A Plague of Zombies
He couldn't see a thing but slowly moved his foot, feeling his way over the silty floor. His toes touched something and he stopped. Whatever he had touched moved abruptly, recoiling from him. Then he felt the tiny flicker of a snake's tongue on his toe, tasting him.
Oddly, the sensation steadied him. Surely this wasn't his friend, the tiny yellow constrictor--but it was a serpent much like that one in general size, so far as he could tell. Nothing to fear from that.
'Pick it up,' the voice invited again. 'The krait will tell us if you speak the truth.'
'Will he, indeed?' Grey said dryly. 'How?'
The voice laughed, and he thought he heard two or three more chuckling behind it--but perhaps it was only echoes.
'If you die ... you lied.'
Grey gave a small, contemptuous snort. There were no venomous snakes on Jamaica. He cupped his hand and bent at the knee, but hesitated. He had an instinctive aversion to being bitten by a snake, venomous or not. And how did he know how the man--or men--sitting in the shadows would take it if the thing did bite him?
'I trust this snake,' said the voice softly. 'Krait comes with me from Africa. Long time now.'
Grey's knees straightened abruptly. Africa! Now he placed the name, and cold sweat broke out on his face. Krait. A fucking African krait. Gwynne had had one. Small, no bigger than the circumference of a man's little finger. 'Bloody deadly,' Gwynne had crooned, stroking the thing's back with the tip of a goose quill--an attention to which the snake, a slender, nondescript brown thing, had seemed oblivious.
This one was squirming languorously over the top of Grey's foot; he had to restrain a strong urge to kick it away and stamp on it. What the devil was it about him that attracted snakes, of all ungodly things? He supposed it could be worse; it might be cockroaches. Instantly he felt a hideous crawling sensation upon his forearms and rubbed them hard reflexively, seeing--yes, he bloody saw them, here in the dark--thorny jointed legs and wriggling, inquisitive antennae brushing his skin.
He might have cried out. Someone laughed.
If he thought at all, he wouldn't be able to do it. He stooped and snatched the thing and, rising, hurled it into the darkness. There was a yelp and a scrabbling, then a brief, shocked scream.
He stood panting and trembling from reaction, checking and rechecking his hand--but felt no pain, could find no puncture wounds. The scream had been succeeded by a low stream of unintelligible curses, punctuated by the deep gasps of a man in terror. The voice of the houngan--if that's who it was--came urgently, followed by another voice, doubtful, fearful. Behind him, before him? He had no sense of direction anymore.
Something brushed past him, the heaviness of a body, and he fell against the wall of the cave, scraping his arm. He welcomed the pain; it was something to cling to, something real.
More urgency in the depths of the cave, sudden silence. And then a swishing thunk! as something struck hard into flesh, and the sheared-copper smell of fresh blood came strong over the scent of hot rock and rushing water. No further sound.
He was sitting on the muddy floor of the cave; he could feel the cool dirt under him. He pressed his hands flat against it, getting his bearings. After a moment, he heaved himself to his feet and stood, swaying and dizzy.
'I don't lie,' he said, into the dark. 'And I will have my men.'
Dripping with sweat and water, he turned back, towards the rainbows.
*
The sun had barely risen when he came back into the mountain compound. The smoke of cooking fires hung among the huts, and the smell of food made his stomach clench painfully, but all that could wait. He strode as well as he might--his feet were so badly blistered that he hadn't been able to get his boots back on and had walked back barefoot, over rocks and thorns--to the largest hut, where Captain Accompong sat placidly waiting for him.
Tom and the soldiers were there, too, no longer roped together but still bound, kneeling by the fire. And Cresswell, a little way apart, appearing wretched but at least upright.
Accompong looked at one of his lieutenants, who stepped forward with a big cane knife and cut the prisoners' bonds with a series of casual but fortunately accurate swipes.
'Your men, my colonel,' he said magnanimously, flipping one fat hand in their direction. 'I give them back to you.'
'I am deeply obliged to you, sir.' Grey bowed. 'There is one missing, though. Where is Rodrigo?'
There was a sudden silence. Even the shouting children hushed instantly, melting back behind their mothers. Grey could hear the trickling of water down the distant rock face and the pulse beating in his ears.
'The zombie?' Accompong said at last. He spoke mildly, but Grey sensed some unease in his voice. 'He is not yours.'
'Yes,' Grey said firmly. 'He is. He came to the mountain under my protection--and he will leave the same way. It is my duty.'
The squatty headman's expression was hard to interpret. None of the crowd moved or murmured, though Grey caught glimpses from the corner of his eyes of the faint turning of heads, as folk asked silent questions of one another.
'It is my duty,' Grey repeated. 'I cannot go without him.' He carefully omitted any suggestion that it might not be his choice whether to go or not. Still, why would Accompong return the white men to him if he planned to kill or imprison Grey?
The headman pursed fleshy lips, then turned his head and said something questioning. Movement in the hut where Ishmael had emerged the night before. There was a considerable pause, but, once more, the houngan came out.
His face was pale, and one of his feet was wrapped in a bloodstained wad of fabric, bound tightly. Amputation, Grey thought with interest, recalling the metallic thunk that had seemed to echo through his own flesh in the cave. It was the only sure way to keep a snake's venom from spreading through the body.
'Ah,' said Grey, voice light. 'So the krait liked me better, did he?'
He thought Accompong laughed under his breath, but he didn't really pay attention. The houngan's eyes flashed hate at him, and Grey regretted his wit, fearing that it might cost Rodrigo more than had already been taken from him.
Despite his shock and horror, though, he clung to what Mrs Abernathy had told him. The young man was not truly dead. He swallowed. Could Rodrigo perhaps be restored? The Scotchwoman had said not--but perhaps she was wrong. Clearly Rodrigo had not been a zombie for more than a few days. And she did say that the drug dissipated over time. Perhaps ...
Accompong spoke sharply, and the houngan lowered his head.
'Anda,' he said sullenly. There was stumbling movement in the hut, and he stepped aside, half-pushing Rodrigo out into the light, where he came to a stop, staring vacantly at the ground, mouth open.
'You want this?' Accompong waved a hand at Rodrigo. 'What for? He's no good to you surely? Unless you want to take him to bed--he won't say no to you!'
Everyone thought that very funny; the clearing rocked with laughter. Grey waited it out. From the corner of his eye, he saw the girl Azeel watching him with something like a fearful hope in her eyes.
'He is under my protection,' he repeated. 'Yes, I want him.'
Accompong nodded and took a deep breath, sniffing appreciatively at the mingled scents of cassava porridge, fried plantain, and frying pig meat.
'Sit down, Colonel,' he said, 'and eat with me.'
Grey sank slowly down beside him, weariness throbbing through his legs. Looking around, he saw Cresswell dragged roughly off but left sitting on the ground against a hut, unmolested. Tom and the two soldiers, looking dazed, were being fed at one of the cook fires. Then he saw Rodrigo, still standing like a scarecrow, and struggled to his feet.
He took the young man's tattered sleeve and said, 'Come with me.' Rather to his surprise, Rodrigo did, turning like an automaton. He led the young man through the staring crowd to the girl Azeel, and said, 'Stop.' He lifted Rodrigo's hand and offered it to the girl, who, after a moment's hesitation, took firmly hold of it.
'Look after him, please,' Grey s
aid to her. Only as he turned away did it register upon him that the arm he had held was wrapped with a bandage. Ah. Dead men don't bleed.
Returning to Accompong's fire, he found a wooden platter of steaming food awaiting him. He sank down gratefully upon the ground again and closed his eyes--then opened them, startled, as he felt something descend upon his head and found himself peering out from under the drooping felt brim of the headman's ragged hat.
'Oh,' he said. 'Thank you.' He hesitated, looking round, either for the leather hatbox or for his ragged palm-frond hat, but didn't see either one.
'Never mind,' said Accompong, and, leaning forward, slid his hands carefully over Grey's shoulders, palms up, as though lifting something heavy. 'I will take your snake, instead. You have carried him long enough, I think.'
Author's Notes
My source for the theoretical basis of making zombies was The Serpent and the Rainbow: A Harvard Scientist's Astonishing Journey into the Secret Societies of Haitian Voodoo, Zombis, and Magic, by Wade Davis, which I'd read many years ago. Information on the maroons of Jamaica, the temperament, beliefs, and behavior of Africans from different regions, and on historical slave rebellions came chiefly from Black Rebellion: Five Slave Revolts, by Thomas Wentworth Higginson. This manuscript (originally a series of articles published in Atlantic Monthly, Harper's magazine, and Century) also supplied a number of valuable details regarding terrain and personalities.
Captain Accompong was a real maroon leader--I took his physical description from this source--and the custom of trading hats upon conclusion of a bargain also came from Black Rebellion. General background, atmosphere, and the importance of snakes came from Zora Neale Hurston's Tell My Horse and a number of less important books dealing with voodoo. (By the way, I now have most of my reference collection--some 1,500 books--listed on LibraryThing and cross-indexed by topic, in case you're interested in pursuing anything like, say, Scotland, magic, or the American Revolution.)
About the Author
DIANA GABALDON is the New York Times bestselling author of the wildly popular Outlander novels, Outlander, Dragonfly in Amber, Voyager, Drums of Autumn, The Fiery Cross, A Breath of Snow and Ashes (for which she won a Quill Award and the Corine International Book Prize), An Echo in the Bone, and the forthcoming Written in My Own Heart's Blood, and one work of nonfiction, The Outlandish Companion, as well as the bestselling series featuring Lord John Grey, a character she introduced in Voyager. She lives in Scottsdale, Arizona.
Turn the page for a
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Written in My Own
Heart's Blood,
the next Outlander novel after
An Echo in the Bone.
Claire, having just discovered that Jamie is alive, meets Jamie's sister, the recently widowed Jenny Murray, in Philadelphia, in the wake of other traumatic discoveries ...
MRS. FIGG WAS SMOOTHLY SPHERICAL, GLEAMINGLY BLACK, and inclined to glide silently up behind one like a menacing ballbearing.
"What's this?" she barked, manifesting herself suddenly behind Jenny.
"Holy Mother of God!" Jenny whirled, eyes round and hand pressed to her chest. "Who in God's name are you?"
"This is Mrs. Figg," I said, feeling a surreal urge to laugh, despite--or maybe because of--recent events. "Lord John Grey's cook. And Mrs. Figg, this is Mrs. Murray. My, um ... my ..."
"Your good-sister," Jenny said firmly. She raised one black eyebrow. "If ye'll have me, still?" Her look was straight and open, and the urge to laugh changed abruptly into an equally strong urge to burst into tears. Of all the unlikely sources of succor I could have imagined.... I took a deep breath and put out my hand.
"I'll have you."
Her small firm fingers wove through mine, and as simply as that, it was done. No need for apologies or spoken forgiveness. She'd never had to wear the mask that Jamie did. What she thought and felt was there in her eyes, those slanted blue cateyes she shared with her brother. She knew me, now, for what I was--and knew I loved--had always loved--her brother with all my heart and soul--despite the minor complications of being presently married to someone else. And that knowledge obliterated years of mistrust, suspicion, and injury.
She heaved a sigh, eyes closing for an instant, then opened them and smiled at me, mouth trembling only a little.
"Well, fine and dandy," said Mrs. Figg, shortly. She narrowed her eyes and rotated smoothly on her axis, taking in the panorama of destruction. The railing at the top of the stair had been ripped off, and cracked banisters, dented walls, and bloody smudges marked the path of William's descent. Shattered crystals from the chandelier littered the floor, glinting festively in the light that poured through the open front door, the door itself hanging drunkenly from one hinge.
"Merde on toast," Mrs. Figg murmured. She turned abruptly to me, her small black-currant eyes still narrowed. "Where's his lordship?"
"Ah," I said. This was going to be rather sticky, I saw. While deeply disapproving of most people, Mrs. Figg was devoted to John. She wasn't going to be at all pleased to hear that he'd been abducted by--
"For that matter, where's my brother?" Jenny inquired, glancing round as though expecting Jamie to appear suddenly out from under the settee.
"Oh," I said. "Hm. Well ..." Possibly worse than sticky. Because ...
"And where's my Sweet William?" Mrs. Figg demanded, sniffing the air. "He's been here; I smell that stinky cologne he puts on his linen." She nudged a dislodged chunk of plaster disapprovingly with the toe of her shoe.
I took another long, deep breath, and a tight grip on what remained of my sanity.
"Mrs. Figg," I said, "perhaps you would be so kind as to make us all a cup of tea?"
Having just discovered Jamie Fraser is his true father, William leaves Lord John's house in a whirlwind of shock and rage ...
WILLIAM RANSOM, NINTH EARL OF ELLESMERE, VISCOUNT Ashness, shoved his way through the crowds on Broad Street, oblivious to the complaints of those rebounding from his impact.
He didn't know where he was going, or what he might do when he got there. All he knew was that he'd burst if he stood still.
His head throbbed like an inflamed boil. Everything throbbed. His hand--he'd probably broken something, but he didn't care. His heart, pounding and sore inside his chest. His foot, for God's sake, what, had he kicked something? He lashed out viciously at a loose cobblestone and sent it rocketing through a crowd of geese, who set up a huge cackle and lunged at him, hissing and beating at his shins with their wings.
Feathers and goose shit flew wide, and the crowd scattered in all directions.
"Bastard!" shrieked the goose-girl, and struck at him with her crook, catching him a shrewd thump on the ear. "Devil take you, Schmutziger Bastard!"
This sentiment was echoed by a number of other angry voices, and he veered into an alley, pursued by shouts and honks of agitation.
He rubbed his throbbing ear, lurching into buildings as he passed, oblivious to everything but the one word throbbing ever louder in his head. Bastard.
"Bastard!" he said out loud, and shouted, "Bastard, bastard, bastard!!" at the top of his lungs, hammering at the brick wall next to him with a clenched fist.
"Who's a bastard?" said a curious voice behind him. He swung round to see a young woman looking at him with some interest. Her eyes moved slowly down his frame, taking note of the heaving chest, the bloodstains on the facings of his uniform coat and green smears of goose shit on his breeches, reached his silver buckled shoes, and returned to his face with more interest.
"I am," he said, hoarse and bitter.
"Oh, really?" She left the shelter of the doorway in which she'd been standing, and came across the alley to stand right in front of him. She was tall and slim, and had a very fine pair of high young breasts--which were clearly visible under the thin muslin of her shift, because while she had a silk petticoat, she wore neither stays nor bodice. No cap, either--her hair fell loose over her shoulders. A whore.
&n
bsp; "I'm partial to bastards, myself," she said, and touched him lightly on the arm. "What kind of bastard are you? A wicked one? An evil one?"
"A sorry one," he said, and scowled when she laughed. She saw the scowl, but didn't pull back.
"Come in," she said, and took his hand. "You look as though you could do with a drink." He saw her glance at his knuckles, burst and bleeding, and she caught her lower lip behind small white teeth. She didn't seem afraid, though, and he found himself drawn unprotesting into the shadowed doorway after her.
What did it matter? he thought, with a sudden savage weariness. What did anything matter?
IT WASN'T YET MIDDAY, and the only voices in the house were the distant chitter of women. No one was visible in the parlor as they passed, and no one appeared as she led him up a foot-marked staircase to her room. It gave him an odd feeling, as though he might be invisible. He found the notion a comfort; he couldn't bear himself.
She went in before him and threw open the shutters. He wanted to tell her to close them; he felt wretchedly exposed in the flood of sunlight. But it was summer; the room was hot and airless, and he was already sweating heavily. Air swirled in, heavy with the odor of tree sap, and the sun glowed briefly on the smooth top of her head, like the gloss on a fresh conker. She turned and smiled at him.
"First things first," she announced briskly. "Throw off your coat and waistcoat before you suffocate." Not waiting to see whether he would take this suggestion, she turned to reach for the basin and ewer. She filled the basin and stepped back, motioning him toward the wash-stand, where a towel and a much-used sliver of soap stood on worn wood.
"I'll fetch us a drink, shall I?" And with that, she was gone, bare feet pattering busily down the stairs.
Mechanically, he began to undress. He blinked stupidly at the basin, but then recalled that in the better sort of house, sometimes a man was required to wash his parts first. He'd encountered the custom once before, but on that occasion, the whore had performed the ablution for him--plying the soap to such effect that the first encounter had ended right there in the washbasin.