The Scarlet Contessa

  We almost were late. I would have far preferred to remain inside the warm castle to tend the duchess that morning, but for Bona’s sake, I borrowed Francesca’s black woolen cloak and gloves and went down to the huge courtyard with Caterina and her mother. By the watchtowers, a crowd of perhaps fifty nobles—most of them women with their children, the duke’s illegitimate get, and the rest of the duke’s favorite male courtiers—had gathered, their splendid attire hidden beneath swaths of fur and thick wool. Nearby, a half dozen grooms held the reins to some thirty horses.

  The mood of the waiting nobles was sour, their teeth chattering. Caterina and I joined them, and stamped our feet to keep warm until the grinning duke at last appeared in a crimson cloak lined with white ermine, his arms linked with a fellow hellion, Zaccaria Saggi, the Mantuan ambassador. The stooped, gold-mitered Bishop of Como and the duke’s brothers, Filippo and Ottaviano, followed close behind, trailed by the Florentine ambassador and a dozen gentlemen of the chamber. The whole was flanked by a score of guards in full armor, long swords sheathed at their hips; among their ranks was a great tall Moor with yellow eyes and dark brown skin. In place of a helmet, he wore a large white turban; in place of a sword, a scimitar.

  I moved toward the duke, paused a generous distance away, and bowed deeply as I relayed Bona’s request.

  He stiffened, unnerved by the sight of me, but cupped a hand to his ear to catch my words. A sudden bitter gust drove them away; impatient, he frowned and waved me off. Caterina thinned her lips and uttered an indignant curse beneath her breath as I returned to her side.

  Galeazzo then briefly addressed the waiting crowd, speaking perhaps of the holiday and his gratitude for our loyalty, but his words, too, were swallowed by the wind. We shouted a perfunctory greeting, and watched as he climbed atop his black charger, caparisoned in white and crimson, the Sforza colors. Immediately, his inner circle and the guards mounted their steeds and closed ranks around him; we lesser beings were confined outside the protected inner circle.

  Like the others, I drew the cowl close to my face and made my way over the slippery drawbridge and out into the street, across which stood the city cathedral, its unfinished walls covered with latticework scaffolding; the Alps loomed in the distance behind us. We kept pace with the horses for half an hour over icy cobblestones; on two occasions, Caterina slipped and her mother and I caught her before she fell to her knees. The wind drove my veil into my eyes, and would have blown it and my cowl off had I not clutched the edges of the latter. No one engaged in festive, lighthearted chatter; the howling wind drowned all other sounds, and forced us to walk with faces downcast against the stinging cold. Tradition demanded that the streets be filled with throngs cheering the duke, but on this feast day after Christmas only a few hardy souls huddled on the treacherous, snow-dusted ice and called out feebly when the duke and his entourage passed.

  I was shivering uncontrollably by the time we arrived at the little plaza in front of the church of Santo Stefano, an ancient, unimpressive two-story edifice with a crumbling stone façade. The plaza was filled with merchants, peasants, and the starving poor; the church was so crowded inside that they had waited here in hopes of catching a glimpse of His Grace. The guards, their armor glinting with light reflected from the snow, dismounted and began to clear the plaza while several young grooms ran forward to take the horses.

  Galeazzo dismounted and handed over his reins without looking at his groom; he squinted nervously at the plaza and, beyond it, at the door to the church. Like his daughter, he enjoyed public attention, but he also took enormous care to protect his person, and did not relax until the way was clear and the guards signaled him. The bishop, who was to celebrate the mass, moved ahead of him, and the ambassadors took their places at his left; his brothers moved to his right, so that the men stood five abreast, with the duke in the protected center. Behind them, in the favored retinue, walked Cicco’s younger brother, the secretary Giovanni Simonetta, and a military adviser, Orfeo da Ricavo, followed by a row of camerieri, the nobles who attended the duke in his chamber and were considered his closest friends. The big Moor—a full head taller than any other man present, his hand on the hilt of his scimitar—led them into the church, while a pair of armored bodyguards flanked each row of the ducal procession.

  Caterina pushed her way forward until we stood just behind the camerieri. When we finally made our way through the open door, she let go a sigh of relief at the rush of warmth emanating from the bodies of some three hundred faithful. At the front of the church, near the altar, scores of empty chairs awaited the duke and his party; most of the worshippers were obliged to stand and crane their necks as the duke passed by.

  At the instant Galeazzo set foot inside, the choir, situated at the back of the sanctuary, burst into song, and a valet ran forward to relieve the duke and his companions of their cloaks. As the duke handed off his cloak, I saw he was dressed in a handsome doublet, the left half of which was gleaming watered white silk embroidered with tiny gold fleur-de-lis, the right of lush crimson velvet. His leggings were also of velvet—crimson for the left leg, white for the right.

  I was not surprised to see that he sported his family’s heraldic colors, but I was startled indeed to see that he wore no armor. It was the first time I ever saw Duke Galeazzo appear in public without a breastplate. Perhaps he shied from wearing metal so close to his skin in such cold weather, or perhaps it was an issue of vanity and the breastplate did not suit his fine new doublet; I will never know.

  Beside me, Caterina let go a little gasp of pride, tinged with impatience, at her father’s appearance. As we women handed off our cloaks, I saw why she was so eager for the duke to take note of her: her gown was made from the very same fabrics, with the same gold embroidery upon the white watered silk—a clever Christmas surprise for her father.

  As the duke and his company followed the bishop down the center aisle, the rows of worshippers bowed, rippling like wheat in the wind. I kept an eye on Caterina; though she bore herself proudly, her gaze was riveted on her father and those surrounding him. She was seeking an opportunity, I knew, to get the duke’s attention.

  Midway to the altar, her opportunity came. Santo Stefano was very old, though not so old, it was claimed, as one great old stone abutting the sanctuary floor. Planted in the very center of the church, this large stone was unpolished and unremarkable, but it was nothing less than the Point of the Innocents, where, it was said, the blood of the innocent infants slain by King Herod had been spilled.

  Galeazzo paused in mid-conversation and step to glance down at the stone and contemplate it in a show of false piety.

  Seeing her opportunity, Caterina pushed forward, surging past the last row of the duke’s chamber attendants and moving directly behind Cicco’s brother Giovanni and the military adviser Ricavo. She was just one row from her father, and when her mother and I simultaneously hissed at her for such outrageous behavior, she glanced over her shoulder at us with a sly grin.

  Her mother nudged me and gestured with her chin at her unruly daughter. I was of less importance than anyone else in the procession, so the task fell to me to retrieve her. I whispered apologies as I sidled between pairs of indignant camerieri and finally got directly behind Caterina.

  As I touched her elbow, a cry went up—Make room!—and a middle-aged courtier stepped into the aisle just after the bishop passed. He was large and barrel-chested, with powerful shoulders, but one of his legs was withered; he moved haltingly, with a limp, and went down unsteadily on one knee right at the Point of the Innocents, blocking Duke Galeazzo’s path.

  His waving pale brown hair, brushed straight back and falling to his shoulders, was thinning at temples and crown; his anxious smile revealed overlarge yellow teeth. The soldiers nearby stiffened, and the big Moor stopped at once and drew his scimitar, but all relaxed upon recognizing Giovanni Lampugnani, a noble with a large estate just outside the city, and therefore bound to swear his fealty to the duke that very afternoon at P
orta Giovia. I thought at first he wore the Sforza colors, white and crimson, but the red was far too bright. Lampugnani had long been a friend to Galeazzo, although rumor said the duke had lately taken notice of his comely young wife and vowed to bed her.

  “A word, Your Grace,” he said. His grinning lips trembled. It was not uncommon for a petitioner to stop the duke as he made his way to his seat near the altar, but Galeazzo’s curled lip indicated it was unappreciated.

  At the same time, Caterina reacted to my touch by surging forward to stand beside the military adviser, who walked immediately behind the duke. Ricavo, gray-haired but solid, glanced down at her with amused surprise.

  Caterina reached out to tap her father’s shoulder, and that was when another, younger man stepped out into the aisle to stand beside Lampugnani. His hair and beard were very dark, his long face handsome, his eyes hate-filled and haunted; he was Carlo Visconti, the man whose sister had been raped by Galeazzo. His hand was clutching the hilt of his long, sheathed blade. Like Lampugnani, he wore white and vibrant red.

  He was the King of Swords.

  I felt myself fall into another world, one where the wrath of God was gathering and roiling, a monstrous cloud about to birth a shattering bolt. With both arms, I pulled Caterina away from her father and held her fast.

  “Not now, not now,” Duke Galeazzo hissed at Lampugnani and waved him away just as dark-haired Visconti slipped beside the kneeling man.

  Lampugnani began to rise awkwardly and fumbled with his sleeve. Still half crouched, he said distinctly, “Oh, yes, now. Now.”

  With the swiftness of a viper, he struck. I did not see him draw the dagger, but I saw it come away bloodied, and heard the duke’s horrified gasp. Beside him, the Mantuan ambassador made a feeble attempt to push the attacker away, but Lampugnani was on fire. He rose to his full impressive height, seized the duke’s arm so that he could not run away, and thrust the dagger to the hilt into Galeazzo’s chest. It came free with a sucking sound, and Lampugnani, his lips twisting with distaste and determination, plunged it into the duke again.

  “I am dead!” Galeazzo exclaimed in surprise, and fell straight back against the chest of Orfeo da Ricavo, who tried vainly to support him.

  Visconti was on the duke then, too, slashing with his long sword, and was joined by a younger third man. The Mantuan ambassador, Saggi, and Ricavo both began screaming for the guards.

  The choir fell silent, its sweet strains replaced by a swell of frantic voices, the sounds of struggle. Bodies surged from the once-orderly rows; the church doors were flung open, and the crowd swelled toward them like a rising tide. The bodyguards were caught in the rush and fought their way back to their master, who had fallen upon the Point of the Innocents.

  By then, even Saggi and Ricavo were struggling to flee; the duke’s brothers Ottaviano and Filippo almost knocked me down as they pushed toward the door. I held fast to Caterina and pulled her away from the horror; she was limp and unresisting in my grasp.

  The church emptied with astonishing speed. Outside in the plaza, courtiers and the duke’s favorite chamber attendants called for their horses; those who had come on foot, including Caterina’s mother, Lucrezia, were half running over treacherous ice back toward the castle. I paused in the doorway, the stunned Caterina still in my arms, and looked back into the sanctuary.

  It was deserted save for the guards and the bloodied corpse of Giovanni Lampugnani, whose lameness no doubt hindered his escape. I watched as the tall, turbaned Moor, one hand pressed to his shoulder to staunch the weeping wound there, knelt over the motionless form of the Duke of Milan. Galeazzo lay sprawled on his back, mouth agape, sightless eyes open, arms flung upward as if in defense. Blood spattered his clean-shaven face and soaked his doublet, now scarlet with no trace of white.

  The tower of the duchy had crumbled.

  Bona would have said that God had finally delivered His judgment, but that day, I knew she was wrong. God had had nothing to do with it; it had been the work of the King of Swords, who had avenged his sister. I looked upon the duke’s pale corpse and felt exhilarating, if cold, satisfaction.

  Justice: it was what I wanted for Matteo, and I would not rest until I found it.

  Chapter Seven

  Caterina and I returned to Porta Giovia to discover that, although the courtiers on horseback had arrived well ahead of us, none of them had had the courage to speak to Bona, who was still abed. Caterina, who was crying unrestrainedly, not so much from grief, I think, as terror, clung to me as I entered the duchess’s chamber. I wound an arm about her shoulder as though I were her mother, who had so feared retribution from the duke’s enemies that she had deserted her daughter and fled to her husband’s house in the city. Together, Caterina and I went to Bona’s bedside, where Francesca was just taking away a tray.

  The curtains were open, and the lady duchess was sitting propped upon her pillows and wrapped in a heavy shawl, her disheveled dark blond hair plaited into a single thick braid. Her broad, ponderous face was drawn, her eyelids drooping with exhaustion, but she straightened at the sound of our footsteps and tried to arrange her features into a more pleasant expression. But at the sight of Caterina, who was pressing her tear-streaked face into my shoulder, Bona paled and grew very, very still.

  My voice emerged, cracking and unsteady. “His Grace, the Duke of Milan is dead,” I said. I expected her to shriek, to weep, to be inconsolable.

  Bona’s eyes widened, but the rest of her features did not move. A long silence passed between us, punctuated by Caterina’s muffled sobs.

  At last Bona’s lips parted and formed a single word. “How?”

  “At the swords of assassins,” I answered. “Giovanni Lampugnani and Carlo Visconti. His Grace still lies on the Point of the Innocents.”

  “Visconti,” she repeated tonelessly. “Is everyone else safe?”

  I nodded. “I think so.”

  “Good.” She looked at Caterina and sighed. “Poor child.”

  Francesca had set down the tray and was crying, but Bona threw back the covers and swung her thick legs over the side of the bed.

  “Francesca,” she said, a bit sharply. The chambermaid stopped her tears and looked up, anguished.

  “Call Leonora, and help me get dressed,” she said, and glanced up at me. “And Dea, go and tell Cicco the news if he hasn’t already heard, then bring him to me.”

  After speaking with her husband’s top aide, Bona ordered that Galeazzo’s body be washed at Santo Stefano and dressed in a suit of gold brocade. By dusk, the duke’s clean corpse was resting on a table in Santo Stefano’s sacristy. There was no public viewing—or private, for that matter—as the duke had suffered fourteen disfiguring wounds. His mortal remains lay in the sacristy another full day, the twenty-seventh, the day His Grace was to have visited the church of San Giovanni to celebrate the feast of Saint John the Evangelist. All the while, Bona and Cicco worked together to prevent any chance of an uprising against the Sforza dynasty; soldiers were stationed at strategic points along Milan’s empty streets.

  Late that night, Bona sent a few trusted servants to Santo Stefano. Under cover of darkness, they stole into the church, removed the corpse, and took it across town to the cathedral known as the Duomo, across the broad street from Porta Giovia. There, they pried open the top of the casket holding the remains of the duke’s father, Francesco Sforza, and laid Galeazzo on top of them.

  Many a mass was said later for Galeazzo’s soul, but there was to be no funeral, public or private, no tomb, no monument of stone, no plaque revealing where the duke lay. He had provoked such enmity during his thirty-two years that it was deemed safest to dispense with such things, lest those who despised him take revenge on his corpse.

  Bona never came to bed that night, but remained conferring with Cicco and Galeazzo’s other advisers. I undressed in the small closet off the duchess’s chamber and, as I was pulling my nightdress over my head, Caterina’s nurse entered and begged me to come attend her young c
harge.

  I found Caterina huddled on her bed, arms wrapped around her knees, rocking. The slender, long lines of her girlish body showed beneath the fine wool nightgown; her long pale curls had been neatly plaited, though shorter tendrils framed her oval face. Her cheeks were flushed, the lids of her bloodshot eyes swollen. When I entered the room, she glanced up, oddly hopeful, and curtly motioned for her nurse to leave the room. I was surprised to see that the three cots where her attendants slept were empty, though the blankets were disheveled and the sheets still bore the impress of bodies. No doubt their mistress had thrown them from their beds without warning.

  When we two were alone, she motioned for me to sit on the bed beside her—an unusual liberty for her to grant—and said, in a voice that was hoarse from weeping:

  “You knew my father was going to die. You knew the very moment. How?”

  “I don’t know,” I began, but she made an impatient gesture for silence.

  “I will pay you.” Her gaze was as naked and earnest as I had ever seen it. “Whatever you want, and I will say nothing to anyone about it. Only you must tell me the secrets of your magic.”

  I shook my head. “There is no secret, Madonna.”

  Her features contorted with anger. “Or I can have you tortured until you confess everything you know. I could turn you over to the Church as a witch.”

  I was too weary from grief to care, and it surely showed in my voice and expression. “Then turn me over to them, Madonna, and I will tell them what I am telling you: I know nothing about magic.” It was true; I had not yet studied Matteo’s ritual. “I saw your father’s death, but I don’t understand how I knew.”

  She remained silent. I rose, intending to ask permission to leave, but she motioned sternly for me to sit back down.

  “Why did you save me?” Her voice was taut with emotion.