My apartment's up there! All my things -- this is where I live!"

  "The building isn't safe," the workman repeated. He wasn't a real work­man. He was one of the citizens of the settlement, who had volunteered to guard the buildings that were deteriorating. "Look at the cracks, miss."

  "They've been there for weeks." Impatiently, Charlotte waved Fergesson after her. "Come on." She stepped nimbly up onto the porch and reached to open the big glass-and-chrome front door.

  The door fell from its hinges and burst. Glass shattered everywhere, a cloud of lethal shards flying in all directions. Charlotte screamed and stum­bled back. The concrete crumbled under her heels; with a groan the whole porch settled down in a heap of white powder, a shapeless mound of billowing particles.

  Fergesson and the workman caught hold of the struggling girl. In the swirling clouds of concrete dust, Untermeyer searched frantically for the steel box; his fingers closed over it and he dragged it to the sidewalk.

  Fergesson and the workman fought back through the ruins of the porch, Charlotte gripped between them. She was trying to speak, but her face jerked hysterically.

  "My things!" she managed to whisper.

  Fergesson brushed her off unsteadily. "Where are you hurt? Are you all right?"

  "I'm not hurt." Charlotte wiped a trickle of blood and white powder from her face. Her cheek was cut, and her blonde hair was a sodden mass. Her pink wool sweater was torn and ragged. Her clothes were totally ruined. "The box -- have you got it?"

  "It's fine," John Dawes said impassively. He hadn't moved an inch from his position by the car.

  Charlotte hung on tight to Fergesson -- against him, her body shuddered with fear and despair. "Look!" she whispered. "Look at my hands." She held up her white-stained hands. "It's beginning to turn black."

  The thick powder streaking her hands and arms had begun to darken. Even as they watched, the powder became gray, then black as soot. The girl's shredded clothing withered and shriveled up. Like a shrunken husk, her clothing cracked and fell away from her body.

  "Get in the car," Fergesson ordered. "There's a blanket in there -- from my settlement."

  Together, he and Untermeyer wrapped the trembling girl in the heavy wool blanket. Charlotte crouched against the seat, her eyes wide with terror, drops of bright blood sliding down her cheek onto the blue and yellow stripes of the blanket. Fergesson lit a cigarette and put it between her quivering lips.

  "Thanks." She managed a grateful half-whimper. She took hold of the cigarette shakily. "Allen, what the hell are we going to do?"

  Fergesson softly brushed the darkening powder from the girl's blonde hair. "We'll drive over and show him the originals I brought. Maybe he can do something. They're always stimulated by the sight of new things to print from. Maybe this'll arouse some life in him."

  "He's not just asleep," Charlotte said in a stricken voice. "He's dead, Allen. I know it!"

  "Not yet," Untermeyer protested thickly. But the realization was in the minds of all of them.

  "Has he spawned?" Dawes asked.

  The look on Charlotte's face told them the answer. "He tried to. There were a few that hatched, but none of them lived. I've seen eggs back there, but..."

  She was silent. They all knew. The Biltong had become sterile in their struggle to keep the human race alive. Dead eggs, progeny hatched without life...

  Fergesson slid in behind the wheel and harshly slammed the door. The door didn't close properly. The metal was sprung -- or perhaps it was mis­shapen. His hackles rose. Here, too, was an imperfect print -- a trifle, a microscopic element botched in the printing. Even his sleek, luxurious Buick was puddinged. The Biltong at his settlement was wearing out, too.

  Sooner or later, what had happened to the Chicago settlement would hap­pen to them all...

  Around the park, rows of automobiles were lined up, silent and unmoving. The park was full of people. Most of the settlement was there. Everybody had something that desperately needed printing. Fergesson snapped off the motor and pocketed the keys.

  "Can you make it?" he asked Charlotte. "Maybe you'd better stay here."

  "I'll be all right," Charlotte said, and tried to smile.

  She had put on a sports shirt and slacks that Fergesson had picked up for her in the ruins of a decaying clothing store. He felt no qualms -- a number of men and women were picking listlessly through the scattered stock that lit­tered the sidewalk. The clothing would be good for perhaps a few days.

  Fergesson had taken his time picking Charlotte's wardrobe. He had found a heap of sturdy-fibered shirts and slacks in the back storeroom, material still a long way from the dread black pulverization. Recent prints? Or, perhaps -- incredible but possible -- originals the store owners had used for printing. At a shoe store still in business, he found her a pair of low-heeled slippers. It was his own belt she wore -- the one he had picked up in the clothing store rotted away in his hands while he was buckling it around her.

  Untermeyer gripped the steel box with both hands as the four of them approached the center of the park. The people around them were silent and grim-faced. No one spoke. They all carried some article, originals carefully preserved through the centuries or good prints with only minor imperfec­tions. On their faces were desperate hope and fear fused, in a taut mask.

  "Here they are," said Dawes, lagging behind. "The dead eggs."

  In a grove of trees at the edge of the park was a circle of gray-brown pellets, the size of basketballs. They were hard, calcified. Some were broken. Fragments of shell were littered everywhere.

  Untermeyer kicked at one egg; it fell apart, brittle and empty. "Sucked dry by some animal," he stated. "We're seeing the end, Fergesson. I think dogs sneak in here at night, now, and get at them. He's too weak to protect them."

  A dull undercurrent of outrage throbbed through the waiting men and w
omen. Their eyes were red-rimmed with anger as they stood clutching their objects, jammed in together in a solid mass, a circle of impatient, indignant humanity ringing the center of the park. They had been waiting a long time. They were getting tired of waiting.

  "What the hell is this?" Untermeyer squatted down in front of a vague shape discarded under a tree. He ran his fingers over the indistinct blur of metal. The object seemed melted together like wax -- nothing was distin­guishable. "I can't identify it."

  "That's a power lawnmower," a man nearby said sullenly.

  "How long ago did he print it?" Fergesson asked.

  "Four days ago." The man knocked at it in hostility. "You can't even tell what it is -- it could be anything. My old one's worn out. I wheeled the settle­ment's original up from the vault and stood in line all day -- and look what I got." He spat contemptuously. "It isn't worth a damn. I left it sitting here -- no point taking it home."

  His wife spoke up in a shrill, harsh wail. "What are we going to do? We can't use the old one. It's crumbling away like everything else around here. If the new prints aren't any good, then what --"

  "Shut up," her husband snapped. His face was ugly and strained. His long-fingered hands gripped a length of pipe. "We'll wait a little longer. Maybe he'll snap out of it."

  A murmur of hope rippled around them. Charlotte shivered and pushed on. "I don't blame him," she said to Fergesson. "But..." She shook her head wearily. "What good would it do? If he won't print copies for us that are any good..."

  "He can't," John Dawes said. "Look at him!" He halted and held the rest of them back. "Look at him and tell me how he could do better."

  The Biltong was dying. Huge and old, it squatted in the center of the settlement park, a lump of ancient yellow protoplasm, thick, gummy, opaque. Its pseudopodia were dried up, shriveled to blackened snakes that lay inert on the brown grass. The center of the mass looked oddly sunken. The Biltong was gradually settling, as the moisture was burned from its veins by the weak overhead sun.

  "Oh, dear!" Charlotte whispered. "How awful he looks!"

  The Biltong's central lump undulated faintly. Sickly, restless heavings were noticeable as it struggled to hold onto its dwindling life. Flies clustered around it in dense swarms of black and shiny blue. A thick odor hung over the Biltong, a fetid stench of decaying organic matter. A pool of brackish waste liquid had oozed from it.

  Within the yellow protoplasm of the creature, its solid core of nervous tissue pulsed in agony, with quick, jerky movements that sent widening waves across the sluggish flesh. Filaments were almost visibly degenerating into calcified granules. Age and decay -- and suffering.

  On the concrete platform, in front of the dying Biltong, lay a heap of originals to be duplicated. Beside them, a few prints had been commenced, unformed balls of black ash mixed with the moisture of the Biltong's body, the juice from which it laboriously constructed its prints. It had halted the work, pulled its still-functioning pseudopodia painfully back into itself. It was resting -- and trying not to die.

  "The poor damn thing!" Fergesson heard himself say. "It can't keep on."

  "He's been sitting like that for six solid hours," a woman snapped sharply in Fergesson's ear. "Just sitting there! What does he expect us to do, get down on our hands and knees and beg him?"

  Dawes turned furiously on her. "Can't you see it's dying? For God's sake, leave it alone!"

  An ominous rumble stirred through the ring of people. Faces turned toward Dawes -- he icily ignored them. Beside him, Charlotte had stiffened to a frightened ramrod. Her eyes were pale with fear.

  "Be careful," Untermeyer warned Dawes softly. "Some of these boys need things pretty bad. Some of them are waiting here for food."

  Time was running out. Fergesson grabbed the steel box from Untermeyer and tore it open. Bending down, he removed the originals and laid them on the grass in front of him.

  At the sight, a murmur went up around him, a murmur blended of awe and amazement. Grim satisfaction knifed through Fergesson. These were origi­nals lacking in this settlement. Only imperfect prints existed here. Printing had been done from defective duplicates. One by one, he gathered up the precious originals and moved toward the concrete platform in front of the Biltong. Men angrily blocked his way -- until they saw the originals he car­ried.

  He laid down a silver Ronson cigarette lighter. Then a Bausch and Lomb binocular microscope, still black and pebbled in its original leather. A high-fidelity Pickering phonograph cartridge. And a shimmering Steuben crystal cup.

  "Those are fine-looking originals," a man nearby said enviously. "Where'd you get them?"

  Fergesson didn't reply. He was watching the dying Biltong. The Biltong hadn't moved. But it had seen the new originals added to the others. Inside the yellow mass, the hard fibers raced and blurred together. The front orifice shuddered and then split open. A violent wave lashed the whole lump of protoplasm. Then from the opening, rancid bubbles oozed. A pseudopodium twitched briefly, struggled forward across the slimy grass, hesitated, touched the Steuben glass.

  It pushed together a heap of black ash, wadded it with fluid from the front orifice. A dull globe formed, a grotesque parody of the Steuben cup. The Biltong wavered and drew back to gather more strength. Presently it tried once more to form the blob. Abruptly, without warning, the whole mass shud­dered violently, and the pseudopodium dropped, exhausted. It twitched, hesitated pathetically, and then withdrew, back into the central bulk. "No use," Untermeyer said hoarsely. "He can't do it. It's too late." With stiff, awkward fingers, Fergesson gathered the originals together and shakily stuffed them back in the steel box. "I guess I was wrong," he muttered, climbing to his feet. "I thought this might do it. I didn't realize how far it had gone."

  Charlotte, stricken and mute, moved blindly away from the platform. Untermeyer followed her through the coagulation of angry men and women, clustered around the concrete platform.

  "Wait a minute," Dawes said. "I have something for him to try." Fergesson waited wearily, as Dawes groped inside his coarse gray shirt. He fumbled and brought out something wrapped in old newspaper. It was a cup, a wooden drinking cup, crude and ill-shaped. There was a strange wry smile on his face as he squatted down and placed the cup in front of the Biltong.

  Charlotte watched, vaguely puzzled. "What's the use? Suppose he does make a print of it." She poked listlessly at the rough wooden object with the toe of her slipper. "It's so simple you could duplicate it yourself."

  Fergesson started. Dawes caught his eye -- for an instant the two men gazed at each other, Dawes smiling faintly, Fergesson rigid with burgeoning understanding.

  "That's right," Dawes said. "I made it."

  Fergesson grabbed the cup. Trembling, he turned it over and over. "You made it with what? I don't see how! What did you make it out of?"

  "We knocked down some trees." From his belt, Dawes slid something that gleamed metallically, dully, in the weak sunlight. "Here -- be careful you don't cut yourself."

  The knife was as crude as the cup -- hammered, bent, tied together with wire. "You made this knife?" Fergesson asked, dazed. "I can't believe it. Where do you start? You have to have tools to make this. It's a paradox!" His voice rose with hysteria. "It isn't possible!"

  Charlotte turned despondently away. "It's no good -- you couldn't cut anything with that." Wistfully, pathetically, she added, "In my kitchen I had that whole set of stainless steel carving knives -- the best Swedish steel. And now they're nothing but black ash."

  There were a million questions bursting in Fergesson's mind. "This cup, this knife -- there's a group of you? And that material you're wearing -- you wove that?"

  "Come on," Dawes said brusquely. He retrieved the knife and cup, moved urgently away. "We'd better get out of here. I think the end has about come."

  People were beginning to drift out of the park. They were giving up, shambling wretchedly off to forage in the decaying stores for food remnants. A few cars muttered into life and rolled hesi
tantly away.

  Untermeyer licked his flabby lips nervously. His doughy flesh was mottled and grainy with fear. "They're getting wild," he muttered to Fergesson. "This whole settlement's collapsing -- in a few hours there won't be anything. No food, no place to stay!" His eyes darted toward the car, then faded to opaque­ness.

  He wasn't the only one who had noticed the car.

  A group of men were slowly forming around the massive dusty Buick, their faces dark. Like hostile, greedy children, they poked at it intently, examining its fenders, hood, touching its headlights, its firm tires. The men had clumsy weapons -- pipes, rocks, sections of twisted steel ripped from collapsing buildings.

  "They know it isn't from this settlement," Dawes said. "They know it's going back."

  "I can take you to the Pittsburgh settlement," Fergesson said to Charlotte. He headed toward the car. "I'll register you as my wife. You can decide later on whether you want to go through with the legalities."

  "What about Ben?" Charlotte asked faintly.

  "I can't marry him, too." Fergesson increased his pace. "I can take him there, but they won't let him stay. They have their quota system. Later on, when they realize the emergency..."

  "Get out of the way," Untermeyer said to the cordon of men. He lumbered toward them vengefully. After a moment, the men uncertainly retreated and finally gave way. Untermeyer stood by the door, his huge body drawn up and alert.

  "Bring her through -- and watch it!" he told Fergesson.

  Fergesson and Dawes, with Charlotte between them, made their way through the line of men to Untermeyer. Fergesson gave the fat man the keys, and Untermeyer yanked the front door open. He pushed Charlotte in, then motioned Fergesson to hurry around to the other side.

  The group of men came alive.

  With his great fist, Untermeyer smashed the leader into those behind him. He struggled past Charlotte and got his bulk wedged behind the wheel of the car. The motor came on with a whirr. Untermeyer threw it into low gear and jammed savagely down on the accelerator. The car edged forward. Men clawed at it crazily, groping at the open door for the man and woman inside.