Don't Blink
DON’T
BLINK
James
Patterson
& Howard Roughan
Contents
Cover
Title
Copyright
Dedication
Also by James Patterson
Prologue
Chapter One
Chapter Two
Chapter Three
Part One
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Part Two
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Part Three
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Part Four
Chapter 66
Chapter 67
Chapter 68
Chapter 69
Chapter 70
Chapter 71
Chapter 72
Chapter 73
Chapter 74
Chapter 75
Chapter 76
Chapter 77
Chapter 78
Chapter 79
Chapter 80
Chapter 81
Chapter 82
Chapter 83
Chapter 84
Chapter 85
Chapter 86
Chapter 87
Chapter 88
Chapter 89
Part Five
Chapter 90
Chapter 91
Chapter 92
Chapter 93
Chapter 94
Chapter 95
Chapter 96
Chapter 97
Chapter 98
Chapter 99
Chapter 100
Chapter 101
Chapter 102
Chapter 103
Chapter 104
Chapter 105
Chapter 106
Chapter 107
Epilogue
Chapter 108
Postcard Killers
Chapter One
Chapter Two
Chapter Threee
Chapter Four
Chapter Five
This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.
Version 1.0
Epub ISBN 9781407058115
www.randomhouse.co.uk
Published by Century, 2010
2 4 6 8 10 9 7 5 3 1
Copyright © James Patterson, 2010
James Patterson has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work
This novel is a work of fiction. Names and characters are the product of the author’s imagination and any resemblance to actual persons, living or dead, is entirely coincidental
This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition, including this condition, being imposed on the subsequent purchaser
First published in Great Britain in 2010 by Century Random House, 20 Vauxhall Bridge Road, London SW1V 2SA
www.randomhouse.co.uk
Addresses for companies within The Random House Group Limited can be found at: www.randomhouse.co.uk/offices.htm
The Random House Group Limited Reg. No. 954009
A CIP catalogue record for this book is available from the British Library
Hardback ISBN 9781846054723 Trade paperback ISBN 9781846054730
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Printed and bound in Great Britain by Clays St Ives Plc
For Isabel Morris Patterson. — J.P.
To Elaine Glass, one of the bravest I know. — H.R.
Also by James Patterson
ALEX CROSS NOVELS
Along Came a Spider
Kiss the Girls
Jack and Jill
Cat and Mouse
Pop Goes the Weasel
Roses are Red
Violets are Blue
Four Blind Mice
The Big Bad Wolf
London Bridges
Mary, Mary
Cross
Double Cross
Cross Country
Alex Cross’s Trial (with Richard DiLallo)
I, Alex Cross
Cross Fire (to be published November 2010)
DETECTIVE MICHAEL BENNETT SERIES
Step on a Crack (with Michael Ledwidge)
Run for Your Life (with Michael Ledwidge)
Worst Case (with Michael Ledwidge)
STAND-ALONE THRILLERS
Sail (with Howard Roughan)
Swimsuit (with Maxine Paetro)
Private (with Maxine Paetro)
Postcard Killers (with Liza Marklund, to be
published September 2010)
NON-FICTION
Torn Apart (with Hal and Cory Friedman)
The Murder of King Tut (with Martin
Dugard)
ROMANCE
Sundays at Tiffany’s (with Gabrielle
Charbonnet)
THE WOMEN’S MURDER CLUB SERIES
1st to Die
2nd Chance (with Andrew Gross)
3rd Degree (with Andrew Gross)
4th of July (with Maxine Paetro)
The 5th Horseman (with Maxine Paetro)
The 6th Target (with Maxine Paetro)
7th Heaven (with Maxine Paetro)
8th Confession (with Maxine Paetro)
9th Judgement (with Maxine Paetro)
10th Anniversary (with Maxine Paetro, to be
publis
hed March 2011)
FAMILY OF PAGE-TURNERS
MAXIMUM RIDESERIES
The Angel Experiment
School’s Out Forever
Saving the World and Other Extreme Sports
The Final Warning
Max
Fang
MAXIMUM RIDE MANGA
Volume 1 (with NaRae Lee)
Volume 2 (with NaRae Lee)
Volume 3 (with NaRae Lee)
DANIEL X SERIES
The Dangerous Days of Daniel X (with
Michael Ledwidge)
Daniel X: Alien Hunter Graphic Novel (with
Leopoldo Gout)
Daniel X: Watch the Skies (with Ned Rust)
Daniel X: Demons and Druids (with
Adam Sadler)
WITCH & WIZARD SERIES
Witch & Wizard: The New Order (with
Gabrielle Charbonnet)
Witch & Wizard: The Gift (with Gabrielle
Charbonnet, to be published October 2010)
For more information about James Patterson’s novels, visit
www.jamespatterson.co.uk
Prologue
IN THE WINK OF
A BLINK OF AN EYE
One
LOMBARDO’S STEAKHOUSE ON Manhattan’s tony Upper East Side was justly famous for two things, two specialties of the house. The first was its double-thick, artery-clogging forty-six-ounce porterhouse, the mere sight of which could give a vegan an apoplectic seizure.
The second claim to fame was its clientele.
Simply put, Lombardo’s Steakhouse was paparazzi heaven. From A-list actors to all-star pro athletes, CEOs to super-models, rap stars to poet laureates — anyone who was anyone could be spotted at Lombardo’s, whether they were brokering deals or just looking and acting fabulous.
Zagat, the ubiquitous red bible of dining guides, said it best: “Get ready to rub elbows and egos with the jet set, because Lombardo’s is definitely the place to see and be seen.”
Unless you were Bruno Torenzi, that is.
He was the man who was about to make Lombardo’s Steakhouse renowned for something else. Something terrible, just unbelievably awful.
And no one seemed to notice him … until it was too late … until the deed was almost done.
Of course, that was the idea, wasn’t it? In his black three-button Ermenegildo Zegna suit and dark-tinted sunglasses, Bruno Torenzi could have been anybody. He could have been everybody.
Besides, it was lunch. Broad daylight, for Christ’s sake.
For something this sick and depraved to go down, you would have at least thought nighttime. Hell, make that a full moon with a chorus of howling wolves.
“Can I help you, sir?” inquired the hostess, Tiffany, the one person who did manage to notice Torenzi if only because it was her job. She was a young and stunning blonde from the Midwest, with perfect porcelain skin, who could turn more heads than a chiropractor.
But it was as if she didn’t even exist.
Torenzi didn’t stop, didn’t even glance her way when she spoke to him. He just waltzed right by her, cool as a cabana.
Screw it, thought the busy hostess, letting him go. The restaurant was packed as always, and he certainly looked like he belonged. There were other customers arriving, getting in her face as only New Yorkers can. Surely this guy was meeting up with someone who was already seated.
She was right about that much.
Table chatter, clanking silverware, the iconic jazz of John Coltrane filtering down from the recessed ceiling speakers — they all combined to fill the mahogany-paneled dining room of Lombardo’s with a continuous loop of the most pleasant sort of white noise.
Torenzi heard none of it.
He’d been hired because of his discipline, his unyielding focus. In his mind there was only one other person in the busy restaurant. Just one.
Thirty feet …
Torenzi had spotted the table in the far right corner. A special table, no doubt about that. For a very special customer.
Twenty feet …
He cut sharply over to another aisle, the heels of his black wingtips clicking against the polished wood floor like a metronome in three-quarter time.
Ten feet …
Torenzi leveled his stare on the bald and unabashedly overweight man seated alone with his back to the wall. The picture he’d been handed could stay tucked in his pocket. There was no need to double-check the image.
This was him, for sure. Vincent Marcozza.
The man who had less than a minute to live.
Two
VINCENT MARCOZZA — WEIGHING in at three hundred pounds plus — glanced up from what remained of his blood-rare porterhouse steak, stuffed baked potato, and gaudy portion of onion strings. Even sitting still the guy looked woefully out of breath and very close to a coronary.
“Can I help you?” asked Marcozza, seemingly polite. His raised-on-the-streets-of-Brooklyn tone, however, suggested otherwise. It was more like, Hey, pal, what the hell are you staring at? I’m eating here.
Torenzi stood motionless, measuring the important man. He took his sweet time answering. Finally, in a thick Italian accent he announced, “I have a message from Eddie.”
This amused Marcozza for some reason. His pasty complexion spiked red as he laughed, his neck fat jiggling like a Jell-O mold. “A message from Eddie, huh? Hell, I should’ve known. You look like one of Eddie’s guys.”
He lifted the napkin from his lap, wiping the oily cow juice from the corners of his mouth. “So what is it, boy? Spit it out.”
Torenzi glanced to his left and right as if to point out how close the nearby tables were. They were too close. Capisce?
Marcozza nodded. Then he motioned his uninvited lunch visitor forward. “For my ears only, huh?” he said before breaking into another neck-jiggling laugh. “This oughta be good. It’s a joke, right? Let’s hear it.”
Over by the far wall a waiter stood on tiptoe on a chair, erasing the Chilean sea bass special from a large chalkboard. Hustling by him, a busboy and his gray bucket carried the remains of a table for four. And at the bar, a waitress loaded up her tray with a glass of pinot noir, a vodka tonic, and two dry martinis with almond-stuffed olives.
Torenzi stepped slowly to Marcozza’s side. Placing his left hand firmly on the table, he unclenched his right fist, which was tucked neatly behind his back. The cold steel handle of a scalpel fell promptly and rather gracefully from his sleeve.
Then, leaning in, Torenzi whispered three words, and only three. “Justice is blind.”
Marcozza squinted. Then he frowned. He was about to ask what the hell that was supposed to mean.
But he never got the chance.
Three
IN A HELLISH BLUR, Bruno Torenzi whipped his arm around, plunging the scalpel deep into the puffy fold above Marcozza’s left eye. With a good butcher’s precision and hard speed, he cut clockwise around the orbital socket. Three, six, nine, midnight … The blade moved so fast, the blood didn’t have time to bleed.
“ARRRGH!” was a pretty good approximation of the sound Marcozza made.
He screamed in agony as the entire restaurant turned. Now everyone noticed Bruno Torenzi. He was the one carving the eye out of that fat man’s face — like a pumpkin!
“ARRRRRRGH!”
Torenzi was outweighed by over a hundred pounds but it didn’t matter. He’d positioned himself perfectly, his rigid choke hold keeping Marcozza’s head dead still while the rest of his body violently jerked and thrashed. What was premeditated murder if not calculated leverage?
Squish!
Scooped out like a melon ball, Marcozza’s left eye fell to the white linen tablecloth and rolled to a stop.
Next came the right eye. Slice, slice, slice …Beautiful handiwork, to be sure.
But the right eye didn’t pop out like the left one. Instead, it dangled, held by the stubborn red vessel of the optic nerve.
Torenzi smiled and flicked his wrist. He was almost fini
shed here, so hold the applause.
Snip!
Marcozza’s right eye, with a gooey tail of flesh and vein, careened off the bread plate and fell to the floor.
Blood, finally catching up to the moment, now gushed from Marcozza’s empty eye sockets. In medical terms, his ophthalmic artery had been severed from his internal carotid artery, the high-pressure main line to the brain. In layman’s terms, it was just a god-awful, horrifying, and disgusting mess.
A few tables away, a woman wearing everything Chanel fainted, passing out cold, while another threw up all over her tiramisu.
As for Torenzi, he simply tucked the scalpel into the breast pocket of his Zegna suit before heading toward the kitchen to exit through the back door — back into broad daylight.
But before he did, he leaned down again to repeat his message into Marcozza’s chubby ear as he lay hunched over the table dying a slow, mean death.
“Justice is blind.”
Part One
A JOB TO DIE FOR
Chapter 1
THE WORDS I will never be able to forget were “Hold on tight, because this is going to be one hairy ride.” In point of fact, those words not only described the next several minutes, but the next several days of my life.
I had been lying fast asleep under nothing but the high, bright stars of an African night sky with only a frayed, moth-eaten mat separating me from some of the poorest dirt on the planet when suddenly my eyes popped open and my heart immediately skipped a beat. Make that a couple of beats.
Holy shit! Is that what I think it is?
Gunfire?
The answer to my question came the very next second as Dr. Alan Cole raced over to me in the darkness and grabbed my arm, shaking me hard. We’d been sleeping outside because our pup tents were like saunas.
“Wake up, Nick. Get up! Now!” he said. “We’re being attacked. I’m serious, man.”
I shot straight up and turned to him as the sound of more gunfire echoed in the air. Pop! Pop! Pop!
It was getting closer. Whoever was shooting — they were getting closer. And moving quickly.
“Janjaweed — that’s who it is, right?” I asked.
“Yeah,” said Alan. “I was afraid this could happen. Word got around that we’re here.”
“So what do we do now?”
“Follow me,” he said with a wave of his flashlight. “Quickly, Nick. Keep moving.”