Summer of Night

  He hated his mother. If she hadn't been such a… Har-len's mind skittered around the word 'whore'… if she'd just been a better wife, then his father wouldn't have had to start dating that secretary he'd run away with.

  Harlen headed down Broad Avenue, pedaling hard and wiping his eyes with an angry swipe of his sleeve. Something white moving between the big old homes on the left side of the street made him glance, look again, and then bring his low bike into a sweeping, gravel-sliding stop.

  Somebody was moving into the alley between wide yards. Harlen caught another glimpse of a short, wide body, pale arms, and pale dress before the figure was swallowed by the darkness in the alley. Shit, it's Old Double-Butt. The alley ran between her big old house and the boarded-up pink Victorian that had belonged to Mrs. Duggan.

  What the hell is Old Double-Butt doing slinking down the alley? Harlen almost put it out of his mind and headed off toward the Free Show, but then he remembered he was supposed to be following the teacher.

  That stuffs bull. O'Rourke's dipped in donkey shit if he thinks I'm going to follow this old dinosaur around town all the time. I didn't see him or any of the others out following their people around this afternoon. Mike's hot stuff at giving orders… all those other idiots love to do what he says… but I'm too big for that baby shit.

  But what was Mrs. D. doing going down the alley after dark?

  Taking out the garbage, stupid.

  But the garbage pickup wasn't until Tuesday. And she hadn't been carrying anything. In fact, she'd been all dressed up… probably in that fancy pink dress she'd worn the last day before Christmas break. Not that the old battle-ax had given them a real party-just thirty minutes to pass around presents to the people whose name they'd drawn for Secret Santa.

  Where the hell's she going?

  Wouldn't O'Rourke be surprised if Jim Harlen was the only one in their piss-ant Bike Patrol who actually found out something about the people they were supposed to be following. Like maybe Old Double-Butt was doing it with Dr. Roon or creepy Van Syke while everybody was off at the Free Show.

  The thought made Harlen sort of sick.

  He pedaled across the street, dumped his bike behind the bushes on Mrs. Duggan's side of the alley, and peered around the shrubs. The pale form was just visible, already almost all the way down the alley to where it ran into Third Avenue.

  Harlen crouched there a second, decided that the bike would make too much noise on the cinders and gravel, and started off on foot, moving from shadow to shadow, keeping near the high fences, avoiding garbage cans so as not to make noise. He thought of dogs barking and remembered that the only dog in a backyard along here would be Dexter, who belonged to the Gibsons, but Dexter was old and they treated him like a child. He'd probably be indoors watching Lawrence Welk with them.

  Old Double-Butt crossed Third, passed the boardinghouse where Roon had his apartment on the third floor, and went across onto the playground on the south side of Old Central.

  Shit, thought Harlen, she's just going to get something in the school. Then he remembered she couldn't. When he'd gotten back into town that afternoon from their dipshitty trip out to the Cave, he and Dale and the others had noticed that somebody'd boarded up the windows on the first floor of Old Central-probably to protect them from kids like Harlen who hated the place-and there were chains and padlocks on both the north and south doors.

  Mrs. Doubbet-Harlen had seen her clearly in the light from the corner streetlight-disappeared in the shadow at the base of the fire escape, and Harlen hid behind a poplar across the street. Even from two blocks away he could hear music as the main feature started at the Free Show.

  There came the sound of heels on metal stairs and Harlen caught a glimpse of pale arms as she climbed the fire escape to the second floor. A door up there scraped open. She's got her own damn key.

  Harlen tried to think of why Old Double-Butt would go into Old Central at night-on a Saturday-in the summer-after the school had been emptied for possible demolition.

  Shit, she is making it with Dr. Roon. Harlen tried to use his imagination to see Mrs. Doubbet stretched out across her oak desk while Dr. Roon slipped it to her. Harlen's imagination wasn't up to the task. After all, he hadn't actually seen anybody having sex… even the magazines in his closet just showed the girls alone, playing with their titties, acting like they were ready to have sex.

  Harlen felt his heart pounding as he waited for a light to come on up there on the second floor. No light came on.

  He moved around the school, staying close to the building so she wouldn't see him if she was peering out one of the windows.

  No light.

  Wait. There was a glow here on the northwest side, a slight phosphorescence coming through the high windows of the corner room. Mrs. Doubbet's old room. Harlen's room that past year.

  How could he see what was going on? The doors downstairs were padlocked, the basement windows covered by metal grilles. Harlen considered climbing the fire escape and going through the door Old Double-Butt had just entered. Then he imagined meeting her on that fire escape or-worse yet-in the dark hallway upstairs, and then he abandoned that idea quickly.

  Harlen stood there a moment, watching the glow move from window to window as if the old biddy were carrying a jar of fireflies around the classroom. From three blocks away came the sound of laughter; the movie must be a comedy tonight.

  Harlen looked along the corner of the school. There was a trash dumpster that would get him up oh the narrow ledge six feet above the sidewalk. A drainpipe with metal brackets would take him to the ledge above the first-floor windows, to that stone molding along the corner of the school. All he'd have to do was continue up the drainpipe between the stone windowframe, shinnying where he could, getting his sneakers into the grooves of that molding where he had to brace himself, and he'd be up there on the ledge that went around the second floor a few feet under the windows.

  The ledge was about six inches wide-he'd stared out the classroom window at it enough to know, even fed pigeons out the window with junk from his pockets when he'd been kept in for recess. It wasn't wide enough for him to stand on alone… walk around the school on or anything… but it was plenty wide to balance on while holding the drainpipe for support. He'd just have to scoot over about two feet and then lift his head to peer in the window.

  The window from which the faint glow gleamed, faded, grew again.

  Harlen started to clamber up on the dumpster, and then paused to look up. It was a high two stories… well over twenty feet. The ground here was mostly flagstone sidewalk and gravel.

  "Hey," whispered Harlen,"ef it. Let's see you do this, O'Rourke."

  He began to climb.

  Mike O'Rourke was taking care of his grandmother on the night of the Free Show. His parents had gone out to the Knights of Columbus dance at the Silverleaf Dance Emporium-an aging building set back under silver leaf trees twelve miles down the Hard Road toward Peoria-and Mike was left with his sisters and Memo. Technically, his oldest sister, seventeen-year-old Mary, was left in charge, but Mary's date had shown up ten minutes after Mr. and Mrs. O'Rourke left. Mary was not allowed to date on evenings when her parents were out-and she was currently grounded for a month due to recent infractions Mike didn't know about and didn't care to know about-but when her pimply date showed up in his '54 Chevy, she was out and away, swearing her sisters to secrecy and threatening to kill Mike if he squealed. Mike shrugged; it was another bit of blackmail he could use against Mary someday when he needed leverage.

  Fifteen-year-old Margaret was then in charge, but ten minutes after Mary left, three high-school boys and two of Peg's girlfriends-all too young to drive-called from the backyard darkness and Peg was off to the Free Show. Both girls knew that their parents didn't get home until long after midnight on dance nights.

  Officially, that left thirteen-year-old Bonnie in charge, but Bonnie never took charge of anything. Mike sometimes thought that no girl had ever been so misnamed. While all
the rest of the O'Rourke children-even Mike-had inherited beautiful eyes and an Irish grace to their features, Bonnie was overweight, with dull brown eyes and even duller brown hair, a sallow complexion now mottled with the early ravages of acne, and a bitter attitude that reflected her mother's worst side when sober and her father's bitterness when drunk. Bonnie had stomped off to the bedroom she shared with seven-year-old Kathleen, promptly locked the younger girl out, and refused to open the door even when Kathleen burst into tears.

  Kathleen was the prettiest of the O'Rourke girls-red-haired, blue-eyed, with a rose-and-freckle complexion and stunning smile that made Mike's dad tell tales of the village girls in an Ireland he'd never visited. Kathleen was beautiful. She was also borderline retarded and was still in kindergarten at age seven. Sometimes Kathleen's struggle to understand the simplest thing made Mike go off to the outhouse to fight back tears in solitude. Every morning, as he helped Father Cavanaugh serve Mass, Mike said a prayer that God would fix whatever was wrong with his younger sister. But so far He hadn't, and Kathleen's slowness became more and more apparent as playmates her age solved the riddles of reading and simple arithmetic, leaving the bewildered child further and further behind.

  Now Mike calmed Kathleen, cooked stew for her dinner, tucked her into Mary's bed under the low eaves, and went down to take care of Memo.

  Mike had been nine when Memo had her first stroke. He remembered the confusion in the household as the old woman ceased to be the verbal presence in the kitchen and suddenly became the dying woman in the parlor. Memo was his mother's mother, and while Mike did not know the word matriarch, he remembered the functional definition: the old woman in the dotted apron, always in the kitchen or sewing in her parlor, the problem-solver and decision-maker, the thickly accented Irish voice of Mary Margaret Houlihan lilting up through the heating grille in Mike's floor as she jollied his mother out of one of her cynical depressions, or scolded his father out of another evening of drinking with his friends. It had been Memo who had saved the family financially when John O'Rourke had been laid off from Pabst for a year when Mike was six-he remembered overhearing the long conversations at the kitchen table as his father protested, it was her life's savings, and Memo insisted-and it was Memo who saved Mike and Kathleen physically when he was eight, Kath-leen four, and the mad dog had come down Depot Street. Mike had noticed something strange about the animal and had hung back, calling to Kathleen not to go closer. But his sister loved dogs and could not comprehend that one could hurt her; she had rushed toward the growling, foaming animal. Kathleen was within an arm's length, the dog was focusing its caked eyes and preparing to charge, and all Mike could do was cry in a high, shrill voice that didn't sound like his own even to him.

  Then Memo had appeared, her polka-dotted apron flying, broom in her right hand, and her graying red hair loose from her kerchief. She had swept up Kathleen with one arm and swung the broom so hard that it had lifted the dog off all four feet and deposited it in the middle of the street. Memo had thrust Kathleen at Mike, ordered him to take her inside with a voice that was calm but incapable of being defied, and then turned just as the dog got to its feet and lunged again. Mike had looked over his shoulder as he ran, and he would never forget the sight of Memo standing there, legs apart, kerchief around her neck… waiting, waiting… Later, Constable Barney said that he'd never seen a dog killed by a broom-especially a mad dog-but that Mrs. Houlihan had almost taken the monster's head off.

  That was the word Barney had used-monster. After that, Mike had known in his heart that whatever monsters might prowl the night, Memo was more than an equal match for them.

  But then, less than a year later, Memo had been laid low. The first stroke had been massive-paralyzing her, cutting the cables to the muscles of that ever-animated face. Dr. Viskes said that it was a matter of weeks, perhaps days. But Memo survived that summer. Mike remembered how strange it had been to have the parlor-the center of Memo's inexhaustible activity-converted to a sick room for her. With the rest of the family, he had waited for the end.

  She had survived that summer. By autumn, she was communicating her wants through a system of coded blinks. By Christmas, she was able to speak, although only the family understood the words. By Easter, she had somehow won enough of the battle with her body that she could use her right hand and was beginning to sit up in the living room. Three days after Easter, the second stroke hit her. A month later, the third.

  For the past year and a half, Memo had been little more than a breathing corpse in the parlor, her face yellowed and slack, her wrists bent like the claws of a dead bird. She could not move, could not control her bodily functions, and had no way to communicate with the world except the blinks. But she lived on.

  Mike went into the parlor just as it was getting dark outside in earnest. He lighted the kerosene lamp-their house had electricity but Memo had always preferred oil lamps in her room upstairs and they had continued the tradition-and went over to the high bed where she lay.

  She was on her right side, facing him, just as she always was except when they turned her carefully each day to reduce the unavoidable bedsores. Her face was lined with a maze of wrinkles, the flesh looking yellowed, waxy… not human. The eyes stared blackly, blankly, bulging slightly with some terrible internal pressure or the sheer frustration of not being able to convey the thoughts which lay behind them. She was drooling, and Mike took one of the clean towels laid out at the foot of the bed and gently wiped her mouth.

  He checked to make sure that she did not need to be changed-he was not supposed to join his sisters in this job, but he watched over Memo more than all of them combined, so the needs of his grandmother's bowels and bladder were no secret to him-found her clean and dry, and sat on the low chair to hold her hand.

  "It was a pretty day out, Memo," he whispered. He didn't know why he whispered in her presence, but he noticed the others did, too. Even his mother. "It really feels like summer."

  Mike looked around the room. Heavy drapes across the window. Tabletops littered with medicine bottles, while the other surfaces were covered by the tintypes and sepia photos of her life when she had been alive. How long had it been since she had been able to turn her eyes toward one of her pictures?

  An old Victrola sat in the corner, and now Mike put on one of her favorite records-Caruso singing from The Barber of Seville. The high voice and higher scratches filled the room. Memo did not respond-not so much as a blink or twitch-but Mike thought that she could still hear it. He wiped saliva from her chin and the corner of her mouth, set her more comfortably on the pillow, and sat on the stool again, still holding her hand. It felt like something dry and dead. It had been Memo who had told Mike "The Monkey's Paw' one Halloween when he was little, scaring him so badly that he'd needed a night-light for six months.

  What would happen, he wondered, if I wished on Memo's hand? Mike shook his head, banishing the unkind thought and saying a Hail Mary for penance.

  "Mom and Dad are at the Silverleaf," he whispered, trying to sound bright. The singing around them was soft, more scratches than human voice. "Mary and Peg are off to the movies. Dale says that they're showing The Time Machine at the Free Show tonight. He says it's about a guy who goes into the future or something." Mike broke off and watched carefully as Memo seemed to move slightly: a slight, involuntary twitch of the hip, a stirring of the bedclothes. There was a soft sound as she broke wind.

  Mike spoke quickly to cover his embarrassment. "Sort of a weird idea, huh, Memo? Going into the future? Dale says people'll be able to do it someday, but Kevin says it isn't possible. Kev says it isn't like going into space like the Russians did with Sputnik… remember when you and I watched that go over a couple of years ago? I said maybe they'd send a man next, and you said you wished you could go?

  "Well, anyway, Kev says it isn't possible going up or back in time. He says it makes too many para-' Mike struggled for the word. He hated to appear stupid in front of Memo; she was the only one in the family who
hadn't thought he was stupid when he flunked fourth grade. "Para-Paradoxes. Sort of like, what would happen if you went back in time and accidentally killed your grandfather…" Mike shut up when he realized what he was saying. His grandfather-Memo's husband-had been killed at the grain elevator thirty-two years before when a metal door had given way and dumped eleven tons of wheat on him while he was cleaning the main bin. Mike had heard his father tell other men that old Devin Houlihan had swum in the rising whirlpool of grain like a dog in a flood until he'd suffocated. An autopsy had shown his lungs filled solid with dust, like two bags packed with chaff.

  Mike looked down at Memo's hand. He stroked the fingers, thinking back to one fall evening when he was six or seven and Memo had been rocking in this same parlor, talking to him while she sewed. "Michael, your grandfather went when Death came for him. The man in the dark robe just walked into that grain elevator and took my Devin by the hand. But he put up a fight-oh, my dear, he put up a fight! And that is just what I will do, Michael dearest, when the man in the dark robe tries to get in here. I won't let him in. Not without a fight. No, Michael, not without a fight."

  Mike had imagined Death as a man in a dark robe after that, and had always imagined Memo swatting him the way she had swatted the mad dog. Now he lowered his face and looked in her eyes, as if mere proximity could make contact. He could see his own face reflected there, distorted by the lens of her pupils and the flickering of the kerosene lamp.

  "I won't let him in, Memo," Mike whispered. He could see where his breath stirred the pale hairs on her cheek. "I won't let him in unless you tell me to."

  Between the drapes and the wall, he could see darkness pressing against the windowpane. Upstairs, a board creaked as the old house settled. Outside, something scratched against the window.