Dead Simple

  'Yes, poor bloke, I think he's had a stroke - was swerving all over the place.' A lorry thundered past, then two motorbikes.

  Ashley shouted out, 'For God's sake help me, Vic, I can't manage these bloody cases on my own!'

  'Leave the fucking things!'

  'One has all my papers in it--'

  Vic saw the pot-bellied man looking at Ashley oddly and decided the fastest solution was to deck him. He knocked him out cold with one punch, and propped him up against the front of his Ford. Then they hastily loaded Vic's holdall and two of Ashley's cases into the Toyota and jumped in. Vic found reverse, then, with a grinding noise coming from what he presumed was the fan belt, he eased the car back several feet, then he found drive, and the car juddered. He checked his mirror, then accelerated, pulling out past the Land Rover, and accelerated as fast as the distinctly clapped-out old Toyota would go towards the rapidly widening light at the far end of the tunnel.

  Ashley was staring at him in shock. 'That was clever,' she said.

  'Can you see the fucking chopper?' he asked, squinting as they came back out into bright light. She squirmed around in her seat, craning her neck upwards through first the front windscreen, then the rear.

  'It's not following!' she exclaimed. 'It's hovering over the front of the tunnel - wait - great - now it's going back to the rear!'

  'Fucking A!' Vic took the first exit off the dual carriageway, which came up a mile on. It took them down into the mixed urban and industrial sprawl of Southwick, the suburb separating the city of Brighton and Have from Shoreham. They had a few minutes' head start before the police got an ident on this car, and maybe with a bit of luck the old git who owned it couldn't remember the licence number, Vic hoped.

  'OK, so where the hell are we going, Vic?'

  'To the one place the police aren't looking at.'

  'Which is?'

  'Michael and Mark have a boat, right, a proper yacht. You've been on it?'

  'Yes, I've told you - I've been out on it a few times.'

  'It's big enough to cross the Channel, right?'

  'The guy they bought it from sailed it across the Atlantic'

  'That's fine. You and I know how to sail.'

  'Yes.' Ashley remembered several sailing holidays they'd had in Australia and in Canada, chartering a yacht, going off on their own. Some of the few happy and peaceful moments of her life.

  'So now you know where we're going. Unless you have a better idea?'

  'Take their boat?'

  'We'll sail after dark.'

  They were now on a busy main road, with semi-detached houses on each side, set well back. He slowed down as they approached a red light and could see a shopping parade ahead on both sides of the road. Then, as he halted, his face fell. Brilliant white light filled the rear-view mirror. He heard the sharp blast of a two-tone siren. Saw a blue flashing light, heard the blip of a loud throttle; then a police motorcyclist pulled alongside his window, signalling for him to get out. Instead, he floored the accelerator and shot straight over the lights, right across the path of a heavy truck. 'Oh shit,' Ashley said. Moments later, siren on, the motorcycle was alongside again, the cop signalling sternly for him to pull over. Instead, Vic turned the wheel sharply to the right, deliberately striking the bike, sending it hurtling over on its side; in his mirror he caught a fleeting glimpse of the cop, unseated, rolling across the road. Panicking, Vic saw a pillar box ahead, and a quiet-looking side street. He turned sharply into it, hearing the sound of the bags sliding across the back seat, then accelerated down the tree-lined avenue. It was starting to rain again, and he fumbled around with the switches until he found the wipers and got them working. They reached a T-junction, with a church ahead.

  'Do you know where we are?'

  'The harbour can't be far,' he said. He drove on, through a maze of quiet residential streets, then suddenly they came out into a narrow, bustling high street, with traffic crawling down it.

  'There!' Vic pointed ahead. 'That's the harbour!' At the bottom of the high street, they came to the junction with the main coast road that ran all the way along Brighton and Hove seafront, past Shoreham Harbour and then along the banks of the River Adur. 'Which way's the boat?' 'It's at the Sussex Motor Yacht Club/ she said. 'You have to go left.' There was a bus coming, quickly. He was going to wait to let it pass when a glint of white light in his mirror caught his eye; almost in disbelief, he saw a police motorbike weaving through the jammed traffic behind him. The same damned cop he had just knocked off his machine? He pulled out in front of the bus, tyres screeching. Then, moments later, out of nowhere, a black BMW with a flashing blue light on the dash and more flashing blue lights inside its rear windscreen, hurtled past the bus and his Toyota, cutting in front of him, forcing him to brake sharply. Above its rear bumper the words, in flashing red lights, appeared: 'stop police'. In complete blind panic he swung the car round in a Uturn, accelerating back the other way, weaving through the traffic, which was slowing down ahead at a roundabout. The motorbike was right behind him, siren howling. Putting two wheels on the pavement, jamming his hand on the horn, making pedestrians leap out of the way, Vic squeezed past the line of cars and a van and reached the roundabout.

  There were three choices: right seemed to go back into the maze of houses; straight on the traffic was clogged up. Left went over a metal-girdered bridge spanning the river. He turned left, the motorbike glued to his tail as he accelerated as hard at the Toyota would go, the fan grinding, shrieking, the noise getting worse every second. Below, the tide was right out, the river just a slack brown trickle between the mud banks, with moored boats lying on their sides, many of them barely looking as if they were capable of floating when the tide came back in. On the far side of the bridge the road was clear. But within moments the BMW was coming up fast behind him. The motorbike suddenly whipped in front of him and then decelerated, trying to force him to slow.

  'Thought I fucking gave you a lesson already,' Vic muttered, accelerating, trying to ram it, but the rider was too quick for him, darting forward as if anticipating this. Vic, trying desperately to think straight, looked at the landscape to either side. On the left was a garage, a parade of shops and what looked like a large residential area. Over to his right he could see the flat expanse of Shoreham Airport, used mostly by private aircraft and a few small Channel Islands airlines. The entrance was coming up. Without signalling he swung right, onto the narrow road. There was a concrete wall on his left, and the open expanse of the airfield to his right, dotted with hangars, with small planes and helicopters parked in front, and the white Art Deco control tower building, in need of a lick of paint. The thought now going through his head was that if he could just shake off the cops for a few minutes, they could hijack a light aircraft, like the twin-engined Beechcraft he could see coming in now - just drive straight over to it, grab the pilot.

  As if anticipating exactly that, the BMW pulled alongside, then swung into him, forcing him into the concrete wall. Ashley screamed as the car slammed against it, grating along it with sparks showering past them.

  'Vic, for Christ's sake do something!'

  He sat, gripping the wheel for dear life, clenched up in concentration, knowing they were hopelessly underpowered against the BMW and the bike. There was a tunnel coming up ahead. He could guess exactly what the BMW had in mind - to go in it ahead of him and then stop. So he stamped on the brakes. Caught by surprise, the BMW shot past, and instantly he swerved behind it, off the road and onto the airfield itself. The bike stayed with him, and moments later, the BMW was behind him as well. He drove across the bumpy grass straight towards the first row of parked aircraft, weaving wildly in between them, trying to shake off the cops behind him, trying to spot someone walking to a plane or getting out of one. Then, as he headed for a gap between a Grumman executive jet and a Piper Aztec, the BMW suddenly rammed him hard, jolting them both forward, Ashley, despite her seatbelt, cracking her head on the windscreen and crying out in pain. He heard the BMW revvi
ng. The runway was right in front of him, and he could see the twin-engined plane bearing down, yards away from touching down. He floored the accelerator, lurched across the runway, right through the shadow of the plane. And then, for a brief moment, no bike and no BMW in his mirror!

  He kept going, flat out, the car lurching, the grating from the engine getting worse and accompanied by an acrid smell of burning now, straight toward the perimeter fence and the narrow road beyond that.

  'We need to get out and hide, Vic. We're not going to outrun them in this thing.'

  'I know,' he said grimly, panic gripping him again as he couldn't see a gap anywhere in the fence. 'Where's the fucking exit?'

  'Just go through the fence.' T

  aking her advice, he continued driving flat out at the fence, slowing just before they struck it, the wire mesh making a dull clanging sound, and ripping like cloth. Then he was on the perimeter road, with the mudflats of the river to his right and the airfield to his left, and the bike and the car were right behind him. A Mercedes sports was coming the other way. Vic kept going. 'Out the fucking way!' At the last moment the Mercedes pulled over onto the verge. They were coming up to a T-junction with a narrow road that was little more than a lane. To the left there was a removals lorry parked outside a cottage, unloading, blocking the road completely. He turned right, flooring the pedal, watching in his mirror. At least this lane was too narrow for the BMW to get past. The bike was getting in position. Any moment it would whip past. Vic swerved out to warn it off. They were doing seventy, seventy-five, eighty, approaching a wooden bridge over the river. Then, just as he reached the bridge, two small boys on bicycles appeared at the far end, right in the middle of the road.

  'Shiiiiiiiit, oh shiiit, oh shiiit,' Vic said, stamping on the brakes, thumbing the horn, but there was no time; they were not going to stop, and there was no room to get past them. Ashley was screaming. The car slewed right, left, right. It struck the right-hand barrier of the bridge, veered over and struck the left, pinballed off it, doing a half pirouette, then rolled over onto its roof, bounced in the air, clearing the safety barrier, bursting through the wooden side of the bridge's superstructure, splintering it like matchsticks, and plunging, upside down, the rear doors flying open, and the suitcases hurtling alongside the car towards the mudflats below, which were as soft and treacherous as quicksand. The motorcyclist dismounted and, limping from his leg injury from when he had been knocked off his machine only a few minutes earlier, hobbled over to the hole in the side of the bridge and peered down. All he could see protruding from the mud was the grimy black underbelly of the Toyota. The rest of the car had sunk into it. He stared at the metal floor pan, the exhaust and silencer, the four wheels still spinning. Then, in front of his eyes, the mud bubbled all around the car, like a cauldron brewing, and moments later the underbelly and the wheels slipped beneath the surface and the mud closed over it. There were some deep bubbles which broke the surface, as if the underwater lair of some monster had been disturbed.

  Then nothing.

  89

  The incoming tide was hampering their efforts. A wide cordon had been thrown around the whole area where the car had gone in, canvas sheeting only partially obscuring the view from a swelling crowd of curious onlookers on the far bank. A fire engine, two ambulances, half a dozen police vehicles, including a crash recovery tender, were all parked down the lane. A crane had been driven onto the elderly bridge despite concerns about how much weight it could stand. Grace stood on the bridge himself, watching the recovery proceedings. Police frogmen were working hard to get the hooks of the lifting gear dangling from the crane onto secure fixings on the Toyota. The sky, which had been delivering spots of rain on and off all day, had lightened in the last hour and the sun was trying to break through. The tightly packed mud had made it impossible for the frogmen to get down any further, and the only hope that the occupants were alive rested on the windows having stayed intact and that there was air trapped inside the car. The amount of shards of glass strewn over the bridge made this seem more than a long shot. Two suitcases had been recovered from the abandoned Land Rover Freelander, but all they contained were women's clothes; not one scrap of paper that could give a clue to Michael Harrison's whereabouts. Grace had a grim feeling this car would yield something.

  Glenn Branson, standing next to Grace, said, 'You know what this reminds me of? The original Psycho - 1960. When they winch the car with Janet Leigh's body in out of the lake. Remember?'

  'I remember.'

  'That was a cool movie. The remake was shit. I dunno why people bother with remakes.'

  'Money,' Grace said. 'That's one of the reasons why you and I have a job. Because people do an awful lot for money'

  After a few more minutes the hooks were in place. Then the lifting began. Against the deafening roar of the crane's engine, Grace and Branson barely heard the sucking and gurgling sounds of the mud, beneath the waters of the rising tide, yielding its prize. Slowly, in front of their eyes, and washed clean by the water, the bronze Toyota rose up in the air, its boot-lid open and hanging. Mud oozed slowly out of all of the window frames. The car looked badly smashed and the roof pillars were buckled. It didn't look as if one single window had remained in place. And as the mud fell out, some in slabs, some in squitty streaks, at first just the silhouettes of the two occupants became visible, and then, finally, their inert faces. The crane swung the car over onto the bank, lowering it on its roof a few yards from a rotting houseboat. Several fireman, police officers and workmen who had come with the crane, unhooked the lifting gear then slowly righted the car. As it rolled back onto its wheels, the two figures inside jerked like crash-test dummies, Grace, with trepidation, followed by Branson, walked down to it, squatted and peered in. Even though there was some mud Still Stuck to her face, and her hair was much shorter than the last time he had seen her, there was no question it was Ashley Harper, her eyes wide open, unblinking.

  Then he shuddered in revulsion as a scrawny, long-legged crab crawled across her lap. 'Jesus,' Branson said. Who the hell was the man next to her, in the driving seat? Grace wondered. His eyes were open also, a powerful, thuggish-looking man with a shocked death mask. 'See what you can find on her,' Grace said, wrenching open the driver's door, and checking the man's sodden, muddy clothing for ID. He pulled out a heavy leather wallet from inside his jacket and opened it. Inside was an Australian passport. The photograph was the man in the car, no question. His name was Victor Bruce Delaney and he was forty-two years old. Under emergency contact was written the name Mrs Alexandra Delaney, and an address in Sydney. Glenn Branson wiped mud from a yellow handbag, unzipped it and after a few moments also pulled out a passport, this one British, which he showed to Grace. It contained a photograph that was, without doubt, Ashley Harper, but with close-cropped black hair, and it bore the name Anne Hampson. Under emergency contact nothing had been written. There were credits cards both in the man's wallet and in a purse inside the handbag, but nothing else. Not a clue about where they had come from or where they might be headed.

  'Houston, we have a problem' Glenn Branson said quietly to Grace, but there was no humour in his tone.

  'We do.' Grace stood up and turned away. 'It's suddenly a whole lot bigger than it was two hours ago.'

  'So how the hell are we going to find Michael Harrison now?' After a moment's silence Grace said, 'I have an idea, but you're not going to like it.' Glancing uncomfortably at the occupants of the car, Glenn Branson said, 'I don't like anything much at the moment.'

  90

  An hour and a half later, Grace helped buckle the diminutive, wiry figure of Harry Frame into the front seat of the pool Ford Mondeo he and Branson had used this afternoon. The pony-tailed, goatee-bearded medium, reeking of patchouli oil and wearing his trademark kaftan and dungarees, had a street map of Newhaven laid out in his lap, and held a metal ring on a length of string in his right hand. Grace had decided to leave Glenn Branson out of this. He didn't want any negative vibes, and
he knew that Harry Frame's energy was sensitive at best.

  'So did you bring me something, as I requested?' Harry Frame asked Grace as he climbed behind the wheel of the car. Grace dug a box out of his pocket and handed it to the medium. Frame opened it and removed a pair of gold cufflinks. 'These are definitely Michael Harrison's,' Grace said. 'I took them from his flat on my way here.' 'Perfect.' It was only a short distance along the coast from Harry Frame's Peacehaven home to Newhaven. As they drove past the seemingly endless sprawl of shops and takeaway restaurants, Harry Frame was holding the cufflinks in his closed palm.

  'Newhaven, you said?' 'There was a car we were interested in that was involved in an accident in Newhaven earlier today. And Newhaven is where Michael Harrison's mobile signal came from. I thought we'd drive to that spot and you could see if you pick anything up. Is that a good idea?' In his effusive, high-pitched voice, the medium said, 'I'm already picking up something. We're near, you know. Definitely.' Grace, following the directions he had been given, began to slow down. Some tyre marks, a spill of oil on the road and a few sparkling shards of safety glass showed him where the Mercedes had been in the accident, and he turned right into a modern housing development of small, detached houses with immature gardens, then immediately pulled over and stopped.

  'OK,' he said. 'This is where the accident happened this morning.' Harry Frame, holding the cufflinks in his left hand, began to swing the pendulum over the map, taking increasingly deep breaths. He closed his eyes tightly and after a few moments said, 'Drive on, Roy, just drive straight on. Slowly'

  Grace did as he was instructed. 'We're getting closer!' Frame said. 'Definitely. I see a turn-off to the left coming up shortly - might not even be a road, just a track.' After about a hundred metres, there was indeed a track going up to the left. It had been metalled, very many years ago, but had fallen into a state of total disrepair. It went uphill, through windblown, scrubby wasteland, and it did not seem from here, at least, that it was going to lead to anything. 'Make a left turn, Roy!' Grace looked at him, wondering if he was cheating by peeping through his eyelids. But if Harry was looking anywhere, it was down into his lap. Grace turned onto the track and drove up it for a quarter of a mile, then a squat, ugly detached house came into view just on the crest of the hill. It had fine views over Newhaven and the harbour beyond, but little else to recommend it. 'I see a house, all on its own. Michael Harrison is in this house,' Frame said, excitement raising his voice even higher. Grace pulled up outside.