Hitchcock

  1958

  VERTIGO

  Production: Alfred Hitchcock, Paramount, 1958. Associate Producer: Herbert Coleman. Director: Alfred Hitchcock. Scenario: Alec Coppcl and Samuel Taylor, from the novel by Pierre Boileau and Thomas Narcejac, “D’entre les morts.” Director of Photography: Robert Burks, A.S.C. Special Effects: John Fulton. Sets: Hal Pereira, Henry Bumstead, Sam Comer and Frank McKelvey. Color: Technicolor. Consultant: Richard Mueller. Music: Bernard Herrmann; conducted by Muir Mathieson. Editing: George Tomasini. Costumes: Edith Head. Assistant Director: Daniel McCauley. Sound Engineers: Harold Lewis and Winston Leverert. Pities: Saul Bass. Special Sequence: Designed, by John Ferren. Studio: Paramount. Location Work: San Francisco. Distribution: Paramount, 1958, 120 minutes. Principal Actors: James Stewart (John “Scottie” Ferguson), Kim Novak (Madeleine Elster and Judy Barton), Barbara Bel Geddes (Midge), Henry Jones (the coroner), Tom Helmore (Gavin Elster), Raymond Bailey (the doctor), and Ellen Corby, Konstantin Shayne, Lee Patrick.

  1959

  NORTH BY NORTHWEST

  Production: Alfred Hitchcock, Metro-Goldwyn-Mayer, 1959. Associate Producer: Herbert Coleman. Director: Alfred Hitchcock. Original Scenario: Ernest Lehman. Director of Photography: Robert Burks, A.S.C. Color: Technicolor. Consultant: Charles K. Hagedon. Special Photographic Effects: A. Arnold Gillespie and Lee Le Blanc. Sets: Robert Boyle, William A. Horning, Merrill Pyle, Henry Grace and Frank McKelvey. Music: Bernard Herrmann. Editing: George Tomasini. Title Design: Saul Bass. Sound Engineer: Frank Milton. Assistant Director: Robert Saunders. Studio: Metro-Goldwyn-Mayer. Location Work: New York (Long Island), Chicago, Rapid City (Mount Rushmore), South Dakota (National Memorial). Distributor: Metro-Cold-wyn-Mayer, 1959, 136 minutes. Principal Actors: Cary Grant (Roger Thornhill), Eva Marie Saint. (Eve Kandall), James Mason (Phillip Vandamm), Jessie Royce Landis (Clara Thornhill), Leo G. Carroll (the Professor), Philip Ober (Lester Townsend), Josephine Hutchinson (“Mrs. Townsend,” the housekeeper), Martin Landau (Leonard), Adam Williams (Valerian), and Carleton Young, Edward C. Piatt, Philip Coolidgc, Dorcen Lang, Edward Binns, Robert Ellcnstcin, Lee Tremayne, Patrick McVey, Ken Lynch, Robert B. Williams, Larry Dobkin, Ned Glass, John Berardino, Malcolm Atterbury.

  1960

  PSYCHO

  Production: Alfred Hitchcock, Paramount, 1960. Unit Manager: Lew Leary. Director: Alfred Hitchcock. Scenario: Joseph Stefano, from the novel by-Robert Bloch. Director of Photography: John L. Russel, A.S.C. Special Photographic Effects: Clarence Champagne. Sets: Joseph Hurley, Robert Claworthy and George Milo. Music: Bernard Herrmann. Sound Engineers: Walden O. Watson and William Russell. Title Design: Saul Bass. Editing: George Tomasini. Assistant Director: Hilton A. Green. Costumes: Helen Colvig. Studio: Paramount. Location Work: Arizona and California. Distributor: Paramount, 1960, 109 minutes. Principal Actors: Anthony Perkins (Norman Bates), Vera Miles (Lila Crane, Marion’s sister), John Gavin (Sam Loomis), Martin Balsam (Milton Arbogast, detective), John Mclntire (Chambers, the Sheriff), Simon Oakland (Doctor Richmond), Janet Leigh (Marion Crane), Frank Albertson (the millionaire), Patricia Hitchcock (Caroline), and Vaughn Taylor, Lurene Tuttle, John Anderson, Mort Mills.

  1963

  THE BIRDS

  Production: Universal, 1963. Producer: Alfred Hitchcock. Director: Alfred Hitchcock. Scenario: Evan Hunter, from the work by Daphne du Maurier. Director of Photography: Robert Burks, A.S.C. Color: Technicolor. Special Effects: Lawrence A. Hampton. Special Photographic Adviser: Ub Iwerks. Production Director: Norman Deming. Sets: Robert Boyle and George Milo. Sound Consultant: Bernard Herrmann. Composition and Production of Electronic Sound: Remi Gassman and Oskar Sala. Bird Trainer: Ray Berwick. Assistant Director: James H. Brown. Assistant to Hitchcock: Peggy Robertson. Illustrator Alfred Whitlock. Credits: James A. Pollak. Editing: George Tomasini. Studio: Universal. Location Work: Bodega Bay, California, San Francisco. Distributor: Universal, 1963, 120 minutes. Principal Actors: Rod Taylor (Mitch Brenner), Tippi Hedren (Melanie Daniels), Jessica Tandy (Mrs. Brenner), Suzanne Pleshette (Annie Hayworth), Veronica Cartwright (Cathy Brenner), Ethel Griffies (Mrs. Bundy), Charles McGraw (Sebastian Sholes), Ruth McDevitt (Mrs. MacGruder), and Joe Mantell, Malcolm Atterbury, Karl Swenson, Elizabeth Wilson, Lonny Chapman, Doodles Weaver, John Mc-Govern, Richard Deacon, Doreen Lang, Bill Quinn.

  1964

  MARNIE

  Production: Alfred Hitchcock, Universal, 1964. Producer: Albert Whitlock. Director: Alfred Hitchcock. Scenario: Jay Presson Allen, from the novel by Winston Graham. Director of Photography: Robert Burks, A.S.C. Color: Technicolor. Sets: Robert Boyle and George Milo. Music: Bernard Herrmann. Editing: George Tomasini. Assistant Director: James H. Brown. Assistant to Hitchcock: Peggy Robertson. Sound Engineers: Waldon O. Watson, William Green. Distributor: Universal, 1964, 120 minutes. Principal Actors: Tippi Hedren (Marnie Edgar), Sean Connery (Mark Rutland), Diane Baker (Lil Mainwaring), Martin Gabel (Sidney Strutt), Louise Latham (Bernice Edgar, Mamie’s mother), Bob Sweeney (Cousin Bob), Alan Napier (Mr. Rutland), S. John Launer (Sam Ward), Mariette Hartley (Susan Clabon), and Bruce Dern, Henry Beckman, Edith Evanson, Meg Wylie.

  1966

  TORN CURTAIN

  Director: Alfred Hitchcock. Scenario: Brian Moore. Director of Photography: John E. Warren, A.S.C. Sets: Frank Arrigo. Sound: Waldon O. Watson and William Russell. Music: John Addison. Editing: Bud Hoffman. Assistant Director: Donald Baer. Principal Actors: Paul Newman (Professor Michael Armstrong), Julie Andrews (Sarah Sherman), Lila Kedrova (Countess Kuchinska), Hans-joerg Felmy (Heinrich Gerhard), Tamara Toumanova (Ballerina), Wolfgang Kieling (Hermann Gromck), Gunter Strack (Professor Karl Manfred), Ludwig Donath (Professor Gustav Lindt), David Opatoshu (Mr. Ja-cobi), Gisela Fischer (Dr. Koska), Mort Mills (Farmer), Carolyn Conwell (Farmer’s wife), Arthur Gould-Porter (Freddy), Gloria Gorvin.

  1969

  TOPAZ

  Production: Universal. Producer: Alfred Hitchcock. Associate Producer: Herbert Coleman: Director: Alfred Hitchcock. Scenario: Samuel Taylor, from the novel by Leon Uris. Director of Photography: Jack Hildyard. Color: Technicolor. Music: Maurice Jarre. Sets: John Austin and Henry Bumstead. Costumes: Edith Head and Pierre Bahnain. Editing: William Ziegler. Sound: Waldon O. Watson and Robert R. Bertrand. Assistant Directors: Douglas Green and James Westman. Assistant to Alfred Hitchcock: Peggy Robertson. French Technical Advisers: J. P. Mathieu and Odette Ferry. Studio: Universal. Location Work: West Germany, Copenhagen, New York, Washington, Paris. Distribution: Universal, 1969, 127 minutes. Principal Actors: Frederick Stafford (André Devereaux), Dany Robin (Nicole Devercaux), John Vernon (Rico Parra), Karin Dor (Juanita de Cordoba), Michel Piccoli (Jacques Granville), Philippe Noiret (Henri Jarré), Claude Jade (Michèle Picard), Michel Subor (François Picard), Roscoe Lee Browne (Philippe Dubois), PerAxel Arosenius (Boris Kusenov), John Forsythe (Michael Nordstrom), Edmond Ryan (McKittreck), Sonja Kolthoff (Mrs. Kusenov), Tina Hedstrom (Tamara Kusenov), John Van Dreelen (Claude Martin), Don Randolph (Luis Uribe), Roberto Contreras (Munoz), Carlos Rivas (Hernandez), Lewis Charles (Mr. Mendoza), Anna Navarro (Mrs. Mendoza), John Roper (Thomas), George Skaff (René d’Arcy), Roger Til (Jean Chabrier), Sandor Szabo (Emile Redon), Lew Brown (an American official).

  1972

  FRENZY

  Production: Universal. Producer: Alfred Hitchcock. Associate Producer: Bill Hill. Production Director: Brian Burgess. Director: Alfred Hitchcock. Scenario: Anthony Shaffer, from the novel by Arthur La Bern, “Goodbye Piccadilly. Farewell Leicester Square.” Director of Photography: Gil Taylor. Color: Technicolor. Special Effects: Albert Whitloek. Music: Ron Goodwin. Sets: Sydney Cain and Robert Laing. Costumes: Dulcie Midwinter. Editing: John Jympson. Sound: Peter Handford and Gordon K. McCallum. Assistant Director: Colin Brewer. Assistant to Alfred Hitchcock: Peggy Robertson. Studio: Pinewood. Location Work: London. Distribution: Universal, 1972, 116 minutes. Principal Actors: Jon Finch (Richard Blaney), Alec McCowen (Inspector Oxford), Barry Foster (Bob Rusk), Barbara Leigh-Hunt (Brenda Blauey), Bernard Cribbins (Forsythe), Anna Massey (Bar
bara “Babs” Milligan), Vivien Merchant (Mrs. Oxford), Billie Whitelaw (Hetty Porter), Elsie Randolph (Gladys, the hotel employee), Rita Webb (Mrs. Rusk), Clive Swift (Johnny Porter), Jean Marsh (Monica Barling, Brenda’s secretary), Madge Ryan (Mrs. Davison), George Tovey (Mr. Salt), John Boxer (Sir George), Noel Johnson and Gerald Sim (two men at the bar), June Ellis (the barmaid), Bunny May (the barman), Robert Keegan (the hospital patient), Jimmy Gardner (the hotel porter), Michael Bates (Sergeant Spearman).

  1976

  FAMILY PLOT

  Production: Universal. Producer: Alfred Hitchcock. Production Director: Ernest Wehmeyer. Director: Alfred Hitchcock. Scenario: Ernest Lehman, from the novel by Victor Canning, “The Rainbird Pattern.” Director of Photography: Leonard South. Color: Technicolor. Special Effects: Albert Whitlock. Music: John Williams. Sets: Henry Bumstead and James Payne. Costumes: Edith Head. Editing: Terry Williams. Sound: James Alexander and Robert Hoyt. Assistant Directors: Howard G. Kazanjian and Wayne Earlow. Studio: Universal. Distribution: Universal, 1976, 120 minutes. Principal Actors: Karen Black (Fran), Bruce Dern (George Lumley), Barbara Harris (Blanche Tyler), William Devane (Arthur Adamson), Cathlccn Nesbitt (Julia Rainbird), Ed Lauter (Joseph Maloney), Katherine Helmond (Mrs. Maloney), Warren J. Kemmcrling (Grandison), Edith Atwater (Mrs. Clay), William Prince (the bishop), Nicolas Colasanto (Constantine), Marge Redmond (Vera Hannagan), John Lehne (Andy Bush), Charles Tyner (Wheeler), Alexander Lockwood (the pastor), Martin West (Sanger).

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  SELECTED BIBLIOGRAPHY

  AMENGÜAL, BARTHÉLÉMY and Borde, Raymond—Alfred Hitchcock (Premier Plan, Serdoc, Lyon 1960)

  BOGDANOVICH, PETER—The Cinema of Alfred Hitchcock (The Museum of Modern Art Film Library/ Doubleday & Co. Inc., New York 1962)

  Cahiers du Cinéma—No. 39 (Special Issue), Paris, October 1953

  Cahiers du Cinéma—No. 62, Paris, August-September 1956

  MANZ, HANS-PETER—Alfred Hitchcock (Sanssouci Verlag, Zürich, 1962)

  NOBLE, PETER—An Index to the Creative Work of Alfred Hitchcock (Sight and Sound Supplement: “Index Series,” No. 18, London 1949)

  PERRY, GEORGE—The Films of Alfred Hitchcock (Studio Vista Ltd., London 1965; E. P. Dutton and Co. Inc., New York 1965)

  WOOD, ROBIN—Hitchcock’s Films (A. Zwemmer Ltd., London 1965; A. S. Barnes and Co. Inc., New York 1965)

  INDEX OF FILM TITLES

  A note about this index: The pages referenced in this index refer to the page numbers in the print edition. Clicking on a page number will take you to the ebook location that corresponds to the beginning of that page in the print edition. For a comprehensive list of locations of any word or phrase, use your reading system’s search function.

  Airport, 333, 343

  Airport 1975, 343

  Airport 77, 343

  Always Tell Your Wife, 27, 351

  Aventure Malgache, 161, 357

  Barefoot Contessa, The, 325

  Ben Hur, 19, 325

  Bicycle Thief, The, 102

  Big Deal on Madonna Street, 309

  Big Lift, The, 249

  Birds, The, 12, 19, 69, 98, 99, 102, 131, 154, 158, 158n, 180n, 201, 205, 222, 253, 254, 263, 266, 268, 285, 286n, 287, 290, 295, 297, 304, 323, 325, 327, 329n, 361

  Birth of a Nation, The, 27

  Blackguard, The, 30, 122, 352

  Blackmail, 61, 63, 64, 82, 158n, 205, 329, 353

  Bluebeard’s Eighth Wife, 325

  Bon Voyage, 160, 163, 357

  Boomerang, 239

  Bramble Bush, The, 209

  Call of Youth, The, 350

  Champagne, 57, 353

  Citizen Kane, 295n

  Cleopatra, 320, 329n

  Destiny, 26

  Diabolique, 243

  Dial M for Murder, 158n, 209, 212, 226, 272, 333, 346, 359

  Downhill, 51, 352

  Easy Virtue, 51, 72, 73, 352

  Elstree Calling, 69, 353

  Family Plot, 12, 327, 339, 341, 342, 343, 363

  Farmer’s Wife, The, 31, 55, 57, 353

  Fireworks, 19

  Foreign Correspondent, 133, 135, 137, 139, 145, 356

  Frenzy, 12, 329, 333, 334, 336, 338, 339, 344, 362

  Girl Was Young, The (see Young and Innocent)

  Glass Wall, The, 252

  Gold Rush, The, 327

  Gone with the Wind, 129

  Grand Illusion, The, 327

  Grapes of Wrath, The, 133

  Great Day, The, 350

  Green for Danger, 121

  Harmony Heaven, 353

  Hatari, 20

  I Am a Fugitive from a Chain Gang, 91

  I Confess, 61, 158n, 195, 199, 200n, 202, 203, 204, 206, 207, 333, 346, 359

  Intolerance, 27

  I See a Dark Stranger, 121

  Italian Straw Hat, 124

  Jamaica Inn, 121, 122, 187, 356

  Joan of Arc, 189

  Jules and Jim, 11, 206, 315

  Juno and the Paycock, 69, 212, 319, 353

  King in New York, A, 327

  King Kong, 342

  King Solomon’s Mines, 248

  La Chienne, 325

  Lady Vanishes, The, 20, 116, 118, 121, 127, 137, 138, 158n, 356

  Last Laugh, The, 31

  Lifeboat, 155, 15.9, 227, 357

  Limelight, 146

  Lodger, The, 39, 43, 44, 47, 49, 52, 63, 64, 123, 142, 158n, 163, 337, 352

  Lord Camber’s Ladies, 82, 354

  Lovers of Verona, The, 173

  M, 91

  Magnificent Ambersons, The, 295n

  Man Between, The, 249

  Man on a Tightrope, 249

  Man Who Knew Too Much, The (1934), 86, 87, 89, 90, 91, 92, 93, 94, 121, 193, 227, 308, 355

  Man Who Knew Too Much, The (1956), 86, 90, 91, 92, 93, 94, 107 151, 158n, 227, 228, 254, 323, 325, 328, 336, 345, 360

  Man Who Loved Women, The, 342

  Manxman, The, 61, 353

  Mamie, 158n, 301, 304, 307, 315, 325, 327, 328, 331, 346, 362

  Mary (German version of Murder), 354

  Miss Julie, 202

  Mr. and Mrs. Smith, 139, 314, 356

  Monsieur Prince (see Whiffles)

  Mountain Eagle, The, 39, 352

  Müde Tod, Der (see Destiny)

  Murder, 73, 74, 75, 77, 158n, 205, 304, 354

  Naked Island, 102

  Nickelodeon, 342

  Night of the Hunter, The, 316

  North by Northwest, 11, 19, 102, 107, 139, 145, 150, 158n, 248, 249, 250, 254, 256, 260, 262, 265, 319, 323, 327, 328, 333, 343, 345, 361

  Northside 777, 239

  Notorious, 11, 116, 151, 158n, 165, 167, 168, 169, 170, 171, 172, 186, 191, 213, 259, 261, 262, 343, 346, 358

  Number Seventeen, 81, 85, 354

  Number Thirteen, 29, 351

  Old Acquaintance, 102

  Paradine Case, The, 11, 158n, 167, 173, 187, 205, 218, 306, 358

  Passionate Adventure, The, 30, 352

  Place in the Sun, A, 197

  Pleasure Garden, The, 31, 39, 352

  Princess of New York, The, 350

  Prude’s Fall, The, 30, 31, 352

  Psycho, 12, 19, 124, 150 153, 158n, 189, 195, 200, 201, 202, 205, 259, 260, 268, 269, 272, 282, 283, 323, 325, 328, 329, 333, 334, 342, 361

  Rake’s Progress, The, 121

  Rear Window, 11, 20, 73, 111, 158n, 213, 214n, 216, 218, 222, 223, 242, 265, 307, 317, 319, 323, 359

  Rebecca, 11, 118, 127, 129, 131, 140, 143, 158n, 183, 186, 187, 216, 246, 306, 343, 356

  Rich and Strange, 78, 81, 85, 354

  Rififi, 14

  Ring, The, 52, 54, 85, 352

  Roman Holiday, 84, 320

  Rope,
158n, 179, 180, 182, 183, 184, 189, 199, 212, 227, 358

  Rules of the Game, The, 327

  Sabotage, 107, 108, 109, 110, 111, 131, 145, 265, 355

  Saboteur, 145, 150, 151, 357

  Secret Agent, The, 105, 107, 219, 313, 355

  Seven Capital Sins, 96n

  Shadow of a Doubt, 109, 151, 152n, 153, 155, 158n, 182, 191, 199, 216, 333, 346, 357

  Short Night, The, 12, 327, 343

  Singin’ in the Rain, 173

  Skin Game, The, 77, 354

  So Long at the Fair, 121

  Sous le Ciel de Paris, 224

  Spellbound, 11, 118, 120, 158n, 163, 165, 167, 169, 183, 306, 357

  Spy, The, 91, 98n

  Stage Fright, 158n, 189, 193, 333, 359

  Star Is Born, A, 173

  Strangers on a Train, 158n, 191, 193, 194n, 195, 198, 199, 260, 323, 328, 359

  Stromboli, 325

  Suspicion, 44, 140, 141, 142, 143, 195, 357

  Tell Your Children, 350

  Testament of Dr. Mabuse, The, 91

  That Obscure Object of Desire, 341n

  Thirty-nine Steps, The, 47, 94, 98, 99, 138, 145, 150, 158n, 172, 249, 327, 333, 335

  Thirty-nine Steps, The (Ralph Thomas remake), 98, 99

  Three Live Ghosts, 350

  Titanic, The, 343

  To Catch a Thief, 13, 107, 158n, 222, 223, 224, 226, 360

  Topaz, 12, 330, 331, 332, 339, 341, 362