The Four-Gated City

  She walked on: in a few minutes she would be at Jack’s house. That is, she would be if she did not take a great loop through surrounding streets; she did not want to get to Jack’s place yet no matter what price she would have to pay for being, as she was now, at a height in herself. When she got to Jack’s, well, that would be a very different place in herself again; and once in it-but suddenly she understood that there was only one person she knew in London, who could allow her to go on living as she was now, rootless, untied, free. That was Jack. No pressures there. And she understood just why he lived as he did. She had ‘understood’ it before; but she understood it differently now that she was in that area of the human mind that Jack also inhabited. Yes. But in that case, why did she shy so strongly away from Jack, from what he stood for-or at least, with a good part of herself? That part whose name was Self-preservation. She knew that. He was paying too high a price for what he got. She knew that. What was the price? The jiggling wave-length was telling her: Jack fell down and broke his crown, Jack fell down and broke …

  Yes. He could not go on as he was now, he’d fall. And so would she if she did not move out of this high stretch of herself. Ah, but not yet, please not yet: she could spend time with him, in his area, just a short time, before moving on to responsibility? Responsibility that is, to the normal, the usual-she had debts to pay, that was it. One could not move on before all debts were paid, the accounts made up. Terror struck, thinking of the debts she did have to pay: Caroline invaded her mind, the two men she had married so absurdly, her mother. Debts. They had to be paid. A great descent down, down, was before her. Then a wave would lift her up again (when?), to where she was now, on a height, and from where she could glimpse other perspectives. The tune said: Mother, must I go on dancing? Infuriating, ridiculous, banal, this had recently entered her listening mind as soon as she reached the boundary in it. Always. Mother, must I go on dancing? Yes, she knew only too well she had to go on dancing. She knew it, both now, when she was inside the empty space, away from ordinary living; and inside ordinary living, when the space seemed a very far country. She knew what she had to do-ring up Marjorie’s sister Phoebe. She could not stay with Jack, -even for as short a time as he would be able to live as he did-before he fell down and broke his crown. The words: Be Careful, were printed in black jagged letters across the empty space. She looked at them, as they faded in a fall of stars, like fireworks dropping through a dark night sky. Perhaps she should warn Jack? That thought, the housewife’s thought, told her she was sinking, she was coming down. After all, she could not maintain it for long, could not stay where the air was cool and where it was ridiculous to think ‘I must warn Jack’. Who am I to warn Jack? Responsibilities and commitments, she was sinking towards them, fast … She had to go on dancing … But Not Yet. With an effort, she shook, tightened, forced herself up, up through the quiet space and into the wave-length where, now it was not resisted but accepted, it crashed around her inner ears in a din of appalling sound, music, voices, screaming, the sounds of war-and, through it … even as she understood that she had reached, through acceptance, through not being afraid of or irritated by the silliness and jumble of this area, a state of quiet and distance as far removed from the state of quiet known up till now as that state was from the humdrum of ordinary life, she was already sinking away from it. Sinking, she said, remember, remember, don’t let it go, remember it’s there, please, please, don’t forget, you forget all the time, hold on to that even when … but once with Jack it would be hard to remember. She was sinking fast down, down: ahead there was a telephone box, a sentinel at the end of the street near a pub, now darkened. Yes, but remember the space you discovered today. It was gone, gone quite, not even a memory, and she sank down out of reach of the place where words, bits of music juggled and jangled and informed. And even the calm peace below (beside?), was going, it was a memory, a memory that was going. The thing was, memory was not possible. One could not remember. The knowledge of a certain condition belonged to one, when one was inside it. That was memory. No use to say: remember the lit space and its marvellous brother, the turn of the spiral above it when one had gone through the band of noise. Because, having left them behind, having sunk away, one was in a place with its own memories, its own knowledge. You could, perhaps, during the long day of work, responsibility, people, noise, have a flash of reminder: These places exist, but that was because the day had lifted you towards them, like a wave, for just a brief moment. You could think: I can reach it again when you were near it, not otherwise. Because for some reason the walls of the place you were in now had become thinned, and light came in from the other. That was why people did not remember. They could not. You remembered X with Χ, Y with Y. It was as simple as that: I must please please remember … she had reached the telephone box. A tall box under a tree which had black railings around it. She was going past. Why had she wanted to telephone now, this moment? It already seemed ridiculous that she had wanted to, decided to. But an urgency shook her: if you don’t ring Marjorie now, commit yourself, you’ll stay with Jack. Why on earth shouldn’t I stay with Jack? Had he ever indicated, even for a moment, that she should stay with him? Never. Ring Marjorie’s sister. Oh, don’t be so pompous and absurd. Tomorrow will do. King her now. When you see Jack, you won’t remember at all why you have to ring Marjorie’s sister. Mother, must I go on dancing? Yes, my darling daughter …

  Martha had walked past the telephone box: she had walked past it fast, to get it behind her. It was as if hands took hold of her and turned her around. In the telephone box she rang Phoebe, whose voice came out of a world of tedious and ridiculous duties and responsibilities: it was nearly midnight and Phoebe was working on a report. Yes, Martha would meet her tomorrow. Tomorrow lunchtime? Mother, must I go on dancing? Tomorrow evening, Phoebe? Can’t you make lunch? said Phoebe, cross, saying with her voice that Martha had nothing to do with her time and should be prepared to fit herself in busy and responsible Phoebe’s life. Yes, I’ll meet you for lunch. Very well then, lunch at one, Martha. Phoebe rang off: she had another two hours of paper-work to get through before she could go to bed. Mother, must I go on dancing?

  Martha went on, to Jack’s place.

  Chapter Two

  The street ran low and dark between dark terraces that were set back behind hedges. There was no light in the houses and the street light outside Jack’s house made a pool of yellowish haze about its hooded shaft. Between it and the next blur of yellowish haze a hundred yards down, was dark. The street was up, and a small red eye showed the edge of a crater. Behind the terrace was a canal, unused by commerce, where children swam. From its dirty waters that received old chairs, refuse, unwanted litters of kittens, mattresses, rose into the air of this area a foul clinging smell that no wind ever seemed strong enough to lift away. Behind the small hedge, near the front door, was a heap of brick and rubble from inside the house. A cat sat on the rubble, its eyes gleaming green at Martha, who put out a hand. But the cat slunk away. Looking up at the second floor, a chink of light showed at the window, so perhaps behind other walls of this black street, people were awake to tend a baby, or to make love, or to read.

  Martha knocked, gently, and at once the front door opened inwards into a hall where a dull light showed bare boards, flaking walls, a cracking ceiling. There was an awful smell of rotting wood. A young man stared at Martha. A thin body like a coat-hanger held a dark blue dressing-gown from which lanky white legs protruded below, and a thin neck and a thin wild face above. He had black shock-hair, and black eyes.

  ‘I saw you through the shutter.’

  ‘Thanks, is Jack in? ’

  He laughed, but without sound, shaking his shoulders to mark that he laughed, watching for her reaction from anxiously serious eyes. She smiled, turning her face so that the heavy ceiling light could show her smile.

  ‘They come and go, ’ he said.

  Martha now felt afraid for the first time this night of walking alone through dark streets. S
he went slowly towards the stairs, feeling how he followed her, close.

  ‘Mind you, I’ve known worse places. During the war.’ He was right up against her back.

  ‘Are you a friend of Jack’s? ’

  ‘I live here, don’t I? ’

  On the bottom stair she turned to offer him her smile; he stood grinning, his face on the level of hers.

  ‘I’ll show you my place.’ He tugged, grinning, at the sleeve of Mrs. Van’s coat: Martha followed him into a room off the hall, which had once been a reception room. It was long, high, with the remains of some fine mouldings in the ceiling. The windows were shuttered; but there was a crack, and against the crack was set a chair: an observation post. There was a camp-bed, with dingy blankets, and against the wall a painter’s ladder, with hooks up the sides that held shirts, a jacket, and two pairs of shoes tied by their laces. There was a candle in a bottle near the camp-bed: and by it, a mess of comics.

  ‘They lived under the rubble in Germany, ’ he said.

  ‘So I read.’

  ‘I was there.’

  Now she looked at him, understanding his wildly grinning face, his staring eyes, his perpetual soundless laugh; it was quite simple, he was crazy.

  ‘In Poland they lived in the sewers.’

  ‘You were there too? ’ she asked politely.

  He laughed, shaking his shoulders, and his black eyes narrowed into a frenzy of suspicion. ‘I didn’t say so, did I? ’

  ‘No.’

  ‘I was. In the sewers. I fought.’

  Martha now found that she was not only afraid, but tired. Her legs were stones under her. Her head was heavy. A very long way was she now from the light, easy-walking creature of only half an hour ago, whose head was like a lighthouse or a radio set. She thought: I must remember, I must, I must; but stood back, as the young man came a step nearer, grinning and staring. His hands had come out to grasp-not her. but her wandering attention. They were young, thin, sad hands, rather grubby.

  ‘If you are interested in other things, then I’m very, very sorry, ’ he said. ‘Very!’

  ‘The thing is. I’m rather late.”

  ‘The other one left at eleven. I let her out. It is now one-nineteen precisely.’

  ‘In that case, I really must go up,)ack’ll be waiting.’

  She smiled and turned and went out, feeling him immediately behind her, and his grin somewhere just behind her head. But she walked steadily up the stairs, saying as he turned into the landing: ‘Thanks for showing me your place.’

  ‘It’s all you need. With bell, book and candle. The church across the canal has a bell. Do you know it? ’

  ‘I’ve heard it. Goodnight.’

  She stood in a breathing dark, in front of her a door that had light behind it, while below she heard him shuffle back into his place. Martha knocked softly on the door. There was no answer. What she stepped into was a quiet room with fresh white walls, a glossy dark floor with rugs on it, and candles burning on the handsome mantelpiece. And it was warm: the heaters glimmered. On a large bed under the window, Jack lay sleeping. He was naked under a blanket, and was on his back, his cheek on his hand as if he were thinking. As he almost might be: he was lightly, alertly asleep. Martha slid off her shoes and into a chair to rest a moment; if she had not sat down then, she would have fallen; she was thinking, what nonsense, if I’d had to walk another five miles I would, and not been tired till the end of them. Now she sat; for a moment half-conscious. Her back was to the shutter that kept off the smells from the canal below. Above this floor, a floor was empty: rooms that had been open to the sky for a year, receiving wet and wind and snow, and letting the wet seep down, of course, to the white fresh ceiling she now stared at. It had been, Jack said, flaking and cracked, and crumbling and soaked a dark mouldy brown. Then Jack had mended the roof to keep the weather out, and removed the rubble. Below this floor was another, dry, unaffected by the war, but empty, unpainted for years and smelling of mice or rats. Below that, the room in which the young crazy man had made his camp. But on the side of the hall opposite him, a large empty room, beautiful, but the shell of its inside was flaking and falling away. And under the whole tall house, a basement which had had water in it for years. Then, when Jack had drained it, it had damp rubble and old boards. Now it was empty, slowly drying out, he hoped; but sending through the entire house an odour of old damp. But this room was all clean: the old blackout curtains had been left, to add to the theme of black and white. There were Jack’s pictures on the walls. Not many: enough, as he had said, to show he was a painter. And there was an easel and some painting things in a corner. The pictures were mostly abstract, and mostly black and white or grey or brown. Some of them had been made out of queer materials-bits of sack glued on to board; brick rubble mixed with paint smeared on board; paint mixed with sand. Jack had become a painter because at the end of the war he had not wanted to go back to a settled life. He needed a label. What was more respectable than to be a painter? Years before he would have had to fool himself that he was a painter, in order to live the life he wanted under that label. But the war had taught him that there wasn’t time for anything but essentials, he said. In the war he had learned that you must take what you wanted and then fight for it. If you were an artist you could get away with anything. You should either be very rich or an artist or a criminal. He had acquired some canvas and an easel and some paints, and had bought a lot of old pictures from a junkshop which he kept stacked about the walls for the sake of their atmosphere. He did a few days’ work with sand, rubble, bits of sack and some glue and some paint, and behold, he was an artist, with a label he could use on passports and forms.

  In 1947, a sailor discharged from the purposes of war, he had been walking down this street in which he had found a room, and had seen this house, then a wreck, a ruin, a shell, with a collapsed roof. He had gone into the open door and to the top of the house. He had spent a day in the house, not really making plans or decisions, but it seemed they had been made without his knowing about it, for the next thing he knew was, he had gone out and brought back a bucket, a scrubbing brush, and soap. With the roof still open above him, he had cleared rubble and scrubbed until he felt rain on his back and realized the roof ought to be mended. He mended the roof. He was just finishing it when Garibaldi Vasallo the Maltese had come in. He was a large swarthy man who looked as if he ought to have gold rings in his ears. But he wore a striped businessman’s suit.

  ‘What are you doing, son? ’

  ‘Mending the roof, ’ said Jack.

  ‘It’s my house, do you know that? ’

  ‘Well I’m living in it, aren’t I? ’

  Garibaldi Vasallo went down to the water-filled basement, inspected every floorboard and inch of plaster in the decaying place, and returned to under the roof, having decided to buy it. Previously he had decided it was in too bad a state to buy, like all the bomb-shaken houses of this terrace. But he watched Jack at work for a few minutes and said: ‘You’ll have to leave.’

  ‘You can’t do that, I’m a protected tenant.’

  ‘How’s that? ’

  ‘I live here.’

  ‘Since when? ’

  ‘Have a cigarette.’

  Jack came down from the roof and sat cross-legged on the damp floorboards, and Garibaldi Vasallo sat opposite him and they smoked and discussed the war. Garibaldi Vasallo had been in the Merchant Navy. Jack had been in a minesweeper. If Jack had been in a minesweeper throughout the war, then he could not have been living in this house as he continued to claim that he had. He continued to make this claim, affably, while he talked of his minesweeping years with Garibaldi Vasallo, who for his part, continued to say that this was his house. And so it went on for some hours, and then Garibaldi went off to buy the house. It cost him £450. He bought two others at the same time for £500 each. Then, lacking further capital for the time being, made it his business to sniff out possible other buyers (very few, the terrace being in such dilapidation), letting
them know that ‘the blacks were moving in’. He now had no money at all. He dropped over to watch Jack’s work on the top floor of the house, and began work himself on the roof of one of his other houses. Meanwhile Jack had brought in his belongings, at that stage a camp-bed (now being used by the mad youth downstairs), and a candle in a bottle. He had about a thousand pounds from the war. So far he had spent none of it, and mending the roof had cost nothing, since he had borrowed tools and used available materials from near-by bombed houses. Now he cleaned and painted the second floor, and in the evenings Mr. Garibaldi Vasallo dropped in to see what Jack was doing and how he did it. For while being in the Navy was a fine training in inventiveness and small skills, he knew nothing about building, and building had been one of the ways Jack had earned a living. When this floor was all painted out and clean, Jack bought a large bed, a chair, a chest of drawers and some rugs at a street market. Total cost, five pounds. Jack was now at home. But there was no electricity in the place and no plumbing. He used candles and went to the public bath-house and the lavatory at the old cinema at the comer, in payment for which he mended cracked windows for the proprietor.