Otherwise: Three Novels by John Crowley

  If he could…

  When he rushed Duke, the Doberman didn’t back away, though he himself didn’t charge. His narrow, black face was open, his armed mouth ready. Duke had killed a man once, or helped to do it, when he was a guard dog in a jewelry store; the man’s gun had shot away one of the ears the agency had so carefully docked when he was a pup. He feared nothing but noises and Blondie. He turned to keep facing Sweets as Sweets circled him in tense dashes, keeping the mouth facing him, wanting desperately to hurt him, yet unable to attack, which was Sweets’s right.

  When at last the courage within Sweets boiled over and he did attack, he was seized breathless by Duke’s ferocity. They fought mouth to mouth, and Sweets tasted blood instantly, though he couldn’t feel his cut lips and cheeks. They fought in a series of falls, like wrestlers, falls that lasted seconds: when Duke won a fall, Sweets would halt, paralyzed, offering his throat in surrender to Duke’s wanting teeth, inches from his jugular. Then Duke would relent, minutely, and again they would be a blur of muscle and a guttural snarl, and Duke would be forced to freeze. Duke was the stronger: his nervous strength, teased up within him by his agency training, seemed ceaseless, and Sweets began helplessly—because he too had been doctored by men—to imagine defeat.

  Then four sticks of dynamite took apart a temporary police headquarters on Columbus Avenue, and the sound struck them like a hand.

  Duke twisted away, snapping his head in terror, seeking the sound to bite it. Sweets, surprised but not frightened, attacked again, drove Duke to yield; Duke, maddened, tried to flee, was made to yield again, and then lay still beneath Sweets, all surrender.

  Sweets let him rise. He had to. He felt, irresistibly, an urge to urinate; and when he walked away to do so, Duke fled. Not far; from behind green benches along a walk he barked, letting Sweets know he was still there, still mean. Still of the pack. Only not leader.

  Sweets, heart drumming, one leg numb, his lips beginning to burn in the cold air, looked around his kingdom. The others were keeping far from him; they were dim blurs to his colorless vision. He was alone.

  There were four officers and a single prisoner in the temporary station on Columbus Avenue. The prisoner was in transit from up north, where he had been captured, to a destination undisclosed to the officers, who were city and not Federal; all they knew was that he was to be held and transferred. And, of course, that a report had to be made out. It was this report, on six thin sheets of paper the colors of confetti, that the sergeant had been typing out with great care and two ringed fingers when he was decapitated by the file drawer—K-L—behind which the charge had been hidden and which shot out like an ungainly broad arrow when it went off.

  “Height: 6′2″,” he had typed. “Weight: 190.” He didn’t look it; slim, compact, but mighty. “Eyes: yellow.” He could almost feel those strange eyes, behind him in the cell, looking at him. “Distinguishing marks.” The sergeant was a methodical, stupid man. He pondered this. Did they mean distinguishing him from others of his kind, or from men? He had seen others, in films and so on, and to him they all looked pretty much alike. He wasn’t about to get near enough to look for scars and such. The species had existed for nearly half a century now, and yet few men—especially in cities—ever came near to one as the sergeant was now. They were shy, secretive, close. And they were all marked for extinction.

  The form just didn’t fit the prisoner. The sergeant knew well enough what to do when, say, a man’s name was too large for the space it was to be put in. He could guess weights and heights, invent the glum circumstances of an arrest. Distinguishing marks… He wrote: “Leo.”

  That certainly distinguished him. The sergeant used it twice more: in the Alias spot, and for Race. Pleased with himself, he was about to type it in for Nationality/Autonomy too, when the charge went off.

  Two of the others had been in the foyer, and one was screaming. The third had been standing by the coffee urn, which was next to the cell door; he had been trying to catch a glimpse of their strange charge through the screened window. Now his head, face tattered by the screen, was thrust through the little window, wedged there, his eyes seeming to stare within, wide with surprise.

  The leo shrieked in pain and rage, but couldn’t hear his own voice.

  What had happened? The night streets north of Cathedral Parkway were always dead quiet on winter nights like this one; the loudest noises were their own, overturning garbage cans and barking in altercation or triumph; only occasionally a lone vehicle mounted with lights would cruise slowly up the avenues, enforcing the curfew. Tonight the streets were alive; windows rose and were slammed down again, loud sirens and bullhorns tore at the silence, red lights at the darkness. Somewhere a burning building showed a dull halo above the streets. There were shots, in single pops and sudden handfuls.

  With Blondie gone, Sweets had no one to interpret this, no one who with certitude would say Flee, or Ignore that, it means nothing. It was all him now. The pack was scattered by incident over two or three blocks when mistrust overwhelmed Sweets. He began to lope along the streets, swinging his head from side to side, nostrils wide, seeking the others. When he passed one, the fear smell was strong; they were all of a mind to run, and had all begun to turn toward the long darkness of the park to the south. Sweets, though, kept circling, unsure, unable to remember whom he had passed and whom he had not. Duke, Randy, Spike the wolfhound, Heidi the little poodle, the wild ones Blondie’s daughter and another one… He could bear it no longer. He turned to race across the avenue, meaning to go for the gate on 110th, when the tank turned the comer and came toward him.

  He had never seen such a thing, and froze in fear in its path. Its great gun swiveled from side to side and its treads chewed the pavement. It was as though the earth had begun to creep. It churned a moment in one place, seeking with its white lights, which dazzled Sweets; then it started down on him, as wide almost as the street. It spoke in a high whisper of radio static above its thunderous chugging, and at the last moment before it struck him, there appeared on its top a man, popping up like a toy. Somehow that restored Sweets to anger; it was after all only another man’s thing to hurt him. He leapt, almost quick enough; some flange of the tank struck him in the last foot to leave its path. He went sprawling and then rose and ran three-legged, ran with red fury and black fear contesting within him, ran leaving bright drops along the street until cold closed his wound. He ran uptown, away from the park; he ran for darkness, any darkness. This darkness: an areaway, a stair downward, a bent tin doorway, a dank cellar. And silence. Blackness. Ceasing of motion. Only the quick whine of his own breath and the roar of anger retreating.

  Then his fur thrilled again. There was someone else in the cellar.

  Wounded beasts hide. It wasn’t only that he, a leo, could never have passed unnoticed in the streets, certainly not coatless, and with an arm swollen, useless, broken possibly; not only that he knew nothing of the city. He had gone out into the streets still deafened by the blast, dazed by it; the street was dense with choking smoke. He began to hear people shouting, coming closer. Then the wail of sirens. And he wanted only and desperately silence, darkness, safety. The cellar had been nearest. He tore the sleeve of his shirt with his teeth, so that the arm could swell as it liked; he tried not to groan when it struck something and the pain flooded him hotly. He sat all day unmoving, wedged into a comer facing the door, the pain and shock ebbing like a sea that could still summon now and again a great wave to rush up the shore of his consciousness and make him cry out.

  Only when evening began to withdraw even the gray light that crept into the cellar did he begin to think again.

  He was free. Or at least not jailed. He didn’t bother to marvel at that, just as he hadn’t marveled at the fact of being taken. He didn’t know why the fox had betrayed them—and he was sure that was how it had come about, no one else knew that he was within the Preserve, no one else knew what he had done up north—but he could imagine one motive at least for Reynard: his
own skin. It didn’t matter, not now, though when Reynard was before him again it would. Now what mattered was that he extract himself somehow from the city.

  There was a river, he knew, west of here, and the only way out of the city was across that river. He didn’t know which way the river lay; in any ordinary place he would have known west from east instantly, but the closed van they had brought him in, the blast, and the tangle of streets had distorted that sense. And if he knew how to find the river, he didn’t know how to cross it, or if it could be crossed. And anyway, outside, the cruisers ran up and down the avenues and across the streets, making neat parallelograms around him endlessly: no path he knew how to find existed out there.

  After nightfall, he began to hear the sounds of the reprisal against whoever it was that had bombed the station: the chug of tanks, the insistent, affectless voices of bullhorns. Guns. The sounds came nearer, as though bearing down on him. He drew the gun he had taken from a dead policeman; he waited. He felt nothing like fear, could not; but the steady rage he felt was its cognate. He had no reason to let them take him again.

  When the dog growled at him, he snarled back instantly, silencing it. The dog could be theirs, sent to smell him out. But this dog reeked of fear and hurt, and anyway it wouldn’t have occurred to Painter to shoot a dog. He put down the gun. As long as the dog made no noise—and if he was hurt and hiding, like Painter, he wouldn’t—Painter would ignore him.

  Sweets had thought at first: a man with a cat. But it was one smell, not two; and not a man’s smell, only like it. He was big, he was hurt, he was in that corner there, but he didn’t belong here—that is, this wasn’t his, this cellar. Sweets knew all that instantly, even before his eyes grew accustomed to the place and he could see, by the gray streetlight that came through a high small window, the man—his eyes said “man” but he couldn’t believe them—squatting upright in the corner there. Sweets retreated, three-legged, neck bristling, to a corner opposite him. He tried to lower his hurt leg, but when he put weight on it, pain seized him. He tried to lie, but the pain wouldn’t allow it. He circled, whimpering, trying to lick the wound, bite the pain.

  The small window lit whitely as a grinding noise of engines came close. Sweets backed away, baring teeth, and began to growl, helpless not to, answering the growl of the engines.

  Men, he said, men.

  No, the other said. We’re safe. Rest.

  The growl that had taken hold of Sweets descanted into a whimper. He would rest. The light faded from the window and the noise proceeded away. Rest… Sweets’s ears pricked and his mind leapt to attention. The other…

  The other still sat immobile in the corner. The gun hanging loosely in his hand glinted. His eyes, like a dog’s, caught the light when he moved his head, and flared. Who is it?

  Who are you? Sweets said.

  Only another master of yours, the other said.

  Sweets said: No man is my master anymore.

  Long before you followed men, the leo said, you followed me.

  (But not “said”: not even Painter, who could speak, would have told himself he had been spoken to. Both felt only momentary surprise at this communication, which had the wordless and instant clarity of a handshake or a blow struck in anger.)

  I’m hurt and alone, Sweets said.

  Not alone. It’s safe here now. Rest.

  Sweets still stared at him with all his senses, his frightened and desperate consciousness trying to sort out some command for him to follow from the welter of fears, angers, hopes that sped from his nose along his spine and to the tips of his ears. The smell of the leo said, Keep away from me and fear me always. But he had been commanded by him to rest and be safe. His hurt leg said, Stop, wait, gather strength. The rivulets of feeling began, then, to flow together to a stream, and the substance of the stream was a command: Surrender.

  Making as much obeisance as he could with three legs, he came by inches toward the leo; he made small puppy noises. The leo made no response. Sweets felt this indifference as a huge grace descending on him: there would be no contention between them, not as long as Sweets took him for master. Tentatively, nostrils wide, ready to move away if he was repulsed, he licked the big hand on the leo’s knee, tasting him, learning a little more of the nature of him, a study that would now absorb most of his life, though he hadn’t seen that yet. Unrepulsed, he crept carefully, by stages, into the hollow between Painter’s legs, and curled himself carefully there, still ready to back off at the slightest sign. He received no sign. He found a way to lie down without further hurting his leg. He began to shiver violently. The leo put a hand on him and he ceased, the last of the shiver fleeing from the tip of his tail, which patted twice, three times against Painter’s foot. For a time his ears still pricked and pointed, his nostrils dilated. Then, his head pressed against the hard cords of Painter’s thigh and his nose filled with the huge, unnameable odor of him, Sweets slept.

  Painter slept.

  The sounds of a house-to-house search coming closer to where they hid woke them just before dawn.

  Nowhere safe then, Painter said.

  Only the park, Sweets said. Well go there.

  (It wouldn’t happen often between them, this communication, because it wasn’t something they willed as much as a kind of spark leaping between them when a charge of emotion or thought or need had risen high enough. It was enough, though, to keep the lion-man and the once-dog always subtly allied, of one mind. A gift, Painter thought when he later thought about it, of our alteration at men’s hands; a gift they had never known about and which, if they could, they would probably try to take back.)

  They went out into a thin dawn fog. Sweets, quick and afraid, still limping; stopped whenever he found himself outside the leo’s halo of odor, paced nervously, and only started off again when he was sure the other followed. He lost the way for a time, then found traces of the pack, markings, which were to him like a man’s hearing the buzz and murmur of distant conversation: he followed, and it grew stronger, and then the stone gateposts coalesced out of the fog. Between them a black shape, agitated, called out to him, unwilling to leave the grounds but pacing madly back and forth: Duke! Sweets yipped for joy and ran with him, not feeling the pain in his leg, snapping at Duke, sniffing him gladly, and stopping to be sniffed from head to toe himself and thus tell of his adventures.

  Duke wouldn’t come near the leo; he stood dancing on the lip of the hill while Sweets and Painter went slipping down the wet rotten leaves and beneath the defaced baroque bridge and through the dank culvert into the safety—the best safety Sweets knew—of their most secret den, where no man had ever been, where his wild ones by Blondie had been born and where she had tried, dying, to go.

  Yours now, he said, and the great animal he had found fell gratefully into the rank detritus of the den, clutching his hurt arm and feeling unaccountably safe:

  Winter had begun. Sweets knew it, and Painter. The others only suffered it.

  One by one they had come to accept Painter as of the pack, because Sweets had. At night they gathered around him in the shelter of the den, which was in fact the collapsed ruins of a rustic gazebo where once old men had gathered to play cards and checkers and talk about how bad the world had grown. There was even a sign, lost somewhere in the brake of creeper and brush, which restricted the place to senior citizens. The pillars that supported it had failed like old men’s legs, and its vaulted roof now lay canted on the ground, making a low cave. The pack lay within it in a heap, making a blanket of themselves. Painter, a huge mass in the middle of them, slept when they did, and rose when they rose.

  He and Sweets provided for the pack. Painter had strengths they didn’t have, and Sweets could hunt and scavenge as well as any of them, but he could think as well. So it was they two who were the raiders. They two executed the zoo robbery, which yielded them several gristly pounds of horsemeat intended for the few aged cats, senile with boredom, still cared for in the park cages. They two made the expeditions that beg
an, paragraph by paragraph, to grow in the city newssheets: Painter was the “big, burly man” who had stolen two legs of beef from a restaurant supplier while the supplier had been held at bay by a maddened dog, and who had then loped off into the blowing snow with the legs over his shoulders, about a hundred and a half pounds of meat and bone; if the supplier hadn’t seen it done, he wouldn’t have believed it.

  If there had been more of a man’s soul in either Sweets or Painter they would have seen the partnership they had entered on as astonishing, the adventures they had as tales at once thrilling and poignant; they would have remembered the face of the tall woman whom Painter gently divested of an enormous rabbit-fur coat, which he then wore always, the coat growing daily fouler. They would have dwelt on the moment when Painter, in the zoo, stood face to face with a lion, and looked at him, and the lion opened his lips to show teeth, uncertain why he was being looked at but recognizing a smell he knew he should respond to, and Painter’s lip curled in a kind of echo of the lion’s. They remembered none of this; or if they did, it was in a way that men would never be able to perceive. When much later Meric Landseer would try to tell Painter’s story, he wouldn’t be able to discover much, about this part of it; Painter had already discarded most of it. He survived. That’s what he could do; that was what he bent his skills to.

  They did, though, come increasingly to understand each other. Painter knew he had to find a path that led safely out of the city; he knew it was impossible for him to live in the now-naked park for long without being seen, and taken. He didn’t know that a full search hadn’t been begun only because the old building where he had been prisoner, weakened by the blast, had fallen in on itself, and, since no one seemed capable of an official decision to dig it out, he had been assumed buried beneath a ton of moldered brick and wallpapered plaster. He knew that Sweets, like him, wanted to escape the park; Sweets knew the pack only lived here on men’s sufferance and men’s neglect, and that they would eventually be hunted down and shot or imprisoned or taken away in vans, if they didn’t starve first. So it grew between them that when Painter left, the pack would follow him. Sweets laid down before Painter the burden of leadership, gratefully, and his heart with it. He had no idea what the freedom was that Painter promised, and didn’t try to envision it. Once he had taken the leo for master, all questions were for Sweets forever answered.