The Assassination of Margaret Thatcher: Stories

  Morna said, “It’s not a crime. Dogs. Women undressed as dogs. Only if it’s children, I think that’s a crime.”

  Lola said, “Does she get money for doing it or do they make her?”

  “Or she gets drugs. Silly bitch!” Morna was angry with the woman or girl who for money or out of fear crouched like an animal, waiting to have her body despoiled. “I’m cold,” she said, and Lola could hear her teeth chattering. She was taken like this, seized by cold that swept right through her body to her organs inside; her heart knocked, a marble heart. She put her hand over it. She folded herself in the bed, knees to her chin.

  “If they send him to prison,” Lola said, “you can earn money for us. You can go in a freak show.”

  * * *

  NOVEMBER: DR. BHATTACHARYA from the unit came to discuss the hairiness. It happens, she said. The name of the substance is lanugo. Oh, it happens, I am afraid to say. She sat on the sofa and said, “With your daughter I am at my wits’ end.”

  Their father wanted Morna to go back to the unit. “I would go so far as to say,” he said, “either she goes, or I go.”

  Dr. Bhattacharya blinked from behind her spectacles. “Our funding is in a parlous state. From now till next financial year we are rationed. The most urgent referrals only. Keep up the good work with the daily weight chart. As long as she is stable and not losing. In spring if progress is not good we will be able to take her in.”

  Morna sat on the sofa, her arms crossed over her belly, which was swollen. She looked vacantly about her. She would rather be anywhere than here. It contaminates everything, she had explained, that deceitful spoonful of cream. She could no longer trust her food to be what it said it was, nor do her calorie charts if her diet was tampered with. She had agreed to eat, but others had broken the agreement. In spirit, she said.

  Their father told the doctor, “It’s no use saying all the time,” he mimicked her voice, “‘Morna, what do you think, what do you want?’ You don’t give me all this shit about human rights. It doesn’t matter what she thinks anymore. When she looks in a mirror God knows what she sees. You can’t get hold of it, can you, what goes on in that head of hers? She imagines things that aren’t there.”

  Lola jumped in. “But I saw it too.”

  Her parents rounded on her. “Lola, go upstairs.”

  She flounced up from the sofa and went out, dragging her feet. They didn’t say, “See what, Lola? What did you see?”

  They don’t listen, she had told the doctor, to anything I say. To them I am just noise. “I asked for a pet, but no, no chance—other people can have a dog, but not Lola.”

  Expelled from the room, she stood outside the closed door, whimpering. Once she scratched with her paw. She snuffled. She pushed at the door with her shoulder, a dull bump, bump.

  “Family therapy may be available,” she heard Dr. Bhattacharya say. “Had you thought of that?”

  * * *

  DECEMBER: Merry Christmas.

  * * *

  JANUARY: “YOU’RE GOING to send me back to the unit,” Morna said.

  “No, no,” her mother said. “Not at all.”

  “You were on the phone to Dr. Bhattacharya.”

  “I was on the phone to the dentist. Booking in.”

  Morna had lost some teeth lately, this was true. But she knew her mother was lying. “If you send me back I will drink bleach,” she said.

  Lola said, “You will be shining white.”

  * * *

  FEBRUARY: THEY TALKED about sectioning her: that means, their mother said, compulsory detention in a hospital, that means you will not be able to walk out, Morna, like you did before.

  “It’s entirely your choice,” their father said. “Start eating, Morna, and it won’t come to that. You won’t like it in the loony bin. They won’t be coaxing you out on walks and baking you bloody fairy cakes. They’ll have locks on the doors and they’ll be sticking you full of drugs. It won’t be like the unit, I’m telling you.”

  “More like a boarding kennel, I should think,” Lola said. “They’ll be kept on leads.”

  “Won’t you save me?” Morna said.

  “You have to save yourself,” their father said. “Nobody can eat for you.”

  “If they could,” said Lola, “maybe I’d do it. But I’d charge a fee.”

  Morna was undoing herself. She was reverting to unbeing. Lola was her interpreter, who spoke out from the top bunk in the clear voice of a prophetess. They had to come to her, parents and doctors, to know what Morna thought. Morna herself was largely mute.

  She had made Morna change places and sleep on the bottom bunk since new year. She was afraid Morna would roll out and smash herself on the floor.

  She heard her mother moaning behind the bedroom door: “She’s going, she’s going.”

  She didn’t mean “going to the shops.” In the end, Dr. Bhattacharya had said, the heart fails without warning.

  * * *

  FEBRUARY: AT THE last push, in the last ditch, she decided to save her sister. She made her little parcels wrapped in tinfoil—a single biscuit, a few pick’n’mix sweets—and left them on her bed. She found the biscuit, still in its foil, crushed to crumbs, and on the floor of their room shavings of fudge and the offcut limbs of pink jelly lobsters. She could not count the crumbs, so she hoped Morna was eating a little. One day she found Morna holding the foil, uncrumpled, looking for her reflection in the shiny side. Her sister had double vision now, and solid objects were ringed by light; they had a ghost-self, fuzzy, shifting.

  Their mother said, “Don’t you have any feelings, Lola? Have you no idea what we’re going through, about your sister?”

  “I had some feelings,” Lola says. She held out her hands in a curve around herself, to show how emotion distends you. It makes you feel full up, a big weight in your chest, and then you don’t want your dinner. So she had begun to leave it, or surreptitiously shuffle bits of food—pastry, an extra potato—into a piece of kitchen roll.

  She remembered that night in November when they went barefoot down to the computer. Standing behind Morna’s chair, she had touched her shoulder, and it was like grazing a knife. The blade of the bone seemed to sink deep into her hand, and she felt it for hours; she was surprised not to see the indent in her palm. When she had woken up next morning, the shape of it was still there in her mind.

  * * *

  MARCH: ALL TRACES of Morna have gone from the bedroom now, but Lola knows she is still about. These cold nights, her Mr. Men pajamas hitched up with one hand, she stands looking out over the garden of the small house. By the lights of hovering helicopters, by the flash of the security lights from neighboring gardens, by the backlit flicker of the streets, she sees the figure of her sister standing and looking up at the house, bathed in a nimbus of frost. The traffic flows long into the night, a hum without ceasing, but around Morna there is a bubble of quiet. Her tall straight body flickers inside her nightshirt, her face is blurred as if from tears or drizzle, and she wears no readable human expression. But at her feet a white dog lies, shining like a unicorn, a golden chain about its neck.

  TERMINUS

  On January 9th, shortly after eleven on a dark sleety morning, I saw my dead father on a train pulling out of Clapham Junction, bound for Waterloo.

  I glanced away, not recognizing him at once. We were on parallel tracks. When I looked back, the train had picked up speed, and carried him away.

  My mind at once moved ahead, to the concourse at Waterloo Station, and the meeting which I felt sure must occur. The train on which he was traveling was one of the old six-seater carriage-and-corridor type, its windows near-opaque with the winter’s accumulation, and a decade of grime plastered to its metal. I wondered where he’d come from: Windsor? Ascot? You’ll understand that I travel in the region a good deal, and one gets to know the rolling stock.

  There were no lights in the carriage he had chosen. (The bulbs are often stolen or vandalized.) His face had an unpleasant tinge; his
eyes were deeply shadowed, and his expression was thoughtful, almost morose.

  At last released by the green signal, my own train began to draw forward. Its pace was stately and I thought that he must have a good seven minutes on me, certainly more than five.

  As soon as I saw him, sitting sad but upright in that opposite carriage, my mind went back to the occasion when … to the occasion when … But no. It did not go back. I tried, but I could not find an occasion. Even when I scrubbed the recesses of my brain, I could not scour one out. I should like to be rich in anecdote. Fertile to invent. But there’s no occasion, only the knowledge that a certain number of years have passed.

  When we disembarked the platform was slick with cold, sliding underfoot. The bomb warnings were pasted up everywhere, also the beggar warnings, and posters saying take care not to slip or trip, which are insulting to the public, as few people would do it if they could help it: only some perhaps, a few attention seekers. An arbitrary decision had placed a man to take tickets, so that was fumbling, and further delay. I was irritated by this; I wanted to get on with the whole business, whatever the business was going to be.

  It came to me that he had looked younger, as though death had moved him back a stage. There had been in his expression, melancholy though it was, something purposive; and I was sure of this, that his journey was not random. And so it was this perception, rather than any past experience—is experience always past?—that made me think he might linger for a rendezvous, that moving toward me and then away, on his Basingstoke train or perhaps from as far as Southampton, he might make time for a meeting with me.

  I tell you this: if you are minded to unite at Waterloo Station, lay your plans well and in advance. Formalize in writing, for extra caution. I stood still, a stone in the rude stream, as the travelers crashed and surged around me. Where might he go? What might he want? (I had not known, God help me, that the dead were loose.) A cup of coffee? A glance at the rack of best-selling paperbacks? An item from Boots the Chemist, a cold cure, a bottle of some aromatic oil?

  Something small and hard, that was inside my chest, that was my heart, drew smaller then. I had no idea what he would want. The limitless possibilities that London affords … if he should bypass me and find his way into the city … but even then, among the limitless possibilities, I could not think of a single thing that he might want.

  * * *

  SO I HUNTED for him, peeping into W. H. Smith and the Costa Coffee boutique. My mind tried to provide occasions to which it could go back, but none occurred. I coveted something sweet, a glass of hot chocolate to warm my hands, an Italian wafer dusted with cocoa powder. But my mind was cold and my intention urgent.

  It struck me that he might be leaving for the Continent. He could take the train from here to Europe, and how would I follow? I wondered what documents he would be likely to need, and whether he bore currency. Are dispensations different? As ghosts, can they pass the ports? I thought of a court of shadow ambassadors, with shadow portfolios tucked within their silks.

  There is a rhythm—and you know this—to which people move in any great public space. There is a certain speed that is no one’s decision, but is set going every day, soon after dawn. Break the rhythm and you’ll rue it, for you’ll be kicked and elbows will collide. Brutal British mutter of sorry, oh sorry—except often travelers are too angry I find for common politeness, hesitate too long or limp and you will be knocked out of the way. It occurred to me for the first time that this rhythm is a mystery indeed, controlled not by the railways or the citizens but by a higher power: that it is an aid to dissimulation, a guide to those who would otherwise not know how to act.

  For how many of all these surging thousands are solid, and how many of these assumptions are tricks of the light? How many, I ask you, are connected at all points, how many are utterly and convincingly in the state they purport to be: which is, alive? That lost, objectless, sallow man, a foreigner with his bag on his back; that woman whose starved face recalls a plague-pit victim? Those dwellers in the brown houses of Wandsworth, those denizens of balcony flats and walkways; those grumbling commuters gathered for Virginia Water, those whose homes perch on embankments, or whose roofs glossy with rain fly away from the traveler’s window? How many?

  For distinguish me, will you? Distinguish me “the distinguished thing.” Render me the texture of flesh. Pick me what it is, in the timbre of the voice, that marks out the living from the dead. Show me a bone that you know to be a living bone. Flourish it, will you? Find one, and show me.

  * * *

  MOVING ON, I stared over the chill cabinet with its embalmed meals for travelers. I caught a glimpse of a sleeve, of an overcoat which I thought might be familiar, and my narrow heart skipped sideways. But then the man turned, and his face was sodden with stupidity, and he was someone else, and less than I required him to be.

  Not many places were left. I looked at the pizza stand, but I did not think he would eat in a public place, and not anything foreign. (Again my mind darted forward to the Gare du Nord and the chances of catching up.) The bureau de change I’d already checked, and had scooped aside the curtain of the photograph booth, which seemed empty at the time but I had thought it might be a trick or a test.

  So nowhere then. Dwelling again on his expression—and you will remember I saw it only for a moment, and in shadows—I discerned something that I did not see at first. It seemed, almost, that his look was turning inward. There was a remoteness, a wish for privacy: as if he were the warden of his own identity.

  Suddenly—the thought born in a second—I understood: he is traveling incognito. Shame and rage then made me lean back against plate glass, against the front window of a bookshop; aware that my own image swims behind me, and that my ghost, in its winter cloak, is forced into the glass, forced there and fixed for any passer to stare at, living or dead, as long as I have not strength or power to move. My morning’s experience, till then unprocessed and scantily observed, now arrived inside me. I had raised my eyes, I had lifted my gaze, I had with naked curiosity looked into the carriage on the parallel track, and by indecent coincidence I had happened to see a thing I should never have seen.

  It seemed urgent now to go into the city and to my meeting. I gathered my cloak about me, my customary suit of solemn black. I looked in my bag to pat that all my papers were in order. I went to a stall and handed over a pound coin, for which I was given a pack of paper handkerchiefs in a plastic sheath as thin as skin, and using my nails I tore it till the membrane parted, and the paper itself was under my hand: it was a provision, in case of unseemly tears. Though paper reassures me, its touch. It’s what you respect.

  This is a bleak winter. Even old people admit it is more frigid than the usual, and it is known that as you stand in the taxi queue the four winds sting your eyes. I am on my way to a chilly room, where men who might have been my father but more fond will resolve some resolutions, transact some transactions, agree on the minutes: I notice how easily, in most cases, committees agree the minutes, but when we are singular and living our separate lives we dispute—don’t we?—each second we believe we own. It’s not generally agreed, it’s not much appreciated, that people are divided by all sorts of things, and that, frankly, death is the least of them. When lights are blossoming out across the boulevards and parks, and the town assumes its Victorian sagesse, I shall be moving on again. I see that both the living and the dead commute, riding their familiar trains. I am not, as you will have gathered, a person who needs false excitement, or simulated innovation. I am willing, though, to tear up the timetable and take some new routes; and I know I shall find, at some unlikely terminus, a hand that is meant to rest in mine.

  THE ASSASSINATION OF MARGARET THATCHER: AUGUST 6TH 1983

  APRIL 25TH 1982, DOWNING STREET:

  Announcement of the recapture of South Georgia, in the Falkland Islands.

  Mrs. Thatcher: Ladies and gentlemen, the Secretary of State for Defense has just come over to give me some ver
y good news …

  Secretary of State: The message we have got is that British troops landed on South Georgia this afternoon, shortly after 4 p.m. London time … The commander of the operation has sent the following message: “Be pleased to inform Her Majesty that the White Ensign flies alongside the Union Jack in South Georgia. God save the Queen.”

  Mrs. Thatcher: Just rejoice at that news and congratulate our forces and the marines. Good night, gentlemen.

  Mrs. Thatcher turns toward the door of No. 10 Downing Street.

  Reporter: Are we going to declare war on Argentina, Mrs. Thatcher?

  Mrs. Thatcher (pausing on her doorstep): Rejoice.

  Picture first the street where she breathed her last. It is a quiet street, sedate, shaded by old trees: a street of tall houses, their façades smooth as white icing, their brickwork the color of honey. Some are Georgian, flat-fronted. Others are Victorian, with gleaming bays. They are too big for modern households, and most of them have been cut up into flats. But this does not destroy their elegance of proportion, nor detract from the deep luster of paneled front doors, brass-furnished and painted in navy or forest green. It is the neighborhood’s only drawback, that there are more cars than spaces to put them. The residents park nose-to-tail, flaunting their permits. Those who have driveways are often blocked into them. But they are patient householders, proud of their handsome street and willing to suffer to live there. Glancing up, you notice a fragile Georgian fanlight, or a warm scoop of terra-cotta tiling, or a glint of colored glass. In spring, cherry trees toss extravagant flounces of blossom. When the wind strips the petals, they flurry in pink drifts and carpet the pavements, as if giants have held a wedding in the street. In summer, music floats from open windows: Vivaldi, Mozart, Bach.