All the Light We Cannot See

  these heavy things, a form coming into shape.

  The engineer. Bernd.

  Bernd’s face is white with dust, but his eyes are two voids and his mouth is a maroon hole. Though Bernd is screaming, through the serrated roar lodged in his ears, Werner cannot hear him. Volkheimer lifts the engineer—the older man like a child in the staff sergeant’s arms, the field light gripped in Volkheimer’s teeth—and crosses the ruined space with him, ducking again to avoid the hanging ceiling, and sets him in the golden armchair still upright in the corner, now powdered white.

  Volkheimer puts his big hand on Bernd’s jaw and gently closes the man’s mouth. Werner, only a few feet away, hears no change in the air.

  The structure around them gives off another tremor, and hot dust cascades everywhere.

  Soon Volkheimer’s light is making a circuit of what is left of the roof. The three huge wooden beams have cracked, but none has given way entirely. Between them the stucco is spiderwebbed, and pipes poke through in two places. The light veers behind him and illuminates the capsized workbench, the crushed case of their radio. Finally it finds Werner. He raises a palm to block it.

  Volkheimer approaches; his big solicitous face presses close. Broad, familiar, deep-sunk eyes beneath the helmet. High cheekbones and long nose, flared at the tip like the knobs at the bottom of a femur. Chin like a continent. With slow care, Volkheimer touches Werner’s cheek. His fingertip comes away red.

  Werner says, “We have to get out. We have to find another way out.”

  Out? say Volkheimer’s lips. He shakes his head. There is no other way out.

  Three

  * * *

  June 1940

  Château

  Two days after fleeing Paris, Marie-Laure and her father enter the town of Evreux. Restaurants are either boarded up or thronged. Two women in evening gowns hunch hip to hip on the cathedral steps. A man lies facedown between market stalls, unconscious or worse.

  No mail service. Telegraph lines down. The most recent newspaper is thirty-six hours old. At the prefecture, a queue for gasoline coupons snakes out the door and around the block.

  The first two hotels are full. The third will not unlock the door. Every so often the locksmith catches himself glancing over his shoulder.

  “Papa,” Marie-Laure is mumbling. Bewildered. “My feet.”

  He lights a cigarette: three left. “Not much farther now, Marie.”

  On the western edge of Evreux, the road empties and the countryside levels out. He checks and rechecks the address the director has given him. Monsieur François Giannot. 9 rue St. Nicolas. But Monsieur Giannot’s house, when they reach it, is on fire. In the windless dusk, sullen heaps of smoke pump upward through the trees. A car has crashed into a corner of the gatehouse and torn the gate off its hinges. The house—or what remains of it—is grand: twenty French windows in the facade, big freshly painted shutters, manicured hedges out front. Un château.

  “I smell smoke, Papa.”

  He leads Marie-Laure up the gravel. His rucksack—or perhaps it is the stone deep inside—seems to grow heavier with each step. No puddles gleam in the gravel, no fire brigade swarms out front. Twin urns are toppled on the front steps. A burst chandelier sprawls across the entry stairs.

  “What is burning, Papa?”

  A boy comes toward them out of the smoky twilight, no older than Marie-Laure, streaked with ash, pushing a wheeled dining cart through the gravel. Silver tongs and spoons hanging from the cart chime and clank, and the wheels clatter and wallow. A little polished cherub grins at each corner.

  The locksmith says, “Is this the house of François Giannot?”

  The boy acknowledges neither question nor questioner as he passes.

  “Do you know what happened to—?”

  The clanging of the cart recedes.

  Marie-Laure yanks the hem of his coat. “Papa, please.”

  In her coat against the black trees, her face looks paler and more frightened than he has ever seen it. Has he ever asked so much of her?

  “A house has burned, Marie. People are stealing things.”

  “What house?”

  “The house we have come so far to reach.”

  Over her head, he can see the smoldering remains of door frames glow and fade with the passage of the breeze. A hole in the roof frames the darkening sky.

  Two more boys emerge from the soot carrying a portrait in a gilded frame, twice as tall as they are, the visage of some long-dead great-grandfather glowering at the night. The locksmith holds up his palms to delay them. “Was it airplanes?”

  One says, “There’s plenty more inside.” The canvas of the painting ripples.

  “Do you know the whereabouts of Monsieur Giannot?”

  The other says, “Ran off yesterday. With the rest. London.”

  “Don’t tell him anything,” says the first.

  The boys jog down the driveway with their prize and are swallowed by the gloom.

  “London?” whispers Marie-Laure. “The friend of the director is in London?”

  Sheets of blackened paper scuttle past their feet. Shadows whisper in the trees. A ruptured melon lolls in the drive like an amputated head. The locksmith is seeing too much. All day, mile after mile, he let himself imagine they would be greeted with food. Little potatoes with hot cores into which he and Marie-Laure would plunge forkfuls of butter. Shallots and mushrooms and hard-boiled eggs and béchamel. Coffee and cigarettes. He would hand Monsieur Giannot the stone, and Giannot would pull brass lorgnettes out of his breast pocket and fit their lenses over his calm eyes and tell him: real or fake. Then Giannot would bury it in the garden or conceal it behind a hidden panel somewhere in his walls, and that would be that. Duty fulfilled. Je ne m’en occupe plus. They would be given a private room, take baths; maybe someone would wash their clothes. Maybe Monsieur Giannot would tell humorous stories about his friend the director, and in the morning the birds would sing and a fresh newspaper would announce the end of the invasion, reasonable concessions. He would go back to the key pound, spend his evenings installing little sash windows in little wooden houses. Bonjour, bonjour. Everything as before.

  But nothing is as before. The trees seethe and the house smolders, and standing in the gravel of the driveway, the daylight nearly finished, the locksmith has an unsettling thought: Someone might be coming for us. Someone might know what I carry.

  He leads Marie-Laure back to the road at a trot.

  “Papa, my feet.”

  He swings the rucksack around to his front and wraps her arms around his neck and carries her on his back. They pass the smashed gatehouse and the crashed car and turn not east toward the center of Evreux but west. Figures bicycle past. Pinched faces streaked with suspicion or fear or both. Perhaps it is the locksmith’s own eyes that have been streaked.

  “Not so quickly,” begs Marie-Laure.

  They rest in weeds twenty paces off the road. There is only plunging night and owls calling from the trees and bats straining insects above a roadside ditch. A diamond, the locksmith reminds himself, is only a piece of carbon compressed in the bowels of the earth for eons and driven to the surface in a volcanic pipe. Someone facets it, someone polishes it. It can harbor a curse no more than a leaf can, or a mirror, or a life. There is only chance in this world, chance and physics.

  Anyway, what he carries is nothing more than a piece of glass. A diversion.

  Behind him, over Evreux, a wall of clouds ignites once, twice. Lightning? On the road ahead, he can make out several acres of uncut hay and the gentle profiles of unlit farm buildings—a house and barn. No movement.

  “Marie, I see a hotel.”

  “You said the hotels were full.”

  “This one looks friendly. Come. It’s not far.”

  Again he carries his daughter. One more half mile. The windows of the house stay unlit as they approach. Its barn sits a hundred yards beyond. He tries to listen above the rush of blood in his ears. No dogs, no torches. Probably t
he farmers too have fled. He sets Marie-Laure in front of the barn doors and knocks softly and waits and knocks again.

  The padlock is a brand-new single-latch Burguet; with his tools he picks it easily. Inside are oats and water buckets and horseflies flying sleepy loops but no horses. He opens a stall and helps Marie-Laure into the corner and pulls off her shoes.

  “Voilà,” he says. “One of the guests has just brought his horses into the lobby, so it may smell for a moment. But now the porters are hurrying him out. See, there he goes. Goodbye, horse! Go sleep in the stables, please!”

  Her expression is faraway. Lost.

  A vegetable garden waits behind the house. In the dimness he can make out roses, leeks, lettuces. Strawberries, most still green. Tender white carrots with black earth clotted in their fibers. Nothing stirs: no farmer materializes in a window with a rifle. The locksmith brings back a shirtful of vegetables and fills a tin bucket at a spigot and eases shut the barn door and feeds his daughter in the dark. Then he folds his coat, lays her head on it, and wipes her face with his shirt.

  Two cigarettes left. Inhale, exhale.

  Walk the paths of logic. Every outcome has its cause, and every predicament has its solution. Every lock its key. You can go back to Paris or you can stay here or you can go on.

  From outside comes the soft hooting of owls. Distant grumbling of thunder or ordnance or both. He says, “This hotel is very cheap, ma chérie. The innkeeper behind the desk said our room was forty francs a night but only twenty francs if we made our own bed.” He listens to her breathe. “So I said, ‘Oh, we can make our own bed.’ And he said, ‘Right, I’ll get you some nails and wood.’ ”

  Marie-Laure still does not smile. “Now we go find Uncle Etienne?”

  “Yes, Marie.”

  “Who is seventy-six percent crazy?”

  “He was with your grandfather—his brother—when he died. In the war. ‘Got a bit of gas in the head’ is how they used to say it. Afterward he saw things.”

  “What kind of things?”

  Creaking rumble of thunder closer now. The barn quakes lightly.

  “Things that were not there.”

  Spiders draw their webs between rafters. Moths flap against the windows. It starts to rain.

  Entrance Exam

  Entrance exams for the National Political Institutes of Education are held in Essen, eighteen miles south of Zollverein, inside a sweltering dance hall where a trio of truck-sized radiators is plugged in to the back wall. One of the radiators clangs and steams all day despite various attempts to shut it down. War ministry flags as big as tanks hang from the rafters.

  There are one hundred recruits, all boys. A school representative in a black uniform arranges them in ranks four deep. Medals chime on his chest as he paces. “You are,” he declares, “attempting to enter the most elite schools in the world. The exams will last eight days. We will take only the purest, only the strongest.” A second representative distributes uniforms: white shirts, white shorts, white socks. The boys shuck their clothes where they stand.

  Werner counts twenty-six others in his age group. All but two are taller than he is. All but three are blond. None of them wear eyeglasses.

  The boys spend that entire first morning in their new white outfits, filling out questionnaires on clipboards. There is no noise save the scribbling of pencils and the pacing of examiners and the clunking of the huge radiator.

  Where was your grandfather born? What color are your father’s eyes? Has your mother ever worked in an office? Of one hundred and ten questions about his lineage, Werner can accurately answer only sixteen. The rest are guesses.

  Where is your mother from?

  There are no options for past tense. He writes: Germany.

  Where is your father from?

  Germany.

  What languages does your mother speak?

  German.

  He remembers Frau Elena as she looked early this morning, standing in her nightdress beside the hall lamp, fussing over his bag, all the other children asleep. She seemed lost, dazed, as if she could not absorb how quickly things were changing around her. She said she was proud. She said Werner should do his best. “You’re a smart boy,” she said. “You’ll do well.” She kept adjusting and readjusting his collar. When he said, “It’s only a week,” her eyes filled slowly, as if some internal flood were gradually overwhelming her.

  In the afternoon, the recruits run. They crawl under obstacles, do push-ups, scale ropes suspended from the ceiling—one hundred children passing sleek and interchangeable in their white uniforms like livestock before the eyes of the examiners. Werner comes in ninth in the shuttle runs. He comes in second to last on the rope climb. He will never be good enough.

  In the evening, the boys spill out of the hall, some met by proud-looking parents with automobiles, others vanishing purposefully in twos and threes into the streets: all seem to know where they’re going. Werner makes his way alone to a spartan hostel six blocks away, where he rents a bed for two marks a night and lies among muttering itinerants and listens to the pigeons and bells and shuddering traffic of Essen. It is the first night he has spent outside of Zollverein, and he cannot stop thinking of Jutta, who has not spoken to him since discovering he smashed their radio. Who stared at him with so much accusation in her face that he had to look away. Her eyes said, You are betraying me, but wasn’t he protecting her?

  On the second morning, there are raciological exams. They require little of Werner except to raise his arms or keep from blinking while an inspector shines a penlight into the tunnels of his pupils. He sweats and shifts. His heart pounds unreasonably. An onion-breathed technician in a lab coat measures the distance between Werner’s temples, the circumference of his head, and the thickness and shape of his lips. Calipers are used to evaluate his feet, the length of his fingers, and the distance between his eyes and his navel. They measure his penis. The angle of his nose is quantified with a wooden protractor.

  A second technician gauges Werner’s eye color against a chromatic scale on which sixty or so shades of blue are displayed. Werner’s color is himmelblau, sky blue. To assess his hair color, the man snips a lock of hair from Werner’s head and compares it to thirty or so other locks clipped to a board, arrayed darkest to lightest.

  “Schnee,” the man mutters, and makes a notation. Snow. Werner’s hair is lighter than the lightest color on the board.

  They test his vision, draw his blood, take his fingerprints. By noon he wonders if there is anything left for them to measure.

  Verbal exams come next. How many Nationalpolitische Erzie-hungsanstalten are there? Twenty. Who are our greatest Olympians? He does not know. What is the birthday of the führer? April 20. Who is our greatest writer, what is the Treaty of Versailles, which is the nation’s fastest airplane?

  Day three involves more running, more climbing, more jumping. Everything is timed. The technicians, school representatives, and examiners—each wearing uniforms in subtly different shades—scribble on pads of graph paper with a very narrow gauge, and sheet after sheet of this paper gets closed into leather binders with a gold lightning bolt stamped on the front.

  The recruits speculate in eager whispers.

  “I hear the schools have sailboats, falconries, rifle ranges.”

  “I hear they will take only seven from each age group.”

  “I hear it’s only four.”

  They speak of the schools with yearning and bravado; they want desperately to be selected. Werner tells himself: So do I. So do I.

  And yet at other times, despite his ambitions, he is visited by instants of vertigo; he sees Jutta holding the smashed pieces of their radio and feels uncertainty steal into his gut.

  The recruits scale walls; they run wind sprint after wind sprint. On the fifth day, three quit. On the sixth, four more give up. Each hour the dance hall seems to grow progressively warmer, so by the eighth day, the air, walls, and floor are saturated with the hot, teeming odor of boys. For t
heir final test, each of the fourteen-year-olds is forced to climb a ladder haphazardly nailed to a wall. Once at the top, twenty-five feet above the floor, their heads in the rafters, they are supposed to step onto a tiny platform, close their eyes, and leap off, to be caught in a flag held by a dozen of the other recruits.

  First to go is a stout farm kid from Herne. He scales the ladder quickly enough, but as soon as he’s on the platform high above everyone else, his face goes white. His knees wobble dangerously.

  Someone mutters, “Pussy.”

  The boy beside Werner whispers, “Afraid of heights.”

  An examiner watches dispassionately. The boy on the platform peeks over the edge as if into a swirling abyss and shuts his eyes. He sways back and forth. Interminable seconds pass. The examiner peers at his stopwatch. Werner clutches the hem of the flag.

  Soon most everyone in the dance hall has stopped to watch, even recruits in other age groups. The boy sways twice more, until it’s clear he’s about to faint. Even then no one moves to help him.

  When he goes over, he goes sideways. The recruits on the ground manage to swing the flag around in time, but his weight tears the edges out of their hands, and he hits the floor arms first with a sound like a bundle of kindling breaking over a knee.

  The boy sits up. Both of his forearms are bent at nauseating angles. He blinks at them curiously for a moment, as if scanning his memory for a clue that might explain how he got there.

  Then he starts to scream. Werner looks away. Four boys are ordered to carry the injured one out.

  One by one, the remaining fourteen-year-olds climb the ladder and tremble and leap. One sobs the whole way. Another sprains an ankle when he hits. The next waits at least two full minutes before jumping. The fifteenth boy looks out across the dance hall as if staring into a bleak, cold sea, then climbs back down.

  Werner watches from his place on the flag. When his turn comes, he tells himself, he must not waver. On the undersides of his eyelids he sees the interlaced ironwork of Zollverein, the fire-breathing mills, men teeming out of elevator shafts like ants, the mouth of Pit Nine, where his father was lost. Jutta in the parlor window, sealed behind the rain, watching him follow the corporal to Herr Siedler’s house. The taste of whipped cream and powdered sugar and the smooth calves of Herr Siedler’s wife.

  Exceptional. Unexpected.

  We will take only the purest, only the strongest.

  The only place your brother is going, little girl, is into the mines.

  Werner scampers up the ladder. The rungs have been roughly sawed, and his palms take splinters the whole way. From the top, the crimson flag with its white circle and black cross looks unexpectedly small. A pale ring of faces stares up. It’s even hotter up here, torrid, and the smell of perspiration makes him light-headed.

  Without hesitating, Werner steps to the edge of the platform and shuts his eyes and jumps. He hits the flag in its exact center, and the boys holding its edges give a collective groan.

  He rolls to his feet, uninjured. The examiner clicks his stopwatch, scribbles on his clipboard, looks up. Their eyes meet for a half second. Maybe less. Then the man goes back to his notations.

  “Heil Hitler!” yells Werner.

  The next boy starts up the ladder.

  Brittany

  In the morning an ancient furniture lorry stops for them. Her father lifts her into its bed, where a dozen people nestle beneath a waxed canvas tarp. The engine roars and pops; the truck rarely accelerates past walking speed.

  A woman prays in a Norman accent; someone shares pâté; everything smells of rain. No Stukas swoop over them, machine guns blazing. No one in the truck has even seen a German. For half the morning, Marie-Laure tries to convince herself that the previous days have been some elaborate test concocted by her father, that the truck is moving not away from Paris but toward it, that tonight they’ll return home. The model will be on its bench in the corner, and the sugar bowl