The Sympathizer

  That haze . . . that haze was my life flashing before my eyes, only it unreeled so fast I could not see much of it. What I could see was myself, but what was strange was that my life unreeled in reverse, as in those film sequences where someone who has fallen out of a building and gone splat on the sidewalk suddenly leaps up into the air and flies back through the window. So it was with me, running madly backward against an impressionistic background of blotches of color. I gradually shrank in size until I was a teenager, then a child, and then, at last, a baby, crawling, until inevitably I was sucked naked and screaming through that portal every man’s mother possesses, into a black hole where all light vanished. As that last glimmer faded, it occurred to me that the light at the end of the tunnel seen by people who have died and come back to life was not Heaven. Wasn’t it much more plausible that what they saw was not what lay ahead of them but what lay behind? This was the universal memory of the first tunnel we all pass through, the light at its end penetrating our fetal darkness, disturbing our closed eyelids, beckoning us toward the chute that will deliver us to our inevitable appointment with death. I opened my mouth to scream and then I opened my eyes . . .

  I was in a bed shielded by a white curtain, pressed beneath a white sheet. Beyond the curtain came ethereal voices; the ice cube clink of metal; the somersaulting of wheels on linoleum; the maddening squeak of rubber soles; the pitiful beeping of lonely electronic machines. I was dressed in a flimsy crepe gown, but despite the lightness of this and the sheet, a soporific heaviness pressed down on me, scratchy as an army blanket, oppressive as unwanted love. A man in a white coat stood at the foot of my bed, reading a chart on a clipboard with the intensity of a dyslexic. He had the wild, neglected hair of a graduate student in astrophysics; his protuberant belly spilled over the dam of his belt; and he was mumbling into a tape recorder. Patient admitted yesterday suffering from first-degree burns, smoke inhalation, bruises, concussion. He is— At this point he noticed me staring at him. Ah, hello, good morning, said he. Can you hear me, young man? Nod your head. Very good. Can you say something? No? Nothing’s wrong with your vocal cords or your tongue. Still in shock, I’d say. Remember your name? I nodded. Good! Know where you are? I shook my head. A hospital in Manila. The best money can buy. In this hospital, all the doctors not only have MDs. We also have PhDs. That means we are all Philippine Doctors. The MD stands for Manila Doctors. Ha, just joking, my sallow young friend. Of course the MD stands for a medical doctorate and the PhD stands for a philosophy doctorate, which means I can analyze both what I can see and what I cannot see. Everything physical about you is in relatively good shape, given your recent scare. Some damage, yes, but not bad considering you should be dead or seriously maimed. A broken arm or leg, at least. In short, you are remarkably lucky. That being said, I suspect you have a headache of Zsa Zsa Gabor’s va-va-va-voom proportions. I recommend anything but psychoanalysis. What I would recommend is a nurse, but we’ve exported all the pretty ones to America. Any questions? I struggled to speak but nothing came out, so I only shook my head. Rest, then. Remember that the best medical treatment is a sense of relativism. No matter how badly you might feel, take comfort in knowing there’s someone who feels much worse.

  With that, he slipped through the curtain and I was alone. Above me the ceiling was white. My sheets, white. My hospital gown, white. I must be fine if everything was all white but I was not. I hated white rooms, and now I was alone in one with nothing to distract me. I could live without television, but not without books. Not even a magazine or a fellow patient alleviated the solitude, and as the seconds, minutes, and hours dribbled away like saliva from a mental patient’s mouth, a deep unease descended on me, the claustrophobic sense that the past was beginning to emerge from these blank walls. I was saved from any such visitations by the arrival later that afternoon of the four extras who played the Viet Cong torturers. Freshly shaven and in jeans and T-shirts, they did not look like torturers or villains but harmless refugees, slightly befuddled and out of place. They bore, of all things, a cellophane-wrapped fruit basket and a bottle of Johnnie Walker. How you doing, chief? the shortest extra said. You look like hell.

  All right, I croaked. Nothing serious. You shouldn’t have.

  The gifts aren’t from us, the tall sergeant said. The director sent them.

  That’s nice of him.

  The tall sergeant and Shorty exchanged a glance. If you say so, Shorty said.

  What’s that mean?

  The tall sergeant sighed. I didn’t want to get into it this early, Captain. Look, have a drink first. The least you can do is drink the man’s booze.

  I wouldn’t mind some, said Shorty.

  Pour everyone a drink, I said. What do you mean the least I can do?

  The tall sergeant insisted I have my drink first, and that warm, sweet glow of affordable blended scotch really did help, as comforting as a homely wife who understands her man’s every need. The word is that what happened yesterday was an accident, he said. But it’s a hell of a coincidence, isn’t it? You get in a fight with the director—yeah, everybody’s heard about it—and then you of all people get blown up. I don’t have any proof. It’s just a hell of a coincidence.

  I was silent as he poured me another. I looked at Shorty. What do you think?

  I wouldn’t put anything past the Americans. They weren’t afraid of taking out our president, were they? What’s to make you think they wouldn’t go after you?

  I laughed, even though inside me the little dog of my soul was sitting at attention, nose and ears turned to the wind. You guys are paranoid, I said.

  Every paranoid person is right at least once, said the tall sergeant. When he dies.

  Believe it or don’t, said Shorty. But look, the reason we all came here wasn’t just to talk about this. We all wanted to say thanks, Captain, for all the work you did during this whole shoot. You did a swell job, taking care of us, getting us extra pay, talking back to the director.

  So let’s drink that bastard’s liquor in your honor, Captain, said the tall sergeant.

  My eyes welled up with tears as they raised their glasses to me, a fellow Vietnamese who was, despite everything, like them. My need for validation and inclusion surprised me, but the trauma of the explosion must have weakened me. Man had already warned me that for the kind of subterranean work we did, there would be no medals or promotions or parades. Having resigned myself to those conditions, the praise of these refugees was unexpected. I comforted myself with the memory of their words after they left, as well as with Johnnie Walker, forgoing my glass and drinking straight from the bottle. But after the bottle was empty sometime that night, I was finally left with nothing but myself and my thoughts, devious cabdrivers that took me where I did not want to go. Now that my room was dark, all I could see was the only other all-white room I had been in, at the National Interrogation Center back in Saigon, working my first assignment under Claude’s supervision. In that instance I was not the patient. The patient, whom I should properly call the prisoner, had a face I could remember very clearly, so often had I studied him via the cameras mounted in the corners of his room. Every inch of it had been painted white, including his bed frame, his desk, his chair, and his bucket, the only other occupants. Even the trays and the plates with his food and the cup for his water and his bar of soap were white, and he was only allowed to wear a white T-shirt and white boxer shorts. Besides the door, the only other opening was for sewage, a little dark hole in the corner.

  I was there when the workmen built the room and painted it. The idea for the all-white room was Claude’s, as was the use of air conditioners to keep the room at eighteen degrees Celsius, cool even by Western standards and freezing for the prisoner. This is an experiment, Claude said, to see whether a prisoner will soften up under certain conditions. These conditions included overhead fluorescents that were never turned off. They provided his only light, the timelessness matching the spaceless
ness induced by the overwhelming whiteness. White-painted speakers were the final touch, mounted on the wall and ready to broadcast at every minute of the day. What should we play? Claude asked. It has to be something he can’t stand.

  He looked at me expectantly, ready to grade me. There was little I could do for the prisoner, try as I might. Claude would eventually find the music he could not stand, and if I did not help him my reputation as a good student would lose a little of its luster. The prisoner’s only real hope of escaping from his situation lay not with me, but with the liberation of the entire south. So I said, Country music. The average Vietnamese cannot bear it. That southern twang, that peculiar rhythm, those strange stories—the music drives us a little crazy.

  Perfect, Claude said. So what song’s it going to be?

  After a little research, I procured a record from the jukebox of one of the Saigon bars popular with white soldiers. “Hey, Good Lookin’” was by the famous Hank Williams, the country music icon whose nasal voice personified the utter whiteness of the music, at least to our ears. Even someone as exposed to American culture as I shivered a little on hearing this record, somewhat scratchy from having been played so many times. Country music was the most segregated kind of music in America, where even whites played jazz and even blacks sang in the opera. Something like country music was what lynch mobs must have enjoyed while stringing up their black victims. Country music was not necessarily lynching music, but no other music could be imagined as lynching’s accompaniment. Beethoven’s Ninth was the opus for Nazis, concentration camp commanders, and possibly President Truman as he contemplated atomizing Hiroshima, classical music the refined score for the high-minded extermination of brutish hordes. Country music was set to the more humble beat of the red-blooded, bloodthirsty American heartland. It was for fear of being beaten to this beat that black soldiers avoided the Saigon bars where their white comrades kept the jukeboxes humming with Hank Williams and his kind, sonic signposts that said, in essence, No Niggers.

  It was with confidence, then, that I chose this song to be played on an endless loop in the prisoner’s room except for the times when I was in it. Claude had assigned me to be the chief interrogator, the task of breaking the prisoner my graduation exam from his interrogation course. We kept the prisoner in the room for a week before I even saw him, nothing interrupting the constant light and music except the opening of a slot in his door three times a day, when his meal was shoved through: a bowl of rice, one hundred grams of boiled greens, fifty grams of boiled meat, twelve ounces of water. If he behaved well, we told him, we would give him the food of his choice. I watched him on the video feed as he ate his food, as he squatted over his hole, as he washed himself from his bucket, as he paced his room, as he lay on his bed with his forearm over his eyes, as he did push-ups and sit-ups, and as he plugged his ears with his fingers. When he did so, I turned up the volume, forced to do something with Claude standing by my side. When he took his fingers out of his ears and I lowered the volume, he looked up at one of the cameras and shouted in English, Fuck you, Americans! Claude chuckled. At least he’s talking. It’s the ones who don’t say anything you really have to worry about.

  He was the leader of cell C-7 of terrorist unit Z-99. Based in the secret zone of Binh Duong Province, Z-99 was collectively responsible for hundreds of grenade attacks, minings, bombings, mortarings, and assassinations that had killed a few thousand and terrorized Saigon. Z-99’s trademark was the dual bomb attack, the second designed to kill the rescuers who came to help the victims of the first. Our prisoner’s specialty was the adaptation of wristwatches as triggering devices for these improvised bombs. The second and hour hands were removed from a watch, a battery wire was inserted through a hole in the crystal, and the minute hand was set to the desired delay time. When the ticking minute hand touched the wire, the bomb detonated. Bombs were built from landmines, stolen from US supplies, or bought on the black market. Other bombs were assembled from TNT that was smuggled into the city in small quantities—hidden in hollowed-out pineapples and baguettes and the like, even in women’s bras, which led to endless jokes among the Special Branch. We knew Z-99 had a watchmaker, and before we had known exactly who he was we called him the Watchman, which was how I thought of him.

  The Watchman regarded me with amusement the first time I entered his room, a week after we began his treatment. It was not the reaction I expected. Hey, good lookin’, he said in English. I sat on his chair and he on his bed, a tiny, shivering man with a full head of coarse hair, shockingly black in the white room. I appreciate the English lesson, he said, grinning at me. Keep playing that music! I love it! Of course he didn’t. There was a glint in his eye, the briefest hint of unwellness, although that might have come from being a graduate of philosophy from the University of Saigon and the eldest son of a respectable Catholic family who had disowned him for his revolutionary activities. Watchmaking of the legitimate kind—for that was indeed his profession before he became a terrorist—was simply to pay the bills, as he told me during our initial conversation. This was small talk, get-to-know-you kind of stuff, but lurking underneath the flirtation was our mutual awareness of our roles as prisoner and interrogator. My awareness was compounded by knowing that Claude was watching us on the video monitor. I was thankful for the air-conditioning. Otherwise I would have been sweating, trying to figure out how to be both enemy and friend to the Watchman.

  I laid out the charges against him of subversion, conspiracy, and murder, but emphasized that he was innocent until proven guilty, which made him laugh. Your American puppet masters like to say that, but it’s stupid, he said. History, humanity, religion, this war tells us exactly the reverse. We are all guilty until proven innocent, as even the Americans have shown. Why else do they believe everyone is really Viet Cong? Why else do they shoot first and ask questions later? Because to them all yellow people are guilty until proven innocent. Americans are a confused people because they can’t admit this contradiction. They believe in a universe of divine justice where the human race is guilty of sin, but they also believe in a secular justice where human beings are presumed innocent. You can’t have both. You know how Americans deal with it? They pretend they are eternally innocent no matter how many times they lose their innocence. The problem is that those who insist on their innocence believe anything they do is just. At least we who believe in our own guilt know what dark things we can do.

  I was impressed with his understanding of American culture and psychology, but I could not show it. Instead, I said, So you would rather be presumed guilty?

  If you haven’t understood that your masters already believe me to be guilty and will treat me as such, then you’re not as smart as you think you are. But that is hardly a surprise. You’re a bastard, and like all hybrids you are defective.

  In retrospect, I do not believe he meant to insult me. Like most philosophers, he simply lacked social skills. In his graceless way, he was merely stating what he and many others thought to be scientific fact. And yet, in that white room, I admit that I saw red. I could have dragged out this interrogation for years if I wanted to, asking him relentless questions that led nowhere as I tried, seemingly, to find his weakness, secretly keeping him safe. But instead all I wanted at that moment was to prove to him that I was, indeed, as smart as I thought I was, which meant smarter than him. Between the two of us, only one could be the master. The other had to be the slave.

  How did I prove this to him? One night in my quarters, after my rage had cooled and hardened, it struck me that I, the bastard, understood him, the philosopher, with perfect clarity. A person’s strength was always his weakness, and vice versa. The weakness was there to be seen if one could see it. In the Watchman’s case, he was the revolutionary willing to walk away from the most important thing to a Vietnamese and a Catholic, his family, for whom the only acceptable sacrifice was for God. His strength was in his sacrifice, and that had to be destroyed. I sat down immediately at my
desk and wrote the Watchman’s confession for him. He read my scenario the next morning in disbelief, then read it again before glaring at me. You’re saying that I’m saying I’m a faggot? Homosexual, I corrected. You’re going to spread filth about me? he said. Lies? I have never been a faggot. I have never dreamed of being a faggot. This—this is dirty. His voice rose and his face flushed. To have me say I joined the revolution because I loved a man? To say this was why I ran away from my family? That my faggotry explains my love for philosophy? That being a faggot is the reason for my wish to destroy society? That I betrayed the revolution so I could save the man I loved, who you have captured? No one will believe this!

  Then no one will care when we publish it in the newspapers along with your lover’s confession and intimate photographs of the two of you.

  You will never get me in such a photograph.