Henry James

  If these remarks illustrate in their number the inevitable bent of the remark to multiply within me as an effect of fraternal evocation I thereby but stick the more to my subject, or in other words to the much-peopled scene, as I found it; which I should scarce have found without him. Peopled as it was with his people, which they at first struck me as markedly being, it led me then to take the company, apart from F. J. Child, for whatever he all vividly and possessively pronounced it; I having for a long time but the scantest company of my own, even at the Law School, where my fellow-disciples could bear the name for me only as a troop of actors might have done on that further side of footlights to which I never went round. This last at least with few exceptions, while there were none to the exquisite rule, as I positively to-day feel it, of my apprehension of William’s cluster as a concern of his—interesting exactly because of that reference. Any concern of his was thus a thing already charged with life, his life over and above its own, if it happened by grace to have any comparable; which, as I pick out the elements again from the savoury Upham shades, could indeed be claimed for several of these. I pick out the ardent and delicate and firm John May, son, as he comes back to me, of a distinguished Abolitionist of New York State—rare bird; and seen by that fact in a sort of glamour of picturesque justification, an air deriving colour from the pre-established gallantry, yet the quiet and gentlemanly triumph, of his attitude. So at least do I read back into blurred visions the richest meanings they could have. I pick out for a not less baffled tribute a particular friend of my brother’s and a comrade of May’s, whom I identify on the superficial side but by his name of Salter and the fact of his studentship in theology; which pursuit, it comes over me as I write, he must have shared, of homely, almost of sickly, New England type as he was, with May of the fine features, the handsome smile, by my resolute recollection, the developed moustache and short dark pointed beard, the property of vaguely recalling in fine some old portrait supposedly Spanish (supposedly, and perhaps to a fantastic tune, by me—for I dare say it was by no one else). Salter had no such references—it even appalled me to have a bit intelligently to imagine to what origins starved of amenity or colour his aspect and air, the slope of his shoulders, the mode of growth of his hair, the relation of his clothes to his person and the relation of his person to the inevitable needs of intercourse, might refer him; but there played about him a bright force in the highest and extraordinarily quick flares of which one felt nothing, while the exhibition lasted, but his intellectual elegance. He had the distinction of wit—so rare, we ever feel it to be, when we see it beautifully act; and I remember well how, as that was indeed for me almost the whole of intellectual elegance, I fell back on the idea that such an odd assortment of marks in him was at least picturesque, or much in the Maison Vauquer line: pinched as I must have been by the question of whether a person of that type and cut had the “right” to be witty. On what else but the power the right rested I couldn’t doubtless have said; I but recall my sense that wit was somehow the finest of all social matters and that it seemed impossible to be less connected with such than this product of New England at its sparest and dryest; which fact was a sort of bad mark for the higher civilisation. I was prepared to recognise that you might be witty and ugly, ugly with the highest finish of ugliness—hadn’t the celebrated Voltaire been one of the scrappiest of men as well as of the most immortally quoted?—but it cost a wrench to have to take it that you could shine to admiration out of such a platitude of the mere “plain.” It was William in especial who guaranteed to me Salter’s superior gift, of which in the free commerce of Divinity Hall he had frequent illustration—so that what I really most apprehended, I think, was the circumstance of his apprehending: this too with a much finer intellectual need and competence than mine, after all, and in the course of debates and discussions, ardent young symposia of the spirit, which struck me as falling in with all I had ever curiously conceived of those hours that foster the generous youth of minds preappointed to greatness. There was the note of the effective quaint on which I could put my finger: catch a poor student only dreary enough and then light in him the flame of irony at its intensest, the range of question and the command of figure at their bravest, and one might, with one’s appetite for character, feed on the bold antithesis. I had only to like for my brother, and verily almost with pride, his assured experience of any queer concretion—his experience of abstractions I was to rise to much more feebly and belatedly, scarce more indeed ever than most imperfectly—to find the very scene of action, or at least of passion, enjoyed by these my elders and betters, enriched and toned and consecrated after the fashion of places referred to in literature and legend.

  I thus live back of a sudden—for I insist on just yielding to it—into the odd hours when the poor little old Divinity Hall of the overgrown present faced me as through the haze of all the past Indian summers it had opened its brooding study-windows to; when the “avenue” of approach to it from the outer world was a thing of dignity, a positive vista in a composition; when the Norton woods, near by, massed themselves in scarlet and orange, and when to penetrate and mount a stair and knock at a door and, enjoying response, then sink into a window-bench and inhale at once the vague golden November and the thick suggestion of the room where nascent “thought” had again and again piped or wailed, was to taste as I had never done before the poetry of the prime initiation and of associated growth. With cards of such pale pasteboard could the trick, to my vision, play itself—by which I mean that I admire under this memory the constant “dodges” of an imagination reduced to such straits for picking up a living. It was as if one’s sense of “Europe,” sufficiently sure of itself to risk the strategic retreat, had backed away on tiptoe just to see how the sense of what was there facing one would manage without it—manage for luxury, that is, with the mere indispensable doubtless otherwise provided for. That the sense in question did manage beautifully, when at last so hard pressed, and that the plasticity and variety of my vision draw from me now this murmur of elation, are truths constituting together for me the perhaps even overloaded moral of my tale. With which I scarce need note that so elastic a fancy, so perverse a little passion for finding good in everything—good for what I thought of as history, which was the consideration of life, while the given thing, whatever it was, had only to be before me—was inevitably to work a storage of other material for memory close-packed enough to make such disengagement as I thus attempt at the end of time almost an act of violence. I couldn’t do without the scene, as I have elsewhere had occasion to hint, whether actually or but possibly peopled (the people always calling for the background and the background insisting on the people); and thanks to this harmless extravagance, or thanks in other words to the visionary liberties I constantly took (so that the plate of sense was at the time I speak of more overscored and figured for me than sense was in the least practically required to have it), my path is even now beset to inconvenience with the personal image unextinct. It presents itself, I feel, beyond reason, and yet if I turn from it the ease is less, and I am divided when I further press the spring between compunction at not pausing before some shade that seems individually and even hopefully to wait, and the fear of its feeling after all scanted of service should I name it only to leave it. I name for instance, just to hover a little, silent Vanderpool, the mutest presence at the Upham board, and quite with no sense of the invidious in so doing. He was save for myself, by my remembrance, the only member of the Law School there present; I see him moreover altogether remarkably, just incorruptibly and exquisitely dumb, though with a “gentlemanly” presence, a quasi-conservative New Jersey finish (so delicate those dim discriminations!) that would have seemed naturally to go with a certain forensic assurance. He looked so as if he came from “good people”—which was no very common appearance on the Harvard scene of those days, as indeed it is to a positive degree no so very common appearance on any scene at any time: it was a note of aspect which one in any case found one’s
self, to whatever vague tune, apt quite to treasure or save up. So it was impossible not to recognise in our soundless commensal the very finest flower of shyness, the very richest shade of the deprecating blush, that one had perhaps ever encountered; one ended in fact by fairly hanging on the question of whether the perfection of his modesty—for it was all a true welter of modesty, not a grain of it anything stiffer—would beautifully hold out or would give way to comparatively brute pressure from some point of our circle. I longed to bet on him, to see him through without a lapse; and this in fact was so thoroughly reserved to me that my eventual relief and homage doubtless account for the blest roundness of my impression. He had so much “for” him, was tall and fine, equipped and appointed, born, quite to an effect of ultimately basking, in the light of the Law, acquainted, one couldn’t fail of seeing, with a tradition of manners, not to mention that of the forensic as aforesaid, and not to name either the use of “means,” equally imputable: how rare accordingly would be the quality, letting even the quantity alone, of his inhibitions, and how interesting in the event the fact that he was absolutely never to have deviated! He disappeared without having spoken, and yet why should I now be noting it if he hadn’t nevertheless admirably expressed himself? What this consisted of was that there was scarce anything he wouldn’t have done for us had it been possible, and I think, in view of the distinctness with which he still faces me, the tenderness with which he inspires my muse and the assurance with which I have “gone into” him, that I can never in all my life since have seen so precious a message delivered under such difficulties. Admirable, ineffaceable, because so essentially all decipherable, Vanderpool!

  It wasn’t either that John Bancroft tossed the ball of talk—which but for the presence of the supremely retentive agent just commemorated would have appeared on occasion to remain in his keeping by a preference, on its own part, not to be outwitted; this more or less at all times too, but especially during the first weeks of his dawning on us straight out of Germany and France, flushed with the alarm, as one might have read it, of having to justify rare opportunities and account for the time he had inordinately, obscurely, or at least not a little mysteriously, spent—the implication of every inch of him being that he had spent it seriously. Odd enough it certainly was that we should have been appointed to unveil, so far as we might, a pair of such marked monuments to modesty, marble statues, as they might have been, on either side of the portal of talk; what I at any rate preserve of my immediate vision of Bancroft—whose very promptest identity indeed had been his sonship to the eminent historian of our country and earlier and later diplomatist—was an opposition, trying to me rather than engaging as its like had been in the composition of Vanderpool, between what we somehow wanted from him (or what I at least did) and what we too scantly gathered. This excellent friend, as he was later on to become, with his handsome high head, large colourable brow and eyes widely divided—brave contribution ever to a fine countenance—sat there in a sort of glory of experience which, had he been capable of anything so akin to a demonstration, he would have appeared all unsociably to repudiate. It was bruited of him that, like John La Farge, whose friend he was admiringly to become—for he too had a Newport connection—he “painted,” that is persisted (which was the wondrous thing!) in painting; and that this practice had grown upon him in France, where, en province, his brother had entirely taken root and where the whole art-life, as well as the rural life, of the country had been opened to him; besides its a little later coming to light that he had romantically practised at Dusseldorf, where too he had personally known and tremendously liked George du Maurier, whose first so distinguished appearances as an illustrator had already engaged our fondest attention—were they most dawningly in the early Cornhill, or in Punch, or in Once a Week? They glimmer upon me, darkly and richly, as from the pages of the last named. Not to be rendered, I may again parenthesise, our little thrilled awareness, William’s and mine, though mine indeed but panting after his, of such peeping phenomena of the European day as the outbreak of a “new man” upon our yearning view of the field of letters and of the arts. I am moved to wonder at how we came by it, shifting all for ourselves, and with the parental flair, so far as the sensibility of home was concerned, turned but to directions of its own and much less restless on the whole than ours. More touching to me now than I can say, at all events, this recapture of the hour at which Du Maurier, consecrated to much later, to then still far-off intimate affection, became the new man so significantly as to make a great importance of John Bancroft’s news of him, which already bore, among many marvels, upon the supreme wonder of his working, as he was all his life bravely to work, under impaired and gravely menaced eyesight. When I speak, as just above, of what, through so many veils, “came to light,” I should further add, I use a figure representing a considerable lapse of time and shading off, for full evocation, into more associations than I can here make place for. Nothing in this connection came soon to light at least but that endless amazement might lie in the strange facts of difference between our companion and his distinguished sire—the latter so supremely, so quaintly yet so brilliantly, social a figure, I apprehended, when gaped at, a still more angular, but more polished and pacific Don Quixote, on the sleekest of Rosinantes, with white-tipped chin protrusive, with high sharp elbows raised and long straight legs beautifully pointed, all after the gallantest fashion, against the clear sunset sky of old Newport cavalcades. Mr. Bancroft the elder, the “great,” was a comfort, that is a fine high identity, a cluster of strong accents, the sort of thing one’s vision followed, in the light of history, if not of mere misguided fancy, for illustration of conceived type—type, say in this case, of superior person of the ancient and the more or less alien public order, the world of affairs transacted at courts and chancelleries, in which renown, one had gathered from the perusal of memoirs, allowed for much development of detail and much incision of outline, when not even directly resting on them. As it had been a positive bliss to me that words and names might prove in extremity sources of support, so it comes back to me that I had drawn mystic strength from just obscurely sighing “Metternich!” or “Talleyrand!” as Mr. Bancroft bounced by me—so far as a pair of widely-opened compasses might bounce—in the August gloaming. The value of which, for reflection, moreover, was not in the least in its being that if his son remained so long pleadingly inscrutable any derived Metternich suggestion had contributed to keep him so—for quite there was the curiosity of the case, that among the imputations John appeared most to repudiate was that of having at any moment breathed the air either of records or of protocols. If he persisted in painting for years after his return to America without, as the legend grew, the smallest disclosure of his work or confession of his progress to human eye or ear, he drew the rigour of this course wholly from his singleness of nature, in the aftertime to be so much approved to us. However, I pause before the aftertime, into the lap of which more than one sort of stored soundness and sweetness was to fall from him drop by drop.