The Mozart Conspiracy

The nineteenth-century chalet was perfect, something out of a fairy-tale. Far away from anything, total silence, nothing around except mountains, forests, and clean, clean air.

  On the second day he’d had the phone call. Few people had his private mobile number, just Colette, his secretary and a handful of family members and close friends.

  It was Roger Bazin on the line. It had been the first time in a while that Philippe had heard from him. He’d sounded odd, his words a little slurred as though he’d been drinking. That was peculiar in itself, but there was something else, something stranger. It was the note of fear that Philippe had picked up on instantly. A tortured edge to Bazin’s voice that the younger man hadn’t heard before. What was wrong?

  ‘Philippe, where are you?’

  ‘I’m on vacation. Remember?’

  ‘Yes, but where are you now? This moment?’

  Philippe had frowned, confused. ‘I’m in the chalet. We’re just about to have dinner. What’s wrong, Roger?’

  A hesitant pause. Heavy, stressed breathing. Then: ‘Get out of there.’

  ‘What?’

  ‘Get out of there. All of you. Run. As far as you can. Now.’

  Philippe was left gaping at a dead phone. He turned to look at his family.

  In the next room, Colette was opening a bottle of wine ready for dinner and laughing at something Delphine had just said.

  He’d hesitated for a few seconds. It seemed absurd, insane. But then he ran over to her and grabbed her by the shoulders. The wine smashed on the floor. He’d yelled for Vincent to come quick, and he’d scooped the little girl up under his arm, and they’d all run out into the garden, Colette asking what was wrong, what was wrong.

  They had all run like lunatics. At the bottom of the garden, deep in snow, they’d reached the edge of the pine forest and stood looking back at the house. The kids had realized it wasn’t a game from the look on their father’s face. Colette was screaming at him now: What’s wrong, have you gone nuts?

  As he stood there in the cold, still clutching his mobile phone, he thought that maybe he had gone nuts. Or that Roger had gone nuts. Or was this some kind of stupid, reckless, tasteless joke? That wouldn’t be like Roger.

  ‘It’s freezing out here,’ Colette said. ‘The kids—’

  He blew out his cheeks, exasperated with himself. ‘I must be insane,’ he said. ‘Shit, your shoes.’ Colette’s suede moccasins were soaked, snow clinging in clumps to her ankles.

  ‘What did you think was happening?’ she demanded.

  ‘I don’t know,’ he sighed. ‘Christ, maybe the stress is getting to me or something. I’m sorry. It was stupid. Let’s go back.’

  ‘Daddy’s crazy!’ Vincent sang. ‘Daddy’s crazy!’ Delphine had started to cry and Colette picked her up, shooting fierce looks at her husband.

  Aragon took his wife’s hand apologetically. They started walking back to the house.

  And were thrown backwards by the force of the explosion.

  The chalet had just disintegrated in front of Aragon’s eyes. The night sky was lit up as the house erupted in a massive rolling fireball that mushroomed upwards and sent wreckage spinning for hundreds of yards around. He saw the roof lift off and the walls burst outwards. Bricks and wrecked timbers and flying glass rained down across the snow. He’d tried to shield Colette and the children with his body as secondary explosions ripped through the shattered building, levelling it.

  Nothing had been left of the house or anything standing nearby. The outbuildings, the garage and the car were reduced to smoking shells.

  Colette and the children had been hysterical. They’d taken shelter in a hut in the garden and called the emergency services. After that, things really had gone crazy. Police, security, fire brigade, television and press had all descended on this quiet mountain valley. Aragon had got his family away from the place as quickly as he could get the private plane in the air.

  He had said nothing to anyone about the phone call. Time had passed. He’d waited until the results from the investigation, but they’d turned up nothing except signs of a gas leak.

  He’d tried and tried to contact Roger Bazin. He didn’t know what to think. He needed to talk to him. How had he known about the explosion?

  But Roger seemed to have disappeared. Days went by and there was still no answer on his phone. Philippe left messages, and none were returned. He’d been just about to get on a train to visit Bazin personally at his home in Geneva when he got another call.

  The old Alfa Romeo Spider had gone out of control in an empty tunnel and hit a pillar at a hundred and twenty kilometres an hour. The sports car had been pulverized and the flaming wreckage had blocked the tunnel for hours. By the time the fire crews could get inside, there had been little left of Roger Bazin. There were no witnesses to the crash, the only testimony the gruesome photographs that the paparazzi had rushed to print in the glossy gutter press.

  The distraught Bazin family testified that the old man had been suffering from stress for some weeks before the accident. He’d seemed depressed and agitated, frightened of something. Nobody knew what. His doctor had prescribed antidepressants, and they knew he was drinking, washing the pills down with brandy. There hadn’t been enough left of Roger to run tests, but the medical people all agreed on the obvious conclusion. The coroner’s verdict was death by misadventure.

  For six months afterwards, the private firm hired by Philippe put in thousands of man-hours of investigation into Bazin’s death. Aragon baited the hook with a million-euro reward for anyone who could come up with information that would reveal the truth. They found no sign of anything suspicious.

  Car accidents happened. So did gas explosions.

  Chapter Thirty-Three

  Milan, Italy

  The Museo Visconti closed for lunch at 1 p.m. Visitors filed quietly out through the portico entrance. When the last ones had left, old Domenico Turchi the security guard pushed the entrance door shut behind them. With a shaky hand he reached for a jangling ring of keys on his belt and locked it, then threw the heavy iron bolt. He was sharing a joke with Signora Bellavista the receptionist as he hung his uniform jacket and cap on a hook behind the desk. They headed through a side door leading to the staff exit. He flipped open a panel on the wall and punched numbers to activate the alarm system, and he and Signora Bellavista left the building still laughing. Luca and Bepe had already left the workshop downstairs and Domenico knew he’d find the two men sitting drinking Peroni beers over lunch in the café around the corner where they all congregated every day.

  The rooms of the museum were still and quiet. Down in the basement, among the honeycomb of gloomy passageways and corridors, there was the sound of a door creaking open.

  Ben peered out, listening, then stepped quietly out of the disused store cupboard.

  Leigh followed. Her legs were cramped after the long wait in the darkness. They made their way through a door and up some shadowy steps, tracing their way back to the main part of the building.

  Ben recognized the workshop where they’d sneaked past the two men earlier. It was empty now, tools left in a disordered pile on a restoring bench. An old violin lay on a chisel-scarred table with its face removed. Two frameless oil paintings were propped up against the wall awaiting restoration. The workshop smelled strongly of wood glue, wax polish and varnish.

  Ben picked up a hand-saw. He ran his eye along the sharp blade and nodded to himself. Leigh gave it a puzzled look. She didn’t even want to think what he was planning to do with it.

  There was still no sign of anyone around. Ben pushed softly through another doorway and found what he was looking for. The main fuse-box was an ancient Bakelite affair with big clunky switches. He pushed them all to OFF, then flipped off the master switch. He pulled out all the fuses and hid them in a crate under a pile of packaging material.

  They emerged from a staff-only doorway into the main hall. Dull sunshine filtered in through the windows. All the lights were dead, and the blin
king red LEDs on the security cameras had gone dark.

  They made their way back through the long corridor where the violins were displayed. The keyboard instruments exhibit was just around the corner.

  Germana Bianchi had been dusting the frames upstairs in the portrait gallery and listening to Mina on her battery radio when the lights cut and her vacuum cleaner died. She was a heavy, ponderous woman and it took her a moment to register what had happened. She reached down with a fat hand to switch the vacuum cleaner off and on several times. ‘Cazzo,’ she swore. The power had cut out once before. She’d been alone in the building just like today, doing her lunchtime cleaning, when the fuses had tripped and she’d had to make her way down to the basement to flip the switch on the box. It was a long way down for her, and she didn’t like the empty feeling of the place when it was closed.

  She munched on her sandwich for a moment or two, hoping the electricity would come on again on its own. It didn’t. She heaved a sigh, picked up her radio and started towards the stairs.

  Ben examined the piano and decided on his plan of action. The front right leg had to come off as quickly and cleanly as possible. He might not have a lot of time. A member of staff might be back any minute. If he could lift the right corner of the piano an inch or two and jam something underneath the lip of the keyboard to keep the leg raised up long enough to saw it off…He grabbed a double piano stool, flipped it up on end, but it was too high.

  He stepped up on the plinth, laid the saw down on the piano and tested the instrument’s weight. He could barely move it quarter of an inch, and he didn’t think that Leigh’s extra strength would make the difference. He gazed at the saw, then down at the leg. It was going to take a good fifteen minutes to cut through the solid wood. He might not have fifteen minutes.

  Think of something, Hope.

  Leigh tensed. ‘Ben, there’s someone in the building.’

  Ben heard it too. Footsteps, slow and heavy, on the creaky stairs leading down to the main hall. In the quiet building the echo carried softly but clearly. There was another sound too. It was music, growing steadily louder. Someone with a radio was coming down towards them.

  This wouldn’t do. It was now or never. He looked around him desperately.

  The rope cordon around the piano was supported by six brass pedestals, three feet high on broad circular bases. Yes, that was the only answer. He used the saw to cut the rope, then picked up one of the pedestals. It was solid and heavy. He turned it upside down and held it like an axe. The brass was cold in his hand.

  ‘Fuck it,’ he muttered. He caught Leigh’s horrified look as he swung the pedestal back over his shoulder and then smashed it sideways into the piano leg with all his strength.

  The crashing noise shattered the stillness of the room. There was a huge crunch of splintering wood. The piano gave a juddering groan, strings vibrating in unison. The leg gave a little, and the front end of the instrument sagged, creaked. Then stopped.

  Halfway down the stairs and puffing with the exertion, Germana heard the terrible sound over her music. She turned the radio off. What the hell was that? Her heart gave a flutter. She grasped the banister rail and started walking faster.

  Ben hit the piano again. The pedestal hummed through the air. Another shuddering crash. The leg gave way and folded out from underneath the keyboard. The front corner of the instrument tipped downwards and he stepped quickly out of its way.

  A ton of iron frame and heavy wooden casing toppled over and smashed through the plinth it stood on. Splinters flew. The massive ringing chord of the fallen piano filled the whole museum with a cacophony of sound.

  Germana was getting very scared now. There were thieves in the place. She reached the bottom of the stairs and waddled across the hall to the ladies’ toilets. She wedged herself into a cubicle and bolted the door. Her heart was pounding and her breathing came in rasping gulps. She felt the shape of her mobile in her pocket. Yes. Call the police.

  Leigh was standing over the wrecked piano with her mouth hanging open. All her father’s work, hundreds of hours he’d spent restoring the valuable instrument. The loss of this piece of musical heritage. It was terrible, sickening.

  The strings were still resonating as Ben picked up the smashed leg. He hoped it had been worth it. He pulled away at splintered bits around the broken end. ‘I can’t see anything,’ he said. He picked up the saw and hacked frantically at the end of the leg. The sharp blade skipped off a splinter and sank into his hand, biting at the flesh and drawing blood from a jagged gash. He swore and ignored the pain. He sawed harder. Leigh was standing at his shoulder, her eyes widening.

  He blew sawdust away, wiped blood off the wood. Nothing.

  ‘This wood is solid,’ he said. ‘There’s no hollow.’

  Germana spoke in a flurry to the police switchboard. There were thieves in the Museo Visconti. Relief spread over her face as the man’s voice on the other end of the line reassured her. The police were on their way.

  Ben glared up at Leigh. ‘You said you were sure.’

  ‘I-maybe it was the left leg.’

  ‘For fuck’s sake,’ he muttered. He jumped to his feet, glancing at his watch.

  ‘I’m sorry,’ she whispered.

  ‘I will be too, when someone walks in on us.’ He grabbed the pedestal and raised it up again. The devastated instrument was lying like a beached whale with its remaining front leg sticking out at an angle. Ben brought the pedestal down hard. Another tremendous crash filled the museum. Leigh covered her ears.

  Ben stood back. The leg had broken cleanly away. He dropped the pedestal with a clang on the wooden floor and fell on his knees. He picked up the severed leg.

  It was hollow. His heart jumped. He pushed two fingers inside the smooth cavity and felt something.

  There was a roll of paper inside. He turned the leg upside down and shook it out. The tight roll was old and yellowed, tied neatly around the middle with a ribbon. It fell on the floor amongst the wreckage of the smashed piano.

  Leigh knelt and snatched it up. She picked at the ribbon and unfurled the single sheet, handling it as though it could break apart at the slightest touch. ‘My God, this is it,’ she said, staring at it. The ink was faded, but there was no mistaking the handwriting and the signature.

  She was holding her father’s prize. The Mozart letter.

  When she heard the sirens, Germana Bianchi ventured out of the toilet and opened up the front door to let the police in. She pointed and jabbered and led them through towards the piano room where the robbers had been. A whole gang of them, vicious, armed. She was lucky to be alive.

  They rounded the corner. The keyboard exhibit room was empty. They all gaped speechlessly at the wrecked piano. Who would do this? It was senseless.

  The thieves were far away by then, the old Fiat lost in the crazy sea of Milanese traffic.

  Chapter Thirty-Four

  Ben drove fast out of Milan, wanting to put as much distance between the city and themselves as possible. He checked his mirror every few minutes. Nobody was following them. Sleet and hail hammered the Fiat’s windscreen for two hours as they headed north-east towards the Austrian border. Beside him, Leigh was bent over the old letter, deep in thought. Signs flashed up for autostrada services.

  The motorway cafeteria was half-empty. They bought two coffees and headed for a corner table that was far from the other diners and close to an emergency exit. Ben sat facing the room and kept an eye on the entrance.

  Neither of them had eaten anything since the night before, but the letter came first. Leigh unrolled and flattened it carefully across the plastic table, using the salt and pepper mills to weigh down the edges and stop it from springing back into a tight curl.

  ‘This is so precious,’ she said, running her fingers over the aged, faded paper.

  ‘Fake or no fake, it’s only precious if it can teach us something.’ Ben took Oliver’s file out of his bag and opened up his notebook. ‘Let’s see what we’ve got. Ho
w’s your German?’

  ‘I can sing it better than I can translate it. How’s yours?’

  ‘I can speak it better than I can write it.’ He ran his eye over the handwriting. Was this really Mozart’s original hand? It looked authentic enough, but then, what did he know? He studied it up close. The writing was scratchy in places, and it looked as though the letter had been dashed off in the back of a carriage.

  The best place to start was from the top. ‘Mein liebster Freund Gustav,’ he read. ‘My dearest friend Gustav.’

  ‘Good start.’

  ‘That’s the easy bit,’ he said.

  They worked for an hour, and the coffee cooled untouched on the table. The translation came together very slowly, piece by piece. Ben glanced over his shoulder around the room every few seconds, checking for any unwelcome company.

  ‘What’s Die Zauberflöte?’ he asked.

  ‘That’s easy. The Magic Flute. What about this word?’ she said, pointing. ‘I can’t make it out.’ She chewed her pen thoughtfully.

  ‘It’s Adler.’

  ‘Adler?’

  ‘Adler is eagle’, Ben said, biting his lip. It didn’t mean anything. He filled the word into his patchy translation. Understanding could come later. First, get it all down.

  It took another three coffees and several pages of crossed-out notes before the translation had taken shape. Ben turned the notebook sideways on the table so that they could read it together.

  Vienna

  16 November 1791

  My Dearest Friend Gustav,

  It is in great haste that I pen this letter to you, and I hope with all my heart that it may reach you in time. I so wish I could write to you with only good tidings about the magnificent reception of The Magic Flute. But alas I have more pressing things to relate to you. There is nothing more pleasant than the freedom to live peacefully and quietly, and how I wish that could be for our Brethren! However, God seems to have willed it otherwise.