Night Terrors

  What followed I thought then might easily be an invention of the imagination, but what I believed to have happened was this. A piano with music on it was standing at the far end of the room by the door, and a sudden draught entered the room, so strong that the leaves turned. Next the draught troubled a vase of daffodils, and the yellow heads nodded. Then it reached the candles that stood close to us, and they fluttered burning blue and low. Then it reached me, and the draught was cold, and stirred my hair. Then it eddied, so to speak, and went across to Louis, and his hair also moved, as I could see. Then it went downwards towards the fire, and flames suddenly started up in its path, blown upwards. The rug by the fireplace flapped also.

  ‘Funny, wasn’t it?’ he asked.

  ‘And has the Elemental gone up the chimney?’ said I.

  ‘Oh, no,’ said he, ‘the Thing only passed us.’

  Then suddenly he pointed at the wall just behind my chair, and his voice cracked as he spoke.

  ‘Look, what’s that?’ he said. ‘There on the wall.’

  Considerably startled I turned in the direction of his shaking finger. The wall was pale grey in tone, and sharp-cut against it was a shadow that, as I looked, moved. It was like the shadow of some enormous slug, legless and fat, some two feet high by about four feet long. Only at one end of it was a head shaped like the head of a seal, with open mouth and panting tongue.

  Then even as I looked it faded, and from somewhere close at hand there sounded another of those shattering knocks.

  For a moment after there was silence between us, and horror was thick as snow in the air. But, somehow, neither Louis nor I was frightened for more than one moment. The whole thing was so absorbingly interesting.

  ‘That’s what I mean by its being outside my control,’ he said. ‘I said I was ready for any – any visitor to come in, and by God, we’ve got a beauty.’

  Now I was still, even in spite of the appearance of this shadow, quite convinced that I was only taking observations of a most curious case of disordered brain accompanied by the most vivid and remarkable thought-transference. I believed that I had not seen a slug-like shadow at all, but that Louis had visualised this dreadful creature so intensely that I saw what he saw. I found also that his spiritualistic trash-books, which I thought a truer nomenclature than text-books, mentioned this as a common form for Elementals to take. He on the other hand was more firmly convinced than ever that we were dealing not with a subjective but an objective phenomenon.

  For the next six months or so we sat constantly, but made no further progress, nor did the Thing or its shadow appear again, and I began to feel that we were really wasting time. Then it occurred to me, to get in a so-called medium, induce hypnotic sleep, and see if we could learn anything further. This we did, sitting as before round the dining-room table. The room was not quite dark, and I could see sufficiently clearly what happened.

  The medium, a young man, sat between Louis and myself, and without the slightest difficulty I put him into a light hypnotic sleep. Instantly there came a series of the most terrific raps, and across the table there slid something more palpable than a shadow, with a faint luminance about it, as if the surface of it was smouldering. At the moment the medium’s face became contorted to a mask of hellish terror; mouth and eyes were both open, and the eyes were focused on something close to him. The Thing, waving its head, came closer and closer to him, and reached out towards his throat. Then with a yell of panic, and warding off this horror with his hands, the medium sprang up, but It had already caught hold, and for the moment he could not get free. Then simultaneously Louis and I went to his aid, and my hands touched something cold and slimy. But pull as we could we could not get it away. There was no firm hand-hold to be taken; it was as if one tried to grasp slimy fur, and the touch of it was horrible, unclean, like a leper. Then, in a sort of despair, though I still could not believe that the horror was real, for it must be a vision of diseased imagination, I remembered that the switch of the four electric lights was close to my hand. I turned them all on. There on the floor lay the medium, Louis was kneeling by him with a face of wet paper, but there was nothing else there. Only the collar of the medium was crumpled and torn, and on his throat were two scratches that bled.

  The medium was still in hypnotic sleep, and I woke him. He felt at his collar, put his hand to his throat and found it bleeding, but, as I expected, knew nothing whatever of what had passed. We told him that there had been an unusual manifestation, and he had, while in sleep, wrestled with something. We had got the result we wished for, and were much obliged to him.

  I never saw him again. A week after that he died of blood-poisoning.

  From that evening dates the second stage of this adventure. The Thing had materialised (I use again spiritualistic language which I still did not use at the time). The huge slug, the Elemental, manifested itself no longer by knocks and waltzing tables, nor yet by shadows. It was there in a form that could be seen and felt. But it still – this was my strong point – was only a thing of twilight; the sudden kindling of the electric light had shown us that there was nothing there. In this struggle perhaps the medium had clutched his own throat, perhaps I had grasped Louis’s sleeve, he mine. But though I said these things to myself, I am not sure that I believed them in the same way that I believe the sun will rise tomorrow.

  Now as a student of brain-functions and a student in hypnotic affairs, I ought perhaps to have steadily and unremittingly pursued this extraordinary series of phenomena. But I had my practice to attend to, and I found that with the best will in the world, I could think of nothing else except the occurrence in the hall next door. So I refused to take part in any further séance with Louis. I had another reason also. For the last four or five months he was becoming depraved. I have been no prude or Puritan in my own life, and I hope I have not turned a Pharisaical shoulder on sinners. But in all branches of life and morals, Louis had become infamous. He was turned out of a club for cheating at cards, and narrated the event to me with gusto. He had become cruel; he tortured his cat to death; he had become bestial. I used to shudder as I passed his house, expecting I knew not what fiendish thing to be looking at me from the window.

  Then came a night only a week ago, when I was awakened by an awful cry, swelling and falling and rising again. It came from next door. I ran downstairs in my pyjamas, and out into the street. The policeman on the beat had heard it too, and it came from the hall of Louis’s house, the window of which was open. Together we burst the door in. You know what we found. The screaming had ceased but a moment before, but he was dead already. Both jugulars were severed, torn open.

  It was dawn, early and dusky when I got back to my house next door. Even as I went in something seemed to push by me, something soft and slimy. It could not be Louis’s imagination this time. Since then I have seen glimpses of it every evening. I am awakened at night by tappings, and in the shadows in the corner of my room there sits something more substantial than a shadow.

  Within an hour of my leaving Dr Assheton, the quiet street was once more aroused by cries of terror and agony. He was already dead, and in no other manner than his friend, when they got into the house.

  The House with the Brick-Kiln

  The hamlet of Trevor Major lies very lonely and sequestered in a hollow below the north side of the south downs that stretch westward from Lewes, and run parallel with the coast. It is a hamlet of some three or four dozen inconsiderable houses and cottages much girt about with trees, but the big Norman church and the manor house which stands a little outside the village are evidence of a more conspicuous past. This latter, except for a tenancy of rather less than three weeks, now four years ago, has stood unoccupied since the summer of 1896, and though it could be taken at a rent almost comically small, it is highly improbable that either of its last tenants, even if times were very bad, would think of passing a night in it again. For myself – I was one of
the tenants – I would far prefer living in a workhouse to inhabiting those low-pitched oak-panelled rooms, and I would sooner look from my garret windows on to the squalor and grime of Whitechapel than from the diamond-shaped and leaded panes of the Manor of Trevor Major on to the boskage of its cool thickets, and the glimmering of its clear chalk streams where the quick trout glance among the waving water-weeds and over the chalk and gravel of its sliding rapids.

  It was the news of these trout that led Jack Singleton and myself to take the house for the month between mid-May and mid-June, but as I have already mentioned a short three weeks was all the time we passed there, and we had more than a week of our tenancy yet unexpired when we left the place, though on the very last afternoon we enjoyed the finest dry-fly fishing that has ever fallen to my lot. Singleton had originally seen the advertisement of the house in a Sussex paper, with the statement that there was good dry-fly fishing belonging to it, but it was with but faint hopes of the reality of the dry-fly fishing that we went down to look at the place, since we had before this so often inspected depopulated ditches which were offered to the unwary under high-sounding titles. Yet after a half-hour’s stroll by the stream, we went straight back to the agent, and before nightfall had taken it for a month with option of renewal.

  We arrived accordingly from town at about five o’clock on a cloudless afternoon in May, and through the mists of horror that now stand between me and the remembrance of what occurred later, I cannot forget the exquisite loveliness of the impression then conveyed. The garden, it is true, appeared to have been for years untended; weeds half-choked the gravel paths, and the flower-beds were a congestion of mingled wild and cultivated vegetations. It was set in a wall of mellowed brick, in which snap-dragon and stone-crop had found an anchorage to their liking, and beyond that there stood sentinel a ring of ancient pines in which the breeze made music as of a distant sea. Outside that the ground sloped slightly downwards in a bank covered with a jungle of wild-rose to the stream that ran round three sides of the garden, and then followed a meandering course through the two big fields which lay towards the village. Over all this we had fishing-rights; above, the same rights extended for another quarter of a mile to the arched bridge over which there crossed the road which led to the house. In this field above the house on the fourth side, where the ground had been embanked to carry the road, stood a brick-kiln in a ruinous state. A shallow pit, long overgrown with tall grasses and wild field-flowers, showed where the clay had been digged.

  The house itself was long and narrow; entering, you passed direct into a square panelled hall, on the left of which was the dining-room which communicated with the passage leading to the kitchen and offices. On the right of the hall were two excellent sitting-rooms looking out, the one on to the gravel in front of the house, the other on to the garden. From the first of these you could see, through the gap in the pines by which the road approached the house, the brick-kiln of which I have already spoken. An oak staircase went up from the hall, and round it ran a gallery on to which the three principal bedrooms opened. These were commensurate with the dining-room and the two sitting-rooms below. From this gallery there led a long narrow passage shut off from the rest of the house by a red-baize door, which led to a couple more guest-rooms and the servants’ quarters.

  Jack Singleton and I share the same flat in town, and we had sent down in the morning Franklyn and his wife, two old and valued servants, to get things ready at Trevor Major, and procure help from the village to look after the house, and Mrs Franklyn, with her stout comfortable face all wreathed in smiles, opened the door to us. She had had some previous experience of the ‘comfortable quarters’ which go with fishing, and had come down prepared for the worst, but found it all of the best. The kitchen-boiler was not furred; hot and cold water was laid on in the most convenient fashion, and could be obtained from taps that neither stuck nor leaked. Her husband, it appeared, had gone into the village to buy a few necessaries, and she brought up tea for us, and then went upstairs to the two rooms over the dining-room and bigger sitting-room, which we had chosen for our bedrooms, to unpack. The doors of these were exactly opposite one another to right and left of the gallery, and Jack, who chose the bedroom above the sitting-room, had thus a smaller room, above the second sitting-room, unoccupied, next to his and opening out from it.

  We had a couple of hours’ fishing before dinner, each of us catching three or four brace of trout, and came back in the dusk to the house. Franklyn had returned from the village from his errand, reported that he had got a woman to come in to do housework in the mornings, and mentioned that our arrival had seemed to arouse a good deal of interest. The reason for this was obscure; he could only tell us that he was questioned a dozen times as to whether we really intended to live in the house, and his assurance that we did produced silence and a shaking of heads. But the country-folk of Sussex are notable for their silence and chronic attitude of disapproval, and we put this down to local idiosyncrasy.

  The evening was exquisitely warm, and after dinner we pulled out a couple of basket-chairs on to the gravel by the front door, and sat for an hour or so, while the night deepened in throbs of gathering darkness. The moon was not risen and the ring of pines cut off much of the pale starlight, so that when we went in, allured by the shining of the lamp in the sitting-room, it was curiously dark for a clear night in May. And at that moment of stepping from the darkness into the cheerfulness of the lighted house, I had a sudden sensation, to which, during the next fortnight, I became almost accustomed, of there being something unseen and unheard and dreadful near me. In spite of the warmth, I felt myself shiver, and concluded instantly that I had sat out-of-doors long enough, and without mentioning it to Jack, followed him into the smaller sitting-room in which we had scarcely yet set foot. It, like the hall, was oak-panelled, and in the panels hung some half-dozen of water-colour sketches, which we examined, idly at first, and then with growing interest, for they were executed with extraordinary finish and delicacy, and each represented some aspect of the house or garden. Here you looked up the gap in the fir-trees into a crimson sunset; here the garden, trim and carefully tended, dozed beneath some languid summer noon; here an angry wreath of storm-cloud brooded over the meadow where the trout-stream ran grey and leaden below a threatening sky, while another, the most careful and arresting of all, was a study of the brick-kiln. In this, alone of them all, was there a human figure; a man, dressed in grey, peered into the open door from which issued a fierce red glow. The figure was painted with miniature-like elaboration; the face was in profile, and represented a youngish man, clean-shaven, with a long aquiline nose and singularly square chin. The sketch was long and narrow in shape, and the chimney of the kiln appeared against a dark sky. From it there issued a thin stream of grey smoke.

  Jack looked at this with attention.

  ‘What a horrible picture!’ he said, ‘and how beautifully painted! I feel as if it meant something, as if it was a representation of something that happened, not a mere sketch. By Jove! – ’

  He broke off suddenly and went in turn to each of the other pictures.

  ‘That’s a queer thing,’ he said. ‘See if you notice what I mean.’

  With the brick-kiln rather vividly impressed on my mind, it was not difficult to see what he had noticed. In each of the pictures appeared the brick-kiln, chimney and all, now seen faintly between trees, now in full view, and in each the chimney was smoking.

  ‘And the odd part is that from the garden side, you can’t really see the kiln at all,’ observed Jack, ‘it’s hidden by the house, and yet the artist F. A., as I see by his signature, puts it in just the same.’

  ‘What do you make of that?’ I asked.

  ‘Nothing. I suppose he had a fancy for brick-kilns. Let’s have a game of picquet.’

  A fortnight of our three weeks passed without incident, except that again and again the curious feeling of something dreadful being
close at hand was present in my mind. In a way, as I said, I got used to it, but on the other hand the feeling itself seemed to gain in poignancy. Once just at the end of the fortnight I mentioned it to Jack.

  ‘Odd you should speak of it,’ he said, ‘because I’ve felt the same. When do you feel it? Do you feel it now, for instance?’

  We were again sitting out after dinner, and as he spoke I felt it with far greater intensity than ever before. And at the same moment the house-door which had been closed, though probably not latched, swung gently open, letting out a shaft of light from the hall, and as gently swung to again, as if something had stealthily entered.

  ‘Yes,’ I said. ‘I felt it then. I only feel it in the evening. It was rather bad that time.’

  Jack was silent a moment.

  ‘Funny thing the door opening and shutting like that,’ he said. ‘Let’s go indoors.’

  We got up and I remember seeing at that moment that the windows of my bedroom were lit; Mrs Franklyn probably was making things ready for the night. Simultaneously, as we crossed the gravel, there came from just inside the house the sound of a hurried footstep on the stairs, and entering we found Mrs Franklyn in the hall, looking rather white and startled.

  ‘Anything wrong?’ I asked.

  She took two or three quick breaths before she answered.

  ‘No, sir,’ she said, ‘at least nothing that I can give an account of. I was tidying up in your room, and I thought you came in. But there was nobody, and it gave me a turn. I left my candle there; I must go up for it.’

  I waited in the hall a moment, while she again ascended the stairs, and passed along the gallery to my room. At the door, which I could see was open, she paused, not entering.

  ‘What is the matter?’ I asked from below.

  ‘I left the candle alight,’ she said, ‘and it’s gone out.’