Nine Stories
When my astonishment had worn off, and then my awe, and then my delight, I looked over at the Chief. He didn't so much seem to be standing behind the pitcher as floating over him. He was a completely happy man. Over on third base, Mary Hudson waved to me. I waved back. I couldn't have stopped myself, even if I'd wanted to. Her stickwork aside, she happened to be a girl who knew how to wave to somebody from third base.
The rest of the game, she got on base every time she came to bat. For some reason, she seemed to hate first base; there was no holding her there. At least three times, she stole second.
Her fielding couldn't have been worse, but we were piling up too many runs to take serious notice of it. I think it would have improved if she'd gone after flies with almost anything except a catcher's mitt. She wouldn't take it off, though. She said it was cute.
The next month or so, she played baseball with the Comanches a couple of times a week (whenever she had an appointment with her dentist, apparently). Some afternoons she met the bus on time, some afternoons she was late. Sometimes she talked a blue streak in the bus, sometimes she just sat and smoked her Herbert Tareyton cigarettes (cork-tipped). When you sat next to her in the bus, she smelled of a wonderful perfume.
One wintry day in April, after making his usual three o'clock pickup at 109th and Amsterdam, the Chief turned the loaded bus east at 110th Street and cruised routinely down Fifth Avenue. But his hair was combed wet, he had on his overcoat instead of his leather windbreaker, and I reasonably surmised that Mary Hudson was scheduled to join us. When we zipped past our usual entrance to the Park, I was sure of it. The Chief parked the bus on the comer in the Sixties appropriate to the occasion. Then, to kill time painlessly for the Comanches, he straddled his seat backward and released a new installment of >> I remember the installment to the last detail, and I must outline it briefly.
A flux of circumstances delivered the Laughing Man's best friend, his timber wolf, Black Wing, into a physical and intellectual trap set by the Dufarges. The Dufarges, aware of the Laughing Man's high sense of loyalty, offered him Black Wing's freedom in exchange for his own. In the best faith in the world, the Laughing Man agreed to these terms. (Some of the minor mechanics of his genius were often subject to mysterious little breakdowns.) It was arranged for the Laughing Man to meet the Dufarges at midnight in a designated section of the dense forest surrounding Paris, and there, by moonlight, Black Wing would be set free. However, the Dufarges had no intention of liberating Black Wing, whom they feared and loathed. On the night of the transaction, they leashed a standin timber wolf for Black Wing, first dyeing its left hind foot snow white, to look like Black Wing's.
But there were two things the Dufarges hadn't counted on: the Laughing Man's sentimentality and his command of the timber-wolf language. As soon as he had allowed Dufarge's daughter to tie him with barbed wire to a tree, the Laughing Man felt called upon to raise his beautiful, melodious voice in a few words of farewell to his supposed old friend. The standin, a few moonlit yards away, was impressed by the stranger's command of the language and listened politely for a moment to the lastminute advice, personal and professional, that the Laughing Man was giving out. At length, though, the standin grew impatient and began shifting his weight from paw to paw. Abruptly, and rather unpleasantly, he interrupted the Laughing Man with the information that, in the first place, his name wasn't Dark Wing or Black Wing or Gray Legs or any of that business, it was Armand, and, in the second place, he'd never been to China in his life and hadn't the slightest intention of going there.
Properly infuriated, the Laughing Man pushed off his mask with his tongue and confronted the Dufarges with his naked face by moonlight. Mlle. Dufarge responded by passing out cold. Her father was luckier. By chance, he was having one of his coughing spells at the moment and thereby missed the lethal unveiling. When his coughing spell was over and he saw his daughter stretched out supine on the moonlit ground, Dufarge put two and two together. Shielding his eyes with his hand, he fired the full clip in his automatic toward the sound of the Laughing Man's heavy, sibilant breathing.
The installment ended there.
The Chief took his dollar Ingersoll out of his watch pocket, looked at it, then swung around in his seat and started up the motor. I checked my own watch. It was almost four-thirty. As the bus moved forward, I asked the Chief if he wasn't going to wait for Mary Hudson. He didn't answer me, and before I could repeat my question, he tilted back his head and addressed all of us: >>
Whatever else it may have been, the order was basically unsensible. The bus had been, and was, very quiet. Almost everybody was thinking about the spot the Laughing Man had been left in. We were long past worrying about him--we had too much confidence in him for that--but we were never past accepting his most perilous moments quietly.
In the third or fourth inning of our ball game that afternoon, I spotted Mary Hudson from first base. She was sitting on a bench about a hundred yards to my left, sandwiched between two nursemaids with baby carriages. She had on her beaver coat, she was smoking a cigarette, and she seemed to be looking in the direction of our game.
I got excited about my discovery and yelled the information over to the Chief, behind the pitcher. He hurried over to me, not quite running. >> he asked me. I pointed again. He stared for a moment in the right direction, then said he'd be back in a minute and left the field. He left it slowly, opening his overcoat and putting his hands in the hip pockets of his trousers. I sat down on first base and watched. By the time the Chief reached Mary Hudson, his overcoat was buttoned again and his hands were down at his sides.
He stood over her for about five minutes, apparently talking to her. Then Mary Hudson stood up, and the two of them walked toward the baseball field. They didn't talk as they walked, or look at each other. When they reached the field, the Chief took his position behind the pitcher. I yelled over to him. >> He told me to cover my sack. I covered my sack and watched Mary Hudson. She walked slowly behind the plate, with her hands in the pockets of her beaver coat, and finally sat down on a misplaced players' bench just beyond third base. She lit another cigarette and crossed her legs.
When the Warriors were at bat, I went over to her bench and asked her if she felt like playing left field. She shook her head. I asked her if she had a cold. She shook her head again. I told her I didn't have anybody in left field. I told her I had a guy playing center field and left field. There was no response at all to this information. I tossed my firstbaseman's mitt up in the air and tried to have it land on my head, but it fell in a mud puddle. I wiped it off on my trousers and asked Mary Hudson if she wanted to come up to my house for dinner sometime. I told her the Chief came up a lot.
she said. >> I stared at her, then walked off in the direction of the Warriors' bench, taking a tangerine out of my pocket and tossing it up in the air.
About midway along the third-base foul line, I turned around and started to walk backwards, looking at Mary Hudson and holding on to my tangerine. I had no idea what was going on between the Chief and Mary Hudson (and still haven't, in any but a fairly low, intuitive sense), but nonetheless, I couldn't have been more certain that Mary Hudson had permanently dropped out of the Comanche lineup. It was the kind of whole certainty, however independent of the sum of its facts, that can make walking backwards more than normally hazardous, and I bumped smack into a baby carriage.
After another inning, the light got bad for fielding. The game was called, and we started picking up all the equipment. The last good look I had at Mary Hudson, she was over near third base crying. The Chief had hold of the sleeve of her beaver coat, but she got away from him. She ran off the field onto the cement path and kept running till I couldn't see her any more.
The Chief didn't go after her. He just stood watching her disappear. Then he turned around and walked down to home plate and picked up our two
bats; we always left the bats for him to carry. I went over to him and asked if he and Mary Hudson had had a fight. He told me to tuck my shirt in.
Just as always, we Comanches ran the last few hundred feet to the place where the bus was parked, yelling, shoving, trying out strangleholds on each other, but all of us alive to the fact that it was again time for >> Racing across Fifth Avenue, somebody dropped his extra or discarded sweater, and I tripped over it and went sprawling. I finished the charge to the bus; but the best seats were taken by that time and I had to sit down in the middle of the bus. Annoyed at the arrangement, I gave the boy sitting on my right a poke in the ribs with my elbow, then faced around and watched the Chief cross over Fifth. It was not yet dark out, but a five-fifteen dimness had set in. The Chief crossed the street with his coat collar up, the bats under his left arm, and his concentration on the street. His black hair, which had been combed wet earlier in the day, was dry now and blowing. I remember wishing the Chief had gloves.
The bus, as usual, was quiet when he climbed in--as proportionately quiet, at any rate, as a theatre with dimming house lights. Conversations were finished in a hurried whisper or shut off completely. Nonetheless, the first thing the Chief said to us was >> In an instant, an unconditional silence filled the bus, cutting off from the Chief any alternative but to take up his narrating position.
When he had done so, he took out a handkerchief and methodically blew his nose, one nostril at a time. We watched him with patience and even a certain amount of spectator's interest. When he had finished with his handkerchief, he folded it neatly in quarters and replaced it in his pocket. He then gave us the new installment of >> From start to finish, it lasted no longer than five minutes.
Four of Dufarge's bullets struck the Laughing Man, two of them through the heart.
When Dufarge, who was still shielding his eyes against the sight of the Laughing Man's face, heard a queer exhalation of agony from the direction of the target, he was overjoyed. His black heart beating wildly, he rushed over to his unconscious daughter and brought her to. The pair of them, beside themselves with delight and coward's courage, now dared to look up at the Laughing Man. His head was bowed as in death, his chin resting on his bloody chest. Slowly, greedily, father and daughter came forward to inspect their spoils. Quite a surprise was in store for them. The Laughing Man, far from dead, was busy contracting his stomach muscles in a secret manner. As the Dufarges came into range, he suddenly raised his face, gave a terrible laugh, and neatly, even fastidiously, regurgitated all four bullets. The impact of this feat on the Dufarges was so acute that their hearts literally burst, and they dropped dead at the Laughing Man's feet. (If the installment was going to be a short one anyway, it could have ended there; the Comanches could have managed to rationalize the sudden death of the Dufarges. But it didn't end there.) Day after day, the Laughing Man continued to stand lashed to the tree with barbed wire, the Dufarges decomposing at his feet.
Bleeding profusely and cut off from his supply of eagles' blood, he had never been closer to death. One day, however, in a hoarse but eloquent voice, he appealed for help to the animals of the forest. He summoned them to fetch Omba, the lovable dwarf. And they did. But it was a long trip back and forth across the Paris-Chinese border, and by the time Omba arrived on the scene with a medical kit and a fresh supply of eagles' blood, the Laughing Man was in a coma. Omba's very first act of mercy was to retrieve his master's mask, which had blown up against Mlle. Dufarge's vermin-infested torso. He placed it respectfully over the hideous features, then proceeded to dress the wounds.
When the Laughing Man's small eyes finally opened, Omba eagerly raised the vial of eagles' blood up to the mask. But the Laughing Man didn't drink from it. Instead, he weakly pronounced his beloved Black Wing's name. Omba bowed his own slightly distorted head and revealed to his master that the Dufarges had killed Black Wing. A peculiar and heart-rending gasp of final sorrow came from the Laughing Man. He reached out wanly for the vial of eagles' blood and crushed it in his hand. What little blood he had left trickled thinly down his wrist. He ordered Omba to look away, and, sobbing, Omba obeyed him. The Laughing Man's last act, before turning his face to the bloodstained ground, was to pull off his mask.
The story ended there, of course. (Never to be revived.) The Chief started up the bus.
Across the aisle from me, Billy Walsh, who was the youngest of all the Comanches, burst into tears. None of us told him to shut up. As for me, I remember my knees were shaking.
A few minutes later, when I stepped out of the Chief's bus, the first thing I chanced to see was a piece of red tissue paper flapping in the wind against the base of a lamppost.
It looked like someone's poppy-petal mask. I arrived home with my teeth chattering uncontrollably and was told to go right straight to bed.
Down at the Dinghy
IT was a little after four o'clock on an Indian Summer afternoon. Some fifteen or twenty times since noon, Sandra, the maid, had come away from the lakefront window in the kitchen with her mouth set tight. This time as she came away, she absently untied and re-tied her apron strings, taking up what little slack her enormous waistline allowed.
Then she went back to the enamel table and lowered her freshly uniformed body into the seat opposite Mrs. Snell. Mrs. Snell having finished the cleaning and ironing was having her customary cup of tea before walking down the road to the bus stop. Mrs.
Snell had her hat on. It was the same interesting, black felt headpiece she had worn, not just all summer, but for the past three summers--through record heat waves, through change of life, over scores of ironing boards, over the helms of dozens of vacuum cleaners. The Hattie Carnegie label was still inside it, faded but (it might be said) unbowed.
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A leather handbag, extremely worn, but with a label inside it as impressive as the one inside Mrs. Snell's hat, lay on the pantry. Sandra was able to reach it without standing up. She handed it across the table to Mrs. Snell, who opened it and took out a pack of mentholated cigarettes and a folder of Stork Club matches.
Mrs. Snell lit a cigarette, then brought her teacup to her lips, but immediately set it down in its saucer. >> She looked over at Sandra, who was staring, oppressedly, in the general direction of the copper sauce-pans lined against the wall.
What good's worryin' gonna do?>>>
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>> Sandra brushed some imaginary crumbs off her lap, and snorted. >>
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Sandra snorted again. >> She raised her cup and drank from it without any difficulty. er cup. >>
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Sandra stared rancorously at the opposite wall.
I'm not foolin'. I hate this crazy place.>>> She gave Mrs. Snell a hostile glance. >>
>> Sandra asked abruptly. >>
This was the sort of question Mrs. Snell slipped into as if it were an ermine coat. She at once let go her teacup.
What I'd do, I'd look around for another-->>>
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The swinging door opened from the dining room and Boo Boo Tannenbaum, the lady of the house, came into the kitchen. She was a small, almost hipless girl of twenty-five, with styleless, colorless, brittle hair pushed back behind her ears, which were very large. She was dressed in knee-length jeans, a black turtleneck pullover, and socks and loafers. Her joke of a name aside, her general unprettiness aside, she was-in terms of permanently memorable, immoderately perceptive, small-area faces-a stunning and final girl. She went directly to the refrigerator and opened it. As she peered inside, with her legs apart and her hands on her knees, she whistled, unmelodically, through her teeth, keeping time with a little uninhibited, pendulum action of her rear end. Sandra and Mrs. Snell were silent. Mrs. Snell put out her cigarette, unhurriedly.