League of Night and Fog

  Spastic, Seth lurched from the force of the blow. He fell against the statues on the altar, turned to grab then for support, slid down, and collapsed unmoving upon the floor. His blood trickled over the knife

  Mithras held to the throat of the bull. Icicle had not yet adjusted to the sudden arrival of the stranger, who now flicked off the switch on the detonator and stalked toward him, aiming Seth's pistol. The stranger's expression was a combination of disgust and fury. "Get me out of here,"

  Icicle said, "before the authorities arrive. We don't have much time.

  If you help me, I'll help you." Delirium made his thoughts drift He fought to steady them. "I'll tell you anything you want to know. My father's dead. This isn't my fight any longer. Halloway has to be punished."

  "Halloway? Who's Halloway?"

  "For God's sake, get me out of here. The woman we kidnapped from the gardens. Seth rigged explosives to her."

  "I know that"

  "But her husband thinks he can safely remove the bomb if we're out of radio range. Seth lied. The bomb'll go off if the husband tries to disconnect the wires." The stranger spoke urgently. "Can you walk?"

  "I think so." Icicle almost fainted from pain when the stranger helped him up. The stranger put his jacket over Icicle's shoulders. "It'll hide the blood." Icicle leaned against the stranger and, through a haze, stumbled from the temple. The next thing he knew, he was in the subterranean basilica. He didn't remember going up the final group of stairs or crossing the upper basilica. He only knew that he was outside, mat the last rays of sunset were blinding, that a police siren's wail was approaching. "Walk faster," the stranger said, supporting him. They reached a corner and turned in the direction opposite to the siren. At another corner, they turned again.

  And again. Disoriented, Icicle had the sense of wandering through a maze. "I don't think I can stand up much longer." We're almost there."

  A park to the south of the Arch of Constantine, Icicle saw. In the dimming blaze of sunset, tourists milled through the area, admiring the carvings on the monument The stranger set him on the ground against a tree. Given the emergency, the cover was perfect. Icicle realized. As long as I don't bleed through the jacket he slipped over my shoulders, I won't attract attention. "Stay here. I'll be back," the stranger said.

  'Tell the woman's husband not to try to remove the bomb." But the stranger had already disappeared through the crowd.

  Damn it, Romulus, I warned you not to jerk me around. Where the hell's the priest? I promised you two hours alone with him. I come back, and the room's deserted. Nothing's on the nicking tape recorder." Gallagher pounded a fist into his hand. The station chief had been pacing angrily in the hotel room when Saul brought Erika back there. Saul had hoped to see Drew and Arlene, not Gallagher. He'd waited outside the Colosseum, expecting his friends to emerge from the park across from the ruins.

  When they hadn't come, he'd tried to call them where they should have been waiting at the prearranged contact site, a pay phone. But the first time no one had answered, and the second time a strident woman had asked if he was Luigi and why was he keeping her waiting. By then, it was after 7 p. m., the deadline for contact Filled with misgivings, he'd decided that the hotel room was me only other place where Drew and

  Arlene would know they could get in touch with him. Besides, the hotel room would give him the privacy he needed to remove the explosives from

  Erika's back. Guiding her, he'd hailed a taxi and returned to the hotel as quickly as possible. But now, in addition to his other pressures, he had to deal with Gallagher. "The priest doesn't matter," Saul said.

  "I've got my wife back. That's all I care about."

  "You're telling me the priest is gone because you traded him?"

  "Yes! And I'd do it again! I questioned him, don't worry! I'll keep my bargain! I've got plenty to tell you! But not before I deal with this!" Saul slipped the rain jacket off Erika, showing Gallagher the metal box attached to the belt at her spine. Gallagher stared. "Jesus

  Christ, it's a bomb." Erika murmured something unintelligible; gradually the effects of the drug were lessening. Saul sat her on the bed and studied the apparatus secured to her. "I'll have to break the lock or cut the belt. But the belt's wired to the box. The whole thing--lock, belt and box--forms a continuous electrical circuit"

  "Then the bomb might be rigged to go off if the circuit's broken."

  "Seth told me it was safe to take it off as soon as he was out of radio range."

  "Seth? Who the hell is Seth?"

  "I'll explain later. First I have to--" Saul reached toward the wires, stiffening when he heard a knock on the door. He swung his troubled gaze toward the sound. Gallagher went to answer it. "No! Wait!" Saul said. He suspected Drew and Arlene were in the corridor, and he didn't want Gallagher to see them.

  "What's the problem, Romulus? Another secret?" Gallagher opened the door, Saul's suspicion had been half correct Arlene stood out there, supporting the groggy priest

  "Who the hell are you?" Gallagher demanded. Saul slumped into a chair. Arlene held back for a moment, then acquiesced when Gallagher tugged her and Father Dusseault into the room.

  "Romulus, who is this woman?" Gallagher insisted, locking the door. "A friend."

  "That's not a good enough explanation."

  "It's all you need to know. You've got the priest back. That's what you wanted, isn't it? Thank her. Don't ask questions about who she is." Arlene brought the priest to the bed and laid him down on the side away from Erika. "The priest back?" Gallagher said. "No, mat isn't what I wanted."

  "I wish you'd make up your mind." 1 don't want him. I want what he knows. After I learn about the Fraternity, the sooner I'm rid of him the better."

  "He killed Cardinal Pavelic. He's been trying to sabotage (he

  Fraternity. What's more, he can tell you where to find a dozen or more

  Nazi war criminals." Gallagher's mouth opened in surprise. Saul turned to Arlene. "I'm glad to see you again. When I couldn't make contact

  ... How did you get the priest back? Drew? Where's Drew?"

  "He went after Seth and Icicle," she said. "Icicle?" Gallagher looked even more mystified. "Drew?" Saul and Arlene ignored him. "Your wire?"

  Arlene asked. "Is she all right?"

  "Still groggy from being drugged. It doesn't seem as if they hurt her."

  "She's beautiful."

  "Yes." Saul felt tears in his eyes. "And smart and funny and kind.

  Strong, maybe stronger than I am--in all sorts of ways. I don't know what I'd do without her."

  "Would somebody please tell me what's going on?" Gallagher said. "After

  World War Two, Cardinal Pavelic helped Nazi war criminals escape from the Allies," Arlene said.

  "Over the years, he kept track of them. He blackmailed them in exchange for his silence. His assistant"--Arlene gestured toward Father

  Dusseault--"found out what the cardinal was doing. Father Dusseault belongs to the Fraternity, but he hates what the order stands for. He used his position in the order to try to sabotage it He saw the cardinal as a further example of corruption within the Church. Not only did he kill the cardinal--he decided to punish the war criminals the cardinal had been protecting."

  "Punish them? How?" Saul added to Arlene's explanation. "Father

  Dusseault gave the information to a Mossad operative whose family had been killed and who himself had nearly been killed in Dachau. The theory was that someone with so terrible a grievance, particularly someone with his training and resources, would be a more reliable instrument of punishment man trials that might take years."

  "Punishment? Do you mean vengeance?" Gallagher asked. "Did Father

  Dusseault hope the Mossad operative would kill me Nazis?" Saul nodded.

  "I'm less sure about the rest of it, but my guess is that the Mossad agent--his name was Ephraim Avidan by the way--decided he needed help. I think he went to other Mossad operatives who'd been in concentration camps and organized a tea
m. These operatives were old enough to be retired. Many of them were widowers. They had the freedom, both politically and personally, to do what they wanted. In Vienna, Erika and I were given a list of men's names by our contact with the Mossad.

  The men on that list matched the profile I just described. During the past few months, they all disappeared. I think they were dropping out of the limited society they still had, preparing for their mission."

  "Disappearing?" Gallagher asked. "It sounds like..."

  "My wife's father," Saul said. 'I think he's one of the team." The room seemed to shrink. "What about the two men you mentioned--Seth and

  Icicle?"

  "Assassins. Sons of Nazi assassins. I think their fathers are two of the war criminals the cardinal protected. If Avidan's team moved against their fathers, Seth and Icicle would want to know who was doing it and why. They seem to have decided that the cardinal was the key to the puzzle. If they found out why the cardinal disappeared, they'd find out why those war criminals became targets after so many years."

  Gallagher gestured toward Arlene. "So how do you fit into this?? Who's

  Drew?"

  "No more questions," Saul said. "Erika's all that matters. / have to get this damned thing off her." That afternoon, he'd asked Arlene to buy the metal clippers Seth had claimed he'd need to get the belt off Erika once Seth was out of radio range. Now Arlene reached in her purse and gave (hem to Saul. He pressed them against the metal belt and hesitated.

  "Arlene, maybe you, Gallagher, and the priest ought to get out of here.

  In case this thing blows up."

  "If you think it's that risky, don't do anything." Saul shook his head.

  "Suppose Seth isn't out of radio range. You said Drew was chasing him.

  Seth might press the detonator."

  "Maybe we should all get out of here," Gallagher said. "I'll phone for an Agency explosive expert."

  "By the time he got here, it might be too late." Saul studied the wires attached to the metal belt and box. "Unless... maybe. Yes, it just might work." He hurried to unplug a lamp on a bureau. With sweat-slippery hands, he used the metal clippers to snip the cord from the base of the lamp and cut the electrical plug from the opposite end of the cord. "What are you doing?" Gallagher asked. Saul was concentrating too hard to answer. Gently, he pressed the clippers against the rubber insulation on the cord, nicked it two inches from each end, men peeled off the strips of insulation, exposing the wires.

  He went back to Erika and secured one end of the cord to a bare wire leading from the metal box to the belt He attached the other end of the cord to a second bare wire leading from the box to the belt He'd been afraid mat the bomb would go off if he cut the belt and interrupted an electrical circuit But now the lamp cord provided the same function that the belt did. In theory, he could now cut the belt, and the circuit wouldn't be damaged. In theory. "I think,"

  Saul said, "that this would be a good time for all of you to leave."

  Unprotesting, Arlene raised the priest from the bed. "Gallagher, let's take a stroll to the end of the hall."

  "Romulus?" Saul waited.

  "Good luck."

  "Thanks." Gallagher grinned. "You're something else." Ten seconds later, Saul was alone with Erika. Aching with love, he pressed the clippers to the front of the belt and snipped it. The phone rang precisely when he'd anticipated the explosion. The harsh sound jolted his nerves; his heart lurched. "Shit!" The phone rang again. He tried to regain control, working with as much speed as caution would allow, removing the belt and the bomb from Erika's waist. Careful not to disturb the wires he'd attached to it, he set the apparatus on a chair.

  The phone kept ringing. He grabbed it. "It's Drew! For God's sake, don't try to take that bomb off your wife! Seth lied! The bomb's rigged to explode if the belt's opened!" Saul sank onto the bed and began to laugh. 'Wow you tell me?"

  "What are--?" Saul roared. He knew he sounded hysterical, but the release felt too good for him to care.

  "Everything's fine. The bomb's not on her anymore."

  "How, sweet Jesus, did you manage that?" Saul's laugh became one of affection toward his friend. Drew was the only person he knew who could make an expletive sound like a prayer. "With some help from a lamp cord. I'll tell you about it when I see you. But are you okay? Arlene said you'd gone after Seth and Icicle."

  "Yes... Seth's dead. Icicle killed him."

  "What?"

  "Icicle's been wounded. If we help him, he promises to tell us anything we want to know." At once Saul stood. "Where should I meet you?"

  "The park south of Constantine's Arch. That's where I left Icicle.

  We'll be waiting along the Via di San Gregorio."

  "Are you sure we can trust him?"

  "Yes. He was the one who told me not to try taking the bomb off your wife. He didn't have to warn us. He didn't have to help Erika. When we talk to him, I think we'll get the last of our questions answered."

  'I'll be there in twenty minutes." Saul set the phone back onto its receiver and hurried from the room toward Arlene, Gallagher, and the priest in the corridor. "Arlene, please stay with Erika. Take care of her." He ran toward the elevator. "Just wait a damned minute,"

  Gallagher said. "I'm not through with you. Where do you think you're going?" 'To meet a friend and bring back an Icicle. Tell your medical team we're going to need them again." When the elevator took too long to arrive, Saul rushed down the fire stairs.

  Dusk and the chaos of headlights made Saul despair of noticing Drew and

  Icicle as he sped past Constantine's Arch, driving his rented car down the Via di San Gregorio. Pedestrians thronged the adjacent sidewalks. I should have asked Drew which side of the street he'd be on. But Drew was suddenly ahead of him, his arm around Icicle as if holding up someone who'd drunk too much. Saul steered in their direction, hearing angry car horns behind him, and skidded to a stop at the curb. The instant

  Drew helped Icicle into the back of the car and shut the door, Saul sped away. Icicle wore the jacket that Drew had been wearing this afternoon.

  The blond assassin's face was as pale as his hair. Blood soaked through the arms of the jacket. "How badly is he hurt?" Saul asked. "Shot in both shoulders. One of the bullets passed through. As much as I can tell, the other's still in him. He's delirious."

  "Halloway," Icicle murmured. "Who's Halloway?" Saul glanced back toward

  Drew. "I haven't found out yet. Whoever he is. Icicle sure doesn't like him."

  "Pay the son of a bitch back," Icicle said. "Why?" Drew asked. "Sent

  Seth to kill my father," Icicle said. "Why would Halloway... ? Is he an Israeli?" Icicle laughed. "No."

  "It doesn't make sense." Saul steered around a corner. "If Halloway isn't an Israeli, why would he be involved with the team that went after the Nazis?"

  "Night and Fog," Icicle whispered. "And how does that fit in?" Saul asked. "The Night and Fog was a Nazi terror tactic during World War

  Two."

  "I wonder if... Could it be he just explained the Israeli team's method of revenge?" Drew asked. Saul shuddered as he steered around another corner. "Using Nazi tactics against their enemies? Abducting war criminals and making their families suffer as Jewish families suffered during the Holocaust. Erika's father is involved in this insanity?"

  "A passion for revenge," Drew said. "Because of the murder of my parents, I know all about hate. I was hate for many years. And I know when you borrow the tactics of your enemy you become your enemy. You learn to hate yourself." Saul remembered the hate with which he'd stalked and killed his foster father to avenge his foster brother's death. But getting even for Chris hadn't brought satisfaction, only a terrible hollowness. "I've got to find Erika's father. I've got to stop him."

  "Halloway," Icicle murmured. "Who is he?" Drew asked. "If he isn't

  Jewish--"

  "The Painter's son."

  "Oh, my God," Saul said. "The Painter was the nickname for the assistant SS commandant at th
e Maidanek death camp. Day after day, he processed--that was his word, that was how he thought of it, a system, a disassembly line--thousands of prisoners through the gas chambers and the ovens. At night, he painted idyllic scenes of forests and meadows."