Roundabout Papers
Away I ran and paid Hawker his three-and-six. Ouf! what a weight it was off my mind! (He was a Norfolk boy, and used to go home from Mrs. Nelson's "Bell Inn," Aldgate—but that is not to the point.) The next morning, of course, we were an hour before the time. I and another boy shared a hackney-coach; two-and-six: porter for putting luggage on coach, threepence. I had no more money of my own left. Rasherwell, my companion, went into the "Bolt-in-Tun" coffee-room, and had a good breakfast. I couldn't; because, though I had five-and-twenty shillings of my parents' money, I had none of my own, you see.
I certainly intended to go without breakfast, and still remember how strongly I had that resolution in my mind. But there was that hour to wait. A beautiful August morning—I am very hungry. There is Rasherwell "tucking" away in the coffee-room. I pace the street, as sadly almost as if I had been coming to school, not going thence. I turn into a court by mere chance—I vow it was by mere chance—and there I see a coffee-shop with a placard in the window, Coffee, Twopence. Round of buttered toast, Twopence. And here am I, hungry, penniless, with five-and-twenty shillings of my parents' money in my pocket.
What would you have done? You see I had had my money, and spent it in that pencil-case affair. The five-and-twenty shillings were a trust—by me to be handed over.
But then would my parents wish their only child to be actually without breakfast? Having this money, and being so hungry, so VERY hungry, mightn't I take ever so little? Mightn't I at home eat as much as I chose?
Well, I went into the coffee-shop, and spent fourpence. I remember the taste of the coffee and toast to this day—a peculiar, muddy, not-sweet-enough, most fragrant coffee—a rich, rancid, yet not-buttered-enough delicious toast. The waiter had nothing. At any rate, fourpence I know was the sum I spent. And the hunger appeased, I got on the coach a guilty being.
At the last stage,—what is its name? I have forgotten in seven-and-thirty years,—there is an inn with a little green and trees before it; and by the trees there is an open carriage. It is our carriage. Yes, there are Prince and Blucher, the horses; and my parents in the carriage. Oh! how I had been counting the days until this one came! Oh! how happy had I been to see them yesterday! But there was that fourpence. All the journey down the toast had choked me, and the coffee poisoned me.
I was in such a state of remorse about the fourpence, that I forgot the maternal joy and caresses, the tender paternal voice. I pull out the twenty-four shillings and eightpence with a trembling hand.
"Here's your money," I gasp out, "which Mr. P—— owes you, all but fourpence. I owed three-and-sixpence to Hawker out of my money for a pencil-case, and I had none left, and I took fourpence of yours, and had some coffee at a shop."
I suppose I must have been choking whilst uttering this confession.
"My dear boy," says the governor, "why didn't you go and breakfast at the hotel?"
"He must be starved," says my mother.
I had confessed; I had been a prodigal; I had been taken back to my parents' arms again. It was not a very great crime as yet, or a very long career of prodigality; but don't we know that a boy who takes a pin which is not his own, will take a thousand pounds when occasion serves, bring his parents' gray heads with sorrow to the grave, and carry his own to the gallows? Witness the career of Dick Idle, upon whom our friend Mr. Sala has been discoursing. Dick only began by playing pitch-and-toss on a tombstone: playing fair, for what we know: and even for that sin he was promptly caned by the beadle. The bamboo was ineffectual to cane that reprobate's bad courses out of him. From pitch-and-toss he proceeded to manslaughter if necessary: to highway robbery; to Tyburn and the rope there. Ah! heaven be thanked, my parents' heads are still above the grass, and mine still out of the noose.
As I look up from my desk, I see Tunbridge Wells Common and the rocks, the strange familiar place which I remember forty years ago. Boys saunter over the green with stumps and cricket-bats. Other boys gallop by on the riding-master's hacks. I protest it is Cramp, Riding master, as it used to be in the reign of George IV., and that Centaur Cramp must be at least a hundred years old. Yonder comes a footman with a bundle of novels from the library. Are they as good as OUR novels? Oh! how delightful they were! Shades of Valancour, awful ghost of Manfroni, how I shudder at your appearance! Sweet image of Thaddeus of Warsaw, how often has this almost infantile hand tried to depict you in a Polish cap and richly embroidered tights! And as for Corinthian Tom in light blue pantaloons and Hessians, and Jerry Hawthorn from the country, can all the fashion, can all the splendor of real life which these eyes have subsequently beheld, can all the wit I have heard or read in later times, compare with your fashion, with your brilliancy, with your delightful grace, and sparkling vivacious rattle?
Who knows? They MAY have kept those very books at the library still—at the well-remembered library on the Pantiles, where they sell that delightful, useful Tunbridge ware. I will go and see. I went my way to the Pantiles, the queer little old-world Pantiles, where, a hundred years since, so much good company came to take its pleasure. Is it possible, that in the past century, gentlefolks of the first rank (as I read lately in a lecture on George II. in the Cornhill Magazine) assembled here and entertained each other with gaming, dancing, fiddling, and tea? There are fiddlers, harpers, and trumpeters performing at this moment in a weak little old balcony, but where is the fine company? Where are the earls, duchesses, bishops, and magnificent embroidered gamesters? A half-dozen of children and their nurses are listening to the musicians; an old lady or two in a poke bonnet passes, and for the rest, I see but an uninteresting population of native tradesmen. As for the library, its window is full of pictures of burly theologians, and their works, sermons, apologues, and so forth. Can I go in and ask the young ladies at the counters for "Manfroni, or the One-Handed Monk," and "Life in London, or the Adventures of Corinthian Tom, Jeremiah Hawthorn, Esq., and their friend Bob Logic?"—absurd. I turn away abashed from the casement—from the Pantiles—no longer Pantiles, but Parade. I stroll over the Common and survey the beautiful purple hills around, twinkling with a thousand bright villas, which have sprung up over this charming ground since first I saw it. What an admirable scene of peace and plenty! What a delicious air breathes over the heath, blows the cloud shadows across it, and murmurs through the full-clad trees! Can the world show a land fairer, richer, more cheerful? I see a portion of it when I look up from the window at which I write. But fair scene, green woods, bright terraces gleaming in sunshine, and purple clouds swollen with summer rain—nay, the very pages over which my head bends—disappear from before my eyes. They are looking backwards, back into forty years off, into a dark room, into a little house hard by on the Common here, in the Bartlemy-tide holidays. The parents have gone to town for two days: the house is all his own, his own and a grim old maid-servant's, and a little boy is seated at night in the lonely drawing-room, poring over "Manfroni, or the One-Handed Monk," so frightened that he scarcely dares to turn round.
DE JUVENTUTE.
Our last paper of this veracious and roundabout series related to a period which can only be historical to a great number of readers of this Magazine. Four I saw at the station to-day with orange-covered books in their hands, who can but have known George IV. by books, and statues, and pictures. Elderly gentlemen were in their prime, old men in their middle age, when he reigned over us. His image remains on coins; on a picture or two hanging here and there in a Club or old-fashioned dining-room; on horseback, as at Trafalgar Square, for example, where I defy any monarch to look more uncomfortable. He turns up in sundry memoirs and histories which have been published of late days; in Mr. Massey's "History;" in the "Buckingham and Grenville Correspondence;" and gentlemen who have accused a certain writer of disloyalty are referred to those volumes to see whether the picture drawn of George is overcharged. Charon has paddled him off; he has mingled with the crowded republic of the dead. His effigy smiles from a canvas or two. Breechless he bestrides his steed in Trafalgar Square. I believe he
still wears his robes at Madame Tussaud's (Madame herself having quitted Baker Street and life, and found him she modelled t'other side the Stygian stream). On the head of a five-shilling piece we still occasionally come upon him, with St. George, the dragon-slayer, on the other side of the coin. Ah me! did this George slay many dragons? Was he a brave, heroic champion, and rescuer of virgins? Well! well! have you and I overcome all the dragons that assail US? come alive and victorious out of all the caverns which we have entered in life, and succored, at risk of life and limb, all poor distressed persons in whose naked limbs the dragon Poverty is about to fasten his fangs, whom the dragon Crime is poisoning with his horrible breath, and about to crunch up and devour? O my royal liege! O my gracious prince and warrior! YOU a champion to fight that monster? Your feeble spear ever pierce that slimy paunch or plated back? See how the flames come gurgling out of his red-hot brazen throat! What a roar! Nearer and nearer he trails, with eyes flaming like the lamps of a railroad engine. How he squeals, rushing out through the darkness of his tunnel! Now he is near. Now he is HERE. And now—what?—lance, shield, knight, feathers, horse and all? O horror, horror! Next day, round the monster's cave, there lie a few bones more. You, who wish to keep yours in your skins, be thankful that you are not called upon to go out and fight dragons. Be grateful that they don't sally out and swallow you. Keep a wise distance from their caves, lest you pay too dearly for approaching them. Remember that years passed, and whole districts were ravaged, before the warrior came who was able to cope with the devouring monster. When that knight DOES make his appearance, with all my heart let us go out and welcome him with our best songs, huzzas, and laurel wreaths, and eagerly recognize his valor and victory. But he comes only seldom. Countless knights were slain before St. George won the battle. In the battle of life are we all going to try for the honors of championship? If we can do our duty, if we can keep our place pretty honorably through the combat, let us say, Laus Deo! at the end of it, as the firing ceases, and the night falls over the field.
The old were middle-aged, the elderly were in their prime, then, thirty years since, when yon royal George was still fighting the dragon. As for you, my pretty lass, with your saucy hat and golden tresses tumbled in your net, and you, my spruce young gentleman in your mandarin's cap (the young folks at the country-place where I am staying are so attired), your parents were unknown to each other, and wore short frocks and short jackets, at the date of this five-shilling piece. Only to-day I met a dog-cart crammed with children—children with moustaches and mandarin caps—children with saucy hats and hair-nets—children in short frocks and knickerbockers (surely the prettiest boy's dress that has appeared these hundred years)—children from twenty years of age to six; and father, with mother by his side, driving in front—and on father's countenance I saw that very laugh which I remember perfectly in the time when this crown-piece was coined—in HIS time, in King George's time, when we were school-boys seated on the same form. The smile was just as broad, as bright, as jolly, as I remember it in the past—unforgotten, though not seen or thought of, for how many decades of years, and quite and instantly familiar, though so long out of sight.
Any contemporary of that coin who takes it up and reads the inscription round the laurelled head, "Georgius IV. Britanniarum Rex. Fid. Def. 1823," if he will but look steadily enough at the round, and utter the proper incantation, I dare say may conjure back his life there. Look well, my elderly friend, and tell me what you see? First, I see a Sultan, with hair, beautiful hair, and a crown of laurels round his head, and his name is Georgius Rex. Fid. Def., and so on. Now the Sultan has disappeared; and what is that I see? A boy,—a boy in a jacket. He is at a desk; he has great books before him, Latin and Greek books and dictionaries. Yes, but behind the great books, which he pretends to read, is a little one, with pictures, which he is really reading. It is—yes, I can read now—it is the "Heart of Mid Lothian," by the author of "Waverley"—or, no, it is "Life in London, or the Adventures of Corinthian Tom, Jeremiah Hawthorn, and their friend Bob Logic," by Pierce Egan; and it has pictures—oh! such funny pictures! As he reads, there comes behind the boy, a man, a dervish, in a black gown, like a woman, and a black square cap, and he has a book in each hand, and he seizes the boy who is reading the picture-book, and lays his head upon one of his books, and smacks it with the other. The boy makes faces, and so that picture disappears.
Now the boy has grown bigger. HE has got on a black gown and cap, something like the dervish. He is at a table, with ever so many bottles on it, and fruit, and tobacco; and other young dervishes come in. They seem as if they were singing. To them enters an old moollah, he takes down their names, and orders them all to go to bed. What is this? a carriage, with four beautiful horses all galloping—a man in red is blowing a trumpet. Many young men are on the carriage—one of them is driving the horses. Surely they won't drive into that?—ah! they have all disappeared. And now I see one of the young men alone. He is walking in a street—a dark street—presently a light comes to a window. There is the shadow of a lady who passes. He stands there till the light goes out. Now he is in a room scribbling on a piece of paper, and kissing a miniature every now and then. They seem to be lines each pretty much of a length. I can read heart, smart, dart; Mary, fairy; Cupid, stupid; true, you; and never mind what more. Bah! it is bosh. Now see, he has got a gown on again, and a wig of white hair on his head, and he is sitting with other dervishes in a great room full of them, and on a throne in the middle is an old Sultan in scarlet, sitting before a desk, and he wears a wig too—and the young man gets up and speaks to him. And now what is here? He is in a room with ever so many children, and the miniature hanging up. Can it be a likeness of that woman who is sitting before that copper urn, with a silver vase in her hand, from which she is pouring hot liquor into cups? Was SHE ever a fairy? She is as fat as a hippopotamus now. He is sitting on a divan by the fire. He has a paper on his knees. Read the name of the paper. It is the Superfine Review. It inclines to think that Mr. Dickens is not a true gentleman, that Mr. Thackeray is not a true gentleman, and that when the one is pert and the other is arch, we, the gentlemen of the Superfine Review, think, and think rightly, that we have some cause to be indignant. The great cause why modern humor and modern sentimentalism repel us, is that they are unwarrantably familiar. Now, Mr. Sterne, the Superfine Reviewer thinks, "was a true sentimentalist, because he was ABOVE ALL THINGS a true gentleman." The flattering inference is obvious: let us be thankful for having an elegant moralist watching over us, and learn, if not too old, to imitate his high-bred politeness and catch his unobtrusive grace. If we are unwarrantably familiar, we know who is not. If we repel by pertness, we know who never does. If our language offends, we know whose is always modest. O pity! The vision has disappeared off the silver, the images of youth and the past are vanishing away! We who have lived before railways were made, belong to another world. In how many hours could the Prince of Wales drive from Brighton to London, with a light carriage built expressly, and relays of horses longing to gallop the next stage? Do you remember Sir Somebody, the coachman of the Age, who took our half-crown so affably? It was only yesterday; but what a gulf between now and then! THEN was the old world. Stage-coaches, more or less swift, riding-horses, pack-horses, highwaymen, knights in armor, Norman invaders, Roman legions, Druids, Ancient Britons painted blue, and so forth—all these belong to the old period. I will concede a halt in the midst of it, and allow that gunpowder and printing tended to modernize the world. But your railroad starts the new era, and we of a certain age belong to the new time and the old one. We are of the time of chivalry as well as the Black Prince or Sir Walter Manny. We are of the age of steam. We have stepped out of the old world on to "Brunel's" vast deck, and across the waters ingens patet tellus. Towards what new continent are we wending? to what new laws, new manners, new politics, vast new expanses of liberties unknown as yet, or only surmised? I used to know a man who had invented a flying-machine. "Sir," he would say, "give me but five hund
red pounds, and I will make it. It is so simple of construction that I tremble daily lest some other person should light upon and patent my discovery." Perhaps faith was wanting; perhaps the five hundred pounds. He is dead, and somebody else must make the flying-machine. But that will only be a step forward on the journey already begun since we quitted the old world. There it lies on the other side of yonder embankments. You young folks have never seen it; and Waterloo is to you no more than Agincourt, and George IV. than Sardanapalus. We elderly people have lived in that praerailroad world, which has passed into limbo and vanished from under us. I tell you it was firm under our feet once, and not long ago. They have raised those railroad embankments up, and shut off the old world that was behind them. Climb up that bank on which the irons are laid, and look to the other side—it is gone. There IS no other side. Try and catch yesterday. Where is it? Here is a Times newspaper, dated Monday 26th, and this is Tuesday 27th. Suppose you deny there was such a day as yesterday?
We who lived before railways, and survive out of the ancient world, are like Father Noah and his family out of the Ark. The children will gather round and say to us patriarchs, "Tell us, grandpapa, about the old world." And we shall mumble our old stories; and we shall drop off one by one; and there will be fewer and fewer of us, and these very old and feeble. There will be but ten praerailroadites left: then three then two—then one—then 0! If the hippopotamus had the least sensibility (of which I cannot trace any signs either in his hide or his face), I think he would go down to the bottom of his tank, and never come up again. Does he not see that he belongs to bygone ages, and that his great hulking barrel of a body is out of place in these times? What has he in common with the brisk young life surrounding him? In the watches of the night, when the keepers are asleep, when the birds are on one leg, when even the little armadillo is quiet, and the monkeys have ceased their chatter,—he, I mean the hippopotamus, and the elephant, and the long-necked giraffe, perhaps may lay their heads together and have a colloquy about the great silent antediluvian world which they remember, where mighty monsters floundered through the ooze, crocodiles basked on the banks, and dragons darted out of the caves and waters before men were made to slay them. We who lived before railways are antediluvians—we must pass away. We are growing scarcer every day; and old—old—very old relicts of the times when George was still fighting the Dragon.