Naked Came the Manatee (1996)

  Not this one. Not her.

  It was a woman, a white lady, he could see that. She looked almost serene, bobbing facedown in the rust-colored water as though she were embracing it. Her white hair fanned around her head like a lace wedding veil. Her lifeless body was clothed in a pair of soaked khakis and a dark shirt, maybe plaid.

  Shame, Vernon thought. She'd preserved a quiet dignity like this, floating undisturbed, never mind the empty water jug and plastic bag drifting beside her. Soon, with all of the flashing sirens and strangers' hands pulling on her, probing her, she'd be just another corpse. Her spirit might be at rest, but her body's work for the day had just begun.

  The current was lulling her and her entourage of trash toward him, so Vernon decided to fish her out himself. He was a fisherman, after all, even if all he used was a cane pole baited with bread, and even if he couldn't remember the last time he'd caught anything living. He wasn't afraid to touch bodies; they were just vessels, more or less, like the empty Coke bottles and crushed cigarette packages strewn across the water's edge.

  Vernon yanked his line out of the water, and his suspicion was confirmed. The bait was long gone. Some crafty little bugger had taken it without so much as a ripple. Anyone who doesn't think fish are as smart as people don't know many fish, Vernon thought.

  He cast the line out as far as he could, aiming for the back of the dead woman's shirt collar, then gently pulled on it to see if something would catch.

  Something did. He must have snagged her skin or clothing, because the line went completely taut when Vernon pulled. He'd have to stand up for this one, he decided. Even an old woman's body, waterlogged, weighed much more than he'd counted on.

  By the time the cane pole snapped in half, the body was close enough for Vernon to wade out and grab the pudgy, lifeless fingers. "Thatta girl," Vernon mumbled, gripping her tight to guide her from her floating grave.

  Rolling the corpse over, breathing just a bit hard from the ordeal, Vernon almost didn't recognize her at first.

  She was more bloated than he'd thought, her face roundish and smoothed nearly free of the most familiar wrinkles. And the eyes he'd known had always flickered and danced; he'd never seen these cloud-gray dead eyes on this particular face before.

  Strange as it was, the first thing he recognized was the smile. It was the same one he'd seen nearly every Sunday for ten years; the ready, thin-lipped smile that had brought them from being strangers to damn near being friends who shared only a love for the park. Friends enough that he'd warned her time and again about swimming out here by herself, a woman her age, old enough to be his mother. And friends enough that he had to swallow back hard and clamp his teeth shut when he realized that even though the smile was still there, his friend was long gone.

  "Darn you, Marion," he whispered, brushing a glistening gum wrapper from her matted hair. "What've you gone and done now?"

  Fay didn't want Britt to hug her too long, because then the comforting numbness of the shock might wear off, and she wasn't ready for that yet. Right now, she felt like she was in the middle of an elaborate movie scene at the edge of the bay, and the stunt double for her grandmother, entombed in a black body bag inside of the ambulance beside her, was the victim of some freak accident on the set. That fantasy was almost keeping her from shaking at all.

  "Kid, I'm so sorry," Britt said. Then, instinctively, Britt knew she had to snap out of human mode and let her machinery take over. Poor Fay wouldn't be any good to her if she crumbled into an emotional wreck. Marion McAlister Williams had been much more than Fay's grandmother; she was the whole city's surrogate guardian, its conscience, and now she'd been found dead as if she'd been choked by the trash she'd decried for so long. Everyone would want answers, and Britt had to find some fast.

  Britt paused, her pen in midstroke from scribbling wildly in her notebook. Between the impending Castro visit and Marion McAlister Williams's sudden death, she was juggling two huge stories, possibly three, depending on what was going on with those heads. Should she phone her editor for backup?

  Yeah, right, she thought. "What did the police say to you?" Britt asked Fay, regaining her senses.

  "They aren't saying much," Fay answered in a hollow voice. "All I know is, a fisherman pulled her out of the water about an hour ago. That guy over there. He's giving a statement."

  "Do you think she went swimming?"

  "Not with her clothes on. No way. She's the one who taught me, 'It's naked or nothing.' Britt, I'm thinking... "

  Britt nodded. "I know. It's connected to the Castro heads. I'm thinking the same thing. So's Jake. He's already headed for her house. We're all over this. Don't worry."

  Suddenly, something broke through Fay's frozen thoughts to bring her attention to the water. She'd seen something moving out there, something big. Another body? Had her grandmother's murderers killed Phil, too?

  But when she saw the dark gray head pop out of a wake, she realized it was only Booger. He was everywhere, like a swimming spirit guide. Booger had probably been witness to the whole horrible business from beginning to end. All of the answers were right there behind those doleful, dull black eyes. If only manatees could talk... At least Flipper could splash and make frantic chattering sounds, Fay thought. Eventually, the kid and his dad had always figured it out: Danger. This way. Hurry.

  With Booger, nothing.

  Then Fay felt the shock thinning. Her grandmother was gone. "Britt," she said, barely a whisper. "I've lost her."

  Britt stared at her friend's wide, wondering eyes, framed by strands of blond hair blown across her forehead. For the first time in a long time, Britt couldn't think of a snappy comeback.

  "Um... excuse me. Miss, are you Marion's granddaughter?"

  It was the black fisherman, shading his eyes from the glare of the sunset with one hand as he stood before them, his features grim. Gazing at the dark, tallish man with salt-and-pepper hair, Fay realized she'd seen him around, fishing with a bamboo pole.

  Fay could only nod.

  "You're the one who found her," Britt said. "Boy, do we need to talk to you. Hope you don't mind."

  "Don't mind a'tall," the man said, smiling sadly. "Marion was a fine, fine lady. I'm just so sick about the circumstances. Always told her to be careful, but I never in a million years expected her to drown. Not Marion."

  "She didn't just drown," Fay said with certainty.

  "That's why we have to ask you questions. We're sure she had some help."

  The man's face went slack with surprise. "You don't say? Well, I'll be damned. The police didn't say anything like that, about a murder. In that case, I hope I haven't made a mistake. I guess I've been holding on to something you might call evidence."

  "What do you mean?" Britt asked.

  The fisherman looked nervous, glancing back toward the police officers crowded around the open ambulance door. "Well... I didn't think it was right to give it to them. I wanted to wait for someone from the family. Thought that would be the proper thing."

  "What?" Fay asked.

  "You see, miss... I know Marion was dead when I pulled her out of the water. I took her pulse to be sure, but I knew. Even the police say she'd probably been in there some time, maybe a full day. But when I found her, she had the tiniest smile on her face. You can't see it now. It was gone, last I checked. But we were friends, your grandmother and I. This might sound funny, but it was like she'd saved that smile for me. And after I pulled her out, I was sitting beside her, looking at her, sorry she was gone, when I felt something land on my hand."

  Seeing their rapt faces, the fisherman looked slightly embarrassed. He averted his glassy eyes. "I figured the police would lock me in a nuthouse if I told them this next part. Your grandmother's hand had moved, dropped on top of mine. And she was still dead as could be. That's the gospel truth. I looked down, and her palm was wide open. I don't know how she did it, but she'd been holding on to something, and it was right there in her hand. It was like she wanted to make sure I would
find it. I knew it must be important."

  With that, the fisherman gently reached for Fay's wrist, holding her palm upright, and pressed his hand into it. As Britt leaned over to stare with unbridled curiosity, Fay felt something tiny, sharp, and slightly cold pass from the fisherman's callused hand to the soft of her palm.

  "Take it," he said. "I'm sure it must be for you."

  9. SOUTH BEACH SERENADE--Brian Antoni Fay squeezed the object in her hand as she felt a tidal wave of emptiness wash over her. She tried to calm herself by staring into the fisherman's kind eyes as she felt her own eyes start to water, and she thought how water, this water in front of her, had been her Granny's life. The fisherman hugged her, as he whispered into her ear, "She wanted to go, child, anyone who dies with such a sweet smile on her face wants to go."

  Fay knew what was in her hand. She didn't even have to look at it. She shoved it into her pocket. She knew what she had to do, but it would have to wait until tomorrow.

  The door to Marion's house was unlocked, as usual.

  Everything looked as it always had. She went straight for the refrigerator and opened it. Two Joe's take-out containers, a half-empty bottle of prune juice, a head of lettuce in a bag marked "Booger." And a big empty space in the middle. No canister.

  The phone rang. She picked it up without saying a word. After a minute, she said, "Jake, the head's gone."

  Jake put down the phone and sat down at the kitchen dinette, stared at the canister on the table, wondered how long before they came for this one, too.

  John Deal sat on the Havantur bus, thinking of how long he'd dreamed of the day he could buy a big Hatteras and live happily ever after in the Bahamas. Now that his dream had come true, he suffered from an overload of fun, sun, rum, sex, drugs, suffered from too much marination in gin-clear salt waters, his head like an olive in a martini. He felt trapped in a picture postcard, paradise-overdosed. He'd come to Havana to try to snap himself out of it, get a shot of reality. The tour guide, whose name was Dogma or Dagma, spoke English with a heavy Russian accent. Deal couldn't understand anything she said. He gave up when she pointed to a pineapple finial on a rooftop and said, "The pineapple resides on that edifice because it's the symbol of tropical fruit."

  As they drove around the city, John Deal got more and more depressed. I didn't need this much reality, he thought. It was like driving through South Miami after Hurricane Andrew. Buildings, some of the most beautiful he had ever seen, were in ruins. Everyone seemed dazed, like zombies.

  The bus stopped in Havana Viejo. Deal trailed the walking tour, looking into the almost empty stores. An emaciated old black woman said out of the corner of her mouth, "If you're a reporter, tell them we're starving," and kept walking. Prostitutes in spandex with badly bleached hair called out to him. Some of them looked so young, like little girls masquerading as whores for Halloween. Hustlers harassed him, asking him what he needed. Cocaine? Putas? Muchachos? He answered, "Nada, nada, nada."

  Deal couldn't deal with it anymore. He craved a drink or two or three, as he stumbled on La Bodequita del Medio. The bar of the cavelike restaurant was covered with graffiti and pictures of Hemingway. He wondered if there was any bar in the world where Hemingway hadn't drunk. He read a sign that said "Home of the Mojito," so he ordered one, as a tough-looking young man dressed like Dick Tracy walked over and sat next to him at the bar. "I'm Mike Weston from Miami," he said, holding out his hand. John shook it.

  "You here for the babe ," Mike said, "right?" John just looked at him. "Havana is the best place for putas in the world. In Miami," Mike went on, "chicks think they're too good for you even if they're dogs. In Cuba, for five dollars you can get Claudia Schiffer. And they're pure. They don't got AIDS. Any fifteen-year-old chick can be yours for five dollars. Some only want soap."

  Deal tried to imagine being desperate enough to have sex with someone who only wanted to get clean, wondered how long the embargo would last if the Miami Cubans knew what it was doing to their own people.

  "Got to go now," Mike said, leaving to join a group of men who had just entered the bar. They sat at a table in the back surrounded by Cuban soldiers.

  Deal rubbed his eyes. One of the guys looked like Juan Carlos Reyes, that deluded rich guy who thought he was president of Cuba in exile. He was sure the pudgy bald guy at the head of the table was Big Joey G. One other guy at the table looked familiar.

  Deal tried to place him as he tossed back another mojito, and then it hit him. It was that Cuban guy, Hector, in Miami. The guy who'd forced him off the road into the bay, then followed him around when he had the head. Hector didn't look too thrilled about being with this particular group. And there was a pasty-faced Anglo-looking guy beside him who looked just as unhappy.

  Deal faced dead ahead now, shaking his head, sipping his drink. He was gonna sit there till they left. He didn't want to be recognized. Time went by in slow motion. Then Deal felt a tap on his shoulder. His heart stopped. He turned around. It was Mike Weston. "Hey, man, you want to come with me and score some Schiffers?" he asked.

  Lilia Sands sat in her house in Overtown, on her plastic-covered velvet settee, the one that no one was allowed to sit on. She was dressed in her favorite nightgown, the one with the silk and feathers and lace, the one she called her wedding dress, the one she wanted to be buried in. Light from the huge moon over Miami flowed through the window. There was something in the hot air. Lilia could feel it, could taste it. It was the tropics; it was her youth; it was Cuba. She was sure the air she was breathing had blown up from her beloved Cuba. Her fingers stroked her guitar.

  Lilia drifted back, flowed with the air back to Cuba, back to the day her parents had given her to the nuns because they had no food to feed her because of Batista, back to the day the nuns had shaved her head, and taken her one dress, the one made from the train of her mother's wedding gown. She'd sat naked in front of the convent window, tears streaming down her face as she touched the luxurious pile of black hair on the floor that would soon be made into a wig, unable to make herself put on the coarse black habit. She remembered caressing her long swanlike neck, her perfect soft breasts, her hand following the flow of sweat down, caressing her belly, touching the only hair she had left. But before she could escape into herself, a cold, hard hand had clapped over her mouth. She'd tried to scream but nothing came out.

  As the man in the trademark olive fatigues bounced along Miami's potholed Overtown streets in the back of the white stretch limo, he strained to remember. He wanted to get the details perfect by the time he arrived at Lilia's house: He had seen her in the moonlight, an image so beautiful that it hurt, causing a throbbing pain in his groin. She'd looked like some kind of angel, some kind of Madonna, some kind of whore sitting in the convent window. She was everything, she was nothing, she was Cuba. And as Columbus had said when he landed on the island, "No man has ever seen a land as beautiful as this." No man had ever seen a woman as beautiful as Lilia. He couldn't help himself. He'd stripped off his clothes, his body the white of sweet condensed milk, hard, trembling with anticipation. He'd climbed the statue of the Virgin de la Caridad del Cobre, grabbed a rose trellis, not even feeling the thorns of the rosebushes cutting into his skin, and left tiny dewdrops of red blood on the white window-sill as he climbed into Lilia's room.

  Now the limo was passing the vacant lot beside the small house where Lilia lay back on the settee, strumming the guitar, singing to her memories, to the moon.

  Lilia remembered that at the exact moment she had felt the hand on her mouth, she had felt the lips on her bald scalp, then a warm tongue licking, licking, licking like a kitten licking cream. And with each lick she'd melted with pleasure, so much pleasure that she knew in her heart that there was nothing she wouldn't do for this nameless, faceless man. And he'd removed his hand from her face to swallow her mouth with his and he'd tasted of the brown caramel sauce on flan. Then he'd pulled away from her and held out his arms and he looked like Jesus on the cross, those same suffering eyes and the
blood dripping from his rose-pricked body, and he'd said, "I, Fidel Castro, on this Good Friday in the year of Our Lord one thousand nine hundred and fifty, will turn you, my queen, into a woman and will begin my destiny of turning Cuba into a real man, one that would never starve his children."

  And then Lilia remembered how Fidel had taken her in his arms and laid her down on the hard little nun cot and it was like it was made out of the finest down, and then, Dios mia, sweet heart of Jesus, he entered her, the intense pleasure-pain of it, and the nuns broke out into a chorus of "Ave Maria," and birds started to sing even though it was nighttime, and all the glass in the convent shattered and the rosebushes pushed out such a rose smell that spread throughout the island, causing all the men in Cuba to grow with desire and all women to weep with satisfaction. He made love to her for three days and three nights and when he tried to leave she grabbed his hair and bit his left earlobe, taking a notch of flesh between her teeth, tasting his blood. But his strength was too great. As he finally broke free and his hair gave way, she was left with a lock in her hand and a piece of his ear in her mouth.

  Lilia heard the churn of the limo's big gringo engine as it stopped in front of her house. She dropped the guitar and rose to her feet, drawn up by some unseen force. Outside, the sunroof of the limo slid open and he sprang through, like a jack-in-the-box, like a God lit up by a shaft of moonlight, and at the exact same time, the candle she was burning to Ochun flared.

  Lilia felt her feet start to move before she could even think, and she was out the door, in the street, and she entered and he was there, her love was there and beautiful and the years had been kind to him and she could hardly breathe as he said, "I told you I would come and get you in a giant white chariot." Then somehow her nightgown melted off her body, the feathers detaching and fluttering around her. The only thing she could do was say his name, the most beautiful word in the world to her, "Fidelito!" Her whole body trembled as he brought his lips to hers and took her in his arms. And then, nothing. Something was wrong. No taste of caramel. She stroked his hair, started to cry for their lost youth. As she cried, she reached out to touch his left ear, then to caress it. It was smooth, whole, unscarred.