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    Crooked House

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    different. He was Irish -- and he was going

      overseas. . . . He never wrote or anything

      I suppose I was a fool. So there it was,

      you see. I was in trouble -- just like some

      dreadful little servant girl. . . ."

      Her voice was disdainful in its snobbery.

      "Aristide was wonderful. He said everything

      would be all right. He said he was

      lonely. We'd be married at once, he said.

      It was like a dream. And then I found out

      he was the great Mr. Leonides. He owned

      masses of shops and restaurants and night

      clubs. It was quite like a fairy tale, wasn't

      it?"

      "One kind of a fairy tale," I said drily.

      "We were married at a little church in

      the City -- and then we went abroad."

      "And the child?"

      She looked at me with eyes that came

      back from a long distance.

      "There wasn't a child after all. It was all

      a mistake." ; ^

      She smiled, the curled up sideways

      crooked smile.

      "I vowed to myself that I'd be a really

      good wife to him, and I was. I ordered all

      the kinds of food he liked, and wore the

      colours he fancied and I did all I could to

      please him. And he was happy. But we

      never got rid of that family of his. Always

      coming and sponging and living in his

      pocket. Old Miss de Haviland -- I think

      T

      she ought to have gone away when he got

      married. I said so. But Aristide said, 'She's

      been here so long. It's her home now.' The

      truth is he liked to have them all about and

      underfoot. They were beastly to me, but he

      never seemed to notice that or to mind

      about it. Roger hates me -- have you seen

      Roger? He's always hated me. He's jealous.

      | And Philip's so stuck up he never speaks

      to me. And now they're trying to pretend

      I murdered him -- and I didn't -- I

      didn't!" She leaned towards me. "Please

      believe I didn't?"

      I found her very pathetic. The contemptuous

      way the Leonides family had spoken

      of her, their eagerness to believe that she

      had committed the crime -- now, at this

      moment, it all seemed positively inhuman

      conduct. She was alone, defenceless, hunted

      down.

      "And if it's not me, they think it's

      Laurence," she went on.

      | "What about Laurence?" I asked.

      "I'm terribly sorry for Laurence. He's delicate and he couldn't go and fight. It's

      not because he was a coward. It's because ^ he's sensitive. I've tried to cheer him up

      | and to make him feel happy. He has to

      ^^_each those horrible children. Eustace is

      1

      always sneering at him, and Josephine ?

      well, you've seen Josephine. You know

      what she's like."

      I said I hadn't met Josephine yet.

      "Sometimes I think that child isn't right

      in her head. She has horrible sneaky ways,

      and she looks queer . . . She gives me the

      shivers sometimes."

      I didn't want to talk about Josephine. I

      harked back to Laurence Brown.

      "Who is he?" I asked. "Where does he

      come from?"

      I had phrased it clumsily. She flushed.

      "He isn't anybody particular. He's just

      like me . . . What chance have we got

      against all of them?"

      "Don't you think you're being a little ?

      hysterical?"

      "No, I don't. They want to make out

      that Laurence did it ? or that I did.

      They've got that policeman on their side.

      What chance have I got?"

      "You mustn't work yourself up," I said.

      "Why shouldn't it be one of them who

      killed him? Or someone from outside? Or

      one of the servants?"

      "There's a certain lack of motive."

      "Oh! motive. What motive had I got? Or

      Laurence?"

      I felt rather uncomfortable as I said:

      "They might think, I suppose, that you

      and ? er ? Laurence ? are in love with

      each other ? that you wanted to marry."

      She sat bolt upright.

      "That's a wicked thing to suggest! And

      it's not true! We've never said a word of

      that kind to each other. I've just been sorry

      for him and tried to cheer him up. We've

      been friends, that's all. You do believe me,

      don't you?"

      I did believe her. That is, I believed that

      she and Laurence were, as she put it, only

      friendsi? But I also believed that, possibly

      unknown to herself, she was actually in

      love with the young man.

      It was with that thought in my mind that

      I went downstairs in search of Sophia.

      As I was about to go into the drawing

      room, Sophia poked her head out of a door

      further along the passage.

      "Hullo," she said, "I'm helping Nannie

      with lunch."

      I would have joined her, but she came

      out into the passage, shut the door behind

      her, and taking my arm led me into the

      drawing room which was empty, i

      "Well," she said, "did you see Brenda?

      What did you think of her?"

      "Frankly," I said, "I was sorry for

      her."

      Sophia looked amused.

      "I see," she said. "So she got you."

      I felt slightly irritated.

      "The point is," I said, "that I can see

      her side of it. Apparently you can't."

      "Her side of what?"

      "Honestly, Sophia, have any of the family

      ever been nice to her, or even fairly decent

      to her, since she came here?"

      "No, we haven't been nice to her. Why

      should we be?" ;

      "Just ordinary Christian kindliness, if

      nothing else." - ft

      "What a very high moral tone you're

      taking, Charles. Brenda must have done her stuff pretty well."

      "Really, Sophia, you seem -- I don't

      know what's come over you."

      "I'm just being honest and not pretending.

      You've seen Brenda's side of it, so you

      say. Now take a look at my side. I don't |

      like the type of young woman who makes

      up a hard luck story and marries a very

      rich old man on the strength of it. I've a

      perfect right not to like that type of young

      woman, and there is no earthly reason why

      T should oretend I do. And if the facts were

      written down in cold blood on paper, you

      wouldn't like that young woman either."

      "Was it a made up story?" I asked.

      "About the child? I don't know. Personally, I think so."

      "And you resent the fact that your grandfather

      was taken in by it?"

      "Oh, grandfather wasn't taken in." Sophia

      laughed. "Grandfather was never taken

      in by anybody. He wanted Brenda. He

      wanted to play Cophetua to her beggarmaid.

      He knew just what he was doing and it

      worked out beautifully according to plan.

      From grandfather's point of view the marriage

      was a complete success -- like all his

      other operations." ^ h

    &n
    bsp; "Was engaging Laurence Brown as tutor

      another of your grandfather's successes?" I

      asked ironically.

      Sophia frowned.

      "Do you know, I'm not sure that it

      wasn't. He wanted to keep Brenda happy

      and amused. He may have thought that

      jewels and clothes weren't enough. He may

      have thought she wanted a mild romance

      in her life. He may have calculated that

      someone like Laurence Brown, somebody

      really tame, if you know what I mean,

      Would just do the trick. A beautiful soulful

      friendship tinged with melancholy that

      would stop Brenda from having a real affair

      with someone outside. I wouldn't put it

      past grandfather to have worked out something

      on those lines. He was rather an old

      devil, you know."

      "He must have been," I said.

      "He couldn't, of course, have visualised

      that it would lead to murder. . . . And

      that," said Sophia, speaking with sudden

      vehemence, "is really why I don't, much

      as I would like to, really believe that she

      did it. If she'd planned to murder him --

      or if she and Laurence had planned it

      together -- grandfather would have known

      about it. I daresay that seems a bit farfetched

      to you --"

      "I must confess it does," I said.

      "But then you didn't know grandfather.

      He certainly wouldn't have connived at his

      own murder! So there you are! Up against

      a blank wall."

      "She's frightened, Sophia," I said. "She's

      very frightened."

      "Chief Inspector Taverner and his merry

      merry men? Yes, I daresay they are rather

      alarming. Laurence, I suppose, is in hysterics?"

      "Practically. He made, I thought, a dis-

      gusting exhibition of himself. I don't understand

      what a woman can see in a man like

      that."

      "Don't you, Charles? Actually Laurence

      has a lot of sex appeal."

      "A weakling like that," I said incredulously.

      "Why do men always think that a caveman

      must necessarily be the only type of person

      attractive to the opposite sex? Laurence has

      got sex appeal all right -- but I wouldn't

      expect you to be aware of it." She looked

      at me. "Brenda got her hooks into you all

      right."

      "Don't be absurd. She's not even really

      good looking. And she certainly didn't --"

      "Display allure? No, she just made you

      sorry for her. She's not actually beautiful, she's not in the least clever -- but she's got

      one very outstanding characteristic. She can

      make trouble. She's made trouble, already, between you and me."

      "Sophia," I cried aghast.

      Sophia went to the door.

      "Forget it, Charles. I must get on with

      lunch."

      "I'll come and help."

      "No, you stay here. It will rattle Nannie

      to have 'a gentleman in the kitchen'."

      "Sophia," I called as she went out.

      "Yes, what is it?"

      "Just a servant problem. Why haven't

      you got any servants down here and upstairs

      something in an apron and a cap opened

      the door to us?"

      "Grandfather had a cook, housemaid,

      parlourmaid and valet-attendant. He liked

      servants. He paid them the earth, of course,

      and he got them. Clemency and Roger just

      have a daily woman who comes in and

      cleans. They don't like servants ? or rather

      Clemency doesn't. If Roger didn't get a

      square meal in the City every day, he'd

      starve. Clemency's idea of a meal is lettuce,

      tomatoes and raw carrot. We sometimes

      have servants, and then mother throws one

      of her temperaments and they leave, and

      we have dailies for a bit and then start

      again. We're in the daily period. Nannie is

      the permanency and copes in emergencies.

      Now you know." t

      Sophia went out. I sank down in one of

      the large brocaded chairs and gave myself

      up to speculation.

      Upstairs I had seen Brenda's side of it.

      Here and now I had been shown Sophia's

      side of it. I realised completely the justice

      of Sophia's point of view ? what might

      be called the Leonides family's point of

      view. They resented a stranger within the

      gates who had obtained admission by what

      they regarded as ignoble means. They were

      entirely within their rights. As Sophia had

      said: On paper it wouldn't look well . . .

      But there was the human side of it --

      the side that I saw and that they didn't.

      They were, they always had been, rich and

      well established. They had no conception

      of the temptations of the underdog. Brenda

      Leonides had wanted wealth, and pretty

      things and safety -- and a home. She had

      claimed that in exchange she had made her

      old husband happy. I had sympathy with

      her. Certainly, while I was talking with her,

      I had had sympathy for her. . . . Had I

      got as much sympathy now?

      Two sides to the question -- different

      angles of vision -- which was the true angle

      . . the true angle . . .

      I had slept very little the night before. I

      had been up early to accompany Taverner.

      Now, in the warm flower-scented atmosphere

      of Magda Leonides's drawing room, my body relaxed in the cushioned embrace of the big chair and my eyelids dropped. . . .

      Thinking of Brenda, of Sophia, of an old

      man's picture, my thoughts slid together

      into a pleasant haze.

      I slept. . . .

      Ten

      I returned to consciousness so gradually

      that I didn't at first realise that I had been

      asleep. The scent of flowers was in my

      nose. In front of me a round white blob

      appeared to float in space. It was some few

      seconds before I realised that it was a

      human face I was looking at ? a face

      suspended in the air about a foot or two

      away from me. As my faculties returned,

      my vision became more precise. The face

      still had its goblin suggestion ? it was

      round with a bulging brow, combed back

      hair and small rather beady, black eyes.

      But it was definitely attached to a body ?

      a small skinny body. It was regarding me

      very earnestly.

      "Hullo," it said.

      "Hullo," I replied, blinking.

      "I'm Josephine."

      I had already deduced that. Sophia's

      sister, Josephine, was, I judged, about

      eleven or twelve years of age. She was a

      fantastically ugly child with a very distinct

      likeness to her grandfather. It seemed to

      me possible that she also had his brains.

      "You're Sophia's young man," said Josephine.

      I

      acknowledged the correctness of this

      remark.

      "But you came down here with Chief

      Inspector Taverner. Why did you come

      with Chief Inspector Taverner?"

      "He's a friend of mine." ^

    />   "Is he? I don't like him. I shan't tell him

      things." "What

      sort of things?"

      "The things that I know. I know a lot of

      things. I like knowing things."

      She sat down on the arm of the chair and

      continued her searching scrutiny of my

      face. I began to feel quite uncomfortable.

      "Grandfather's been murdered. Did you

      know?"

      "Yes," I said. "I knew." " "He was poisoned. With es-er-ine." She

      pronounced the word very carefully. "It's

      interesting, isn't it?"

      "I suppose it is."

      "Eustace and I are very interested. We

      like detective stories. I've always wanted to

      ' ? It

      be a detective. I'm being one now. I'm

      collecting clues."

      She was, I felt, rather a ghoulish child.

      She returned to the charge.

      "The man who came with Chief Inspector

      Taverner is a detective too, isn't he? In

      books it says you can always know plain

      clothes detectives by their boots. But this

      I detective was wearing suede shoes."

      "The old order changeth," I said.

      Josephine interpreted this remark according

      to her own ideas.

      "Yes," she said, "there will be a lot of

      changes here now, I expect. We shall go

      and live in a house in London on the

      embankment. Mother has wanted to for a

      long time. She'll be very pleased. I don't

      expect father will mind if his books go, too.

      He couldn't afford it before. He lost an

      awful lot of money over Jezebel."

      "Jezebel?" I queried.

      "Yes, didn't you see it?" ? "Oh, was it a play? No, I didn't. I've

      been abroad."

      | "It didn't run very long. Actually, it was

      the most awful flop. I don't think mother's

      really the type to play Jezebel, do you?"

      LI balanced my impressions of Magda.

      Neither in the peach-coloured negligee nor

      in the tailored suit had she conveyed any

      suggestion of Jezebel, but I was willing to

      believe that there were other Magdas that I

      had not yet seen.

      "Perhaps not," I said cautiously.

      "Grandfather always said it would be a

      flop. He said he wouldn't put up any money

      for one of these historical religious plays.

      He said it would never be a box office

      success. But mother was frightfully keen. I

      didn't like it much myself. It wasn't really

      a bit like the story in the Bible. I mean,

      Jezebel wasn't wicked like she is in the

      Bible. She was all patriotic and really quite

      nice. That made it dull. Still, the end was

      all right. They threw her out of the window.

      Only no dogs came and ate her. I think

      that was a pity, don't you? I like the part

      about the dogs eating her best. Mother says

      you can't have dogs on the stage but I don't

      see why. You could have performing dogs."

      She quoted with gusto: " 'And they ate her

      all but the palms of her hands.' Why didn't

      they eat the palms of her hands?"

      "I've really no idea," I said.

      "You wouldn't think, would you, that

      dogs were so particular. Our dogs aren't.

      They eat simply anything."

      T^^km^ hrnnded on this Biblical mys-

      tery for some seconds.

      "I'm sorry the play was a fl(p,

      "Yes. Mother was terribly b|

      notices were simply frightful!

      read them, she burst into teas

      all day and she threw her brei'

      Gladys, and Gladys gave noif

      rather fun."

      "I perceive that you like

      phine," I said.

      "They did a post morteml

      father," said Josephine. "To H;

      he had died of. A P.M., they all11

      think that's rather confusing, dd;^

      cause P.M. stands for Prime S^

      And for afternoon," she addt^p!

      fully. J

      "Are you sorry your grandfatia, I

      I asked. |

      "Not particularly. I didn't lifcl^l

      He stopped me learning to It i

      dancer." ']

      "Did you want to learn ball(t( [

      "Yes, and mother was willmi

      learn, and father didn't mindly

      father said I'd be no good." |

      She slipped off the arm c^l

      kicked off her shoes and en^j

      get onto what are called ^

      in the tailored suit had she conveyed any

      suggestion of Jezebel, but I was willing to

      believe that there were other Magdas that I

      had not yet seen.

      "Perhaps not," I said cautiously.

      "Grandfather always said it would be a |

      flop. He said he wouldn't put up any money

      for one of these historical religious plays.

      He said it would never be a box office

      success. But mother was frightfully keen. I

      didn't like it much myself. It wasn't really

      a bit like the story in the Bible. I mean,

      Jezebel wasn't wicked like she is in the

      Bible. She was all patriotic and really quite

      nice. That made it dull. Still, the end was

      all right. They threw her out of the window.

      Only no dogs came and ate her. I think |

      that was a pity, don't you? I like the part

      about the dogs eating her best. Mother says

      you can't have dogs on the stage but I don't

      see why. You could have performing dogs."

      She quoted with gusto: " 'And they ate her

      all but the palms of her hands.' Why didn't

      they eat the palms of her hands?"

      "I've really no idea," I said.

      "You wouldn't think, would you, that

      dogs were so particular. Our dogs aren't.

      They eat simply anything."

      T^o^kin^ Krnnrled on this Biblical mys- ^

      tery for some seconds.

      "I'm sorry the play was a flop," I said.

      "Yes. Mother was terribly upset. The

     
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