A Prisoner in Fairyland

  'Perhaps it does,' said Rogers.

  'Why not?' said Mother, knitting on the sofa that was her bed at night.

  She had put her needles down and was staring at her husband; he stared at Rogers; all three stared at each other. Something each wished to conceal moved towards utterance and revelation. Yet no one of them wished to be the first to mention it. A great change had come of late upon Bourcelles. It no longer seemed isolated from the big world outside as before; something had linked it up with the whole surrounding universe, and bigger, deeper currents of life flowed through it. And with the individual life of each it was the same. All dreamed the same enormous, splendid dream, yet dared not tell it—yet.

  Both parents realised vaguely that it was something their visitor had brought, but what could it be exactly? It was in his atmosphere, he himself least of all aware of it; it was in his thought, his attitude to life, yet he himself so utterly unconscious of it. It brought out all the best in everybody, made them feel hopeful, brighter, more courageous. Yes, certainly, he, brought it. He believed in them, in the best of them—they lived up to it or tried to. Was that it? Was it belief and vision that he brought into their lives, though unconsciously, because these qualities lay so strongly in himself? Belief is constructive. It is what people are rather than what they preach that affects others. Two strangers meet and bow and separate without a word, yet each has changed; neither leaves the other quite as he was before. In the society of children, moreover, one believes everything in the world—for the moment. Belief is constructive and creative; it is doubt and cynicism that destroy. In the presence of a child these latter are impossible. Was this the explanation of the effect he produced upon their little circle—the belief and wonder and joy of Fairyland?

  For a moment something of this flashed through Daddy's mind. Mother, in her way, was aware of something similar. But neither of them spoke it. The triangular staring was its only evidence. Mother resumed her knitting. She was not given to impulsive utterance. Her husband once described her as a solid piece of furniture. She was.

  'You see,' said Daddy bravely, as the moment's tension passed, 'my original idea was simply to treat Bourcelles as an epitome, a miniature, so to speak, of the big world, while showing how Nature sweetened and kept it pure as by a kind of alchemy. But that idea has grown. I have the feeling now that the Bourcelles we know is a mere shadowy projection cast by a more real Bourcelles behind. It is only the dream village we know in our waking life. The real one—er—we know only in sleep.' There!—it was partly out!

  Mother turned with a little start. 'You mean when we sleep?' she asked. She knitted vigorously again at once, as though ashamed of this sudden betrayal into fantasy. 'Why not?' she added, falling back upon her customary non-committal phrase. Yet this was not the superior attitude he had dreaded; she was interested. There was something she wanted to confess, if she only dared. Mother, too, had grown softer in some corner of her being. Something shone through her with a tiny golden radiance.

  'But this idea is not my own,' continued Daddy, dangerously near to wumbling. 'It comes through me only. It develops, apparently, when I'm asleep,' he repeated. He sat up and leaned forward. 'And, I believe,' he added, as on sudden reckless impulse, 'it comes from you, Henry. Your mind, I feel, has brought this cargo of new suggestion and discharged it into me—into every one—into the whole blessed village. Man, I think you've bewitched us all!'

  Mother dropped a stitch, so keenly was she listening. A moment later she dropped a needle too, and the two men picked it up, and handed it back together as though it weighed several pounds.

  'Well,' said Rogers slowly, 'I suppose all minds pour into one another somewhere—in and out of one another, rather—and that there's a common stock or pool all draw upon according to their needs and power to assimilate. But I'm not conscious, old man, of driving anything deliberately into you—'

  'Only you think and feel these things vividly enough for me to get them too,' said Daddy. Luckily 'thought transference' was not actually mentioned, or Mother might have left the room, or at least have betrayed an uneasiness that must have chilled them.

  'As a boy I imagined pretty strongly,' in a tone of apology, 'but never since. I was in the City, remember, twenty years—'

  'It's the childhood things, then,' Daddy interrupted eagerly. 'You've brought the great childhood imagination with you—the sort of gorgeous, huge, and endless power that goes on fashioning of its own accord just as dreams do—'

  'I did, indulge in that sort of thing as a boy, yes,' was the half- guilty reply; 'but that was years and years ago, wasn't it?'

  'They have survived, then,' said Daddy with decision. 'The sweetness of this place has stimulated them afresh. The children'—he glanced suspiciously at his wife for a moment—'have appropriated them too. It's a powerful combination. After a pause he added, 'I might develop that idea in my story—that you've brought back the sweet creations of childhood with you and captured us all—a sort of starry army.'

  'Why not?' interpolated Mother, as who should say there was no harm in that. 'They certainly have been full of mischief lately.'

  'Creation is mischievous,' murmured her husband. 'But since you have come,' he continued aloud,—'how can I express it exactly?—the days have seemed larger, fuller, deeper, the forest richer and more mysterious, the sky much closer, and the stars more soft and intimate. I dream of them, and they all bring me messages that help my story. Do you know what I mean? There were days formerly, when life seemed empty, thin, peaked, impoverished, its scale of values horribly reduced, whereas now—since you've been up to your nonsense with the children—some tide stands at the full, and things are always happening.'

  'Well, really, Daddy!' said the expression on Mother's face and hands and knitting-needles, 'you are splendid to-day'; but aloud she only repeated her little hold-all phrase, 'Why not?'

  Yet somehow he recognised that she understood him better than usual. Her language had not changed—things in Mother worked slowly, from within outwards as became her solid personality—but it held new meaning. He felt for the first time that he could make her understand, and more—that she was ready to understand. That is, he felt new sympathy with her. It was very delightful, stimulating; he instantly loved her more, and felt himself increased at the same time.

  'I believe a story like that might even sell,' he observed, with a hint of reckless optimism. 'People might recognise a touch of their own childhood in it, eh?'

  He longed for her to encourage him and pat him on the back.

  'True,' said Mother, smiling at him, 'for every one likes to keep in touch with their childhood—if they can. It makes one feel young and hopeful—jolly; doesn't it? Why not?'

  Their eyes met. Something, long put aside and buried under a burden of exaggerated care, flashed deliciously between them. Rogers caught it flying and felt happy. Bridges were being repaired, if not newly built.

  'Nature, you see, is always young really,' he said; 'it's full of children. The very meaning of the word, eh, John?' turning to his cousin as who should say, 'We knew our grammar once.'

  'Natura, yes—something about to produce.' They laughed in their superior knowledge of a Latin word, but Mother, stirred deeply though she hardly knew why, was not to be left out. Would the bridge bear her, was perhaps her thought.

  'And of the feminine gender,' she added slyly, with a touch of pride. The bridge creaked, but did not give way. She said it very quickly. She had suddenly an air of bouncing on her sofa.

  'Bravo, Mother,' said her husband, looking at her, and there was a fondness in his voice that warmed and blessed and melted down into her. She had missed it so long that it almost startled her. 'There's the eternal old magic, Mother; you're right. And if I had more of you in me—more of the creative feminine—I should do better work, I'm sure. You must give it to me.'

  She kept her eyes upon her needles. The others, being unobservant 'mere men,' did not notice that the stitches she made must have produce
d queer kind of stockings if continued. 'We'll be collaborators,' Daddy added, in the tone of a boy building on the sands at Margate.

  'I will,' she said in a low voice, 'if only I know how.'

  'Well,' he answered enthusiastically, looking from one to the other, delighted to find an audience to whom he could talk of his new dream, 'you see, this is really a great jolly fairy-tale I'm trying to write. I'm blessed if I know where the ideas come from, or how they pour into me like this, but—anyhow it's a new experience, and I want to make the most of it. I've never done imaginative work before, and—though it is a bit fantastical, mean to keep in touch with reality and show great truths that emerge from the commonest facts of life. The critics, of course, will blame me for not giving 'em the banal thing they expect from me, but what of that?' He was dreadfully reckless.

  'I see,' said Mother, gazing open-mindedly into his face; 'but where does my help come in, please?'

  She leaned back, half-sighing, half-smiling. 'Here's my life'—she held up her needles—'and that's the soul of prosaic dulness, isn't it?'

  'On the contrary,' he answered eagerly, 'it's reality. It's courage, patience, heroism. You're a spring-board for my fairy-tale, though I'd never realised it before. I shall put you in, just as you are. You'll be one of the earlier chapters.'

  'Every one'll skip me, then, I'm afraid.'

  'Not a bit,' he laughed gaily; 'they'll feel you all through the book. Their minds will rest on you. You'll be a foundation. "Mother's there," they'll say, "so it's all right. This isn't nonsense. We'll read on." And they will read on.'

  'I'm all through it, then?'

  'Like the binding that mothers the whole book, you see,' put in Rogers, delighted to see them getting on so well, yet amazed to hear his cousin talk so openly with her of his idea.

  Daddy continued, unabashed and radiant. Hitherto, he knew, his wife's attitude, though never spoken, had been very different. She almost resented his intense preoccupation with stories that brought in so little cash. It would have been better if he taught English or gave lessons in literature for a small but regular income. He gave too much attention to these unremunerative studies of types she never met in actual life. She was proud of the reviews, and pasted them neatly in a big book, but his help and advice on the practical details of the children's clothing and education were so scanty. Hers seemed ever the main burden.

  Now, for the first time, though she distrusted fantasy and deemed it destructive of action, she felt something real. She listened with a kind of believing sympathy. She noticed, moreover, with keen pleasure, that her attitude fed him. He talked so freely, happily about it all. Already her sympathy, crudely enough expressed, brought fuel to his fires. Some one had put starlight into her.

  'He's been hungry for this all along,' she reflected; 'I never realised it. I've thought only of myself without knowing it.'

  'Yes, I'll put you in, old Mother,' he went on, 'and Rogers and the children too. In fact, you're in it already,' he chuckled, 'if you want to know. Each of you plays his part all day long without knowing it.' He changed his seat, going over to the window-sill, and staring down upon them as he talked on eagerly. 'Don't you feel,' he said, enthusiasm growing and streaming from him, 'how all this village life is a kind of dream we act out against the background of the sunshine, while our truer, deeper life is hidden somewhere far below in half unconsciousness? Our daily doings are but the little bits that emerge, tips of acts and speech that poke up and out, masquerading as complete? In that vaster sea of life we lead below the surface lies my big story, my fairy-tale—when we sleep.' He paused and looked down questioningly upon them. 'When we sleep,' he repeated impressively, struggling with his own thought. 'You, Mother, while you knit and sew, slip down into that enormous under-sea and get a glimpse of the coloured pictures that pass eternally behind the veil. I do the same when I watch the twilight from my window in reverie. Sunshine obliterates them, but they go just the same. You call it day- dreaming. Our waking hours are the clothes we dress the spirit in after its nightly journeys and activities. Imagination does not create so much as remember. Then, by transforming, it reveals.'

  Mother sat staring blankly before her, utterly lost, while her husband flung these lumps of the raw material of his story at her—of its atmosphere, rather. Even Rogers felt puzzled, and hardly followed what he heard. The intricacies of an artistic mind were indeed bewildering. How in the world would these wild fragments weave together into any intelligible pattern?

  'You mean that we travel when we sleep,' he ventured, remembering a phrase that Minks had somewhere used, 'and that our real life is out of the body?' His cousin was taking his thought—or was it originally Minks's?—wholesale.

  Mother looked up gratefully. 'I often dream I'm flying,' she put in solemnly. 'Lately, in particular, I've dreamed of stars and funny things like that a lot.'

  Daddy beamed his pleasure. 'In my fairy-tale we shall all see stars,' he laughed, 'and we shall all get "out." For our thoughts will determine the kind of experience and adventure we have when the spirit is free and unhampered. And contrariwise, the kind of things we do at night—in sleep, in dream—will determine our behaviour during the day. There's the importance of thinking rightly, you see. Out of the body is eternal, and thinking is more than doing—it's more complete. The waking days are brief intervals of test that betray the character of our hidden deeper life. We are judged in sleep. We last for ever and ever. In the day, awake, we stand before the easel on which our adventures of the night have painted those patterns which are the very structure of our outer life's behaviour. When we sleep again we re- enter the main stream of our spirit's activity. In the day we forget, of course—as a rule, and most of us—but we follow the pattern just the same, unwittingly, because we can't help it. It's the mould we've made.'

  'Then your story,' Rogers interrupted, 'will show the effect in the daytime of what we do at night? Is that it?' It amazed him to hear his cousin borrowing thus the entire content of his own mind, sucking it out whole like a ripe plum from its skin.

  'Of course,' he answered; 'and won't it be a lark? We'll all get out in sleep and go about the village together in a bunch, helping, soothing, cleaning up, and putting everybody straight, so that when they wake up they'll wonder why in the world they feel so hopeful, strong, and happy all of a sudden. We'll put thoughts of beauty into them—beauty, you remember, which "is a promise of happiness."'

  'Ah!' said Mother, seizing at his comprehensible scrap with energy. 'That is a story.'

  'If I don't get it wumbled in the writing down,' her husband continued, fairly bubbling over. 'You must keep me straight, remember, with your needles—your practical aspirations, that is. I'll read it out to you bit by bit, and you'll tell me where I've dropped a stitch or used the wrong wool, eh?'

  'Mood?' she asked.

  'No, wool,' he said, louder.

  There was a pause.

  'But you see my main idea, don't you—that the sources of our life lie hid with beauty very very far away, and that our real, big, continuous life is spiritual—out of the body, as I shall call it. The waking-day life uses what it can bring over from this enormous under-running sea of universal consciousness where we're all together, splendid, free, untamed, and where thinking is creation and we feel and know each other face to face? See? Sympathy the great solvent? All linked together by thought as stars are by their rays. Ah! You get my idea— the great Network?'

  He looked straight into his wife's eyes. They were opened very wide. Her mouth had opened a little, too. She understood vaguely that he was using a kind of shorthand really. These cryptic sentences expressed in emotional stenography mere odds and ends that later would drop into their proper places, translated into the sequence of acts that are the scaffolding of a definite story. This she firmly grasped—but no more.

  'It's grand-a wonderful job,' she answered, sitting back upon the sofa with a sigh of relief, and again bouncing a little in the process, so that Rogers had a horrible
temptation to giggle. The tension of listening had been considerable. 'People, you mean, will realise how important thinking is, and that sympathy—er—' and she hesitated, floundering.

  'Is the great way to grow,' Rogers quickly helped her, 'because by feeling with another person you add his mind to yours and so get bigger. And '—turning to his cousin—' you're taking starlight as the symbol of sympathy? You told me that the other day, I remember.' But the author did not hear or did not answer; his thought was far away in his dream again.

  The situation was saved. All the bridges had borne well. Daddy, having relieved his overcharged mind, seemed to have come to a full stop. The Den was full of sunlight. A delightful feeling of intimacy wove the three humans together. Mother caught herself thinking of the far-off courtship days when their love ran strong and clear. She felt at one with her husband, and remembered him as lover. She felt in touch with him all over. And Rogers was such a comfortable sort of person. Tact was indeed well named—sympathy so delicately adjusted that it involved feeling-with to the point of actual touch.

  Daddy came down from his perch upon the window-sill, stretched his arms, and drew a great happy sigh.

  'Mother,' he added, rising to go out, 'you shall help me, dearie. We'll write this great fairy-tale of mine together, eh?' He stooped and kissed her, feeling love and tenderness and sympathy in his heart.

  'You brave old Mother!' he laughed; 'we'll send Eddie to Oxford yet, see if we don't. A book like that might earn 100 pounds or even 200 pounds.'

  Another time she would have answered, though not bitterly, 'Meanwhile I'll go on knitting stockings,' or 'Why not? we shall see what we shall see'—something, at any rate, corrective and rather sober, quenching. But this time she said nothing. She returned the kiss instead, without looking up from her needles, and a great big thing like an unborn child moved near her heart. He had not called her 'dearie' for so long a time, it took her back to their earliest days together at a single, disconcerting bound. She merely stroked his shoulder as he straightened up and left the room. Her eyes then followed him out, and he turned at the door and waved his hand. Rogers, to her relief, saw him to the end of the passage, and her handkerchief was out of sight again before he returned. As he came in she realised even more clearly than before that he somehow was the cause of the changing relationship. He it was who brought this something that bridged the years—made old bridges safe to use again. And her love went out to him. He was a man she could open her heart to even.