Nathaniel

  Michael lay in the darkness, trying to understand what was happening. Brushing his teeth twice had failed to remove the bitter residue of soap in his mouth, and the aspirin had done nothing to alleviate his headache. Furthermore, the smoky odor in the kitchen had followed him upstairs, and as he lay in bed he suddenly felt as if he couldn't breathe.

  At last he got up and went to the window. The prairie was lit by a full moon, and as he looked out into the silvery glow of the night, he began to feel trapped by the confines of the house. If only he could go outside…

  He knew he shouldn't. He should stay where he was and try to go to sleep. If his grandfather found out he'd snuck out in the middle of the night…

  That was what made up his mind. There was something about doing what he knew he shouldn't do that made it more fun, that made an adventure out of practically anything. And besides, this wasn't New York. This was Prairie Bend, where no one ever even locked their doors, and the streets weren't filled with strange people. And he wasn't going to be in the streets, because it wasn't the streets that called him.

  He pulled his jeans on, and a sweatshirt. Taking his shoes and socks with him, he slipped out of the bedroom and down the stairs, carefully avoiding the third one from the bottom, the one that creaked. He went out the back door, stopping on the porch to put on his socks and shoes. Then, not looking back at the house, he dashed across the yard and around the corner of the barn. He waited there, sure that if anybody'd heard him or seen him, they'd call him or come after him. But after a few seconds that seemed like hours, with the silence of the night still undisturbed, he moved away from the barn, across the freshly plowed field, toward the stand of cottonwoods that bordered the river.

  As Janet watched the small figure of her son fade into the gloom of the night, her first instinct was, indeed, to go after him. She put on her robe, hurried down the stairs, and was about to go out the back door when she heard a movement in the depths of the house. A moment later Amos appeared in the kitchen.

  "What's wrong?"

  Janet shook her head. "It's nothing, really. It's just Michael. He—well, he seems to have decided to go for a walk."

  Amos frowned. "In the middle of the night?"

  "So it seems. I was just going to go after him—"

  "You'll do nothing of the sort," Amos replied, his frown deepening. "In your condition, all you should be thinking about is getting a good night's sleep. I'll go after him myself."

  He disappeared back toward his bedroom, and Janet sank down onto one of the kitchen chairs. But as she waited for him to dress, she began to change her mind. A few minutes later Amos returned, dressed in jeans and a flannel shirt. Janet rose once again to her feet as he started out the back door.

  "Amos? Maybe—well, maybe we should just leave him alone." The old man swung around, his eyes fixing on her.

  "He probably just needs to be by himself and think things over," she said. "Let's give him some time, all right?"

  Amos hesitated, his eyes narrowing. "If that's what you want. But he oughtn't to be going out in the middle of the night. It's not right."

  "I know," Janet sighed. "And I can't say you're wrong. But just this once, can't we let it go? You go back to bed. Everything will be all right."

  "Don't you want me to wait up with you 'til he gets back?"

  Janet shook her head. "No."

  There was a long silence, and then Amos nodded. "Okay. But I'll have a talk with him in the morning, and I'll see to it that he doesn't do this again."

  A moment later he was gone, and Janet started slowly up the stairs to begin her vigil.

  Waiting was harder than she'd thought it would be.

  The air had shed the cold bite of the month before, but had not yet acquired the soggy heat that would blanket the plains in the days to come, when temperatures of ninety and more would hang over the prairie like a cloying shroud, suffocating people and animals alike with a dank heaviness that was even less bearable than the freeze of winter. Now, at the end of May, there was a briskness to the night air, and the musky odor of fresh-turned earth foretold of the crops that would soon begin to fill the fields. The night was crystal clear, and as he walked, aimlessly at first, Michael gazed up into the sky, picking out the Big Dipper, Orion, and the Little Dipper. Then he came to the stand of cottonwoods bordering the river, and he paused. There was a darkness among the trees, where the moonlight was blocked out by the leaves that had already sprouted from the heavily intertwined branches. No wonder they called it the Dismal, he thought. What little light spilled through from the pasture only lent the woods an eerie look, shadows cast upon shadows, with no easy path apparent.

  Shivering, Michael set himself a destination now and began walking along the edges of the pastures, the woods on his right, climbing each fence as he came to it. Sooner than he would have expected, the woods curved away to the right, following the course of the river as it deviated from its southeastern flow to curl around the village. Ahead of him he could see the scattered twinkling lights of Prairie Bend. For a moment, he considered going into the village, but then, as he looked off to the southeast, he changed his mind, for there, seeming almost to glow in the moonlight, was the hulking shape of Findley's barn.

  That, Michael knew, was where he was going.

  He cut diagonally across the field, then darted across the deserted highway and into another field. He moved quickly now, feeling exposed in the emptiness with the full moon shining down on him. Ten minutes later he had crossed the field and come once more to the highway, this time as it emerged from the village. Across the street, he could see Ben Findley's driveway and, at its end, the little house, and the barn.

  He considered trying to go down the driveway and around the house, but quickly abandoned the idea. A light showed dimly from behind a curtained window, and he had a sudden vision of old man Findley, his gun cradled in his arms, standing in silhouette at the front door.

  Staying on the north side of the road, he continued moving eastward until he came abreast of his own driveway. He waited a few minutes, wondering whether perhaps he shouldn't go back to his grandparents'. In the end, though, he crossed the road and started down the drive to the abandoned house that was about to become his home. As he came into the overgrown yard, he stopped to stare at the house. Even had he not known that it was empty, he could have sensed that it was. In contrast to the other houses he had passed that night, which all seemed to radiate life from within, this house—his house—gave off only a sense of loneliness that made Michael shiver again in the night and hurry quickly past it.

  His progress slowed as he plunged into the weed-choked pastures that lay between the house and the river, but he was determined to stay away from the fence separating Findley's property from their own until the old man's barn could conceal him from the same man's prying eyes. It wasn't until he was near the river that he finally felt safe enough to slip between the strands of barbed wire that fenced off the Findley property and begin doubling back toward the barn that had become his goal.

  He could feel it now, feel the strange sense of familiarity he had felt that afternoon, only it was stronger here, pulling him forward through the night. He didn't try to resist it, though there was something vaguely frightening about it. Frightening but exciting. There was a sense of discovery, almost a sense of memory. And his headache, the throbbing pain that had been with him all evening, was gone.

  He came up to the barn and paused. There should be a door just around the corner, a door with a bar on it. He didn't understand how he knew it was there, for he'd never seen that side of the barn, but he knew. He started toward the corner of the barn, his steps sure, the uncertainty he'd felt a few minutes ago erased.

  Around the corner, just as he knew it would be, he found the door, held securely shut by a heavy wooden beam resting in a pair of wrought-iron brackets. Without hesitation, Michael lifted the bar out of its brackets and propped it carefully against the wall. As he pulled the door open, no squeaking hi
nges betrayed his presence. Though the barn was nearly pitch dark inside, it wasn't the kind of eerie darkness the woods by the river had held, at least not for Michael. For Michael, it was an inviting darkness.

  He stepped into the barn.

  He waited, half expectantly, as the darkness seeped into him, enveloping him within its folds. And then something reached out of the darkness and touched him.

  Michael started, but stood his ground, oddly unafraid. And then he heard a voice, flat, almost toneless, drifting hollowly from somewhere in the depths of the barn.

  "Michael."

  Michael froze.

  "I knew you'd come." There was a pause, then the voice went on. "I have been calling you. I wasn't sure you heard me."

  "Who are you?" Michael asked. His eyes searched the darkness, but could find nothing. Nor could he be certain just where the voice came from. As the silence lengthened, he began backing toward the door. "Tell me who you are," he said, more loudly this time.

  And then a dog began barking outside with a sharp, staccato sound, once, twice, three times. And somewhere nearby, a door slammed. Michael darted out of the barn, swung the door closed, and dropped the bar back in the brackets. But just before he ran back into the comparative safety of the fields, he heard the voice once more. Its flat atonality echoed in his mind all the way home.

  "I am Nathaniel," the voice said. "I am Nathaniel…"

  CHAPTER SEVEN

  Michael came into the kitchen the next morning to find his grandfather waiting for him, sitting at the kitchen table, his back ramrod straight. The old man's eyes fixed on Michael with a coldness that stopped the boy in his tracks.

  "Sleep well?" Amos asked.

  Uncertainly, Michael edged toward the refrigerator and began rummaging on the top shelf for the pitcher of orange juice he knew was there, well concealed by the masses of leftovers his grandmother always seemed to have on hand. "I guess," he said, finally locating the pitcher behind a bottle of milk. He edged it out of the refrigerator, picked up a glass from the drainboard, and started toward the table.

  "I didn't," Amos replied. "I heard your mother moving around, and came out to see if she was all right. She was. But she was worried because you were gone."

  "I—I went for a walk."

  "I see." Amos stood up. "And you're about to go for another walk. March."

  Michael's eyes widened, and he stared up at his grandfather. "Wh-where?"

  "To the barn," Amos told him, and for the first time Michael noticed the razor strop clutched in his right hand.

  "But—"

  "No buts," Amos cut in. "You worried your mother last night. You worried her very much. You won't do it again. Now start walking."

  Michael's eyes darted toward the door to the hallway, but there was no one in sight, no one to rescue him. Reluctantly, but knowing he had no choice, he followed his grandfather out into the morning sunshine. Only when they were behind the barn, out of sight of the house, did Amos speak again.

  "Where did you go?"

  Michael hesitated. This morning, what had happened the night before seemed almost to have been a dream. Indeed, as he thought about it, he was no longer sure exactly what had happened. He had gone for a walk, and he seemed to remember having started out toward old man Findley's place. But now he was no longer sure. Had he gone there? He tried hard, but all he could really remember was the forest by the river, and the pasture. And a voice. There had been a voice. Or had there?

  "N—nowhere," he said at last. "Just down to the woods by the river. I—I wasn't gone long."

  "Drop your pants and bend over."

  Slowly, Michael unbuckled his belt and undid his jeans. He turned around, then dropped his pants and leaned over, clutching his knees. A second later he felt the first lash of the strop sting his buttocks, and a scream burst from him.

  "Don't yell," Amos told him. "If you yell, it will only get worse. Now, tell me where you went."

  "I didn't go anywhere," Michael wailed. "I told you, I only went down by the river."

  "You were gone for over an hour."

  Again the leather strop slashed across his buttocks, but this time Michael was able to choke off his scream.

  "I—I didn't know," he pleaded. "I thought it was only a few minutes."

  "You shouldn't have gone at all, not without telling your mother."

  "I don't have to tell her everything I do—"

  The strop whistled through the air this time and seemed to wrap itself around Michael's thigh like a snake.

  "From now on, you ask your mother or me before you do anything. Do you understand?"

  Michael said nothing, steeling himself against the next slash of the leather. In a moment, it came, and immediately afterward, the sound of his grandfather's voice.

  "Did you hear me?"

  "Y-yes…"

  Again the strop whistled through the air and burned into his flesh. "Yes, what?"

  Michael thought wildly, clenching his teeth against the pain as tears burned in his eyes. "Yes, sir," he finally cried.

  And the whipping was suddenly over.

  "All right," his grandfather said. Slowly, Michael straightened up and pulled his jeans up to cover his stinging buttocks. Then he turned to face his grandfather, his eyes blazing with fury and his head throbbing with a sudden ache that overpowered even the pain of the thrashing. "Wait 'til I tell my mom—" he began, but Amos knelt down and took him by the shoulders, his hands gripping him like twin vises.

  "Stop that, Michael," he said. "What just happened here is between you and me. You're not to speak to your mother of this. She's been through a lot, and you're not to put her through any more. From now on, you behave yourself. If you don't, you know what will happen. And if you take your troubles to your mother, I can guarantee you they'll only get worse. You're a big boy. I expect you to behave like one."

  "But—"

  "No buts. Things are different now, and you'd better understand that. I don't like having to do this, but so help me, I'm going to teach you some respect, boy, so that next time you feel like going for a walk in the middle of the night, you'll think twice about it. Understand?" Michael hesitated, then nodded. But as he followed the old man back to the house, his headache grew worse, and his mind whirled with confused thoughts. It's not fair. I didn't do anything… All I did was go for a walk… It's not fair…

  In the kitchen, Janet was at the table, sipping a cup of coffee and making notes on a spiral pad. She looked up as Michael and Amos came through the back door. "Hi. What have you two been up to this morning?"

  "Chores," Amos replied before Michael could say anything. He went to the sink and washed his hands; then, drying them on a dish towel, he went around to peer over Janet's shoulder. "What's all this?"

  "Things to be done," Janet sighed. "There's so much, and I haven't any idea of where to start. But here're the colors I want for the farm." She tore off the top sheet and handed it to Amos, who studied it for a moment, then passed it to Michael.

  "Some imagination your mother's got, huh?"

  Michael stared at the old man. It was as if his grandfather had never been angry at all. He was smiling as if the thrashing behind the barn had never happened. And his voice was calm. He was even trying to make a joke: "White paint for the house, red for the barn, with white trim. Now, how do you suppose she came up with something so radical?" His expression turned serious, and he studied Janet's face. "Any problems this morning?"

  "You mean morning sickness? Not a trace." Though her stomach was still queasy from that morning's session in the bathroom, she put on what she hoped was a bright smile and rapped the wooden tabletop a couple of times. "I'm hoping it's over with. It was probably just—-well, the last few days." She took a deep breath and emphatically returned to her lists. "The problem's going to be the furniture."

  "What's wrong with our furniture?" Michael asked, easing himself carefully onto one of the hard kitchen chairs. "I like it."

  "There's nothing wrong wit
h it," Janet tried to explain.

  "It just doesn't seem practical for a farmhouse in Prairie Bend, that's all."

  "Farmhouse furniture is ugly," Michael pronounced; then, realizing what he had said, his eyes filled with fright and shifted to his grandfather.

  But the old man only nodded in agreement. "It may be ugly, but it's comfortable," he said just as Anna rolled her chair into the kitchen and brought it to a stop between the sink and the range. Janet started to get up, but Anna waved her back to her chair. She dropped an apron over her lap, then pulled a skillet from a low cupboard and placed it on the stove. "What were you talking about?" she asked of no one in particular. "What's ugly but comfortable?"

  "Farmer's furniture," Amos told her.

  "According to whom?" Anna demanded, suddenly taking on the look of a ruffled hen.

  "According to your grandson."

  "Oh," Anna said. She hesitated only a second, then shrugged. "Well, of course he's right. But don't you worry about it," she said, addressing Janet, as she began scrambling a dozen eggs in the enormous cast-iron skillet. "I can furnish that house with a couple of phone calls. Every barn and attic in Prairie Bend is full of furniture, and it won't cost a cent. Besides, you'll spend more money shipping your stuff out here than you'd get if you sold it, so you'll be money ahead even if you have to give it away. Bring me the plates, Michael."

  As Michael hesitated, Anna watched him. There was something in his eyes—a hurt—that she had seen before, years ago, in her son's eyes. She had hoped never to see it again. "Michael, are you all right?"

  Michael's gaze met his grandmother's, and for a quick moment there was an unspoken communication between the two of them. But then Michael nodded, turning away to move toward the cupboard where the china was kept. Anna's eyes followed the boy, then shifted toward her husband. But if Amos noticed the concealed fury in his wife's eyes, he gave no sign.

  As Michael began putting the breakfast plates on the table, Janet thought over what her mother-in-law had just said. It did make sense. Still, there was a faint twinge at the feeling that by leaving her belongings behind, she would be shedding still another piece of her old life. But she quickly shook off her misgivings. After all, she had made up her mind to start all over again in Prairie Bend.