The Museum of Mysteries

  Antoine and Denton had also left Paris, traveling to the Lussac estate in southern France. The potion had caused Denton’s mind to revert back to a personality that existed when their father was alive. A totally different man, as Antoine had explained. One he liked. I was happy for the brothers. Things were definitely different for them.

  And with me.

  I climbed the steep path to the village. Sunlight peeked through the leafy canopy, spotting the ground with shadows. It was a lovely day with only a few white rags of clouds stretching across a blue dome of sky. Far different than two days ago with all the rain. A lot had happened over the past forty-eight hours. I’d experienced something that could not be real, yet it seemed nothing short of that. I’d known exactly which ingredients to use from the box, how to mix them, and what the concoction could do. Shocking, considering I had no training in chemistry. The only way the information could have been acquired was through the dream. The whole thing remained troubling. I’d called Cotton and told him what happened, explaining the outcome, even telling him more about the dreams. I had not wanted to say anything at first. But we had a rule. No secrets. God knows we’d broken it enough in the early stages of our relationship. But no longer. We kept nothing from each other. Or at least nothing significant. Cotton, god bless him, had not tried to tell me I was hallucinating.

  Quite the opposite.

  “You and I have both been involved with some pretty weird stuff,” he said. “Things we had a tough time explaining. So roll with it.”

  He was right.

  Which was why I’d returned to Eze.

  I entered the village and followed the twisting cobbles to the same familiar back corner and the Museum of Mysteries. Nicodème answered my knock and invited me inside. He’d already brewed a steaming pot of green tea and had cheese and crackers prepared. I’d called earlier and said I was coming. He too was eager to know what had happened. We sat at a table and I told him everything. I was especially explicit about the hallucinations since, if anyone could explain them, he could.

  “It has to be nonsense,” I told him.

  “Why?”

  “You can’t be serious. Past lives? Reincarnation? Morgan le Fay? She’s merely a part of the Arthurian fiction.”

  He smiled. “There’s more to her than you know.”

  Coming from anyone else I’d be skeptical, but I knew Nicodème dabbled in things most people found fantastical.

  “Whenever I visit St. Margaret’s Church, in London,” he said, “I always linger at the east window. It’s a magnificent stained-glass depiction, crafted in Flanders at the command of Ferdinand and Isabella in 1501 to celebrate the marriage of their daughter, Catherine of Aragon, to Arthur, the eldest son of the English king, Henry VII. Henry had been so fascinated with the Arthurian legend that he named his heir after him.”

  I knew that fact.

  “After ending the Wars of the Roses, and killing Richard III, Henry VII, the first Tudor king, was intent on resurrecting the English throne through his issue, and he wanted it to start with Arthur. Unfortunately, his son died young, shortly after the marriage, even before the window in St. Margaret’s arrived on English soil. Poor Catherine eventually married Arthur’s brother, Henry VIII, and went on to suffer the disgrace of a forced divorce and an early death.

  “Most have no understanding the significance Arthur holds for the English. Imagine if the American, George Washington, was merely a legend. Something only poets spoke about. Would not proving him real have meaning? A great significance? Arthur is the bridge that binds the ancient Brits to the modern English.”

  “I hear what you’re saying, but I can’t accept that those dreams were of something real.”

  He chuckled. “It’s that analytical, engineering mind of yours. It makes you such a skeptic. But you’ve been privy to something few will ever know. A view to a past life.”

  But I still wasn’t sure. “I remember the story. How Arthur lost his sword in a fight with Sir Pellinore. He asked Merlin what to do and the wizard guided him to water. The Lady of the Lake then gives Arthur a sword, the finest in all the world, and as long as he wears the scabbard nothing can harm him.”

  He nodded. “A wondrous tale. And much of that is pure fiction. But most good fiction is based in fact. And this is no exception. Come with me.”

  I stood from the table and followed him to the rear of the shop, past the oak paneled door bound by iron that led deeper into the mountain and the museum itself. I knew that only Nicodème could open it through an ancient puzzle. No one had ever seen that happen and I doubted anyone ever would, until he selected an apprentice. Beyond the door, in a square, dark-paneled room on a trestle table, lay a small book about the size of a prayer missal. Definitely old, but in respectable condition. On the cover were five words, the script no more than shadows in places.

  De excidio et conquestu Britanniae.

  “Concerning the Ruin and Conquest of Britain,” he said, pointing at the volume. “This is a Gildas manuscript.”

  I knew that name.

  Gildas Sapiens.

  Who lived in Britain during the 6th century and penned a scathing attack on his contemporary churchmen and rulers. His words, a history of post-Roman, pre-St. Augustine, Britain, were a denunciation of secular and ecclesiastical authority. Most historians regarded his observations as more fiction than fact. But they remained the only firsthand account of 6th century Britain. Nothing else had survived.

  “There are about seventy editions of his work still around,” he said. “I’m always amused at the one in the British Museum. It’s a 10th century handwritten copy of an 8th century text. Not nearly as authentic as they would want people to believe.”

  I smiled. “Double hearsay?”

  “Precisely. This is an original. Maybe the only one left in the world.”

  I was impressed. But there was a lot about the Museum of Mysteries that fit into that category.

  “Gildas was definitely biased, but he was also an ardent observer, a political critic in a time when criticism was not tolerated.” He opened the top cover. “It’s on vellum. Much better than parchment or papyrus. Which is why it has lasted.”

  I studied the pages.

  The sheets rested on top of one another individually with no binding, the vellum waffled from time. Each still possessed a creamy white patina, an almost unused look, the writing faded to a light gray, the penmanship small and tight, the words running the entire length with no paragraphs or punctuation.

  “They didn’t believe in margins?” I asked.

  “Writing materials were too precious. Every bit of a surface was used.”

  “Can you read it?”

  He nodded. “It’s old Latin. It talks of a man named Arturius.”

  A shiver snaked down my spine.

  “He was a Roman who lived in the 6th century. A real person. Not a work of fiction. Unfortunately, it’s a tainted record.”

  I listened as he explained.

  He lifted off more sheets. “Listen to this passage. Arturius fell at the battle of Camlan. He gave orders that he be taken to Venodocia so that he may sojourn on the Isle of Avalon for the sake of peace and for the easing of his wounds. Venodocia was later called Gwynedd, an actual kingdom that spread across North Wales. This manuscript confirms Avalon was a place, in that locale, just as the poets eventually mused.”

  He explained that, until the 12th century, a character named Arthur was known only in bardic tales and Welsh poems. But Geoffrey of Monmouth changed everything in 1136 when he translated the History of the Kings of Britons, a fanciful account, more fiction than reality, that elevated Arthur into a king. The story was immensely popular. Three hundred years later, when Sir Thomas Malory finally wrote his famous epic, Le Morte d'Arthur, the character was forever ingrained into the realm of myth.

  “But that Arthur was based on a real man,” Nicodème said. “Not the chivalric character Malory envisioned. Not at all. Instead, Gildas shows us he was a brutal,
barbarous man who fought Saxons, not unlike a thousand other warrior leaders who arose during the Dark Ages. There was no concept of kingship in Britain then. Just local chieftains who led men. Arturius was fortunate that later poets saw something more in his life. So they manufactured a legend.”

  I continued to stare at the vellum pages.

  Windows to another time too.

  “And it worked,” Nicodème said. “So many English kings tried to make the Arthur connection. Edward I called himself Arthurus Redivivus—Arthur Returned. In the 13th century King John killed his nephew, named Arthur, who should have succeeded to the throne. John’s father, Henry II, wanted his successor to bear the name. More recently, Prince William named his second son Louis Arthur Charles.”

  “What about Morgan le Fay,” I asked.

  “She was real too.”

  He turned over a few more pages. “Gildas says she was called by many names. Morgen, Morgaine, Morganna, Morgne. He mentions her as a great healer, one who became a dangerous enemy of Arturius. He called her Modron. To the later poets she became Arthur’s half-sister. But who’s to say she wasn’t based on someone real? In Malory’s Le Morte d'Arthur she’s an apprentice of Merlin and a vindictive adversary of Arthur, with a special hatred for his wife Queen Guinevere.”

  I recalled from the dream how Arturius’ wife felt about Morgan.

  Not good.

  “For Malory, in his tale, she was also wanton and sexually aggressive, with many lovers.”

  Another truth from the visions.

  “My dreams were more of Gildas than of the Arthur from the poets,” I pointed out. “I’ve never read Malory.”

  “But you know enough of the poems that they surely affected how you saw the visions. You were inside Morgan’s head. With her thoughts. But your thoughts were there too. Past life visions require patience and practice to understand. They can be both revealing and deceiving.”

  I was definitely confused.

  “I need to show you something else,” he said, leading me to another table where a large piece of red silk covered something. He removed the cloth to reveal a small bronze shield. On it was an etched image.

  “This is from the 6th century, too,” he said. “Verified by experts. It’s original. I’ve had it here, in the museum, for a long time.”

  It was of a man. Thick featured, who cast a saturnine look of unbending determination. A scar ran from the hairline to the corner of his mouth and the eyes, captured so well by the artist, seemed foreboding. I noticed something uncompromising in his expression, a message from the pinched lips and tight jaw which seemed to say he was accustomed to being free. The dress was a knee-length tunic and breeches, leather jerkin with metal studded fringe across the abdomen, a cloak pinned at the shoulders with a broach.

  “He’s quite imposing,” I said. “He looks Roman.”

  “Celtic warriors aped Roman parade dress.”

  “Who is this?”

  “Arturius himself.”

  He turned the shield over. On the back side were words.

  Artvrivs. Superbus Tyrannus.

  “Arthur. Outstanding Ruler,” he translated.

  I traced the scar down the image’s face with the tip of my forefinger. “Not the image Hollywood would create.”

  He chuckled. “Hardly. But, after all, he was a warrior first and foremost. A leader of men.”

  Something about him reminded me of Helians, whose face was still inside my head. I’d always thought Arthur something of fiction. But this was altogether different.

  “Can all this be real?” I asked.

  “Cassiopeia, Heinrich Schliemann proved Homer did not fantasize Troy. He found the actual place, along with its gold. You have to remember, Arthur was never mentioned in writing until the 8th century. Nothing exists of him prior to that. That’s why most scholars say he was a fabrication. Nothing from his actual time ever refers to him.”

  “Except for your Gildas manuscript and Arturius.”

  “Precisely. And the similarity in name is not coincidental. Gildas counters all speculation. He tell us that Arturius was a man fighting for a cause, like a million other revolutionaries who came after him. He fought Saxons, but those same Saxons in 1066 battled invading Normans. Together, Saxons and Normans became the English. Then, in 1941, while repelling the Germans, they echoed that same fighting sentiment. Arturius, the man, is even better than the poet’s Arthur.”

  “But what of Morgan,” I asked. “She seems my connection to all of this.”

  He turned over a few more pages.

  “There’s not much here on her. But Gildas does quote a poem which mentions her.” He found the passage. “Here it is. But when Morgan with lifted hand, moved down the hall, they louted low. For she was Queen of Shadowland, that woman of snow.”

  I was shocked.

  And nothing from my current memories would have skewed that vision, since I’d never heard those words before.

  Not until the dreams.

  “Is the author of the verse noted?” I asked.

  He shook his head. “Nothing is mentioned.”

  But I knew.

  Writer’s Note

  This story was a collaboration we’ve both wanted to do for a long time. It was fun to finally make it a reality. Cassiopeia Vitt comes from Steve’s Cotton Malone series. And though she had her own short story with The Balkan Escape, this is her first foray into the realm of a novella. Who knows? Perhaps a full-length novel, with her as protagonist, is in her future. The story also utilized two characters from M.J.’s world, Jac L’Etoile and Pierre Marcher, and made mention of a third, Dr. Malachi Samuels. The rest of the cast are new to both writers.

  Time now to separate the real from the imagined.

  The Sabbat Box which appears throughout the story is an actual artifact. Ancient priests and priestesses kept their working ingredients inside one. People who were once labeled a witch would now be called a chemist or pharmacist, as both disciplines trace their origins to ancients who began to notice and appreciate the effects plants can have on the human body. All of the various items contained within the bottles that Cassiopeia comes in contact with are real substances.

  The French village of Eze is a wondrous place. It sits atop a hill like something from another time. Though there should be, there is no Museum of Mysteries there. But all of the items detailed in chapter 1 that are supposedly inside the museum are from history. The Philosopher’s Walk (chapter 1 and 5) is also there, the climb as arduous as described.

  The tools of the perfume trade detailed in chapter 8 are accurate. Perfume forms a big part of M.J.’s stories.

  The scandal utilized in chapter 17 involving our fictional President Casimir and Libya is based on actual charges filed against former French president Nicolas Sarkozy, who stood accused of accepting fifty million euros from Muammar Gaddafi. As of the time of the first release of this story, those charges are still pending.

  Morgan le Fay is a fictional character from the Arthurian legends. Whether she was a real person no one knows, but there are accounts of women similar to her living all across ancient Britain. She’s been called many names (chapter 18) and was believed to be a healer, an enchantress, and a mysterious woman with spiritual talents. In Thomas Malory’s Le Morte d'Arthur, she became King Arthur’s half-sister, unhappily married to King Urien. She’s depicted as a sexually aggressive woman with many lovers, including the sorcerer Merlin. But her love for Lancelot stays unrequited. She also is an indirect cause of Arthur's death. Many times she’s described as a witch. In later accounts of the Arthurian legend (which changed over time) she became an anti-heroine, noted as a malicious, cruel, and an ambitious nemesis of Arthur. Further evolution of the character changed her into Merlin’s lover, who supposedly teaches her witchcraft. The poetry Helians recites to Morgan and Nicodème reads to Cassiopeia (chapters 16 and 18) is not ours. It is part of a larger poem, Morgan le Fay, by Madison Julius Cawein, who lived in the latter part of the 19th century.


  The exploits of Arthur described in chapter 4 are also from the legend, but the information about him being based on a Saxon warrior leader (chapters 7 and 9) is not outside the realm of possibility. As detailed in chapters 2, 9, and 11, various kings have wanted to name their potential heirs Arthur, but death seemed always to interfere. Curiously, there has only been one King Arthur in all of English history.

  The History of the Kings of Britain by Geoffrey of Monmouth and On the Ruin and Conquest of Britain, by Gildas, (chapter 18) are actual manuscripts. The addition of specific references to Arturius in the Gildas work was our invention. Of all the kings and queens who ruled England, only Arthur became a legend. But, as was noted in the story, whatever real life counterpart formed the basis of the fictional character, he was most likely not a king. Just a Celtic leader of men, fighting for what he believed in.

  In closing, a few lines from Tennyson comes to mind. One of those later poets who improved on the Arthurian legend. It’s from his Idylls of the King, at a point when Arthur lays dying from his wounds, about to embark on his final voyage to the isle of Avalon.

  The words are fitting then and now:

  The old order changeth, yielding place to new,

  And God fulfils himself in many ways,

  Lest one good custom should corrupt the world.

  Comfort thyself: what comfort is in me?

  I have lived my life, and that which I have done

  May He within himself make pure!

  If thou shouldst never see my face again,

  Pray for my soul.

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