The Silent and the Damned

  Silence. The brown eyes steadied on Falcón's chest.

  'It looks like suicide.'

  'At least one of those deaths has to be a murder.'

  'It looks like Rafael killed his wife and then himself.'

  'Did you ever see any evidence of that level of instability in your late client?'

  'How's anybody supposed to know what goes on inside a man's head?'

  'So, he wasn't looking at business failure or financial ruin?'

  'You'd have to speak to the accountant about that, although the accountant was not the finance director. His knowledge would probably be confined.'

  'Who was the finance director?'

  'Rafael kept things close to his chest.'

  Falcón gave him his notebook. Vázquez wrote down the accountant's name, Francisco Dourado, and his details…

  'Is there any scandal brewing that you know of, involving Sr Vega or his company?' asked Falcón.

  'Now I know you,' said Sr Vázquez, smiling for the first time with astonishingly perfect teeth. 'Falcón. I didn't make the connection before. Well… you 're still here, Inspector Jefe, and my client hasn't gone through anything like you did.'

  'But I didn't commit any crime, Sr Vázquez. I wasn't facing moral ruin or personal shame.'

  'Shame,' said the lawyer. 'Do you think shame still has that sort of power in our modern world?'

  'It depends on the society in which you have built your life. How important its opinion is to you,' said Falcón. 'By the way, do you hold Sr Vega's will?'

  'Yes, I do.'

  'Who is the next of kin?'

  'As I said, he has no family.'

  'And his wife?'

  'She has a sister in Madrid. Her parents live here in Seville.'

  'We'll need someone to identify the bodies.'

  Perez appeared in the doorway.

  'They've pulled the note out of Sr Vega's hand,' he said.

  They went to the kitchen, squeezing past the forensics who were crowding the corridor with their cases, waiting to get on to the crime scene.

  The note was already in a plastic evidence bag. Calderón handed it over, eyebrows raised. Falcón and Vázquez frowned as they read it, and not just because its ten words were written in English.

  '… the thin air you breathe from 9/11 until the end…'

  * * *

  Chapter 2

  Wednesday, 24th July 2002

  'Do these words mean anything to you?' asked Calderón.

  'Nothing at all,' said Vázquez. 'Does the handwriting look normal to you?' 'It's definitely Sr Vega's… that's all I can say.' 'It doesn't differ from his usual handwriting in any way?'

  'I'm not an expert, Juez,' said Vázquez. 'It doesn't seem to have been written with a trembling hand, but it is not exactly fluid either. It seems careful rather than dashed off.'

  'It's not what I would call a suicide note,' said Falcón. 'What would you call it, Inspector Jefe?' asked Vázquez.

  'An enigma. Something that's demanding to be investigated.'

  'Interesting,' said Calderón.

  'Is it?' said Vázquez. 'We are always given the impression that detective work is very exciting. This…?'

  'If you were a murderer you would normally not want to have your work investigated,' said Falcón. 'You would hope to get away with it. You told me earlier that you thought this crime scene looked like a suicide. A killer with a motive would usually try to give that notion authority with a straightforward suicide note and not with something that makes the investigating team think: What's this all about?'

  'Unless he was a madman,' said Vázquez. 'One of those serial killers laying down a challenge.'

  'Well, first of all, there's no challenge. A half-note in Sr Vega's handwriting is not what I would call a psychotic attempt to communicate. It's too oblique. Secondly, the crime scene does not contain any of the qualities we associate with a psychopathic killer. They are the sort of people who think about body placement for instance. They introduce elements of their obsessions into the picture. They show that they have been here, that an intricate mind has been at work. There's nothing casual about a serial killer's montage. A bottle of drain cleaner is not left where it fell. Everything has importance.'

  'So what normal person would kill a man and his wife and want to have it investigated?' asked Vázquez.

  'A murderer who had good reason to hate Sr Vega and wanted him to be revealed for the man he was,' said Falcón. 'As you may know, murder inquiries are very intrusive processes. To find the motive we have to conduct a post mortem, not just on the body but on the victim's life. We have to go into everything - business, social, public, private and as personal as we can get. Perhaps Sr Vega himself…'

  'But, Inspector Jefe, you can never get inside a man's head, can you?' said Sr Vázquez.

  'The other possibility is that Sr Vega himself is trying to communicate with us. By balling this note in his fist he may be telling us to investigate the crime.'

  'You didn't let me finish,' said Vázquez. 'The one thing my job has taught me is the three voices of man: the public one to address the world, the private one he keeps for his family and friends, and the most troubling one of all - the voice inside his own head. The one he uses to talk to himself. • Successful people like Sr Vega have very powerful inner voices and something I've noticed about that kind of person… he never lets anybody have access to it - not his parents, not his wife, not his first-born child.'

  'That's not the point -' said Falcón.

  'The point is that we get insights,' said Calderón, cutting in. 'A man's actions, the way he behaves with people… different people, it all tells us something about him.'

  'In my experience, they tell you what he wants you to think,' said Vázquez. 'Let me show you something about Sr Vega and you give me your insight. Can we walk across this kitchen floor yet?'

  Felipe and Jorge were brought in to check and clear a corridor across the kitchen floor. Falcón gave Vázquez a pair of latex gloves. They crossed the kitchen to a door on the other side which opened on to a room whose three walls were made up of floor-to-ceiling stainless steel fridges. Hanging on the clear wall was an impressive array of knives, choppers and saws. The white tiles of the floor were pristine and gave off the faint smell of a pine detergent. In the middle of the room was a wooden table with a top thirty centimetres thick. Its bleached surface was a crosshatching of cuts and notches with a declivity in the middle, its edge furred from constant use. Falcón felt a strange sense of dread looking at that table.

  'And this is where he keeps the bodies, is it, Sr Vázquez?' asked Calderón.

  'Look in the fridges and freezers,' said the lawyer. 'They're full of bodies.'

  Calderón opened a fridge door. Inside was a half- carcass of beef with hooves removed. The visible meat was a deep, dark red, almost black in parts where it wasn't pearled with membrane or covered in thick, creamy yellow fat. The fridges on either side contained several lambs and a pink pig. The latter's head had been removed and hung on a hook, ears stiff, eyes closed with long white lashes making it look at restful sleep. The other doors opened on to freezers with cuts of frozen meat packaged and stored in baskets or just thrown into the dark frosty depths.

  'What do you make of that?' asked Vázquez.

  'He wasn't a vegetarian,' said Calderón.

  'He enjoyed butchering his own meat,' said Falcón. 'Where did he get it from?'

  'From specialized farms up in the Sierra de Aracena,' said Vázquez. 'He didn't think there was a single butcher in Seville who had the first idea about handling meat, neither hanging it nor cutting it up.'

  'Does that mean he used to be a butcher?' asked Falcón. 'Do you know when and where that was?'

  'All I know is that his father used to be a butcher before he was killed.'

  'Before he was killed? What does that mean? He was murdered or -?'

  'That was the expression he used to describe the death of his parents. "They were killed." He never offe
red an explanation and I didn't ask for one.'

  'How old was Sr Vega?'

  'Fifty-eight years old.'

  'So, born in 1944… five years after the Civil War ended. They didn't die in wartime,' said Falcón. 'You don't know when they were killed?'

  'Is this relevant, Inspector Jefe?' asked Vázquez.

  'We're building a picture of the victim's life. It would have had a significant effect on Sr Vega's mental state if, say, they died in a car accident when he was still a boy. If they were murdered, that would be something else altogether. That leaves unanswered questions and, especially if there was no retribution, it could breed a determination, not necessarily to find out why, which could be beyond his capabilities, but to prove something to himself. To find out who he was in this world.'

  'My God, Inspector Jefe, 'said Vázquez, 'perhaps it's your own experience that's made you so eloquent on the matter but I'm sorry I can't help you with that kind of information. I'm sure there are records…'

  'How long have you known him?' asked Calderón.

  'Since 1983.'

  'Was that here… in Seville?'

  'He wanted to buy a plot of land. It was his first project.'

  'And what had he been doing before that?' asked Falcón. 'Butchery doesn't buy you very much land.'

  'I didn't ask him. He was my first client. I was twenty-eight years old. I didn't want to do or ask anything that might lose me the work.'

  'So his background didn't bother you - the possibility that he might rip you off?' asked Falcón. 'How did you meet?'

  'He came in off the street one day. You probably don't know this about business, Inspector Jefe, but you have to take risks. If you want to be sure about everything you don't set up your own practice… you work for the State.'

  'Did he have an accent?' asked Falcón, ignoring the slight.

  'He spoke in Andaluz, but it didn't sound as if he was born to it. He'd been abroad. I know he spoke American English, for instance.'

  'You didn't question him about any of that?' asked Falcón. 'I mean, over lunch or a beer, not in an interrogation room.'

  'Look, Inspector Jefe, I just wanted the man's business. I didn't want to marry him.'

  The Médico Forense put his head round the door to say he was going upstairs to look at Sra Vega's body. Calderón went with him.

  'Was Sr Vega married when you first met him?' asked Falcón.

  'No,' said Vázquez. 'There were no divorce proceedings, although I think he produced a death certificate of a previous spouse. You'll have to ask Lucia's parents.'

  'When did they marry?'

  'Eight… ten years ago, something like that.'

  'Were you invited?'

  'I was his testigo.'

  'A trusted man in every respect,' said Falcón.

  'What do you make of my client's hobby?' asked Vázquez, wanting to take back control of the interview.

  'His parents "were killed". His father was a butcher,' said Falcón. 'Perhaps this is his way of keeping a memory alive.'

  'I don't think he liked his father that much.'

  'So he did give you some personal revelations?'

  'Over the last… nearly twenty years I've gleaned some small pieces of information. His father being hard on his only son was one of them. A favourite punishment was to make his son work in the cold store in just a shirt. Rafael suffered from arthritis in his shoulders, which he put down to that early treatment.'

  'Perhaps butchery gives him a sense of control. I mean, not just because he's good at it but because he's reducing something large and unmanageable down to comprehensible and usable pieces,' said Falcón. 'And that's the work of the constructor. He takes the vast and complex architect's plans and dismantles them into a series of jobs involving steel, concrete, bricks and mortar.'

  'I think the few people who knew about his hobby found it more… sinister.'

  'The idea of the urbane businessman hacking his way down the spine of a dead beast?' said Falcón. 'I suppose, there is a certain brutality to the work.'

  'A lot of people who had dealings with Sr Vega thought they knew him,' said Vázquez. 'He understood what made people tick and he had learnt how to charm. He had an instinct for a person's strengths and weaknesses. He made men feel interesting and powerful, and women, mysterious and beautiful. It was shocking to see how well it worked. I realized some time ago that I didn't know him… at all. It meant that he trusted me, but only with his business, not with his private thoughts.'

  'You were his testigo, that's a little more than a business relationship.'

  'You know there was a business element to his relationship with Lucia… or rather Lucia's family.'

  'They had land?' asked Falcón.

  'He made them very wealthy people,' said Vázquez, nodding.

  'And not very inquisitive about his mysterious past?'

  'I only wanted to show you that being his testigo did not imply a more intimate relationship…'

  'Than he had with his wife?'

  'You'll be talking to Lucia's parents, I'm sure,' said Vázquez.

  'How was he with his son, Mario?'

  'He loved his son. The child was very important to him.'

  'It seems odd that he should have waited until he was over fifty before starting a family.'

  Silence, while Vázquez riffled through his lawyerly mind.

  'I can't help you there, Inspector Jefe,' he said.

  'But I'm making you think.'

  'I mentioned the death certificate. I was just going over other conversations.'

  'You met him when he was nearly forty years old. He had money enough to buy land.'

  'He had to borrow as well.'

  'Still, someone of that generation, with that sort of money, would normally have a family.'

  'You know, he never talked about his life, that part of it before he and I met.'

  'Apart from his father's butchery business.'

  'And that only came up because of the planning permission needed to build this room when he renovated the house. I saw the drawings. It needed an explanation.'

  'When was that?'

  'Twelve years ago,' said Vázquez. 'But I didn't get the full family history.'

  'He told you how he was punished by his father.'

  'It was just fragments. There was no major discussion.'

  Felipe, the older of the two forensics, put his head round the door.

  'Do you want to talk about this now, Inspector Jefe?'

  Falcón nodded. Vázquez gave him his card and the house keys and said he'd be in Seville for at least another week before the August holidays. As he turned to leave he told Falcón to open the door on the other side of the butcher's room. It gave on to the garage, in which there was a brand-new silver Jaguar.

  'He took delivery of that last week, Inspector Jefe,' said Vázquez. 'Hasta luego.'

  Falcón joined the forensics in the kitchen. Felipe was watching Jorge working his way around the foot of the kitchen units.

  'What have we got?' asked Falcón.

  'Nothing so far,' said Felipe. 'The floor has been recently cleaned.'

  'The work surfaces?'

  'No, there are prints all over those. It's just the floor,' said Felipe. 'You'd have thought with a litre of drain cleaner in his guts he'd have gone into convulsions. You ever had gallstone trouble, Inspector Jefe?'

  'Fortunately not,' he said, but he caught the glimmer of horror in Felipe's eye. 'Don't they say it's the closest a male can get to the pain of childbirth?'

  'I told my wife that and she reminded me both her babies were nearly four kilos each and that a gallstone is about nine grammes.'

  'There's very little sympathy in the pain stakes,' said Falcón.

  'I thrashed around on the bathroom floor like a lunatic. There should be latent prints everywhere.'

  'Fingerprints on the bottle?'

  'One set, very strong and clear… which is surprising, too. I wouldn't have thought Sr Vega would buy his own drai
n cleaner. There should be others.'

  'It must have been doctored with something stronger, or with poison, or he must have taken pills. Conventional drain cleaner would take some time, wouldn't it?'

  'Strange way to do it, if you ask me,' said Jorge, from the foot of the kitchen units.

  'Well, I think this points to what we all saw when we first took a look at the crime scene,' said Falcón.

  'It didn't look right,' said Felipe.

  'I thought it was "off", too,' said Jorge.

  'Nothing you can put your finger on?' said Falcón.

  'It's always the same with these scenes,' said Felipe. 'It's what's missing that matters. I took one look at the floor and thought: No, I'm getting nothing from that.'

  'Did you hear about the note?'

  'Weird,' said Jorge.'"… the thin air you breathe…" what's that?' 'Sounds pure,' said Falcón.

  'And the 9/11 stuff?' asked Jorge. 'We're a long way from New York.'

  'He was probably bankrolling al-Qaeda,' said Felipe.

  'Don't joke about it,' said Jorge. 'Anything can happen these days.'

  'All I know is that this is wrong,' said Felipe. 'Not so wrong that I'm totally convinced that he was murdered, but wrong enough to make me suspicious.'

  'The position of the bottle?' asked Falcón.

  'Had it been me, I'd have drunk it and flung it across the room,' said Jorge. 'There should be droplets everywhere.'

  'And there aren't any, except at the point where the bottle lay just over a metre from the body.'

  'But there are some drops?'

  'Yes, they've dripped from the neck of the bottle.'

  'Any between the body and the bottle?'

  'No,' said Felipe, 'which again is odd, but not… impossible.'

  'Just as he could have thrashed around on the floor wiping away any latents and droplets with his dressing gown?'

  'Ye-e-es,' said Felipe, unconvinced.

  'Give me some conjecture, Felipe. I know you hate it, but just give me some.'

  'We only deal in facts here,' said Felipe, 'because facts are the only things that stand up in court. Right, Inspector Jefe?'

  'Come on, Felipe.'

  'I'll say it,' said Jorge, getting to his feet. 'We all know what's missing from this crime scene and that is… a person. We're not sure what they did, or whether they were involved even. We just know that somebody was here.'