I, Richard
Eric had known she was going to die. He'd known how the virus would work. He'd known there was no cure for what was going to attack her, so he'd taken himself away from having to face what evil he'd brought down upon them both.
What's to do? she asked herself. But she knew the answer. Write it all out clearly so that no one would take any risks with her body afterwards. And then do as Eric had done but for an entirely different set of reasons. It wasn't the noble solution although it might be seen as such. It was the only solution. She still had the gun. It would create a mess and a mess was dangerous to other people, but the note she would write—and would post on the doorway so no one could miss it before they entered the room—would explain the situation.
Odd, she thought. She wasn't angry. She wasn't afraid. She wasn't anything. Perhaps that was good.
On the freeway, she drove with more care than usual. Every car that hurtled by her was an obstacle that she had to avoid at any cost. It was growing dark and she was having trouble seeing through the glare of oncoming headlights, but she made it home without incident and she parked in the driveway and felt a heaviness come over her, knowing what deed faced her when she got inside.
More than anything she just wanted to sleep. But there wasn't time for that. If she wasted eight hours, that would be a third of a day which the virus would have to work in her body. Who knew what condition she would be in tomorrow if she gave in to exhaustion today.
She got out of the car. She stumbled up the walk. The porch light wasn't on, so she didn't see the form emerge from the shadows till she was upon it. And then she saw a faint glimmer of the streetlight shining on something metallic that he held. A gun, a knife? She couldn't tell.
He said, “Mrs. Lawton, you have something that belongs to me, I think,” and his accent was as dusky as his complexion and his tone was as black as his hooded eyes.
She had no fear of him. What was there to fear? He could do no more to her than Exantrum was already doing.
She said, “Yes, I have it. But not in the form you were hoping for. Come inside, Mr…. ?”
“Names do not matter. I want what I'm owed.”
“Yes. I know you do. So come inside, Mr. Names Do Not Matter. I'm only too happy to give it to you.”
She'd have to write the letter first, she thought. But something told her Mr. Names Do Not Matter was desperate enough to be willing to give her the time that writing the letter required.
Introduction to
I, Richard
I first developed an affinity for Richard III, England's most controversial king, when I was a college student taking my first Shakespeare course. In it, we read Richard III—interestingly titled The Tragedy of King Richard III—and through this process, I came into contact with a fascinating group of historical figures who have never been far from my imagination since those autumn mornings in 1968 when we as a class discussed them.
I watched my first production of the play at the Los Gatos Shakespeare Festival a short time thereafter, but it wasn't until I read Josephine Tey's famous novel The Daughter of Time that I began to see King Richard in a light other than that in which Shakespeare's famous play bathed him. After that, I became more intrigued with this much maligned king and more reading followed: Richard III, The Road to Bosworth Field; The Year of Three Kings 1483; The Mystery of the Princes; Richard III, England's Black Legend; The Deceivers; and Royal Blood became a permanent part of my library. And when I created the continuing characters for my crime novels, I decided to make one of them a Ricardian Apologist, the better to have opportunities to take potshots at the man I eventually came to believe was the real black heart at the heart of what happened in 1485: Henry Tudor, Earl of Richmond, later Henry VII.
All along, I wanted to write my own story of what might have happened to the Princes in the Tower, a story that would exonerate Richard and put blame where it rightfully belonged. But the problem was that everyone I read had a different take on who the real culprit was. Some thought it likely that Henry Tudor had had the boys put to death after ascending the throne himself. Others thought the Duke of Buckingham was responsible, seeking to grease his own way to accession. Still others saw the involvement of the Stanleys, of the Bishop of Ely, of Margaret Beaufort. Some claimed the disappearance and death of the boys a conspiracy. Others declared it the work of a single hand. And some remained convinced that the deed was perpetrated by the man upon whom blame had been cast for five hundred years: that bunch-backed toad himself, Richard, Duke of Gloucester, later Richard III.
I knew that I wanted neither to write a historical novel nor to change my career and become a medieval historian. But I did want to write a story about people who were, like me, interested in that period of time, and I wanted to call it “I, Richard,” taking my title from the manner in which documents began that were written by the reigning monarchs of the time.
The challenge for me was to write a story in the present time that dealt with another story five hundred years old. I didn't want to approach it as Tey had done, using a character in a hospital bed who is distracted from his condition through the means of being given a mystery to solve. At the same time, I did want to create a story in which something existed—something fictional, of course—that proved irrefutably that Richard was guiltless of the death of his nephews.
My first task was to decide what that something was.
My second task was to decide what kind of modern-day story could embrace that something.
I approached the plot the way I approach every plot: I decided to go to the location in which I'd decided to set my tale. So in a frigid February, I trekked up to Market Bosworth in the company of a girlfriend from Sweden. Together we walked the perimeter of the battle site, Bosworth Field, where Richard III died as a result of treachery, betrayal, and greed.
Bosworth Field is much the same as it was over five hundred years ago when the armies met in August 1485. It hasn't been plowed over for housing estates, and Wal-Mart hasn't managed to put an unsightly megastore anywhere near it. Thus, it remains a forsaken, windswept place marked only by flagpoles that show visitors where the various armies were encamped and by plaques that explain along an established route exactly what happened at each spot.
It was when I reached a plaque that directed my gaze toward the distant village of Sutton Cheney where King Richard prayed in St. James Church on the night before the battle that I saw my story take shape. And what happened to me as I stood before that plaque was something that had never happened before nor has it happened since. It was this:
I read the words that told me to look for the windmill some mile or so in the distance and to recognize this structure as marking the village of Sutton Cheney where King Richard had prayed the night before battle. And as I lifted my eyes and found that windmill, the entire short story that you will read here dropped into my mind. All of a piece. As simple as that.
All I had to do was recite the facts of the story into my handheld tape recorder as the wind buffeted me and the temperature challenged me to stay out of doors long enough to do so.
I came home to California and created the characters who would people the small world of “I, Richard.” Once I did that, the story virtually wrote itself.
The guilt or innocence of the parties in history is lost to all of us, pending the discovery of a document whose veracity cannot be disputed. Indeed, I wasn't interested in trying to prove anyone did anything. What I was interested in writing about was one man's obsession with a long-dead King and the extremes he was willing to go to in order to advance himself under the banner of that defeated white boar.
I, RICHARD
Malcolm cousins groaned in spite of himself. considering his circumstances, this was the last sound he wanted to make. A sigh of pleasure or a moan of satisfaction would have been more appropriate. But the truth was simple and he had to face it: No longer was he the performance artist he once had been in the sexual arena. Time was when he could bonk with the best of them. But tha
t time had gone the way of his hair and at forty-nine years old, he considered himself lucky to be able to get the appliance up and running twice a week.
He rolled off Betsy Perryman and thudded onto his back. His lower vertebrae were throbbing like drummers in a marching band, and the always-dubious pleasure he'd just taken from Betsy's corpulent, perfume-drenched charms was quickly transformed to a faint memory. Jesus God, he thought with a gasp. Forget justification altogether. Was the end even worth the bloody means?
Luckily, Betsy took the groan and the gasp the way Betsy took most everything. She heaved herself onto her side, propped her head upon her palm, and observed him with an expression that was meant to be coy. The last thing Betsy wanted him to know was how desperate she was for him to be her lifeboat out of her current marriage—number four this one was—and Malcolm was only too happy to accommodate her in the fantasy. Sometimes it got a bit complicated, remembering what he was supposed to know and what he was supposed to be ignorant of, but he always found that if Betsy's suspicions about his sincerity became aroused, there was a simple and expedient, albeit back-troubling, way to assuage her doubts about him.
She reached for the tangled sheet, pulled it up, and extended a plump hand. She caressed his hairless pate and smiled at him lazily. “Never did it with a baldy before. Have I told you that, Malc?”
Every single time the two of them—as she so poetically stated—did it, he recalled. He thought of Cora, the springer spaniel bitch he'd adored in childhood, and the memory of the dog brought suitable fondness to his face. He eased Betsy's fingers down his cheek and kissed each one of them.
“Can't get enough, naughty boy,” she said. “I've never had a man like you, Malc Cousins.”
She scooted over to his side of the bed, closer and closer until her huge bosoms were less than an inch from his face. At this proximity, her cleavage resembled Cheddar Gorge and was just about as appealing a sexual object. God, another go-round? he thought. He'd be dead before he was fifty if they went on like this. And not a step nearer to his objective.
He nuzzled within the suffocating depths of her mammaries, making the kinds of yearning noises that she wanted to hear. He did a bit of sucking and then made much of catching sight of his wristwatch on the bedside table.
“Christ!” He grabbed the watch for a feigned better look. “Jesus, Betsy, it's eleven o'clock. I told those Aussie Ricardians I'd meet them at Bosworth Field at noon. I've got to get rolling.”
Which was what he did, right out of bed before she could protest. As he shrugged into his dressing gown, she struggled to transform his announcement into something comprehensible. Her face screwed up and she said, “Those Ozzirecordians? What the hell's that?” She sat up, her blonde hair matted and snarled and most of her makeup smeared from her face.
“Not Ozzirecordians,” Malcolm said. “Aussie. Australian. Australian Ricardians. I told you about them last week, Betsy.”
“Oh, that.” She pouted. “I thought we could have a picnic lunch today.”
“In this weather?” He headed for the bathroom. It wouldn't do to arrive for the tour reeking of sex and Shalimar. “Where did you fancy having a picnic in January? Can't you hear that wind? It must be ten below outside.”
“A bed picnic,” she said. “With honey and cream. You said that was your fantasy. Or don't you remember?”
He paused in the bedroom doorway. He didn't much like the tone of her question. It made a demand that reminded him of everything he hated about women. Of course he didn't remember what he'd claimed to be his fantasy about honey and cream. He'd said lots of things over the past two years of their liaison. But he'd forgotten most of them once it had become apparent that she was seeing him as he wished to be seen. Still, the only course was to play along. “Honey and cream,” he sighed. “You brought honey and cream? Oh Christ, Bets.…”A quick dash back to the bed. A tonguely examination of her dental work. A frantic clutching between her legs. “God, you're going to drive me mad, woman. I'll be walking round Bosworth with my prong like a poker all day.”
“Serves you right,” she said pertly and reached for his groin. He caught her hand in his.
“You love it,” he said.
“No more'n you.”
He sucked her fingers again. “Later,” he said. “I'll trot those wretched Aussies round the battlefield and if you're still here then… You know what happens next.”
“It'll be too late then. Bernie thinks I've only gone to the butcher.”
Malcolm favoured her with a pained look, the better to show that the thought of her hapless and ignorant husband—his old best friend Bernie—scored his soul. “Then there'll be another time. There'll be hundreds of times. With honey and cream. With caviar. With oysters. Did I ever tell you what I'll do with the oysters?”
“What?” she asked.
He smiled. “Just you wait.”
He retreated to the bathroom, where he turned on the shower. As usual, an inadequate spray of lukewarm water fizzled out of the pipe. Malcolm shed his dressing gown, shivered, and cursed his circumstances. Twenty-five years in the classroom, teaching history to spotty-faced hooligans who had no interest in anything beyond the immediate gratification of their sweaty-palmed needs, and what did he have to show for it? Two up and two down in an ancient terraced house down the street from Gloucester Grammar. An ageing Vauxhall with no spare tyre. A mistress with an agenda for marriage and a taste for kinky sex.
And a passion for a long-dead King that—he was determined— would be the wellspring from which would flow his future. The means were so close, just tantalising centimetres from his eager grasp. And once his reputation was secured, the book contracts, the speaking engagements, and the offers of gainful employment would follow.
“Shit!” he bellowed as the shower water went from warm to scalding without a warning. “Damn!” He fumbled for the taps.
“Serves you right,” Betsy said from the doorway. “You're a naughty boy and naughty boys need punishing.”
He blinked water from his eyes and squinted at her. She'd put on his best flannel shirt—the very one he'd intended to wear on the tour of Bosworth Field, blast the woman—and she lounged against the doorjamb in her best attempt at a seductive pose. He ignored her and went about his showering. He could tell she was determined to have her way, and her way was another bonk before he left. Forget it, Bets, he said to her silently. Don't push your luck.
“I don't understand you, Malc Cousins,” she said. “You're the only man in civilisation who'd rather tramp round a soggy pasture with a bunch of tourists than cozy up in bed with the woman he says he loves.”
“Not says, does,” Malcolm said automatically. There was a dreary sameness to their postcoital conversations that was beginning to get him decidedly down.
“That so? I wouldn't've known. I'd've said you fancy whatsis-name the King a far sight more'n you fancy me.”
Well, Richard was definitely more interesting a character, Malcolm thought. But he said, “Don't be daft. It's money for our nest egg anyway.”
“We don't need a nest egg,” she said. “I've told you that about a hundred times. We've got the—”
“Besides,” he cut in hastily. There couldn't be too little said between them on the subject of Betsy's expectations. “It's good experience. Once the book is finished, there'll be interviews, personal appearances, lectures. I need the practice. I need”—this with a winning smile in her direction—“more than an audience of one, my darling. Just think what it'll be like, Bets. Cambridge, Oxford, Harvard, the Sorbonne. Will you like Massachusetts? What about France?”
“Bernie's heart's giving him trouble again, Malc,” Betsy said, running her finger up the doorjamb.
“Is it, now?” Malcolm said happily. “Poor old Bernie. Poor bloke, Bets.”
The problem of Bernie had to be handled, of course. But Malcolm was confident that Betsy Perryman was up for the challenge. In the afterglow of sex and inexpensive champagne, she'd told him once t
hat each one of her four marriages had been a step forward and upward from the marriage that had preceded it, and it didn't take a hell of a lot of brains to know that moving out of a marriage to a dedicated inebriate—no matter how affable—into a relationship with a schoolteacher on his way to unveiling a piece of mediaeval history that would set the country on its ear was a step in the right direction. So Betsy would definitely handle Bernie. It was only a matter of time.
Divorce was out of the question, of course. Malcolm had made certain that Betsy understood that, while he was desperate mad hungry and all the etceteras for a life with her, he would no more ask her to come to him in his current impoverished circumstances than would he expect the Princess Royal to take up life in a bed-sit on the south bank of the Thames. Not only would he not ask that of her, he wouldn't allow it. Betsy—his beloved—deserved so much more than he would be able to give her, such as he was. But when his ship came in, darling Bets.… Or if, God forbid, anything should ever happen to Bernie.… This, he hoped, was enough to light a fire inside the spongy grey mass that went for her brain.
Malcolm felt no guilt at the thought of Bernie Perryman's demise. True, they'd known each other in childhood as sons of mothers who'd been girlhood friends. But they'd parted ways at the end of adolescence, when poor Bernie's failure to pass more than one A-level had doomed him to life on the family farm while Malcolm had gone on to university. And after that… well, differing levels of education did take a toll on one's ability to communicate with one's erstwhile—and less educated—mates, didn't it? Besides, when Malcolm returned from university, he could see that his old friend had sold his soul to the Black Bush devil, and what would it profit him to renew a friendship with the district's most prominent drunk? Still, Malcolm liked to think he'd taken a modicum of pity on Bernie Perryman. Once a month for years, he'd gone to the farmhouse—under cover of darkness, of course—to play chess with his former friend and to listen to his inebriated musings about their childhood and the what-might-have-beens.