Collected Fiction Volume 2 (1926-1930): A Variorum Edition
The third archway led to a very sizeable chamber entirely lined with shelves and having in the centre a table bearing two lamps. These lamps Willett lighted, and in their brilliant glow studied the endless shelving which surrounded him. Some of the upper levels were wholly vacant, but most of the space was filled with small odd-looking leaden jars of two general types; one tall and without handles like a Grecian lekythos or oil-jug, and the other with a single handle and proportioned like a Phaleron jug. All had metal stoppers, and were covered with peculiar-looking symbols moulded in low relief. In a moment the doctor noticed that these jugs were classified with great rigidity; all the lekythoi being on one side of the room with a large wooden sign reading “Custodes” above them, and all the Phalerons on the other, correspondingly labelled with a sign reading “Materia”.[821] Each of the jars or jugs, except some on the upper shelves that turned out to be vacant, bore a cardboard tag with a number apparently referring to a catalogue; and Willett resolved to look for the latter presently. For the moment, however, he was more interested in the nature of the array as a whole; and experimentally opened several of the lekythoi and Phalerons at random with a view to a rough generalisation. The result was invariable. Both types of jar contained a small quantity of a single kind of substance; a fine dusty powder of very light weight and of many shades of dull,[822] neutral colour. To the colours which formed the only point of variation there was no apparent method of disposal; and no distinction between what occurred in the lekythoi and what occurred in the Phalerons. A bluish-grey powder might be by the side of a pinkish-white one, and any one in a Phaleron might have its exact counterpart in a lekythos. The most individual feature about the powders was their non-adhesiveness. Willett would pour one into his hand, and upon returning it to its jug would find that no residue whatever remained on its[823] palm.
The meaning of the two signs puzzled him, and he wondered why this battery of chemicals was separated so radically from those in glass jars on the shelves of the laboratory proper. “Custodes”,[824] “Materia”; that was the Latin for “Guards” and “Materials”,[825] respectively—and then there came a flash of memory as to where he had seen that word “Guards” before in connexion[826] with this dreadful mystery. It was, of course, in the recent letter to Dr. Allen purporting to be from old Edward Hutchinson; and the phrase had read: “There was no Neede to keep the Guards in Shape and eat’g off their Heads,[827] and it made Much[828] to be founde in case[829] of Trouble, as you too welle knowe.”[830] What did this signify? But wait—was there not still another reference to “guards” in this matter which he had failed wholly to recall when reading the Hutchinson letter? Back in the old non-secretive days Ward had told him of the Eleazar Smith diary recording the spying of Smith and Weeden on the Curwen farm,[831] and in that dreadful chronicle there had been a mention of conversations overheard before the old wizard betook himself wholly beneath the earth. There had been, Smith and Weeden insisted, terrible colloquies wherein figured Curwen, certain captives of his, and the guards of those captives. Those guards, according to Hutchinson or his avatar, had ‘eaten their heads off’,[832] so that now Dr. Allen did not keep them in shape. And if not in shape, how save as the “salts” to which it appears this wizard band was engaged in reducing as many human bodies or skeletons as they could?
So that was what these lekythoi contained; the monstrous fruit of unhallowed rites and deeds, presumably won or cowed to such submission as to help,[833] when called up by some hellish incantation, in the defence[834] of their blasphemous master or the questioning of those who were not so willing?[835] Willett shuddered at the thought of what he had been pouring in and out of his hands, and for a moment felt an impulse to flee in panic from that cavern of hideous shelves with their silent and perhaps watching sentinels. Then he thought of the “Materia”—in the myriad Phaleron jugs on the other side of the room. Salts too—and if not the salts of “guards”, then the salts of what? God! Could it be possible that here lay the mortal relics of half the titan thinkers of all the ages; snatched by supreme ghouls from crypts where the world thought them safe, and subject to the beck and call of madmen who sought to drain their knowledge for some still wilder end whose ultimate effect would concern, as poor Charles had hinted in his frantic note, ‘all civilisation, all natural law, perhaps even the fate of the solar system and the universe’?[836] And Marinus Bicknell Willett had sifted their dust through his hands!
Then he noticed a small door at the farther end of the room, and calmed himself enough to approach it and examine the crude sign chiselled above. It was only a symbol, but it filled him with vague spiritual dread; for a morbid,[837] dreaming friend of his had once drawn it on paper and told him a few of the things it means in the dark abyss of sleep. It was the sign of Koth, that dreamers see fixed above the archway of a certain black tower standing alone in twilight—and Willett did not like what his friend Randolph Carter had said of its powers. But a moment later he forgot the sign as he recognised a new acrid odour in the stench-filled air. This was a chemical rather than animal smell, and came clearly from the room beyond the door. And it was, unmistakably, the same odour which had saturated Charles Ward’s clothing on the day the doctors had taken him away. So it was here that the youth had been interrupted by the final summons? He was wiser than old Joseph Curwen, for he had not resisted. Willett, boldly determined to penetrate every wonder and nightmare this nether realm might contain, seized the small lamp and crossed the threshold. A wave of nameless fright rolled out to meet him, but he yielded to no whim and deferred to no intuition. There was nothing alive here to harm him, and he would not be stayed in his piercing of the eldritch cloud which engulfed his patient.
The room beyond the door was of medium size, and had no furniture save a table, a single chair, and two groups of curious machines with clamps and wheels,[838] which Willett recognised after a moment as mediaeval instruments of torture. On one side of the door stood a rack of savage whips, above which were[839] some shelves bearing empty rows of shallow pedestalled cups of lead shaped like Grecian kylikes.[840] On the other side was the table; with a powerful Argand lamp, a pad and pencil, and two of the stoppered lekythoi from the shelves outside set down at irregular places as if temporarily or in haste. Willett lighted the lamp and looked carefully at the pad,[841] to see what notes young Ward might have been jotting down when interrupted; but found nothing more intelligible than the following disjointed fragments in that crabbed Curwen chirography, which shed no light on the case as a whole:
“B. dy’d not. Escap’d into walls and founde Place below.
“Saw olde V. saye ye Sabaoth and learnt ye Way.[842]
“Rais’d Yog-Sothoth thrice and was ye nexte Day deliver’d.[843]
“F. soughte to wipe out all know’g howe to raise Those from Outside.”
As the strong Argand blaze lit up the entire chamber[844] the doctor saw that the wall opposite the door, between the two groups of torturing appliances in the corners, was covered with pegs from which hung a set of shapeless-looking[845] robes of a rather dismal yellowish-white. But far more interesting were the two vacant walls, both of which were thickly covered with mystic symbols and formulae roughly chiselled in the smooth dressed stone. The damp floor also bore marks of carving; and with but little difficulty Willett deciphered a huge pentagram in the centre, with a plain circle about three feet wide half way between this and each corner. In one of these four circles, near where a yellowish robe had been flung carelessly down, there stood a shallow kylix[846] of the sort found on the shelves above the whip-rack; and just outside the periphery was one of the Phaleron jugs from the shelves in the other room, its tag numbered 118. This was unstoppered, and proved upon inspection to be empty; but the explorer saw with a shiver that the kylix[847] was not. Within its shallow area, and saved from scattering only by the absence of wind in this sequestered cavern, lay a small amount of a dry, dull-greenish efflorescent powder which must have belonged in the jug; and Willett almost ree
led at the implications that came sweeping over him as he correlated little by little the several elements and antecedents of the scene. The whips and the instruments of torture, the dust or salts from the jug of “Materia”,[848] the two lekythoi from the “Custodes” shelf, the robes, the formulae on the walls, the notes on the pad, the hints from letters and legends, and the thousand glimpses, doubts, and suppositions which had come to torment the friends and parents of Charles Ward—all these engulfed the doctor in a tidal wave of horror as he looked at that dry greenish powder outspread in the pedestalled leaden kylix[849] on the floor.
With an effort, however, Willett pulled himself together and began studying the formulae chiselled on the walls. From the stained and incrusted letters it was obvious that they were carved in Joseph Curwen’s time, and their text was such as to be vaguely familiar to one who had read much Curwen material or delved extensively into the history of magic. One the doctor clearly recognised as what Mrs. Ward heard her son chanting on that ominous[850] Good Friday a year before, and what an authority had told him was a very terrible invocation addressed to secret gods outside the normal spheres. It was not spelled here exactly as Mrs. Ward had set it down from memory, nor yet as[851] the authority had shewn[852] it to him in the forbidden pages of “Eliphas Levi”;[853] but its identity was unmistakable, and such words as Sabaoth, Metraton, Almousin,[854] and Zariatnatmik sent a shudder of fright through the searcher who had seen and felt so much of cosmic abomination just around the corner.
This was on the left-hand wall as one entered the room. The right-hand wall was no less thickly inscribed, and Willett felt a start of recognition as he came upon the pair of formulae so frequently occurring in the recent notes in the library. They were, roughly speaking, the same;[855] with the ancient symbols of “Dragon’s Head” and “Dragon’s Tail” heading them as in Ward’s scribblings. But the spelling differed quite widely from that of the modern versions, as if old Curwen had had a different way of recording sound, or as if later study had evolved more powerful and perfected variants of the invocations in question. The doctor tried to reconcile the chiselled version with the one which still ran persistently in his head, and found it hard to do. Where the script he had memorised began “Y’ai ’ng’ngah,[856] Yog-Sothoth”,[857] this epigraph started out as “Aye, engengah,[858] Yogge-Sothotha”; which to his mind would seriously interfere with the syllabification of the second word.
Ground as the later text was into his consciousness, the discrepancy disturbed him; and he found himself chanting the first of the formulae aloud in an effort to square the sound he conceived with the letters he found carved. Weird and menacing in that abyss of antique blasphemy rang his voice;[859] its accents keyed to a droning sing-song either through the spell of the past and the unknown, or through the hellish example of that dull, godless wail from the pits whose inhuman cadences[860] rose and fell rhythmically in the distance through the stench and the darkness.
“Y’AI ’NG’NGAH,[861]
YOG-SOTHOTH
H’EE—L’GEB[862]
F’AI[863] THRODOG
UAAAH!”[864]
But what was this cold wind which had sprung into life at the very outset of the chant? The lamps were sputtering woefully, and the gloom grew so dense that the letters on the wall nearly faded from sight. There was smoke, too, and an acrid odour which quite drowned out the stench from the far-away wells; an odour like that he had smelt before, yet infinitely stronger and more pungent. He turned from[865] the inscriptions to face the room with its bizarre contents, and saw that the kylix[866] on the floor, in which the ominous efflorescent powder had lain, was giving forth a cloud of thick, greenish-black vapour of surprising volume and opacity. That powder—Great God! it had come from the shelf of “Materia”—what was it doing now, and what had started it? The formula he had been chanting—the first of the pair—Dragon’s Head, ascending node—Blessed Saviour, could it be . . .[867]
The doctor reeled, and through his head raced wildly disjointed scraps from all he had seen, heard, and read of the frightful case of Joseph Curwen and Charles Dexter Ward. “I say to you againe, doe not call[868] up Any that you can not put[869] downe. . . . Have ye Wordes for laying at all times readie, and stopp not to be sure when there is any Doubte of Whom you have. . . . Three Talkes with What was therein inhum’d[870] . . .” Mercy of heaven,[871] what is that shape behind the parting smoke?
5.
Marinus Bicknell Willett has no hope that any part of his tale will be believed except by certain sympathetic friends, hence he has made no attempt to tell it beyond his most intimate circle. Only a few outsiders have ever heard it repeated, and of these the majority laugh and remark that the doctor surely is getting old. He has been advised to take a long vacation and to shun future cases dealing with mental disturbance. But Mr. Ward knows that the veteran physician speaks only a horrible truth. Did not he himself see the noisome aperture in the bungalow cellar? Did not Willett send him home overcome and ill at eleven o’clock that portentous morning? Did he not telephone the doctor in vain that evening, and again the next day, and had he not driven to the bungalow itself on that following noon, finding his friend unconscious but unharmed on one of the beds upstairs? Willett had been breathing stertorously, and opened his eyes slowly when Mr. Ward gave him some brandy fetched from the car. Then he shuddered and screamed, crying out, “That beard . . . those eyes. . . . God, who are you?” A very strange thing to say to a trim, blue-eyed,[872] clean-shaven gentleman whom he had known from the latter’s boyhood.
In the bright noon sunlight the bungalow was unchanged since the previous morning. Willett’s clothing bore no disarrangement beyond certain smudges and worn places at the knees, and only a faint acrid odour reminded Mr. Ward of what he had smelt on his son that day he was taken to the hospital. The doctor’s flashlight was missing, but his valise was safely there, as empty as when he had brought it. Before indulging in any explanations, and obviously with great moral effort, Willett staggered dizzily down to the cellar and tried the fateful platform before the tubs. It was unyielding. Crossing to where he had left his yet-unused[873] tool satchel the day before, he obtained a chisel and began to pry up the stubborn planks one by one. Underneath the smooth concrete was still visible, but of any opening or perforation there was no longer a trace. Nothing yawned this time to sicken the mystified father who had followed the doctor downstairs; only the smooth concrete underneath the planks—no noisome well, no world of subterrene horrors, no secret library, no Curwen papers, no nightmare pits of stench and howling, no laboratory or shelves or chiselled formulae, no . . . Dr. Willett turned pale, and clutched at the younger man. “Yesterday,” he asked softly, “did you see it here . . . and smell it?” And when Mr. Ward, himself transfixed with dread and wonder, found strength to nod an affirmative, the physician gave a sound half a sigh and half a gasp, and nodded in turn. “Then I will tell you,” he said.
So for an hour, in the sunniest room they could find upstairs, the physician whispered his frightful tale to the wondering father. There was nothing to relate beyond the looming up of that form when the greenish-black vapour from the kylix[874] parted, and Willett was too tired to ask himself what had really occurred. There were futile, bewildered head-shakings from both men, and once Mr. Ward ventured a hushed suggestion, “Do you suppose it would be of any use to dig?” The doctor was silent, for it seemed hardly fitting for any human brain to answer when powers of unknown spheres had so vitally encroached on this side of the Great Abyss. Again Mr. Ward asked, “But where did it go? It brought you here, you know, and it sealed up the hole somehow.” And Willett again let silence answer for him.
But after all, this was not the final phase of the matter. Reaching for his handkerchief before rising to leave, Dr. Willett’s fingers closed upon a piece of paper in his pocket which had not been there before, and which was companioned by the candles and matches he had seized in the vanished vault. It was a common sheet, torn obviously from the cheap
pad in that fabulous room of horror somewhere underground, and the writing upon it was that of an ordinary lead pencil—doubtless the one which had lain beside the pad. It was folded very carelessly, and beyond the faint acrid scent of the cryptic chamber bore no print or mark of any world but this. But in the text itself it did indeed reek with wonder; for here[875] was no script of any wholesome age, but the laboured strokes of mediaeval darkness, scarcely legible to the laymen who now strained over it, yet having combinations of symbols which seemed vaguely familiar. The briefly scrawled message was this, and its mystery lent purpose to the shaken pair, who forthwith walked steadily out to the Ward car and gave orders to be driven first to a quiet dining place and then to the John Hay Library on the hill.
At the library it was easy to find good manuals of palaeography, and over these the two men puzzled till the lights of evening shone out from the great chandelier. In the end they found what was needed. The letters were indeed no fantastic invention, but the normal script of a very dark period. They were the pointed Saxon minuscules of the eighth or ninth[876] century A.D.,[877] and brought with them memories of an uncouth time when under a fresh Christian veneer[878] ancient faiths and ancient rites stirred stealthily, and the pale moon of Britain looked sometimes on strange deeds in the Roman ruins at[879] Caerleon and Hexham,[880] and by the towers[881] along Hadrian’s crumbling wall. The words were in such Latin as a barbarous age might remember—“Corvinus[882] necandus est. Cadaver aq(ua) forti dissolvendum, nec aliq(ui)d retinendum. Tace ut potes.”—which may roughly be translated, “Curwen must be killed. The body must be dissolved in aqua fortis, nor must anything be retained. Keep silence as best you are able.”