Absalom, Absalom!

  “Yes,” Quentin said.

  So that Sunday morning came and the demon up and away before dawn, Judith thinking she knew why since that morning the black stallion which he rode to Virginia and led back had a son born on his wife Penelope, only it was not that foal which the demon had got up early to look at and it was almost a week before they caught, found, the old negress, the midwife who was squatting beside the quilt pallet that dawn while Jones sat on the porch where the rusty scythe had leaned for two years, so that she could tell how she heard the horse and then the demon entered and stood over the pallet with the riding whip in his hand and looked down at the mother and the child and said, ‘Well, Milly, too bad you’re not a mare like Penelope. Then I could give you a decent stall in the stable’ and turned and went out and the old negress squatted there and heard them, the voices, he and Jones: ‘Stand back. Dont you touch me, Wash.’—‘I’m going to tech you, Kernel’ and she heard the whip too though not the scythe, no whistling air, no blow, nothing since always that which merely consummates punishment evokes a cry while that which evokes the last silence occurs in silence. And that night they finally found him and fetched him home in a wagon and carried him, quiet and bloody and with his teeth still showing in his parted beard (which was hardly grizzled although his hair was almost white now) in the light of the lanterns and the pine torches, up the steps where the tearless and stone-faced daughter held the door open for him too who used to like to drive fast to church and who rode fast there this time, only when it was all over he had never reached the church since the daughter (the woman of thirty now and looking older, not as the weak grow old, either enclosed in a static ballooning of already lifeless flesh or through a series of stages of gradual collapsing whose particles adhere not to some iron and still impervious framework but to one another as though in some communal and oblivious and mindless life of their own like a colony of maggots, but as the demon himself had grown old: with a kind of condensation, an anguished emergence of the primary indomitable ossification which the soft color and texture, the light electric aura of youth, had merely temporarily assuaged but never concealed—the spinster in homemade and shapeless clothing, with hands which could either transfer eggs or hold a plow straight in furrow) decided that he should be driven in to that same Methodist church in town where he had married her mother before returning to the grave in the cedar grove, who borrowed two half-wild young mules to pull the wagon: so he rode fast toward church as far as he went, in his homemade coffin, in his regimentals and sabre and embroidered gauntlets, until the young mules bolted and turned the wagon over and tumbled him, sabre plumes and all, into a ditch from which the daughter extricated him and fetched him back to the cedar grove and read the service herself. And no tears, no bereavement this time too, whether or not it was because she had no time to mourn since she ran the store herself now until she found a buyer for it, not keeping it open but carrying the keys to it in her apron pocket, hailed from the kitchen or the garden or even from the field since she and Clytie now did all the plowing which was done, now that Jones was gone too, having followed the demon within twelve hours on that same Sunday (and maybe to the same place; maybe They would even have a scuppernong vine for them and no compulsions now of bread or ambition or fornication or vengeance and maybe they wouldn’t even have to drink only they would miss this now and then without knowing what it was that they missed but not often; serene, pleasant, unmarked by time or change of weather, only just now and then something, a wind, a shadow, and the demon would stop talking and Jones would stop guffawing and they would look at one another, groping, grave, intent, and the demon would say, ‘What was it, Wash? Something happened. What was it?’ and Jones looking at the demon, groping too, sober too, saying, ‘I dont know, Kernel Whut?’ each watching the other. Then the shadow would fade, the wind die away until at last Jones would say, serene, not even triumphant: ‘They mought have kilt us, but they aint whupped us yit, air they?’)—hailed by women and children with pails and baskets, whereupon she or Clytie would go to the store, unlock it, serve the customer, lock the store and return: until she sold the store at last and spent the money for a tombstone.—(“How was it?” Shreve said. “You told me; how was it? you and your father shooting quail, the gray day after it had rained all night and the ditch the horses couldn’t cross so you and your father got down and gave the reins to—what was his name? the nigger on the mule? Luster.—Luster to lead them around the ditch” and he and his father crossed just as the rain began to come down again gray and solid and slow, making no sound, Quentin not aware yet of just where they were because he had been riding with his head lowered against the drizzle, until he looked up the slope before them where the wet yellow sedge died upward into the rain like melting gold and saw the grove, the clump of cedars on the crest of the hill dissolving into the rain as if the trees had been drawn in ink on a wet blotter—the cedars beyond which, beyond the ruined fields beyond which, would be the oak grove and the gray huge rotting deserted house half a mile away. Mr Compson had stopped to look back at Luster on the mule, the towsack he had been using for saddle now wrapped around his head, his knees drawn up under it, leading the horses on down the ditch to find a place to cross. “Better get on out of the rain,” Mr Compson said. “He’s not going to come within a hundred yards of those cedars anyway.”

  They went on up the slope. They could not see the two dogs at all, only the steady furrowing of the sedge where, invisible, the dogs quartered the slope until one of them flung up his head to look back. Mr Compson gestured with his hand toward the trees, he and Quentin following. It was dark among the cedars, the light more dark than gray even, the quiet rain, the faint pearly globules, materialising on the gun barrels and the five headstones like drops of not-quite-congealed meltings from cold candles on the marble: the two flat heavy vaulted slabs, the other three headstones leaning a little awry, with here and there a carved letter or even an entire word momentary and legible in the faint light which the raindrops brought particle by particle into the gloom and released; now the two dogs came in, drifted in like smoke, their hair close-plastered with damp, and curled down in one indistinguishable and apparently inextricable ball for warmth. Both the flat slabs were cracked across the middle by their own weight (and vanishing into the hole where the brick coping of one vault had fallen in was a smooth faint path worn by some small animal—possum probably—by generations of some small animal since there could have been nothing to eat in the grave for a long time) though the lettering was quite legible: Ellen Coldfield Sutpen. Born October 9, 1817. Died January 23, 1863 and the other: Thomas Sutpen, Colonel, 23rd Mississippi Infantry, C.S.A. Died August 12, 1869: this last, the date, added later, crudely with a chisel, who even dead did not divulge where and when he had been born. Quentin looked at the stones quietly, thinking Not beloved wife of. No. Ellen Coldfield Sutpen “I wouldn’t have thought they would have had any money to buy marble with in 1869,” he said.

  “He bought them himself,” Mr Compson said. “He bought the two of them while the regiment was in Virginia, after Judith got word to him that her mother was dead. He ordered them from Italy, the best, the finest to be had—his wife’s complete and his with the date left blank: and this while on active service with an army which had not only the highest mortality rate of any before or since but which had a custom of electing a new set of regimental officers each year (and by which system he was at the moment entitled to call himself colonel, since he had been voted in and Colonel Sartoris voted out only last summer) so that for all he could know, before his order could be filled or even received he might be already under ground and his grave marked (if at all) by a shattered musket thrust into the earth, or lacking that he might be a second lieutenant or even a private—provided of course that his men would have the courage to demote him—yet he not only ordered the stones and managed to pay for them, but stranger still he managed to get them past a seacoast so closely blockaded that the incoming runners refused any cargo except am
munition——” It seemed to Quentin that he could actually see them: the ragged and starving troops without shoes, the gaunt powder-blackened faces looking backward over tattered shoulders, the glaring eyes in which burned some indomitable desperation of undefeat watching that dark interdict ocean across which a grim lightless solitary ship fled with in its hold two thousand precious pounds-space containing not bullets, not even something to eat, but that much bombastic and inert carven rock which for the next year was to be a part of the regiment, to follow it into Pennsylvania and be present at Gettysburg, moving behind the regiment in a wagon driven by the demon’s body servant through swamp and plain and mountain pass, the regiment moving no faster than the wagon could, with starved gaunt men and gaunt spent horses knee deep in icy mud or snow, sweating and cursing it through bog and morass like a piece of artillery, speaking of the two stones as ‘Colonel’ and ‘Mrs Colonel’; then through the Cumberland Gap and down through the Tennessee mountains, travelling at night to dodge Yankee patrols, and into Mississippi in the late fall of ’64, where the daughter waited whose marriage he had interdict and who was to be a widow the next summer though apparently not bereaved, where his wife was dead and his son self-excommunicated and -banished, and put one of the stones over his wife’s grave and set the other upright in the hall of the house, where Miss Coldfield possibly (maybe doubtless) looked at it every day as though it were his portrait, possibly (maybe doubtless here too) reading among the lettering more of maiden hope and virgin expectation than she ever told Quentin about, since she never mentioned the stone to him at all, and (the demon) drank the parched corn coffee and ate the hoe cake which Judith and Clytie prepared for him and kissed Judith on the forehead and said, ‘Well, Clytie’ and returned to the war, all in twenty-four hours; he could see it; he might even have been there. Then he thought No. If I had been there I could not have seen it this plain

  “But that dont explain the other three,” he said. “They must have cost something too.”

  “Who would have paid for them?” Mr Compson said. Quentin could feel him looking at him. “Think.” Quentin looked at the three identical headstones with their faint identical lettering, slanted a little in the soft loamy decay of accumulated cedar needles, these decipherable too when he looked close, the first one: Charles Bon. Born in New Orleans, Louisiana. Died at Sutpen’s Hundred, Mississippi, May 3, 1865. Aged 33 years and 5 months. He could feel his father watching him.

  “She did it,” he said. “With that money she got when she sold the store.”

  “Yes,” Mr Compson said. Quentin had to stoop and brush away some of the cedar needles to read the next one. As he did so one of the dogs rose and approached him, thrusting its head in to see what he was looking at like a human being would, as if from association with human beings it had acquired the quality of curiosity which is an attribute only of men and apes.

  “Get away,” he said, thrusting the dog back with one hand while with the other he brushed the cedar needles away, smoothing with his hand into legibility the faint lettering, the graved words: Charles Etienne Saint-Valery Bon. 1859–1884 feeling his father watching him, remarking before he rose that the third stone bore that same date, 1884. “It couldn’t have been the store this time,” he said. “Because she sold the store in ’70, and besides 1884 is the same date that’s on hers” thinking how it would have been terrible for her sure enough if she had wanted to put Beloved Husband of on that first one.

  “Ah,” Mr Compson said. “That was the one your grandfather attended to. Judith came into town one day and brought him the money, some of it, where she got it from he never knew, unless it was what she had left out of the price of the store which he sold for her; brought the money in with the inscription (except the date of death of course) all written out as you see it, during that three weeks while Clytie was in New Orleans finding the boy to fetch him back though your grandfather of course did not know this, money and inscription not for herself but for him.”

  “Oh,” Quentin said.

  “Yes. They lead beautiful lives—women. Lives not only divorced from, but irrevocably excommunicated from, all reality. That’s why although their deaths, the instant of dissolution, are of no importance to them since they have a courage and fortitude in the face of pain and annihilation which would make the most spartan man resemble a puling boy, yet to them their funerals and graves, the little puny affirmations of spurious immortality set above their slumber, are of incalculable importance. You had an aunt once (you do not remember her because I never saw her myself but only heard the tale) who was faced with a serious operation which she became convinced she would not survive, at a time when her nearest female kin was a woman between whom and herself there had existed for years one of those bitter inexplicable (to the man mind) amicable enmities which occur between women of the same blood, whose sole worry about departing this world was to get rid of a certain brown dress which she owned and knew that the kinswoman knew she had never liked, which must be burned, not given away but burned in the back yard beneath the window where, by being held up to the window (and suffering excruciating pain) she could see it burned with her own eyes, because she was convinced that after she died the kinswoman, the logical one to take charge, would bury her in it.”

  “And did she die?” Quentin said.

  “No. As soon as the dress was consumed she began to mend. She stood the operation and recovered and outlived the kinswoman by several years. Then one afternoon she died peacefully of no particular ailment and was buried in her wedding gown.”

  “Oh,” Quentin said.

  “Yes. But there was one afternoon in the summer of ’70 when one of these graves (there were only three here then) was actually watered by tears. Your grandfather saw it; that was the year Judith sold the store and your grandfather attended to it for her and he had ridden out to see her about the matter and he witnessed it: the interlude, the ceremonial widowhood’s bright dramatic pageantry. He didn’t know at the time how the octoroon came to be here, how Judith could even have known about her to write her where Bon was dead. But there she was, with the eleven-year-old boy who looked more like eight. It must have resembled a garden scene by the Irish poet, Wilde: the late afternoon, the dark cedars with the level sun in them, even the light exactly right and the graves, the three pieces of marble (your grandfather had advanced Judith the money to buy the third stone with against the price of the store) looking as though they had been cleaned and polished and arranged by scene shifters who with the passing of twilight would return and strike them and carry them, hollow fragile and without weight, back to the warehouse until they should be needed again; the pageant, the scene, the act, entering upon the stage—the magnolia-faced woman a little plumper now, a woman created of by and for darkness whom the artist Beardsley might have dressed, in a soft flowing gown designed not to infer bereavement or widowhood but to dress some interlude of slumbrous and fatal insatiation, of passionate and inexorable hunger of the flesh, walking beneath a lace parasol and followed by a bright gigantic negress carrying a silk cushion and leading by the hand the little boy whom Beardsley might not only have dressed but drawn—a thin delicate child with a smooth ivory sexless face who, after his mother handed the negress the parasol and took the cushion and knelt beside the grave and arranged her skirts and wept, never released the negress’ apron but stood blinking quietly who, having been born and lived all his life in a kind of silken prison lighted by perpetual shaded candles, breathing for air the milklike and absolutely physical lambence which his mother’s days and hours emanated, had seen little enough of sunlight before, let alone out-of-doors, trees and grass and earth; and last of all, the other woman, Judith (who, not bereaved, did not need to mourn Quentin thought, thinking Yes, I have had to listen too long) who stood just inside the cedars, in the calico dress and the sunbonnet to match it, both faded and shapeless—the calm face, the hands which could plow or cut wood and cook or weave cloth folded before her, standing in the attitude of an indiffer
ent guide in a museum, waiting, probably not even watching. Then the negress came and handed the octoroon a crystal bottle to smell and helped her to rise and took up the silk cushion and gave the octoroon the parasol and they returned to the house, the little boy still holding to the negress’ apron, the negress supporting the woman with one arm and Judith following with that face like a mask or like marble, back to the house, across the tall scaling portico and into the house where Clytie was cooking the eggs and the cornbread on which she and Judith lived.

  “She stayed a week. She passed the rest of that week in the one remaining room in the house whose bed had linen sheets, passed it in bed, in the new lace and silk and satin negligees subdued to the mauve and lilac of mourning—that room airless and shuttered, impregnated behind the sagging closed blinds with the heavy fainting odor of her flesh, her days, her hours, her garments, of eau-de-cologne from the cloth upon her temples, of the crystal phial which the negress alternated with the fan as she sat beside the bed between trips to the door to receive the trays which Clytie carried up the stairs—Clytie, who did that fetching and carrying as Judith made her, who must have perceived whether Judith told her or not that it was another negro whom she served, yet who served the negress just as she would quit the kitchen from time to time and search the rooms downstairs until she found that little strange lonely boy sitting quietly on a straight hard chair in the dim and shadowy library or parlor, with his four names and his sixteenth-part black blood and his expensive esoteric Fauntleroy clothing who regarded with an aghast fatalistic terror the grim coffee-colored woman who would come on bare feet to the door and look in at him, who gave him not teacakes but the coarsest cornbread spread with as coarse molasses (this surreptitiously, not that the mother or the duenna might object, but because the household did not have food for eating between meals), gave it to him, thrust it at him with restrained savageness, and who found him one afternoon playing with a negro boy about his own size in the road outside the gates and cursed the negro child out of sight with level and deadly violence and sent him, the other, back to the house in a voice the very absence from which of vituperation or rage made it seem just that much more deadly and cold.