Mara and Dann

  ‘Oh, but it’s a compliment,’ she said.

  He put his hand inside her elbow. This hand both took possession of Sarah and said it was prepared to relinquish her at the smallest sign that it was taking too much for granted. Sarah, from the world of the theatre, laughed, put her arms around him, and kissed him on both cheeks, one, two. He at once went bright red. He was pleased, though.

  ‘Sarah, I really am so glad to see you here. Don’t ever think I’m not.’

  Why should she think such a thing?

  Apparently he still felt she needed essential instruction. Again he took her arm, this time with confident masculine proprietorship, which she enjoyed (she was prepared to concede) more than perhaps she ought. They walked slowly through gardens and shrubberies, and past long warm reddish brick walls where roses sent out waves of scent. Late May: the roses were early.

  Stephen said he hoped that she, Sarah, and the whole company would give Elizabeth credit for all the work she had done. It was she who had persuaded artistic friends in Paris to get Julie Vairon’s pictures exhibited. It was she who had approached the television people to make a documentary. Elizabeth was a generous woman, he insisted.

  They walked on grass between two hedges of beech, whose attribute is to remind you, when in full healthy green, that it will hold its own through long winters, withstanding gales, frost, anything at all nature chooses to throw at it, never losing so much as a russet leaf. A beech hedge, whether it likes it or not, makes statements of confidence. It refuses pathos.

  ‘She is always generous,’ he said again, and, feeling she was being prompted, she asked, ‘What does she make of – well, of you and Julie?’ But it was the wrong question, for his face said he had already answered her. Disappointment in her made him relinquish her arm, and she, disappointed in her turn, insisted, ‘She would admit that one may be jealous of a…’ She could not bring herself to say, ‘a dead woman’, for it was too brutal. Instead she said, ‘…of a ghost?’ A foolish, harmless word.

  ‘I don’t think she would admit to anything so irrational.’

  They had strolled on a good few yards through air that was a mix of warm dry scents all making claims on her memory, when she remarked, ‘For one thing, you can’t compete with a…dead woman.’ It was not easy to use that word.

  He stopped and turned to look close into her face. ‘You say that as if you knew all about jealousy.’

  ‘Did I? I suppose I did.’ And hearing in retrospect how she had spoken, she was discomfited. She was off balance. Meanwhile his eyes, green but – seen so close – as full of variegations as the surface of a cut olivine, green specked with black and grey, were full on her face. Trying to laugh, she said, ‘I remember saying to myself, That’s it, never again, I’ll never feel jealousy again.’ She knew her voice was full of resentment.

  ‘So you were generous too?’

  ‘If you want to make it generosity…I thought of it as self-preservation. I know one thing – funny that I haven’t thought of it for ages: but you can kill yourself with jealousy.’ She was trying to make her voice light and humorous. She failed.

  ‘You said to whoever it was, Bless you, my child, run off to your little amusements, what we have is so strong it can’t affect our marriage?’

  ‘It wasn’t my marriage. It was later than that. And I certainly never said, Run along! On the contrary, that was it – finished!’ She was surprising herself by the cold anger in her voice. ‘I could never say it couldn’t affect a marriage or anything else. It was a question of…’

  ‘Well?’ he demanded, and gripped her elbows in large and confident hands. The strength of those hands spoke direct to her, reminding her…His eyes, those interesting pebbles so close to her own, seemed to her now to be tinged with – was that anxiety?

  Violent needs conflicted in her. One was to comfort and heal, for she always felt he emanated an appeal, a need: she had never been more aware than now that he guarded a hurt place. But it seemed her own need was stronger, for what burst out of her was: ‘Pride. It was pride.’ And she was surprised – if she could be more surprised than she had already become, seeing what was revealed of a forgotten past – at the violence in the word. What’s the matter with me? she was asking herself, while she withstood the pressure of those uncompromising eyes. ‘Of course it was pride. Do you imagine I’d keep a man who wanted someone else?’

  She, Sarah – that is, the Sarah of today – had not spoken these words. Some long ago Sarah had said them. It was getting harder every second to stand there between Stephen’s hands and sustain that long close examination. She felt ashamed, and her face burned.

  ‘You are talking like the kind of woman you seem determined not to be – to seem to be.’

  ‘What kind of woman?’

  ‘A love woman,’ he said. ‘A woman who takes her stand on love.’

  ‘Well,’ said she, attempting humour again, but with no success, ‘I do seem to remember something of the kind.’ And was about to walk away from the situation, when he tightened his grip on her elbows.

  ‘Wait, you always run away.’

  ‘But it was all a long time ago…All right, then, I’ll try. Do you remember Julie’s journals – yes I know you don’t like them. When she was writing about her master printer, she said, And there will inevitably come that night when I know it is not me, Julie, he is holding in his arms, but the wife of the chemist or the farmer’s daughter who brought the eggs that afternoon. I’d rather die. And of course, she did.’ Her voice was full of defiance. ‘Immature – that’s what our Julie was. A mature woman knows that if her husband chooses to fancy the chemist’s wife or the girl who is driving the Express delivery cart, and fucks them in her stead, well, it’s just one of those things.’

  ‘And vice versa, I think.’ He smiled. ‘The husband knows he is holding in his arms the stable boy, because his wife is?’

  ‘That’s your – his affair.’

  ‘Well, well, well,’ he said, full of sardonic relish. He let her go. And as they walked on, while the essences of flower and leaf meandered past their faces, ‘And that marriage of yours? I really am curious. That little way of yours, all passion spent, amuse yourself, my children, while I benevolently look on.’ This was not spiteful, or even resentful: he laughed, a bark of sceptical laughter, but gave her the look of a friend.

  Sarah fought to become that Sarah who was able benevolently to look on.

  ‘It lasted ten years. Then he died.’ Now she believed that the younger Sarah had taken herself off, back into some dark corner. ‘I don’t look back on my pursuit of love after that with much admiration for myself. I was so immature, you see. I was never prepared to settle for the sensible – you know, a widow with two young children should look for a father for her children.’

  He snorted a kind of amusement. Then, ‘A real romantic. Who would have thought it? Well, actually, yes, I did, I really did.’

  ‘And I am walking on a lovely afternoon with a man who is besotted, may I use that word? – with a phantom.’

  ‘She is no phantom,’ he said gravely.

  In front of them the shrubs were thinning: an open space was imminent, showing through the branches.

  She heard herself sigh, and he sighed too.

  ‘Sarah! Do you imagine I don’t know how all this sounds? I am not so mad that…give me some credit.’ They stood on the edge of a vast lawn, glimmering a strong green in yellow light. ‘For a time I believed I was possessed. I even considered going off to be exorcised – but for that kind of thing to work, surely you have to believe in it? But I’m afraid I don’t believe that some Tom, Dick, or Harry of a priest can deal with…Someone no better than I am? Nonsense. And then I began to do a lot of reading, and I found that Julie is that side of myself that was never allowed to live. The Jungians have a word for it. My anima. What’s in a word? It seems to me all that kind of thing amounts to – well, not much more than the pleasures of definition. Why is a word like that useful when you are exp
eriencing…? All I know is that if she walked towards me now I wouldn’t be in the least surprised.’

  The great lawn, as flat as a lake, was backed by beeches, chestnuts, and oaks; and some shrubs that were all in flower, pink, white, and yellow, although well grown themselves, were made so small by the trees they seemed like flowers in a border. In the middle of the green expanse was a wooden stage, about three feet in height. There the musicians and singers would be tomorrow. A few wooden chairs idled on the grass: apparently this was an audience that liked to stroll about while it listened. Slowly the two approached the little stage, which was like a flat rock in still water. This place, this stage, this lawn, was a vast O framed by trees, green heights around flat green. Now the two were circling the stage. On the far side of it was a poster of Julie, or rather of Julie’s drawing of herself as an Arab girl, a transparent veil across the lower part of her face, her eyes black and – yes, the word haunting would do. Stephen came to a standstill. He made a small sound – a protest. ‘Elizabeth didn’t say she was using this one,’ he said. It was not the picture on the other posters. ‘What’s wrong with it?’ she asked. He did not reply. He was staring helplessly, as at an accident, or a catastrophe. He was pale. Sarah put her hand into his arm and moved him away. He walked stiffly, even stumbled. He turned his face to her, and Sarah almost let out that laugh which says, ‘You are doing it well, congratulations.’ Nothing that he had said, nothing she had thought about him – and she believed she had been prepared to dive deep into his wells of fantasy – had prepared her for what she saw. His face was pulled into that mask that illustrates Tragedy – the other side of Comedy; the theatrical stereotypes. She was standing still, staring at him. Her heart beat. Foreboding. Fear – yes, it was that. Yes, she had seen his face wretched; she had said to herself the sanitized sets of words we use in this time of ours, which has banished this kind of thing, has decided it is all an affair of horoscopes, or ‘ghosts’, and that if they squeak and gibber, then they are comic rather than not. She had never even begun to imagine what she was seeing now, the haunted tragic face with the dragged-down mouth that seemed as if an invisible hand held it, a mouth all suffering. She was shocked as if she had opened a door by mistake and seen something like a murder or an act of torture, or a woman in an extreme of grief, sitting rocking, clutching at her hair with both hands, then raking her nails across her breasts, where the blood runs down.

  He’s ill, she thought. She thought, That’s grief. What I am looking at – that’s grief. She felt ashamed to be a witness of it and turned her face away, thinking, I’ve never, ever, felt anything like that.

  Now he remembered she was there, and he turned his own face away and said, his voice rough, ‘You see, you have no idea at all, Sarah. You simply don’t understand…well, why should you? I hope you never will.’

  At supper that night there were seven people. The informal meal was taken in a room that had a hatch through into the kitchen, and it had been cooked and served by a pleasant motherly sort of woman not unlike an auburn-haired blue-eyed sheepdog. This was Norah Daniels, a housekeeper, or something of that sort, and she sat at the table with Stephen and Elizabeth and Sarah and the three boys, James, about twelve, George, ten or so, and Edward, seven. These children were beautifully behaved, in a style imposed on them by their parents: a light impersonal affection, and it was joky, for there was a lot of banter of the kind Sarah remembered from her school days. It was mostly Norah who played this game. Stephen was silent. He claimed he had a headache and they must forgive him. Not ask too much of him was what he meant and what they all heard. It was evident that this was a message heard often in this family, from him, and from Elizabeth, because she was so very busy. She kept saying she was, and that was why she had not done a variety of things she had promised – ring up a friend’s mother, write a letter about a visit, buy new cricket balls. But she would do all these things tomorrow. The three boys, fair, slight, blue-eyed, angelic-looking children, watched the adults’ faces carefully for signals. This was their habit. This was their necessity. They had been taught never to ask too much. Only Norah was outside this pattern, for she smiled special smiles at each of them, helped them to food in an indulgent way, remembered personal tastes, gave Edward, the smallest one, an extra helping of pudding, kissed him warmly, with a hug, and then excused herself, her own meal finished, saying she had things to do. At once the boys asked permission to leave the table, and they slid away into a warm dusk. For a time their high clear voices could be heard from the garden. Soon music sounded from the top of the house – some pop group. Elizabeth remarked that it was time the boys were asleep, and departed, but only briefly, to make sure they were in bed.

  Then Stephen and Elizabeth apologized to Sarah, saying they needed a couple of hours to discuss arrangements for tomorrow, for more people were coming than they had expected. ‘This Julie of yours is obviously a great draw,’ said Elizabeth, but it did not seem she meant anything special by it.

  Sarah walked about in the dusk for a while, until the birds stopped commenting on the affairs of the day and the moon made itself brilliantly felt. She telephoned her brother’s house. Anne answered. Yes, she had sent the girls to collect Joyce, who, on arriving home, had at once disappeared again. Anne did not suggest this was Sarah’s fault, as Hal would have done. He had said they should all have a serious talk about Joyce, and suggested Monday night. Sarah agreed, but knew her voice communicated to Anne, as Anne’s did to her, that nothing would come of this.

  Sarah’s room was full of moonlight and overlooked the great lawn and the trees beyond, the scene full of glamour and mystery, like a theatre set.

  She lay in bed and was determined she would not think about Joyce, for she did not feel strong enough to accommodate the anxiety thoughts of joyce always brought with them, when she was already anxious enough. She had expected to be disturbed by this visit, and she was. Not in the way she had been afraid of. Whatever it was that Stephen and she shared, they shared it still. No, now she felt she had been selfish, for she could not get out of her mind the look on his face that afternoon – such grief, such pain, such a degree of suffering. It was crazy. He might be sane in nine-tenths of his life, this intelligent hard-working many-sided life of his, but in one part of it he was, quite simply, not normal. Well, what of it? It did not seem to be doing much harm, and certainly not to Elizabeth. But there was something bothering Sarah, and she couldn’t put a finger on it. She went off to sleep, glad to forget it all, and woke completely and as suddenly as if there had been a clap of thunder. The moon had left her room. She was remembering a scene at the table of Norah handing Elizabeth a glass of wine, and Elizabeth’s smile at Norah. Well, yes, that was it. And she shut her eyes and replayed the scene. Stephen was at one end of the table, Elizabeth at the other, Norah beside Elizabeth. The women’s bodies had carried on a comfortable conversation with each other, as well-married bodies often do. And Stephen? Now it seemed to Sarah that he was an outsider in his own house – no, for this house had, for all those centuries, accommodated any number of eccentricities and deviations. It was certainly not the house that excluded Stephen. Was he excluded at all? He had said he and his wife were good friends, and evidently they were. But her picture of Stephen – at least tonight, as she lay half asleep – seemed to be merging with that of Joyce, the girl, or child, who was always on the fringes of life, unaccepted by it, unacceptable. And that had to be ridiculous, for Stephen was firmly set in this life of his, born to it, could not be imagined outside it.

  Sarah briskly got up, had a long bath, and watched early light come streaming through great trees. Five in the morning. She went quietly down the great central staircase, found a side door where bolts slid easily back, and went out. Two red setters came rushing around the corner of the house, silently, thank goodness, their fringed ears streaming. They put wet noses into her palm and their bodies wriggled with pleasure. She had not gone far into the woods when Stephen came through the trees. He had seen he
r from his bedroom window. Nothing now could seem more absurd than her earlier thoughts about Stephen. Nor could anything be more pleasant than this strolling about in the trees with cheerful dogs, listening to the raucous exchanges of the crows and the chattering of the small birds as they got their affairs together. At one point Stephen even casually mentioned Elizabeth and Norah, like this: ‘You must have noticed, I’m sure…’ He did not seem disturbed, and there was no sign of the tragic mask she had stared at yesterday. He seemed in good spirits and entertained her with a comic view of himself as a Maecenas. As a young man, he said, he had been a bit of a red, ‘but not too inappropriately extreme for my station in life,’ and had had nothing but contempt for rich patrons. ‘“We know what we are, but know not what we may be,”’ he quoted, and added – and this was the only moment that morning when there was a suggestion of something darker, ‘But the truth is, if we did know what we are, then we would know what we could be. And I wonder how many people would be able to stand that?’

  Later, after breakfast, the boys made friends with her in their easy well-mannered way and took her off on a tour around the estate. She could see they had been told to do this. ‘Not Angles, but angels’ inevitably popped into her mind.

  After lunch the theatre contingent arrived. Mary Ford, to take photographs of everything and to interview Elizabeth; Roy Strether, and, unexpectedly, Henry Bisley, the American chosen to direct because of the American money in the production. Besides, he seemed by far the best available. He was in Munich directing Die Fledermaus and had come for the weekend to hear this music. Henry was at first all defensive. There are men who carry with them, as some half-grown fishes are attached to yolk sacs, the shadow of their mothers, at once visible in an over-defensiveness and readiness for suspicion. It happened that on his arrival he walked into a room that had in it four women, Elizabeth, Norah, Mary Ford, and Sarah, and he was on the point of fleeing, when Sarah rescued him and took him out to the gardens. They had become acquainted during the casting session a month before. He was bound to be wary of her on two counts: first that she was co-author of this play, and then that as one of the four who ran The Green Bird, she had engaged him. Soon he was reassured. For one thing, he was not by temperament ever likely to remain in one place, physically or emotionally. A man of about thirty-five: his restlessness seemed appropriate for someone younger: he danced rather than walked, as if to stay still might make him vulnerable to attack, and black eyes darted enquiries into a place, a person, and moved on to the next thing, which was also bound to be a challenge. She talked soothingly about this and that, noting that she was employing the murmuring maternal persona identified and rejected by Stephen. She showed him the gardens. She showed him the big lawn – the theatre area. She took him to see a half-built new block of rehearsal rooms. He was subdued by the beauty of the place, and flattered by it, being absorbed, as they all were, into a munificence like a general blessing. As they went back into the house he stopped to look up at its façade and ask why those top windows were barred. She did not know. Encountering Norah, who was pushing through the hall a trolley laden with cleaning equipment, like those used in hotels, Sarah asked about the barred windows, and Norah said they were probably for the first Mrs Rochester. ‘Well, they must have had plenty of loonies here, in all that time.’