Selected Stories

  ‘The prelude to Rhinegold?’ said Mr Bons suddenly. ‘Who taught you these leit motifs?’ He, too, looked out of the window. Then he behaved very oddly. He gave a choking cry, and fell back on to the omnibus floor. He writhed and kicked. His face was green.

  ‘Does the bridge make you dizzy?’ the boy asked.

  ‘Dizzy!’ gasped Mr Bons. ‘I want to go back. Tell the driver.’

  But the driver shook his head.

  ‘We are nearly there,’ said the boy. ‘They are asleep. Shall I call? They will be so pleased to see you, for I have prepared them.’

  Mr Bons moaned. They moved over the lunar rainbow, which ever and ever broke away behind their wheels. How still the night was! Who would be sentry at the Gate?

  ‘I am coming,’ he shouted, again forgetting the hundred resolutions. ‘I am returning—I, the boy.’

  ‘The boy is returning,’ cried a voice to other voices, who repeated, ‘The boy is returning.’

  ‘I am bringing Mr Bons with me.’

  Silence.

  ‘I should have said Mr Bons is bringing me with him.’

  Profound silence.

  ‘Who stands sentry?’

  ‘Achilles.’

  And on the rocky causeway, close to the springing of the rainbow bridge, he saw a young man who carried a wonderful shield.

  ‘Mr Bons, it is Achilles, armed.’

  ‘I want to go back,’ said Mr Bons.

  The last fragment of the rainbow melted, the wheels sang upon the living rock, the door of the omnibus burst open. Out leapt the boy—he could not resist—and sprang to meet the warrior, who, stopping suddenly, caught him on his shield.

  ‘Achilles!’ he cried, ‘let me get down, for I am ignorant and vulgar, and I must wait for that Mr Bons of whom I told you yesterday.’

  But Achilles raised him aloft. He crouched on the wonderful shield, on heroes and burning cities, on vineyards graven in gold, on every dear passion, every joy, on the entire image of the Mountain that he had discovered, encircled, like it, with an everlasting stream. ‘No, no,’ he protested, ‘I am not worthy. It is Mr Bons who must be up here.’

  But Mr Bons was whimpering, and Achilles trumpeted and cried, ‘Stand upright upon my shield!’

  ‘Sir, I did not mean to stand! Something made me stand. Sir, why do you delay? Here is only the great Achilles, whom you knew.’

  Mr Bons screamed, ‘I see no one. I see nothing. I want to go back.’ Then he cried to the driver, ‘Save me! Let me stop in your chariot. I have honoured you. I have quoted you. I have bound you in vellum. Take me back to my world.’

  The driver replied, ‘I am the means and not the end. I am the food and not the life. Stand by yourself, as that boy has stood. I cannot save you. For poetry is a spirit; and they that would worship it must worship in spirit and in truth.’

  Mr Bons—he could not resist—crawled out of the beautiful omnibus. His face appeared, gaping horribly. His hands followed, one gripping the step, the other beating the air. Now his shoulders emerged, his chest, his stomach. With a shriek of ‘I see London,’ he fell—fell against the hard, moonlit rock, fell into it as if it were water, fell through it, vanished, and was seen by the boy no more.

  ‘Where have you fallen to, Mr Bons? Here is a procession arriving to honour you with music and torches. Here come the men and women whose names you know. The mountain is awake, the river is awake, over the race-course the sea is awaking those dolphins, and it is all for you. They want you—’

  There was the touch of fresh leaves on his forehead. Some one had crowned him.

  TEΛOΣ6

  From the Kingston Gazette, Surbiton Times,

  and Raynes Park Observer.

  The body of Mr Septimus Bons has been found in a shockingly mutilated condition in the vicinity of the Bermondsey gas-works. The deceased’s pockets contained a sovereign-purse, a silver cigar-case, a bijou pronouncing dictionary, and a couple of omnibus tickets. The unfortunate gentleman had apparently been hurled from a considerable height. Foul play is suspected, and a thorough investigation is pending by the authorities.

  Other Kingdom

  I

  ‘“Quem, whom; fugis, are you avoiding; ah demens, you silly ass; habitarunt di quoque, gods too have lived in; silvas, the woods.” Go ahead!’

  I always brighten the classics—it is part of my system—and therefore I translated demens by ‘silly ass’. But Miss Beaumont need not have made a note of the translation, and Ford, who knows better, need not have echoed after me, ‘Whom are you avoiding, you silly ass, gods too have lived in the woods.’

  ‘Ye-es,’ I replied, with scholarly hesitation. ‘Ye-es. Silvas—woods, wooded spaces, the country generally. Yes. Demens, of course, is de-mens. “Ah, witless fellow! Gods, I say, even gods have dwelt in the woods ere now.” ’

  ‘But I thought gods always lived in the sky,’ said Mrs Worters, interrupting our lesson for I think the third-and-twentieth time.

  ‘Not always,’ answered Miss Beaumont. As she spoke she inserted ‘witless fellow’ as an alternative to ‘silly ass’.

  ‘I always thought they lived in the sky.’

  ‘Oh, no, Mrs Worters,’ the girl repeated. ‘Not always.’ And finding her place in the note-book she read as follows: ‘Gods. Where. Chief deities—Mount Olympus. Pan—most places, as name implies. Oreads—mountains. Sirens, Tritons, Nereids—water (salt). Naiads—water (fresh). Satyrs, Fauns, etc.—woods. Dryads—trees.’

  ‘Well, dear, you have learnt a lot. And will you now tell me what good it has done you?’

  ‘It has helped me—’ faltered Miss Beaumont. She was very earnest over her classics. She wished she could have said what good they had done her.

  Ford came to her rescue. ‘Of course it’s helped you. The classics are full of tips. They teach you how to dodge things.’

  I begged my young friend not to dodge his Virgil lesson.

  ‘But they do!’ he cried. ‘Suppose that long-haired brute Apollo wants to give you a music lesson. Well, out you pop into the laurels. Or Universal Nature comes along. You aren’t feeling particularly keen on Universal Nature, so you turn into a reed.’

  ‘Is Jack mad?’ asked Mrs Worters.

  But Miss Beaumont had caught the allusions—which were quite ingenious, I must admit. ‘And Croesus?“1 she inquired. ‘What was it one turned into to get away from Croesus?’

  I hastened to tidy up her mythology. ‘Midas, Miss Beaumont, not Croesus. And he turns you—you don’t turn yourself: he turns you into gold.’

  ‘There’s no dodging Midas,’ said Ford.

  ‘Surely—’ said Miss Beaumont. She had been learning Latin not quite a fortnight, but she would have corrected the Regius Professor.

  He began to tease her. ‘Oh, there’s no dodging Midas! He just comes, he touches you, and you pay him several thousand per cent at once. You’re gold—a young golden lady—if he touches you.’

  ‘I won’t be touched!’ she cried, relapsing into her habitual frivolity.

  ‘Oh, but he’ll touch you.’

  ‘He shan’t!’

  ‘He will.’

  ‘He shan’t!’

  ‘He will.’

  Miss Beaumont took up her Virgil and smacked Ford over the head with it.

  ‘Evelyn! Evelyn!’ said Mrs Worters. ‘Now you are forgetting yourself. And you also forget my question. What good has Latin done you?’

  ‘Mr Ford—what good has Latin done you?’

  ‘Mr Inskip—what good has Latin done us?’

  So I was let in for the classical controversy. The arguments for the study of Latin are perfectly sound, but they are difficult to remember, and the afternoon sun was hot, and I needed my tea. But I had to justify my existence as a coach, so I took off my eye-glasses and breathed on them and said, ‘My dear Ford, what a question!’

  ‘It’s all right for Jack,’ said Mrs Worters. ‘Jack has to pass his entrance examination. But what’s the good of it for Evelyn? None at al
l.’

  ‘No, Mrs Worters,’ I persisted, pointing my eye-glasses at her. ‘I cannot agree. Miss Beaumont is—in a sense—new to our civilization. She is entering it, and Latin is one of the subjects in her entrance examination also. No one can grasp modern life without some knowledge of its origins.’

  ‘But why should she grasp modern life?’ said the tiresome woman.

  ‘Well, there you are!’ I retorted, and shut up my eye-glasses with a snap.

  ‘Mr Inskip, I am not there. Kindly tell me what’s the good of it all. Oh, I’ve been through it myself: Jupiter, Venus, Juno, I know the lot of them. And many of the stories not at all proper.’

  ‘Classical education,’ I said dryly, ‘is not entirely confined to classical mythology. Though even the mythology has its value. Dreams if you like, but there is value in dreams.’

  ‘I too have dreams,’ said Mrs Worters, ‘but I am not so foolish as to mention them afterwards.’

  Mercifully we were interrupted. A rich virile voice close behind us said, ‘Cherish your dreams!’ We had been joined by our host, Harcourt Worters—Mrs Worters’ son, Miss Beaumont’s fiancé, Ford’s guardian, my employer: I must speak of him as Mr Worters.

  ‘Let us cherish our dreams!’ he repeated. ‘All day I’ve been fighting, haggling, bargaining. And to come out on to this lawn and see you all learning Latin, so happy, so passionless, so Arcadian—’

  He did not finish the sentence, but sank into the chair next to Miss Beaumont, and possessed himself of her hand. As he did so she sang: ‘Ah yoù silly àss, gods live in woods!’

  ‘What have we here?’ said Mr Worters with a slight frown.

  With the other hand she pointed to me.

  ‘Virgil—’ I stammered. ‘Colloquial translation—’

  ‘Oh, I see; a colloquial translation of poetry.’ Then his smile returned. ‘Perhaps if gods live in woods, that is why woods are so dear. I have just bought Other Kingdom Copse!’

  Loud exclamations of joy. Indeed, the beeches in that copse are as fine as any in Hertfordshire. Moreover, it, and the meadow by which it is approached, have always made an ugly notch in the rounded contours of the Worters estate. So we were all very glad that Mr Worters had purchased Other Kingdom. Only Ford kept silent, stroking his head where the Virgil had hit it, and smiling a little to himself as he did so.

  ‘Judging from the price I paid, I should say there was a god in every tree. But price, this time, was no object.’ He glanced at Miss Beaumont. ‘You admire beeches, Evelyn, do you not?’

  ‘I forget always which they are. Like this?’

  She flung her arms up above her head, close together, so that she looked like a slender column. Then her body swayed and her delicate green dress quivered over it with the suggestion of countless leaves.

  ‘My dear child!’ exclaimed her lover.

  ‘No: that is a silver birch,’ said Ford.

  ‘Oh, of course. Like this, then.’ And she twitched up her skirts so that for a moment they spread out in great horizontal layers, like the layers of a beech.

  We glanced at the house, but none of the servants were looking. So we laughed, and said she ought to go on the variety stage.

  ‘Ah, this is the kind I like!’ she cried, and practised the beech-tree, again.

  ‘I thought so,’ said Mr Worters. ‘I thought so. Other Kingdom Copse is yours.’

  ‘Mine—?’ She had never had such a present in her life. She could not realize it.

  ‘The purchase will be drawn up in your name. You will sign the deed. Receive the wood, with my love. It is a second engagement ring.’

  ‘But is it—is it mine? Can I—do what I like there?’

  ‘You can,’ said Mr Worters, smiling.

  She rushed at him and kissed him. She kissed Mrs Worters. She would have kissed myself and Ford if we had not extruded elbows. The joy of possession had turned her head.

  ‘It’s mine! I can walk there, work there, live there. A wood of my own! Mine for ever.’

  ‘Yours, at all events, for ninety-nine years.’

  ‘Ninety-nine years?’ I regret to say there was a tinge of disappointment in her voice.

  ‘My dear child! Do you expect to live longer?’

  ‘I suppose I can’t,’ she replied, and flushed a little. ‘I don’t know.’

  ‘Ninety-nine seems long enough to most people. I have got this house, and the very lawn you are standing on, on a lease of ninety-nine years. Yet I call them my own, and I think I am justified. Am I not?’

  ‘Oh, yes.’

  ‘Ninety-nine years is practically for ever. Isn’t it?’

  ‘Oh, yes. It must be.’

  Ford possesses a most inflammatory note-book. Outside it is labelled ‘Private’, inside it is headed ‘Practically a book’. I saw him make an entry in it now, ‘Eternity: practically ninety-nine years’.

  Mr Worters, as if speaking to himself, now observed: ‘My goodness! My goodness! How land has risen! Perfectly astounding.’

  I saw that he was in need of a Boswell, so I said: ‘Has it, indeed?’

  ‘My dear Inskip. Guess what I could have got that wood for ten years ago! But I refused. Guess why.’

  We could not guess why.

  ‘Because the transaction would not have been straight.’ A most becoming blush spread over his face as he uttered the noble word. ‘Not straight. Straight legally. But not morally straight. We were to force the hands of the man who owned it. I refused. The others—decent fellows in their way—told me I was squeamish. I said, “Yes. Perhaps I am. My name is plain Harcourt Worters—not a well-known name if you go outside the City and my own country, but a name which, where it is known, carries, I flatter myself, some weight. And I will not sign my name to this. That is all. Call me squeamish if you like. But I will not sign. It is just a fad of mine. Let us call it a fad.” ’ He blushed again. Ford believes that his guardian blushes all over—that if you could strip him and make him talk nobly he would look like a boiled lobster. There is a picture of him in this condition in the note-book.

  ‘So the man who owned it then didn’t own it now?’ said Miss Beaumont, who had followed the narrative with some interest.

  ‘Oh, no!’ said Mr Worters.

  ‘Why no!’ said Mrs Worters absently, as she hunted in the grass for her knitting-needle. ‘Of course not. It belongs to the widow.’

  ‘Tea!’ cried her son, springing vivaciously to his feet. ‘I see tea and I want it. Come, Mother. Come along, Evelyn. I can tell you it’s no joke, a hard day in the battle of life. For life is practically a battle. To all intents and purposes a battle. Except for a few lucky fellows who can read books, and so avoid the realities. But I—’

  His voice died away as he escorted the two ladies over the smooth lawn and up the stone steps to the terrace, on which the footman was placing tables and little chairs and a silver kettle-stand. More ladies came out of the house. We could just hear their shouts of excitement as they also were told of the purchase of Other Kingdom.

  I like Ford. The boy has the makings of a scholar and—though for some reason he objects to the word—of a gentleman. It amused me now to see his lip curl with the vague cynicism of youth. He cannot understand the footman and the solid silver kettle-stand. They make him cross. For he has dreams—not exactly spiritual dreams: Mr Worters is the man for those—but dreams of the tangible and the actual: robust dreams, which take him, not to heaven, but to another earth. There are no footmen in this other earth, and the kettle-stands, I suppose, will not be made of silver, and I know that everything is to be itself, and not practically something else. But what this means, and, if it means anything, what the good of it is, I am not prepared to say. For though I have just said ‘there is value in dreams’, I only said it to silence old Mrs Worters.

  ‘Go ahead, man! We can’t have tea till we’ve got through something.’

  He turned his chair away from the terrace, so that he could sit looking at the meadows, and at the stream that runs t
hrough the meadows, and at the beech-trees of Other Kingdom that rise beyond the stream. Then, most gravely and admirably, he began to construe the Eclogues of Virgil.

  II

  Other Kingdom Copse is just like any other beech copse, and I am therefore spared the fatigue of describing it. And the stream in front of it, like many other streams, is not crossed by a bridge in the right place, and you must either walk round a mile or else you must paddle. Miss Beaumont suggested that we should paddle.

  Mr Worters accepted the suggestion tumultuously. It only became evident gradually that he was not going to adopt it.

  ‘What fun! what fun! We will paddle to your kingdom. If only—If only it wasn’t for the tea-things.’

  ‘But you can carry the tea-things on your back.’

  ‘Why, yes! so I can. Or the servants could.’

  ‘Harcourt—no servants. This is my picnic, and my wood. I’m going to settle everything. I didn’t tell you: I’ve got all the food. I’ve been in the village with Mr Ford.’

  ‘In the village—?’

  ‘Yes. We got biscuits and oranges and half a pound of tea. That’s all you’ll have. He carried them up. And he’ll carry them over the stream. I want you just to lend me some tea-things—not the best ones. I’ll take care of them. That’s all.’

  ‘Dear creature—’

  ‘Evelyn,’ said Mrs Worters, ‘how much did you and Jack pay for that tea?’

  ‘For the half-pound, tenpence.’

  Mrs Worters received the announcement in gloomy silence.

  ‘Mother!’ cried Mr Worters. ‘Why, I forgot! How could we go paddling with mother?’

  ‘Oh, but, Mrs Worters, we could carry you over.’

  ‘Thank you, dearest child. I am sure you could.’

  ‘Alas! alas! Evelyn. Mother is laughing at us. She would sooner die than be carried. And alas! there are my sisters, and Mrs Osgood: she has a cold, tiresome woman. No: we shall have to go round by the bridge.’

  ‘But some of us—’ began Ford. His guardian cut him short with a quick look.