Enough Rope
But the night came when Dooley showed up, tied his apron, rolled up his sleeves, and said, “Give her my love, huh?” And, when Paul looked at him in puzzlement, he added, “Your girlfriend.”
“Haven’t got one,” he said.
“You live on Eighth Avenue, right? That’s what you told me. Eighth and Sixteenth, right? Yet every time you leave here you head over toward Seventh. Every single time.”
“I like the exercise,” he said.
“Exercise,” Dooley said, and grinned. “Good word for it.”
He let it go, but the next night Dooley made a similar comment. “I need to unwind when I come off work,” Paul told him. “Sometimes I’ll walk clear over to Sixth Avenue before I head downtown. Or even Fifth.”
“That’s nice,” Dooley said. “Just do me a favor, will you? Ask her if she’s got a sister.”
“It’s cold and it looks like rain,” Paul said. “I’ll be walking home on Eighth Avenue tonight, in case you’re keeping track.”
And when he left he did walk down Eighth Avenue—for one block. Then he cut over to Seventh and took what had become his usual route.
He began doing that all the time, and whenever he headed east on Twenty-second Street he found himself wondering why he’d let Dooley have such power over him. For that matter, how could he have let a seedy gin joint make him walk out of his way to the tune of a hundred and fifty miles a year?
He was supposed to be keeping it simple. Was this keeping it simple? Making up elaborate lies to explain the way he walked home? And walking extra blocks every night for fear that the Devil would reach out and drag him into a neon-lit hell?
Then came a night when it rained, and he walked all the way home on Eighth Avenue.
It was always a problem when it rained. Going to work he could catch a bus, although it wasn’t terribly convenient. But coming home he didn’t have the option, because traffic was one-way the wrong way.
So he walked home on Eighth Avenue, and he didn’t turn left at Twenty-second Street, and didn’t fall apart when he drew even with the Rose of Singapore. He breezed on by, bought his beer and cigarettes at the deli, and went home to watch television. But he turned the set off again after a few minutes and spent the hours until bedtime at the window, looking out at the rain, nursing the beers, smoking the cigarettes, and thinking long thoughts.
The next two nights were clear and mild, but he chose Eighth Avenue anyway. He wasn’t uneasy, not going to work, not coming home, either. Then came the weekend, and then on Monday he took Eighth again, and this time on the way home he found himself on the west side of the street, the same side as the bar.
The door was open. Music, strident and bluesy, poured through it, along with all the sounds and smells you’d expect.
He walked right on by.
You’re over it, he thought. He went home and didn’t even turn on the TV, just sat and smoked and sipped his two longneck bottles of Bud.
Same story Tuesday, same story Wednesday.
Thursday night, steps from the tavern’s open door, he thought, Why drag this out?
He walked in, found a stool at the bar. “Double scotch,” he told the barmaid. “Straight up, beer chaser.”
He’d tossed off the shot and was working on the beer when a woman slid onto the stool beside him. She put a cigarette between bright red lips, and he scratched a match and lit it for her.
Their eyes met, and he felt something click.
She lived over on Ninth and Seventeenth, on the third floor of a brownstone across the street from the projects. She said her name was Tiffany, and maybe it was. Her apartment was three little rooms. They sat on the couch in the front room and he kissed her a few times and got a little dizzy from it. He excused himself and went to the bathroom and looked at himself in the mirror over the sink.
You could go home now, he told the mirror image. Tell her anything, like you got a headache, you got malaria, you’re really a Catholic priest or gay or both. Anything. Doesn’t matter what you say or if she believes you. You could go home.
He looked into his own eyes in the mirror and knew it wasn’t true.
Because he was stuck, he was committed, he was down for it. Had been from the moment he walked into the bar. No, longer than that. From the first rainy night when he walked home on Eighth Avenue. Or maybe before, maybe ever since Dooley’s insinuation had led him to change his route.
And maybe it went back further than that. Maybe he was locked in from the jump, from the day they opened the gates and put him on the street. Hell, from the day he was born, even.
“Paul?”
“Just a minute,” he said.
And he slipped into the kitchen. In for a penny, in for a pound, he thought, and he started opening drawers, looking for the one where she kept the knives.
Like a Bone in the Throat
Throughout the trial, Paul Dandridge did the same thing every day. He wore a suit and tie, and he occupied a seat toward the front of the courtroom, and his eyes, time and time again, returned to the man who had killed his sister.
He was never called upon to testify. The facts were virtually undisputed, the evidence overwhelming. The defendant, William Charles Croydon, had abducted Dandridge’s sister at knifepoint as she walked from the college library to her off-campus apartment. He had taken her to an isolated and rather primitive cabin in the woods, where he had subjected her to repeated sexual assaults over a period of three days, at the conclusion of which he had caused her death by manual strangulation.
Croydon took the stand in his own defense. He was a handsome young man who’d spent his thirtieth birthday in a jail cell awaiting trial, and his preppy good looks had already brought him letters and photographs and even a few marriage proposals from women of all ages. (Paul Dandridge was twenty-seven at the time. His sister, Karen, had been twenty when she died. The trial ended just weeks before her twenty-first birthday.)
On the stand, William Croydon claimed that he had no recollection of choking the life out of Karen Dandridge, but allowed as how he had no choice but to believe he’d done it. According to his testimony, the young woman had willingly accompanied him to the remote cabin, and had been an enthusiastic sexual partner with a penchant for rough sex. She had also supplied some particularly strong marijuana with hallucinogenic properties and had insisted that he smoke it with her. At one point, after indulging heavily in the unfamiliar drug, he had lost consciousness and awakened later to find his partner beside him, dead.
His first thought, he’d told the court, was that someone had broken into the cabin while he was sleeping, had killed Karen, and might return to kill him. Accordingly he’d panicked and rushed out of there, abandoning Karen’s corpse. Now, faced with all the evidence arrayed against him, he was compelled to believe he had somehow committed this awful crime, although he had no recollection of it whatsoever, and although it was utterly foreign to his nature.
The district attorney, prosecuting this case himself, tore Croydon apart on cross-examination. He cited the bite marks on the victim’s breasts, the rope burns indicating prolonged restraint, the steps Croydon had taken in an attempt to conceal his presence in the cabin. “You must be right,” Croydon would admit, with a shrug and a sad smile. “All I can say is that I don’t remember any of it.”
The jury was eleven-to-one for conviction right from the jump, but it took six hours to make it unanimous. Mr. Foreman, have you reached a verdict? We have, Your Honor. On the sole count of the indictment, murder in the first degree, how do you find? We find the defendant, William Charles Croydon, guilty.
One woman cried out. A couple of others sobbed. The DA accepted congratulations. The defense attorney put an arm around his client. Paul Dandridge, his jaw set, looked at Croydon.
Their eyes met, and Paul Dandridge tried to read the expression in the killer’s eyes. But he couldn’t make it out.
Two weeks later, at the sentencing hearing, Paul Dandridge got to testify.
He talked
about his sister, and what a wonderful person she had been. He spoke of the brilliance of her intellect, the gentleness of her spirit, the promise of her young life. He spoke of the effect of her death upon him. They had lost both parents, he told the court, and Karen was all the family he’d had in the world. And now she was gone. In order for his sister to rest in peace, and in order for him to get on with his own life, he urged that her murderer be sentenced to death.
Croydon’s attorney argued that the case did not meet the criteria for the death penalty, that while his client possessed a criminal record he had never been charged with a crime remotely of this nature, and that the rough-sex-and-drugs defense carried a strong implication of mitigating circumstances. Even if the jury had rejected the defense, surely the defendant ought to be spared the ultimate penalty, and justice would be best served if he were sentenced to life in prison.
The DA pushed hard for the death penalty, contending that the rough-sex defense was the cynical last-ditch stand of a remorseless killer, and that the jury had rightly seen that it was wholly without merit. Although her killer might well have taken drugs, there was no forensic evidence to indicate that Karen Dandridge herself had been under the influence of anything other than a powerful and ruthless murderer. Karen Dandridge needed to be avenged, he maintained, and society needed to be assured that her killer would never, ever, be able to do it again.
Paul Dandridge was looking at Croydon when the judge pronounced the sentence, hoping to see something in those cold blue eyes. But as the words were spoken—death by lethal injection—there was nothing for Paul to see. Croydon closed his eyes.
When he opened them a moment later, there was no expression to be seen in them.
They made you fairly comfortable on Death Row. Which was just as well, because in this state you could sit there for a long time. A guy serving a life sentence could make parole and be out on the street in a lot less time than a guy on Death Row could run out of appeals. In that joint alone, there were four men with more than ten years apiece on Death Row, and one who was closing in on twenty.
One of the things they’d let Billy Croydon have was a typewriter. He’d never learned to type properly, the way they taught you in typing class, but he was writing enough these days so that he was getting pretty good at it, just using two fingers on each hand. He wrote letters to his lawyer, and he wrote letters to the women who wrote to him. It wasn’t too hard to keep them writing, but the trick lay in getting them to do what he wanted. They wrote plenty of letters, but he wanted them to write really hot letters, describing in detail what they’d done with other guys in the past, and what they’d do if by some miracle they could be in his cell with him now.
They sent pictures, too, and some of them were good-looking and some of them were not. “That’s a great picture,” he would write back, “but I wish I had one that showed more of your physical beauty.” It turned out to be surprisingly easy to get most of them to send increasingly revealing pictures. Before long he had them buying Polaroid cameras with timers and posing in obedience to his elaborate instructions. They’d do anything, the bitches, and he was sure they got off on it, too.
Today, though, he didn’t feel like writing to any of them. He rolled a sheet of paper into the typewriter and looked at it, and the image that came to him was the grim face of that hardass brother of Karen Dandridge’s. What was his name, anyway? Paul, wasn’t it?
“Dear Paul,” he typed, and frowned for a moment in concentration. Then he started typing again.
“Sitting here in this cell waiting for the day to come when they put a needle in my arm and flush me down God’s own toilet, I found myself thinking about your testimony in court. I remember how you said your sister was a goodhearted girl who spent her short life bringing pleasure to everyone who knew her. According to your testimony, knowing this helped you rejoice in her life at the same time that it made her death so hard to take.
“Well, Paul, in the interest of helping you rejoice some more, I thought I’d tell you just how much pleasure your little sister brought to me. I’ve got to tell you that in all my life I never got more pleasure from anybody. My first look at Karen brought me pleasure, just watching her walk across campus, just looking at those jiggling tits and that tight little ass and imagining the fun I was going to have with them.
“Then when I had her tied up in the backseat of the car with her mouth taped shut, I have to say she went on being a real source of pleasure. Just looking at her in the rear-view mirror was enjoyable, and from time to time I would stop the car and lean into the back to run my hands over her body. I don’t think she liked it much, but I enjoyed it enough for the both of us.
“Tell me something, Paul. Did you ever fool around with Karen yourself? I bet you did. I can picture her when she was maybe eleven, twelve years old, with her little titties just beginning to bud out, and you’d have been seventeen or eighteen yourself, so how could you stay away from her? She’s sleeping and you walk into her room and sit on the edge of her bed . . .”
He went on, describing the scene he imagined, and it excited him more than the pictures or letters from the women. He stopped and thought about relieving his excitement but decided to wait. He finished the scene as he imagined it and went on:
“Paul, old buddy, if you didn’t get any of that you were missing a good thing. I can’t tell you the pleasure I got out of your sweet little sister. Maybe I can give you some idea by describing our first time together.” And he did, recalling it all to mind, savoring it in his memory, reliving it as he typed it out on the page.
“I suppose you know she was no virgin,” he wrote, “but she was pretty new at it all the same. And then when I turned her facedown, well, I can tell you she’d never done that before. She didn’t like it much, either. I had the tape off her mouth and I swear I thought she’d wake the neighbors, even though there weren’t any. I guess it hurt her some, Paul, but that was just an example of your darling sister sacrificing everything to give pleasure to others, just like you said. And it worked, because I had a hell of a good time.”
God, this was great. It really brought it all back.
“Here’s the thing,” he wrote. “The more we did it, the better it got. You’d think I would have grown tired of her, but I didn’t. I wanted to keep on having her over and over again forever, but at the same time I felt this urgent need to finish it, because I knew that would be the best part.
“And I wasn’t disappointed, Paul, because the most pleasure your sister ever gave anybody was right at the very end. I was on top of her, buried in her to the hilt, and I had my hands wrapped around her neck. And the ultimate pleasure came with me squeezing and looking into her eyes and squeezing harder and harder and going on looking into those eyes all the while and watching the life go right out of them.”
He was too excited now. He had to stop and relieve himself. Afterward he read the letter and got excited all over again. A great letter, better than anything he could get any of his bitches to write to him, but he couldn’t send it, not in a million years.
Not that it wouldn’t be a pleasure to rub the brother’s nose in it. Without the bastard’s testimony, he might have stood a good chance to beat the death sentence. With it, he was sunk.
Still, you never knew. Appeals would take a long time. Maybe he could do himself a little good here.
He rolled a fresh sheet of paper in the typewriter. Dear Mr. Dandridge, he wrote. I’m well aware that the last thing on earth you want to read is a letter from me. I know that in your place I would feel no different myself. But I cannot seem to stop myself from reaching out to you. Soon I’ll be strapped down onto a gurney and given a lethal injection. That frightens me horribly, but I’d gladly die a thousand times over if only it would bring your sister back to life. I may not remember killing her, but I know I must have done it, and I would give anything to undo it. With all my heart, I wish she were alive today.
Well, that last part was true, he thought. He wished to G
od she were alive, and right there in that cell with him, so that he could do her all over again, start to finish.
He went on and finished the letter, making it nothing but an apology, accepting responsibility, expressing remorse. It wasn’t a letter that sought anything, not even forgiveness, and it struck him as a good opening shot. Probably nothing would ever come of it, but you never knew.
After he’d sent it off, he took out the first letter he’d written and read it through, relishing the feelings that coursed through him and strengthened him. He’d keep this, maybe even add to it from time to time. It was really great the way it brought it all back.
Paul destroyed the first letter.
He opened it, unaware of its source, and was a sentence or two into it before he realized what he was reading. It was, incredibly, a letter from the man who had killed his sister.
He felt a chill. He wanted to stop reading but he couldn’t stop reading. He forced himself to stay with it all the way to the end.
The nerve of the man. The unadulterated gall.
Expressing remorse. Saying how sorry he was. Not asking for anything, not trying to justify himself, not attempting to disavow responsibility.
But there had been no remorse in the blue eyes, and Paul didn’t believe there was a particle of genuine remorse in the letter, either. And what difference did it make if there was?
Karen was dead. Remorse wouldn’t bring her back.
His lawyer had told him they had nothing to worry about, they were sure to get a stay of execution. The appeal process, always drawn out in capital cases, was in its early days. They’d get the stay in plenty of time, and the clock would start ticking all over again.