Jerusalem
In the fraction of a second during which she hung in empty space above the snarl of rusted implements and broken windows down below, Alma had been illuminated. As the instant stretched itself, she realised that she’d accidentally jumped free of all her fears and limitations, fears of injury and death and ruin. Trusting only to the moment she’d propelled herself past doubt and gravity and in that moment had known with abiding certainty that there was nothing she was scared of, nothing that she couldn’t do.
Even as an eleven-year-old girl she had, of course, been both considerably bigger and much heavier than Benedict. She sailed across the treacherous alleyway to land on the shed roof beside him and immediately went through it, shattering its slates and ending up embedded in its gradient to her scabby knees. Oh, how they’d laughed, exhilarated and hysterical, once they’d checked to make sure that nobody had lost an eye. The incident had given Alma an important insight into overcoming psychological impediments, which she’d experimented further with. Having a morbid dread of drowning, as a twelve-year-old she’d swum out to the steel partition that divided one end of Midsummer Meadow’s lido from the other and had dived down to one of the railed vents that were some feet underwater. She had pushed her arm between the bars then turned it round so that she wasn’t certain she could pull it out again. For perhaps thirty long and awesome seconds she had floated at the still heart of her wholly self-inflicted terror, trying to absorb and understand it, and then she had calmly turned her arm the right way round to pull it from between the bars and strike back for the glittering surface. Alma smiles now at the memory as she enters the bank. The critics and sometimes admirers who describe her as eccentric really haven’t got the first idea.
She knows all the bank staff by name, the Co-op having been her bank of choice for the last twenty years. She’d started with them solely on the basis of their ethical investment policies, but as the decades had ticked past on her milometer she’d come to notice that whenever there was a financial meltdown caused by banking improprieties, the Co-op’s frankly boring logo never featured in the cascade of shamed high-street brands that poured across the teatime news-screens. In the dizzying casino spin of a roulette economy, inside a threadbare circus tent stuffed with adrenaline-deranged rogue traders, oligarchs, and corporate bosses living beyond anybody’s means, the Co-op stood fast. Despite its refusal to invest resources with arms manufacturers, the bank stuck to its guns. Also, when Alma’s mum Doreen had died in 1995 they’d sent a big bouquet of flowers with personal messages from everybody at the branch. As far as Alma is concerned, they could be caught providing orphan baby seals for Rio Tinto Zinc to use as sex-slaves after that, and she’d most probably turn her blind eye.
After she’s said hello to everyone, Alma inspects herself on the closed circuit television while she waits in line. The camera is over by the Abington Street entrance several yards behind her, and so only gives a rear-view long-shot of the leather-jacketed old woman with the hanging-gardens hairstyle, a good head and shoulders taller than the other people in the queue. This is the nearest that she ever gets to an objective image of herself and finds she doesn’t like it very much. It makes her feel obscurely isolated, and besides, she doesn’t see herself like that. She sees herself as bigger and a great deal nearer. And not from behind.
She checks her balance and draws out a random wad of cash to stuff in the side-pocket of her jeans. Just yesterday she’d had a chat with the incorrigible serial-sympathiser and unlikely innocent Melinda Gebbie, her best mate from Semilong. The other woman artist had remarked on how she always liked to have some reassuring totem in her pocket, useful Kleenex tissues, dead bees or particularly pretty leaves that she’d picked up. Alma had thought about it for a while and then said “Yeah, well, see, for me that would be money.” While she’s probably lost several high-denomination notes across the years she still resists the idea of a purse or handbag, reasoning that this would only be a good way to lose everything at once. She thinks it highly probable that she’d eventually leave the handbag in a café, whereas it’s unlikely that she’d leave her trousers. Not out of the question, but unlikely.
Exiting the bank she nips next door into the premises of Martin’s, the newsagents, so that she can stock up on essentials: Rizla papers, fags, Swan matches, magazines. She pulls the latest issues of New Scientist and Private Eye down from their upper shelves, wondering if their placement might be part of an entirely sensible campaign to make sure that only the tall receive appropriate intellectual stimulation. One day soon, when she and her kind have grown smart enough to formulate a foolproof plan, then Stephen Fry will give the signal and they’ll all rise up and massacre the short-arse numbskulls in their beds. Something like that, at any rate. Let a girl have her daydreams.
Alma takes the two mags to the till where genial, bullet-headed Tony Martin and long-suffering wife Shirley have already got her forty Silk Cut Silver, five packs of green Rizla papers and two boxes of Swan matches waiting for her. Tony shakes his shaved dome ruefully while ringing up the Rizlas.
“Alma, honestly! All o’ these Rizla papers! Surely you must ‘ave got that scale model of the Eiffel Tower completed ages ago? What’s the matter with yer?”
Shirley looks up from re-stocking shelves and tells her husband to shut up and not to be so rude, but Alma’s grinning.
“Yeah, I did, but I got bored with it and started on a model of the Vatican. Now, are you going to ring those up, or shall I get my matchstick Pope to excommunicate you?”
It’s a running joke between them. Years ago someone who worked behind the counter had asked Alma why she bought so many Rizla papers, to which Alma had replied with a deadpan expression and without a beat that she was building a scale model of the Eiffel Tower out of the flimsy, gum-edged leaves. While this had only been a gag she’d found it an appealing one, an idea she could get a bit of mileage out of. Well, more than a bit as it turned out. She sees ideas much as a farmer sees his pigs, and doesn’t even want to waste the squeal if she can help it.
With her purchases inside a flimsy plastic carrier-bag, the national flower, she waves a clattering metallic goodbye to the Martins and steps back out of the shop into the wide pink precinct. She continues her descent of Abington Street, calling in at Marks & Spencer’s to pick up some bits and pieces for her evening meal: a couple of long demon-tongue Ramiros peppers, cranberry and orange stuffing, and some feta cheese. She navigates a designated path between the open-plan departments, overlooked by Myleene Klass and a still-lovely Twiggy. Alma never feels entirely comfortable in the conspicuously poncey store, but, having recently boycotted Sainsbury’s, lacks for a convenient alternative.
The Sainsbury’s episode still makes her smile, though it’s the ghastly smile of something that one really should have killed but only wounded. She had been emerging from the Grosvenor Centre branch of Sainsbury’s, where she knew most of the ladies at the tills by name, laden down by two bulging store-brand bags-for-life filled with her purchases. A uniformed security guard, shrewdly noticing the lizard-green-with-watermelon-pink-interior hoodie that she happened to be wearing, had deduced she was therefore a member of the underclass (which, emotionally at least, she was) and stepped to block her path, demanding to see Alma’s till receipt. Towering above the relatively pint-sized individual she had craned her neck, lowering her massive head to his eye-level as if talking to a woefully underachieving eight-year-old. Explaining that she wasn’t in the habit of collecting till receipts, Alma had asked if this was some new policy of random stop-and-search, or if he’d had some other reason for selecting her amongst the dozen or so more conventional-looking shoppers who were then emerging from the supermarket. Looking more and more uncertain by the moment, the guard had then pointlessly requested that she show him what was in her Sainsbury’s shopping bags, perhaps suspecting somehow that they’d prove to contain shopping that had come from Sainsbury’s.
She had repeated her inquiry, leaving an exaggerated gap between each word so t
hat he had the time to fully comprehend one syllable before being required to struggle with the next. “Why … did … you … stop … me … specifically?” By this point other customers were nervously approaching and protesting Alma’s innocence, looking more worried for the clearly-new employee, understandably, than they were for the famously belligerent giantess. Attempting to salvage a sense of his authority in this deteriorating situation, the guard had said that Alma must keep her receipts. Alma had duly noted this new Sainsbury’s policy but had explained that since she wouldn’t be returning to the store, it wasn’t really going to affect her. Smiling anxiously as she’d begun to walk away, he’d called out a reminder to hang on to her receipt next time, which had made Alma pause, sigh heavily, and then explain in her best child-friendly voice what all the long words about not returning to the store in her last sentence were intended to convey. When she’d got home she’d rung customer services and told them it was Alma Warren calling, at which the young woman on the other end had chirpily informed her that she’d seen Alma on telly just the previous night. Alma had told her that was nice and then gone on to detail what had happened earlier, explaining that she could only interpret the guard’s scrutiny as being class-based and how this had prompted her decision to give Sainsbury’s a miss in future. She’d assured the perfectly-nice woman that she wasn’t asking Sainsbury’s for an apology, though anyone who knew her would have heard the implication that it was too late for such a useless trifle to placate her; that she was by now embarked upon a grudge that she would carry to the grave.
It hadn’t been the first time she’d attracted the attention of security in Sainsbury’s, although on the previous occasion she’d been in the company of her dear chum, the actor Robert Goodman, so she hadn’t really blamed them. Bob, blessed with what a desperate estate agent would call “distinctive features”, had during his various career played the Hamburglar, and the corpse-humping rapist solider in Luc Besson’s Joan of Arc, while in a number of advertisements for car alarms, alongside his appearances upon The Bill, Eastenders, and in Batman and A Fish Called Wanda, he had made the role of Second Scar-faced Thug his own. Given Bob’s murderous demeanour, she wasn’t surprised that they’d been followed round the store. If Alma didn’t know Bob personally, and if he wasn’t currently researching stuff on her behalf pertaining to tomorrow’s exhibition, then she’d have him taken out by snipers; would have more than likely done so long ago. This latest incident, however, had no such extenuating circumstances: she’d been stopped and questioned because she looked poor. In fucking Sainsbury’s, which Alma hadn’t realised was now such an elite concern. By contrast, here in poncey Marks & Spencer’s, the one guard who’d ever spoken to her had just smiled and said he was a fan. Class prejudice, apparently, is not seen as a major issue, possibly because its victims are traditionally inarticulate. Alma herself, of course, never shuts up, particularly when it comes to people of her background being demonised. She can drone on about the subject endlessly, most usually in the two or three media interviews she does each week, or some more permanent form. No, she won’t be needing an apology.
Back in Abington Street, burdened by two carrier bags now, she carries on towards the coffee shop down at the bottom, Caffè Nero. Why name a café after someone like Nero, Alma wonders? You might just as well call it Caffè Caligula or Caffè Heliogabalus. Or Caffè Mussolini for that matter. The caffeine of Europe.
The café stands roughly on the former site of the town hall, the intermediary model serving as a stepping stone between the first Gilhalda on the Mayorhold and the splendid current Guildhall round the corner in St. Giles Street. It was here on this spot almost ten years before that Alma had crossed paths with then-Prime-Minister-in-waiting Tony Blair, on a pre-landslide walkabout with suited Reservoir Dogs minders and the rictus grin and painted eyeballs of a ventriloquist’s dummy who’s determined not to go gack in the gox. The party had been sauntering down Abington Street just as Alma had been walking up, sunbathing in the awed attention they clearly imagined they were getting from the utterly oblivious passers-by. You could tell that inside their minds they were parading down the recently pedestrianised precinct, all in flattering slow-motion with the faint breeze ruffling their jet-moulded hair attractively.
Scanning the passing faces for a sign of something other than indifference, Blair’s eyes had eventually met Alma’s grey and yellow hazard lights. Of course, she hadn’t known at that point he was going to drag the country into an interminable and disastrous war, buddying up to the Americans with a view to his own retirement prospects, but she’d been aware of him for years and knew that he would almost certainly be doing something vile. She’d watched him and his party tacitly support repressive Tory legislation like Clause 28 or the Criminal Justice Bill. She’d watched him ‘modernise’ the Labour party by excising the last vestiges of the core values that her parents and grandparents had believed in; watched him sell the poor, the disinherited and even the trade unions who’d brought his party into being down the same endlessly rolling opportunist river. On the afternoon of her encounter with him, then, despite the fact he hadn’t been elected yet, she’d thought to get in her retaliation early. She hadn’t looked daggers at him, she’d looked Daisy-cutters, with a glare of such intensity that she would only normally employ it if she were attempting to blow up the moon. There had been fields once that had given Alma cause to look at them like that, where now there would be nothing growing for the next few hundred years. She’d held the contact long enough to make sure it had registered, waiting until Blair’s grin had frozen to a rictus and his startled eyes had undergone their first-to-see-the-creature moment before she had curled her lip and looked dismissively away, continuing with her ascent of Abington Street.
Entering the café now to grab a cup of hot black tea and slice of Tiramisu, she talks with the Polish girls behind the counter before relocating to a punch-drunk leather armchair by the window, still considering her brief encounter with the man who is at present hanging on to leadership with the desperate tenacity of a hand-chosen lobster clinging to the ornamental castle in the restaurant tank. This is the man who by his own account has felt the hand of history upon his shoulder with such dreary frequency across the years and yet has never realised that it’s fastening a label saying “stab me” to his back with Sellotape.
Levering up a forkful of her custard/coffee cake towards the tag team of bright red Mexican wrestlers that are her lips she thinks about the pair of local men, both former Labour Party members, who are currently confined by a restraining order which prevents them leaving England and forbids them talking to each other. One of them, a civil servant by the name of David Keogh who lives just off the Mounts, was a communications officer seconded to the Foreign Office during 2005. While thus employed, Keogh had received the transcript of a conversation between Blair and U.S. President George W. Bush in which the gangster and his moll had discussed the advisability of bombing non-combatant Arab television station Al-Jazeera. Understanding that this was a war-crime in the making, Keogh had panicked and passed on the information to his fellow Northamptonian and Labour Party chum, former political researcher Leo O’Connor, then employed as an assistant to Northampton South Labour MP and erstwhile Inter-City Firm football enthusiast Tony Clarke. Alma has always had a soft spot with regard to Clarke, who seems to her an honourable, decent man. To be fair, she supposes that unless he’d wanted to be in the frame himself as part of a conspiracy the MP would have had no choice but to do what he did upon discovery of the memo, which was putting in the call to Special Branch.
This has led to a minor quandary at the Foreign Office, detailed in the pages of a recent Private Eye. Apparently, while one department of that august body had been claiming that the Bush/Blair Al-Jazeera conversation never happened and was the malign invention of Keogh and O’Connor, a completely separate department had announced in its response to an enquiry on the case that although they possessed a transcript of the conversation, they could
not release it. Alma wonders how they’ll charge the pair for breach of the Official Secrets Act without reminding everyone what the official secret under scrutiny had been. Her guess is that they’ll leave it a few months until some new catastrophe or scandal has eclipsed the matter and the overall amnesia of the general public has had time to kick in. Then they’ll rush the case through court with a D-Notice on the media, preventing press and television from giving details of the original offence in any coverage. That’s what she’d do if she were some pink-faced Magister Ludi in the depths of Whitehall.
Blotting mascarpone from the scarlet crime-scene of her lips, she feels indignant that this Kafka re-run should be happening to people from her town, one of them living on the Mounts just past the northeast corner of the Boroughs, her beloved neighbourhood. Mansoul, it is the very seat of war.
She jingles goodbye to the Polish girls and exits Caffè Nero, crossing the vestigial tarmac stump of Abington Street that’s still hanging on past the pink paving, heading for the market square. Alma remembers she’d been going to pay her Council Tax, but realises that she’s left the bill at home. Oh, well. Who cares? She’ll sort it out on Monday, when the preview exhibition’s over. Given how Northampton has responded to Poll Tax demands across the centuries, she doubts that her late payment will present much of a problem. After Margaret Thatcher overreached herself by introducing it back in the ’Eighties, bailiff’s wagons had been chased back to their depot by infuriated Eastern District tenants who’d gone on to wreck the repossession company’s business premises. A mob of protesters had taken over council offices, holding staff prisoner at fist-point in a day-long siege. Of course, all that was nothing to the fourteenth century when the first Poll Tax had been raised down at the castle at the south end of St. Andrew’s Road, precipitating upon that occasion the incendiary orgy that was the Peasant’s Revolt. No, they could wait until after the weekend and count themselves lucky that she wasn’t going to torch the Guildhall. Probably.