A Prisoner in Fairyland
'I feel joined on to everything,' she replied, half singing it in her joy. 'I feel tucked into the universe everywhere, and into you, dear. These rays of starlight have sewn us together.' She began to tremble, but it was the trembling of pure joy and not of alarm....
'Yes,' he said, 'I'm learning it too. The moment thought gets away from self it lets in starlight and makes room for happiness. To think with sympathy of others is to grow: you take in their experience and add it to your own—development; the heart gets soft and deep and wide till you feel the entire universe buttoning its jacket round you. To think of self means friction and hence reduction.'
'And your Story,' she added, glancing up proudly at the banner that they trailed. 'I have helped a little, haven't I?'
'It's nearly finished,' he flashed back; 'you've been its inspiration and its climax. All these years, when we thought ourselves apart, you've been helping really underground—that's true collaboration.'
'Our little separation was but a reculer pour mieux sauter. See how we've rushed together again!'
A strange soft singing, like the wind in firs, or like shallow water flowing over pebbles, interrupted them. The sweetness of it turned the night alive.
'Come on, old Mother. Our Leader is calling to us. We must work.'
They slid from the blue wind into a current of paler air that happened to slip swiftly past them, and went towards the forest where Mlle. Lemaire waited for them. Mother waved her hand to her friend, settled comfortably upon the flat roof in the village in their rear. 'We'll come back to lean upon you when we're tired,' she signalled. But she felt no envy now. In future she would certainly never 'stay put.' Work beckoned to her—and such endless, glorious work: the whole Universe.
'What life! What a rush of splendour!' she exclaimed as they reached the great woods and heard them shouting below in the winds. 'I see now why the forest always comforted me. There's strength here I can take back into my body with me when I go.'
'The trees, yes, express visibly only a portion of their life,' he told her. 'There is an overflow we can appropriate.'
Yet their conversation was never audibly uttered. It flashed instantaneously from one to the other. All they had exchanged since leaving La Citadelle had taken place at once, it seemed. They were awake in the region of naked thought and feeling. The dictum of the materialists that thought and feeling cannot exist apart from matter did not trouble them. Matter, they saw, was everywhere, though too tenuous for any measuring instrument man's brain had yet invented.
'Come on!' he repeated; 'the Starlight Express is waiting. It will take you anywhere you please—Ireland if you like!'
They found the others waiting on the smooth layer of soft purple air that spread just below the level of the tree-tops. The crests themselves tossed wildly in the wind, but at a depth of a few feet there was peace and stillness, and upon this platform the band was grouped. 'The stars are caught in the branches to-night,' a sensitive walker on the ground might have exclaimed. The spires rose about them like little garden trees of a few years' growth, and between them ran lanes and intricate, winding thoroughfares Mother saw long, dark things like thick bodies of snakes converging down these passage-ways, filling them, all running towards the centre where the group had established itself. There were lines of dotted lights along them. They did not move with the waving of the tree-tops. They looked uncommonly familiar.
'The trains,' Jimbo was crying. He darted to and fro, superintending the embarking of the passengers.
All the sidings of the sky were full of Starlight Expresses.
The loading-up was so quickly accomplished that Mother hardly realised what was happening. Everybody carried sacks overflowing with dripping gold and bursting at the seams. As each train filled, it shot away across the starry heavens; for everyone had been to the Cave and gathered their material even before she reached the scene of action. And with every train went a mecanicien and a conducteur created by Jimbo's vivid and believing thought; a Sweep, a Lamplighter, and a Head Gardener went, too, for the children's thinking multiplied these, too, according to their needs. They realised the meaning of these Sprites so clearly now—their duties, appearance, laws of behaviour, and the rest-that their awakened imaginations thought them instantly into existence, as many as were necessary. Train after train, each with its full complement of passengers, flashed forth across that summer sky, till the people in the Observatories must have thought they had miscalculated strangely and the Earth was passing amid the showering Leonids before her appointed time.
'Where would you like to go first?' Mother heard her friend ask softly. 'It's not possible to follow all the trains at once, you know.'
'So I see,' she gasped. 'I'll just sit still a moment, and think.'
The size and freedom of existence, as she now saw it, suddenly overwhelmed her. Accustomed too long to narrow channels, she found space without railings and notice-boards bewildering. She had never dreamed before that thinking can open the gates to heaven and bring the Milky Way down into the heart. She had merely knitted stockings. She had been practical. At last the key to her husband's being was in her hand. That key at the same time opened a door through him, into her own. Hitherto she had merely criticised. Oh dear! Criticism, when she might have created!
She turned to seek him. But only her old friend was there, floating beside her in a brilliant mist of gold and white that turned the tree- tops into rows of Burning Bushes.
'Where is he?' she asked quickly.
'Hush!' was the instant reply; 'don't disturb him. Don't think, or you'll bring him back. He's filling his sack in the Star Cave. Men have to gather it,—the little store they possess is soon crystallised into hardness by Reason,—but women have enough in themselves usually to last a lifetime. They are born with it.'
'Mine crystallised long ago, I fear.'
'Care and anxiety did that. You neglected it a little. But your husband's cousin has cleaned the channels out. He does it unconsciously, but he does it. He has belief and vision like a child, and therefore turns instinctively to children because they keep it alive in him, though he hardly knows why he seeks them. The world, too, is a great big child that is crying for its Fairyland....'
'But the practical—' objected Mother, true to her type of mind-an echo rather than an effort.
'—is important, yes, only it has been exaggerated out of all sane proportion in most people's lives. So little is needed, though that little of fine quality, and ever fed by starlight. Obeyed exclusively, it destroys life. It bricks you up alive. But now tell me,' she added, 'where would you like to go first? Whom will you help? There is time enough to cover .the world if you want to, before the interfering sun gets up.'
'You!' cried Mother, impulsively, then realised instantly that her friend was already developed far beyond any help that she could give. It was the light streaming from the older, suffering woman that was stimulating her own sympathies so vehemently. For years the process had gone on. It was at last effective.
'There are others, perhaps, who need it more than I,' flashed forth a lovely ray.
'But I would repay,' Mother cried eagerly, 'I would repay.' Gratitude for life rushed through her, and her friend must share it.
'Pass it on to others,' was the shining answer. 'That's the best repayment after all.' The stars themselves turned brighter as the thought flashed from her.
Then Ireland vanished utterly, for it had been mixed, Mother now perceived, with personal longings that were at bottom selfish. There were indeed many there, in the scenes of her home and childhood, whose lives she might ease and glorify by letting in the starlight while they slept; but her motive, she discerned, was not wholly pure. There was a trace in it, almost a little stain, of personal gratification— she could not analyse it quite—that dimmed the picture in her thought. The brilliance of her companion made it stand out clearly. Nearer home was a less heroic object, a more difficult case, some one less likely to reward her efforts with results. And she turned
instead to this.
'You're right,' smiled the other, following her thought; 'and you couldn't begin with a better bit of work than that. Your old mother has cut herself off so long from giving sympathy to her kind that now she cannot accept it from others without feeling suspicion and distrust. Ease and soften her outlook if you can. Pour through her gloom the sympathy of stars. And remember,' she added, as Mother rose softly out of the trees and hovered a moment overhead, 'that if you need the Sweep or the Lamplighter, or the Gardener to burn away her dead leaves, you have only to summon them. Think hard, and they'll be instantly beside you.'
Upon an eddy of glowing wind Mother drifted across the fields to the corner of the village where her mother occupied a large single room in solitude upon the top floor, a solitude self-imposed and rigorously enforced.
'Use the finest quality,' she heard her friend thinking far behind her, 'for you have plenty of it. The Dustman gave it to you when you were not looking, gathered from the entire Zodiac... and from the careless meteor's track....'
The words died off into the forest.
That he keeps only
For the old and lonely,
(And is very strict about it)
Who sleep so little that they need the best—'
The words came floating behind her. She felt herself brimful—charged with loving sympathy of the sweetest and most understanding quality. She looked down a moment upon her mother's roof. Then she descended.
Chapter XXV
*
And also there's a little star—
So white, a virgin's it must be;—
Perhaps the lamp my love in heaven
Hangs out to light the way for me.
Song, THEOPHILE MARZIALS.
In this corner of Bourcelles the houses lie huddled together with an air of something shamefaced; they dare not look straight at the mountains or at the lake; they turn their eyes away even from the orchards at the back. They wear a mysterious and secret look, and their shoulders have a sly turn, as though they hid their heads in the daytime and stirred about their business only after dark.
They lie grouped about a cobbled courtyard that has no fountain in it. The fair white road goes quickly by outside, afraid to look in frankly; and the entrance to the yard is narrow. Nor does a single tree grow in it. If Bourcelles could have a slum, this would be it.
Why the old lady had left her cosy quarters in Les Glycines and settled down in this unpleasant corner of the village was a puzzle to everybody. With a shrug of the shoulders the problem was generally left unsolved. Madame Jequier discussed it volubly a year ago when the move took place, then dismissed it as one of those mysteries of old people no one can understand. To the son-in-law and the daughter, who got nearer the truth, it was a source of pain and sadness beyond their means of relief. Mrs. 'Plume'—it was a play in French upon her real name,—had been four years in the Pension, induced to come from a lonely existence in Ireland by her daughter and throw in her lot with the family, and at first had settled down comfortably enough. She was over seventy, and possessed 80 pounds a year—a dainty, witty, amusing Irish lady, with twinkling eyes and a pernicketty strong will, and a brogue she transferred deliciously into her broken French. She loved the children, yet did not win their love in return, because they stood in awe of her sarcastic criticisms. Life had gone hardly with her; she had lost her fortune and her children, all but this daughter, with whose marriage she was keenly disappointed. An aristocrat to the finger-tips, she could not accept the change of circumstances; distress had soured her; the transplanting hastened her decline; there was no sweetness left in her. She turned her heart steadily against the world.
The ostensible cause of this hiding herself away with her sorrow and disappointment was the presence of Miss Waghorn, with whom she disagreed, and even quarrelled, from morning till night. They formed a storm-centre that moved from salon to dining-room, and they squabbled acutely about everything—the weather, the heating, the opening or shutting of windows, the details of the food, the arrangement of the furniture, even the character of the cat. Miss Waghorn loved. The bickerings were incessant. They only had to meet for hot disagreement to break out. Mrs. Plume, already bent with age, would strike the floor with the ebony stick she always carried, and glare at the erect, defiant spinster—'That horrud, dirrty cat; its always in the room!' Then Miss Waghorn: 'It's a very nice cat, Madame'—she always called her Madame—'and when I was a young girl I was taught to be kind to animals.'—'The drawing-room is not the place for animals,' came the pricking answer. And then the scuffle began in earnest.
Miss Waghorn, owing to her want of memory, forgot the squabble five minutes afterwards, and even forgot that she knew her antagonist at all. She would ask to be introduced, or even come up sweetly and introduce herself within half an hour of the battle. But Madame Plume forgot nothing; her memory was keen and accurate. She did not believe in the other's failing. 'That common old woman!' she exclaimed with angry scorn to her daughter.
'It's deliberate offensiveness, that's all it is at all!' And she left the Pension.
But her attitude to the harmless old Quaker lady was really in small her attitude to humanity at large. She drew away in disgust from a world that had treated her so badly. Into herself she drew, growing smaller every day, more sour, more suspicious, and more averse to her own kind. Within the restricted orbit of her own bitter thoughts she revolved towards the vanishing point of life which is the total loss of sympathy. She felt with no one but herself. She belonged to that, alas, numerous type which, with large expectations unrealised, cannot accept disillusionment with the gentle laughter it deserves. She resented the universe. Sympathy was dead.
And she had chosen this unsavoury corner to dwell in because 'the poor' of the village lived there, and she wished to count herself among them. It emphasised the spite, the grudge, she felt against humanity. At first she came into dejeuner and souper, but afterwards her meals were sent over twice a day from the Pension. She discovered so many reasons for not making the little journey of a hundred yards. On Sunday the 'common people' were in the streets; on Saturday it was cleaning-day and the Pension smelt of turpentine; Monday was for letter-writing, and other days were too hot or too cold, too windy or too wet. In the end she accomplished her heart's desire. Madame Cornu, who kept the grocer's shop, and lived on the floor below with her husband, prepared the two principal meals and brought them up to her on a tray. She ate them alone. Her breakfast cup of tea she made herself, Mme. Cornu putting the jug of milk outside the door. She nursed her bitter grievance against life in utter solitude. Acidity ate its ugly pattern into her heart.
The children, as in duty bound, made dolorous pilgrimages to that upper floor from time to time, returning frightened, and Mother went regularly twice a week, coming home saddened and distressed. Her husband rarely went at all now, since the time when she told him to his face he came to taunt her. She spent her time, heaven only knows how, for she never left the building. According to Mother she was exceedingly busy doing nothing. She packed, unpacked, and then repacked all her few belongings. In summer she chased bees in her room with a wet towel; but with venom, not with humour. The Morning Post came daily from London. 'I read my paper, write a letter, and the morning's gone,' she told her daughter, by way of complaint that time was so scanty. Mme. Cornu often heard her walking up and down the floor, tapping her ebony stick and talking softly to herself. Yet she was as sane as any old body living in solitude with evil thinking well can be. She starved-because she neither gave nor asked.
As Mother thought of her, thus finding the way in instantly, the church clock sounded midnight. She entered a room that was black as coal and unsweetened as an airless cellar. The fair rays that had been pouring out of her returned with a little shock upon themselves— repulsed. She felt herself reduced, and the sensation was so unpleasant at first that she almost gasped. It was like suffocation. She felt enclosed with Death. That her own radiance dimmed a moment was undeniable, bu
t it was for a moment only, for, thinking instantly of her friend, she drew upon that woman's inexhaustible abundance, and found her own stores replenished.
Slowly, as a wintry sun pierces the mist in some damp hollow of the woods, her supply of starlight lit up little pathways all about her, and she saw the familiar figure standing by the window. The figure was also black; it stood like an ebony statue in an atmosphere that was thick with gloom, turgid, sinister, and wholly rayless. It was like a lantern in a London fog. A few dim lines of sombre grey issued heavily from it, but got no farther than its outer surface, then doubled back and plunged in again. They coiled and twisted into ugly knots. Her mother's atmosphere was opaque, and as dismal as a November fog. There was a speck of light in the room, however, and it came, the visitor then perceived, from a single candle that stood beside the bed. The old lady had been reading; she rarely slept before two o'clock in the morning.
And at first, so disheartening, so hopeless seemed the task, that Mother wavered in her mission; a choking, suffocating sensation blocked all her channels of delivery. The very flowers on the window- sill, she noted, drooped in a languishing decline; they had a lifeless air as of flowers that struggle for existence in deep shadow and have never known the kiss of sunshine. Through the inch of opened window stole a soft breath of the night air, but it turned black and sluggish the moment it came in. And just then, as Mother hovered there in hesitating doubt, the figure turned and moved across to the bed, supporting herself with the ebony cane she always used. Stiffly she sank upon her knees. The habit was as strong as putting her shoes outside the door at night to be cleaned,-those shoes that never knew the stain of roadway dust-and equally devoid of spiritual significance. Yet, for a moment, as the embittered mind gabbled through the string of words that long habit had crystallised into an empty formula, Mother noticed that the lines of grey grew slightly clearer; the coil and tangle ceased; they even made an effort to emerge and leave the muddy cloud that obscured their knotted, intricate disorder.