Dead Tomorrow

  Unlike Nat.

  Nat had been in steady decline throughout the day and, although she was still clinging to a desperate, increasingly irrational hope, she was starting to sense a terrible inevitability.

  Every few minutes her phone, turned to silent, vibrated with yet another message. She had stepped out to reply to some. To her mother. To Nat’s brother, who had been here this morning, wanting an update. To his sister in Sydney. To her best friend, Jane, whom she had called tearfully this morning, an hour after arriving here, telling her that the doctors weren’t sure whether he would live. Others she ignored. She did not want to be distracted, just wanted to be here for Nat, willing him to pull through.

  Every few moments she heard the beep-beep-bong of a monitor alarm. She breathed in the smell of sterilizing chemicals, catching the occasional tang of cologne and a faint, background note of warm electrical equipment.

  Inside the curtained space, propped up in a bed that had been cranked to a thirty-degree angle, Nat looked like an alien, bandaged and wired, with endotracheal and nasogastric tubes in his mouth and nostrils. He had a probe in his skull to measure intracranial pressure, and another on one finger, and a forest of IV lines and drains from bags suspended from drip stands running into his arms and abdomen. Eyes shut, he lay motionless, surrounded by racks of monitoring and life-support apparatus. Two computer display screens were mounted to his right, and there was a laptop on the trolley at the end of the bed with all his notes and readings on it.

  ‘Hello, darling,’ she said. ‘I’m back with you.’ She stared at the screens as she spoke.

  There was no reaction.

  The exit tube from his mouth ended in a small bag, with a tap at the bottom, half filled with a dark fluid. Susan read the labels on the drip lines: Mannitol, Pentastarch, Morphine, Midazolam, Noradrenaline. Keeping him stable. Life support. Preventing him from slipping away, that was all.

  The only signs that he was alive were the steady rising and falling of his chest and the blips of light on the monitor screens.

  She looked at the drip lines into the back of her husband’s hands, and the blue plastic tag bearing his name, then at the equipment again, seeing some machinery and displays that were unfamiliar. Even in the five years since she had left nursing for a commercial job in the pharmaceutical industry, new technology that she did not recognize had come in.

  Nat’s face, a mess of bruises and lacerations, was a ghostly shade of white she had never seen before – he was a fit guy who played a regular game of squash, and normally always had colour in his face despite the long – crazily long – hours of his job. He was strong, tall, with long, fair hair, almost rebelliously long for a doctor, not long past thirty and handsome. So handsome.

  She closed her eyes for an instant to stop the tears coming. So damn sodding handsome. Come on, darling. Come on, Nat, you are going to be OK. You are going to get through this. I love you. I love you so much. I need you. Feeling her stomach, she added, We both need you.

  She opened her eyes and read the dials on the monitors, the digital displays, the levels, looking for some small sign that could give her hope, and not finding it. His pulse was weak and erratic, his blood oxygen levels way too low, brainwaves scarcely registering on the scale. But surely he was just asleep and would wake up in a moment.

  She had been in the hospital since ten this morning, arriving after the phone call from the police. It was another irony that she had been due to come to this same hospital for a scan today. That was why she had still been at home when the phone rang, instead of at Harcourt Pharmaceuticals, where she worked on the team monitoring clinical trials of new drugs.

  It had helped that she knew her way around the labyrinth of the hospital’s buildings and also that plenty of people who worked here knew her and Nat, so she wasn’t given the usual platitudes and kept out of the way, but instead got straight talking from the medical team, however unpalatable it was.

  By the time she had arrived here, half an hour behind Nat, he was already in the CT unit, having a brain scan. If it had shown a blood clot he would have been transferred to the neurological unit at Hurstwood Park for surgery. But the scan had shown there was massive internal haemorrhaging, which meant there was nothing surgical that could be done. It was a wait and see situation, but it appeared more than likely that he had irreversible brain damage.

  The medical team had stabilized him for four hours in A&E, during which time there had been no change in his condition and his total lack of responsiveness persisted.

  On the Glasgow Coma Score tests, before he had been sedated, Nat had produced a result of 3 out of a possible 15. He had no eye response to any verbal commands, or to pain, or to pressure applied directly to either eye, giving him the minimal score of 1. He gave no verbal response to any questions or comments or commands, giving him a score of 1 on this verbal part of the test. And he had no response to pain, giving him a score of only 1 in the motor response section. The maximum a person could score was 15. The minimum was 3.

  Susan knew what that result meant. A score of 3 was a grim, though not 100 per cent reliable, indicator that Nat was brain dead.

  But miracles happened. In her nursing years in this unit, she had known patients with a score of 3 go on to make full recoveries. OK, it was a tiny percentage, but Nat was strong. He could make it.

  He would!

  The short, friendly Malaysian nurse, Saleha, who had been with Nat one-on-one for the whole afternoon, smiled at Susan. ‘You should go home and get some rest.’

  Susan shook her head. ‘I want to keep talking to him. People respond sometimes. I remember seeing it happen.’

  ‘Does he have favourite music?’ the nurse asked.

  ‘Snow Patrol,’ she said, and thought for a moment. ‘And the Eagles. He likes those bands.’

  ‘You could try getting some of their CDs and playing them to him. Have you got an iPod?’

  ‘At home.’

  ‘Why don’t you get it? You could get his wash stuff at the same time. Some soap, a facecloth, toothbrush, his shaving stuff, deodorant.’

  ‘I don’t want to leave him,’ Susan said. ‘In case . . .’ She shrugged.

  ‘He’s stable,’ Saleha said. ‘I can call you if I think you should get back here quickly.’

  ‘He’ll be stable all the time you keep the machines on, won’t he? But what happens when you switch them off?’

  There was an awkward silence, during which both women knew the answer. The nurse broke it. She said cheerily, ‘What we have to hope is that there will be some improvement overnight.’

  ‘Yes,’ Susan said, her voice choking as she tried to hold back the tears.

  She stared at Nat’s face, at his motionless eyelids, willing him to move, willing those eyes to open and his lips to smile.

  But there was no change.

  14

  David Browne, the Crime Scene Manager, and James Gartrell, a police forensic photographer, had arrived a short while ago in separate vehicles. Browne, a lean, muscular man in his early forties, with close-cropped ginger hair and a cheery, freckled face, dressed in a heavy padded anorak, jeans and trainers, and Gartrell, burly and intense, with short dark hair, were busy on the main deck of the Arco Dee, photographing and videoing the scene.

  Browne had agreed with Roy Grace that there was no useful purpose to be served in treating the ship as a crime scene, and none of the three men, or Lizzie Mantle, had bothered changing into protective clothing. Grace had merely secured the immediate area around the drag head with crime-scene tape.

  The Detective Superintendent stood by the cordon now, gratefully cradling a mug of hot coffee, informally interviewing the captain and the chief engineer, whose comments were being noted down by DI Mantle, who was standing next to him. He glanced at his watch. It was ten past six.

  The captain, Danny Marshall, wearing a high-visibility jacket over his thick pullover, was looking worried, and repeatedly checking his watch too. The chief engineer, Malcolm
Beckett, dressed in a grimy white boiler suit and hard hat, was a tad less edgy, but Grace could sense both men were tense. Clearly they were upset about the body, but equally clearly they were worried about the commercial implications of the disruption to their schedule.

  Another crew member came over to them, holding a sheet of graph paper on which was printed a set of coordinates, giving the precise position on the seabed where the body had been dredged up from.

  Lizzie Mantle copied the information into her notebook, then slipped the square of paper into a plastic evidence bag and pocketed it. The body had been heavily weighted down, but even so, as Grace knew from previous experience, there were strong currents in the English Channel and bodies could get moved considerable distances. He would need to get the underwater team to calculate the probable dump site.

  He was suddenly aware of the burble of a motorcycle, then his radio crackled and he heard the voice of the young female Police Community Support Officer he had posted at the bottom of the gangway to ensure that no unauthorized person came on board.

  ‘The paramedic’s just arrived, sir,’ she said.

  ‘I’ll come down.’

  Roy walked across the deck and heard the motorcycle engine more loudly. A single headlight swept the quay. Moments later, under the glare of the ship’s spotlights, he saw a BMW motorbike, in paramedic livery, halt and the driver dismount and kick down the stand. Graham Lewis balanced the bike carefully, then pulled off his helmet and leather gloves and began removing his medical bag from the pannier.

  However obvious it might be to an attending police officer that someone was dead, under the requirements of the Coroner, unless the remains were little more than bones, or the head was detached or missing, formal certifying of death had to be done at the scene by a qualified medic. In the past, a police surgeon would have been required to turn up, but in a recent change of practice it was now paramedics who performed this role.

  Grace descended the perilous rope gangway to greet him, passing the PCSO at the bottom, and was glad to see that none of the local journalists, who usually got to murder scenes quicker than blowflies, had yet materialized.

  The paramedic, a short, wiry man with curly grey hair, had the sort of kind, caring face that would give instant reassurance to any accident victim he attended. And he was irrepressibly cheery, despite all he saw daily in his career.

  ‘How are you doing, Roy?’ he greeted the Detective Superintendent breezily.

  ‘Better than the poor chap on the ship,’ Grace replied. Although not that much better if I don’t make it to the party before it ends, he nearly added. ‘I don’t think you’re going to be needing that bag. He’s about as dead as they get.’

  He led Graham Lewis back up the wobbly gangway on to the deck, then along, under the glare of the ship’s lights, past the cable reels and orange rails of the conveyor belt, which would normally have been busily and noisily clanking away, shifting the cargo from the hold on to the chute, which would then discharge it on to the quay. But now it was silent. The paramedic followed Roy Grace to the far side of the ship.

  The claws of the steel drag head, suspended a couple of feet above the deck, looked like a pair of gigantic, parallel crab pincers. Jammed between them was a parcel of black plastic tarpaulin, with several ropes wound around it. Several more lengths of rope, looped through eyeholes sewn into the tarp, were tied around a cluster of concrete breeze blocks, which now lay on the grimy, orange-painted metal of the deck.

  ‘He’s in the bag,’ Grace said. ‘They’ve cut it open but they haven’t touched him.’

  Graham Lewis walked up and peered in through the long slit which had been opened up along part of the length. Roy Grace watched alongside him, horrified but deeply curious.

  The paramedic pulled on a pair of latex gloves, then tugged the sheeting open wider, revealing the full length of the motionless, almost translucent, greyish-white body inside. It was a young man, in his late teens, Grace estimated, and from his condition he did not look as if he had been in the water for very long.

  There was a strong smell of plastic, and a fainter reek of decay, but not the terrible, cloying, rotting-meat reek of death that Grace had long come to associate with a body that had been dead for a while. This person had been dead for only a few days, he guessed, but the post-mortem would hopefully give them a better steer on this.

  The youth was thin, but from under-nourishment rather than exercise, Grace judged, noting the lack of muscle. He was about five foot seven or eight, with an angular, rather awkward-looking face and short black hair, some of which lay in a peak across his forehead.

  The paramedic rotated his head slightly. ‘No immediate sign of any head trauma,’ he said.

  Grace nodded, but his eyes – and his thoughts – were on a different part of the body. He was staring at the abdomen. In particular, at the neat vertical incision down the centre, from the base of the neck to below the belly button, stopping at the edge of the thick triangle of pubic hair, and the large sutures closing it up.

  His eyes met the paramedic’s, then he looked down again. Stared at the incision. At the penis, almost black in colour, lying on top of the hairs, limp and wrinkled, like the cast-off skin of a snake. He could not help continuing to stare at it for a moment. The penises of dead men always seemed so profoundly sad, as if the ultimate symbol of manhood, through its motionlessness, became the ultimate symbol of death. Then his eyes returned to the incision.

  ‘What the hell is that?’ Graham Lewis asked. ‘There’s no scar tissue, so it has been made post-mortem – or close to it.’

  ‘It looks very neat,’ Grace said. ‘Surgical?’

  Danny Marshall, who was standing a short distance away, next to DI Mantle, asked her anxiously how much longer it would be before the body was off-loaded and they could sail again – they had already lost over an hour of valuable discharging time. The Arco Dee needed to operate round the clock to earn its keep. Which meant never missing a tide. Another hour’s delay and they would not unload in time to make tonight’s tide.

  She told him the decision would be Roy Grace’s.

  For the first time in his career Marshall could understand the behaviour of a couple of skippers of fishing vessels he had met who had pulled up bodies from the deep in their nets, and confessed they had chucked them straight back rather than endure the delays that police procedures would inflict on them.

  ‘Definitely. That is not a wound,’ Lewis said. ‘This poor bastard’s had surgery. But . . .’ He hesitated.

  ‘But what?’ Grace prompted.

  ‘That incision definitely looks like a post-mortem one to me.’

  ‘Any idea how long you are going to be, Detective Superintendent?’ the captain asked.

  ‘It depends on the pathologist,’ Grace told him apologetically.

  ‘We have to wait?’

  At that moment, Grace’s phone rang. ‘Speak of the devil,’ he said. It was the Home Office pathologist, Nadiuska De Sancha.

  ‘Roy,’ she said, ‘I’m so sorry. I’ve been called to an emergency. I don’t know what time I’ll be able to get to you. Four or five hours at least, maybe longer.’

  ‘OK, I’ll call you back,’ he said.

  The paramedic was taking the man’s pulse. Just going through the motions. A formality.

  Grace made a decision. It was partly influenced by his desire to get to the party, but more so by the reality of the situation. There was a crew of eight on this dredger, all of whom he had already spoken to. Each person could testify that the body had been hauled up out of the sea. The photographer, James Gartrell, had taken all the photographs and the footage he needed. The body was contained within the plastic sheeting, hauled up from the seabed, which made it extremely unlikely there was any forensic evidence on the ship itself – anything there might have been would have washed off in the water on the way to the surface.

  He would be totally within his rights to impound the ship as a crime scene, but in his judgem
ent that would serve no purpose. All the Arco Dee had done was haul the body up from the ocean floor. The vessel was no more a crime scene than a helicopter that hauled up a floater from the surface. The cause of death would be determined in the mortuary.

  ‘Good news for you!’ Grace said to Danny Marshall. ‘Let me have the names and addresses of all your crew members and you are free to go.’ Then he turned to the paramedic. ‘Let’s get the body ashore – keep him wrapped in the plastic.’

  ‘OK if I drop you off a statement later?’ Graham Lewis said. ‘I have to coach a young rugby team tonight.’

  ‘Coach?’

  ‘Yup!’

  ‘You’re a rugby coach?’

  ‘Yes.’

  ‘I didn’t know that. I run the CID rugby team. We need a new coach.’

  ‘Give me a call.’

  ‘I will. Tomorrow’s fine for the statement,’ Grace said.

  Then he looked down at the bony, mutilated body again. Who are you? he wondered. Where are you from? Who made that incision on your body? And why?

  Always the why.

  It was the first question Roy Grace asked, privately, at every murder scene he attended. And for a man still young for his rank, he had attended far too many.

  Too many to feel shocked any more.

  But not too many not to care.

  15

  Lynn hated this drive at the best of times, the long slow crawl up the A23 through suburban south London. They were heading for the Royal South London Hospital, in Crystal Hill, where Caitlin was going to spend the next four days being assessed by the pre-transplant team there.

  The last time Lynn had come up this way was back in April, when she had taken Caitlin to IKEA to choose some new furnishings for her bedroom. At least that had been fun – inasmuch as battling through the Sunday afternoon crush at IKEA could be any sane person’s idea of fun.