Lost in a Good Book

  'Why don't you stay and wait?' said Bowden. I kicked him under the table

  'No, I'd better run along,' replied Miles. 'Just tell her I called, won't you?'

  He walked off and I stood up. Bowden, very unusually for him, was giggling.

  'What's so funny?'

  'Nothing – why don't you want to see him?'

  'Because I might be carrying his baby.'

  'You're going to have to speak up, I can hardly hear you.'

  'I might,' I repeated in a hoarse whisper, 'be carrying his baby!'

  'I thought you said it was Land— What's the matter now?'

  I had dropped to the ground again as Cordelia Flakk walked in. She was scanning the office for me in annoyance, hands on hips.

  'Have you seen Thursday about?' she asked Bowden. 'She's got to meet these people of mine.'

  'I'm really not sure where she is,' replied Bowden.

  'Really? Then who was it I saw ducking under this table?'

  'Hello, Cordelia,' I said from beneath the table. 'I dropped my pencil.'

  'Sure you did.'

  I clambered out and sat down at my desk.

  'I expected more from you, Bowden,' said Flakk crossly, then turned to me. 'Now, Thursday. We promised these two people they could meet you. Do you really want to disappoint them? Your public, you know.'

  'They're not my public, Cordelia, they're yours. You made them for me.'

  'I've had to keep them at the Finis for another night,' said Cordelia. 'Costs are escalating. They're downstairs right now. I knew you'd be in for your assessment. How did you do, by the way?'

  'Don't ask.'

  I looked at Bowden, who shrugged. Looking for some sort of rescue, I twisted on my seat, looking over to where Victor was running a possible unpublished sequel to 1984 entitled 1985 through the Prose Analyser. All the other members of the office were busy at their various tasks. It looked as if my PR career was just about to restart.

  I sighed. 'All right. I'll do it.'

  'Better than hiding under the desk,' said Bowden. 'All that jumping around is probably not good for the baby.'

  He clapped his hand over his mouth but it was too late.

  'Baby?' echoed Cordelia. 'What baby?'

  'Thanks, Bowden.'

  'Sorry.'

  'Well, congratulations!' said Cordelia, hugging me. 'Who is the lucky father?'

  'I don't know.'

  'You mean you haven't told him yet?'

  'No, I mean I don't know. My husband, hopefully.'

  'You're married?'

  'No'

  'But you said—?'

  'Yes, I did,' I retorted as drily as I could. 'Confusing, isn't it?'

  'This is very bad PR,' muttered Cordelia darkly, sitting on the edge of the desk to steady herself. 'The leading light of SpecOps knocked up in a bus shelter by someone she doesn't even know!'

  'Cordelia, it's not like that, and I wasn't "knocked up" – and who mentioned anything about bus shelters? Perhaps the best thing would be if you kept this under your hat and we pretended that Bowden never said anything.'

  'Sorry.'

  Cordelia leapt to her feet.

  'Good thinking, Next. We can tell everyone you have water retention or an eating disorder brought on by stress.' Her face fell. 'No, that won't work. The Toad will see through it like a shot. Can't you get married really quickly to someone? What about Bowden? Bowden, would you do the decent thing for the sake of SpecOps?'

  'I'm seeing someone over at SpecOps 13,' replied Bowden hurriedly.

  'Blast!' muttered Flakk. 'Thursday, any ideas?'

  But this was an aspect of Bowden I knew nothing about.

  'You never told me you were seeing someone over at SO-13!'

  'I don't have to tell you everything.'

  'But I'm your partner, Bowden!'

  'Well, you never told me about Miles.'

  'Miles?' exclaimed Cordelia. 'The oh-so-handsome-to-die-for Miles Hawke?'

  'Thanks, Bowden.'

  'Sorry.'

  'That's wonderful!' exclaimed Cordelia, clapping her hands together. 'A dazzling couple! "SpecOps wedding of the year!" This is worth soooooo much coverage! Does he know?'

  'No. And you're not going to tell him. And what's more – Bowden – it might not even be his.'

  'Which puts us back to square one again!' responded Cordelia in a huff. 'Stay here. I'm going to fetch this chap and his daughter. Bowden, don't let her out of your sight!'

  And she was gone.

  Bowden stared at me for a moment and then asked:

  'Do you really believe the baby is Landen's?'

  'I'm hoping.'

  'You're not married, Thurs. You might think you are but you're not. I looked at the records Landen Parke-Laine died in 1947.'

  'This time he did. My father and I went—'

  'You don't have a father, Thursday. There is no record of anyone on your birth certificate. I think maybe you should speak to one of the stressperts.'

  'And end up doing comedy stand-up, arranging pebbles or counting blue cars? No thanks.'

  There was a pause.

  'He is very handsome,' said Bowden.

  'Who?'

  'Miles Hawke, of course.'

  'Oh. Yes, yes, I know he is.'

  'Very polite, very popular.'

  'I know that.'

  'A child without a father—'

  'Bowden, I'm not in love with him and it isn't his baby – okay?'

  'Okay, okay. Let's forget it.'

  We sat there in silence for a bit. I played with a pencil and Bowden stared out of the window.

  'What about the voices?'

  'Bowden!'

  'Thursday, this is for your own good. You told me you heard them yourself and Officers Hurdyew, Tolkien and Lissning heard you talking and listening to someone in the upstairs corridor.'

  'Well, the voices have stopped,' I said categorically. 'Nothing like that will ever happen again.'17

  'Oh, shit.'18

  'What do you mean, "oh, shit"?'

  'Nothing – just, well, that. I've got to use the ladies' room – would you excuse me?'

  I left Bowden shaking his head sadly and was soon in the ladies'. I checked that the stalls were empty and then said. 'Miss Havisham, are you there?'19

  'You must understand, Miss Havisham, that where I come from customs are different from your own. People curse here as a matter of course.'20

  'I'll be there directly, ma'am!'

  I bit my lip and hurriedly rushed out of the ladies', grabbed my Jurisfiction travel book and my jacket, and was heading back when—

  'Thursday!' came a loud and strident voice that I knew could only be Flakk's. 'I've got the winner and his daughter outside in the corridor!'

  'I'm sorry, Cordelia, but I have to go to the loo.'

  'Don't think I'm going to fall for that one again,' she growled under her breath.

  'It's true this time.'

  'And the book?'

  'I always read on the loo.'

  She narrowed her eyes at me and I narrowed my eyes back.

  'Very well,' she said finally, 'but I'm coming with you.'

  She smiled at the two lucky winners of her crazy competition, who smiled back through the half-glazed office door, and we both trotted into the ladies'.

  'Ten minutes,' she said to me as I locked myself in a cubicle. I opened the book and started to read:

  Many were the tears shed by them in their last adieus to a place so much beloved. 'Dear, dear Norland!' said Marianne, as she wandered alone before the house, on the last evening of them being there …

  The small melamine cubicle started to evaporate and in its place was a large park, bathed in the light of a dying sun, the haze softening the shadows and making the house glow in the failing light. There was a light breeze, and in front of the house a lone girl walked, gazing fondly at the—

  '—do you always read aloud in the toilet?' asked Cordelia from behind the door.

  The images
evaporated in a flash and I was back in the ladies'.

  'Always,' I replied. 'And if you don't leave me alone, I'll never be finished.'

  '… when shall I cease to regret you! – When I learn to feel a home elsewhere? – Oh! happy house, could you know what I suffer in now viewing you from this spot, from whence perhaps I may view you no more! – and you, ye well known trees! – but you will continue …'

  The house came back again, the young woman talking quietly, matching her words to mine as I drifted into the book. I was now sitting not on a hard SpecOps standard toilet seat but on a white-painted wrought-iron garden bench. I stopped reading when I was certain I was completely within Sense and Sensibility and listened to Marianne as she finished her speech:

  '… and insensible of any change in those who walk under your shade! But who will remain to enjoy you?'

  She sighed dramatically, clasped her hands to her breast and sobbed quietly for a moment or two. Then she took one long look at the large white-painted house and turned to face me.

  'Hello!' she said in a friendly voice. 'I haven't seen you around here before. Would you be working for Juris-thingummywhatsit?'

  'Don't we have to be careful as to what we say?' I managed to utter, looking around nervously.

  'Goodness me no!' exclaimed Marianne with a delightful giggle. 'The chapter is over and, besides, this book is written in the third person. We are free to do what we please until tomorrow morning when we depart for Devon. The next two chapters are heavy with exposition – I hardly have anything to do, and I say even less! You look confused, poor thing! Have you been into a book before?'

  'I went into Jane Eyre once.'

  Marianne frowned overdramatically.

  'Poor, dear, sweet Jane! I would so hate to be a first-person character! Always on your guard, always having people reading your thoughts! Here we do what we are told but think what we wish. It is a much happier circumstance, believe me!'

  'What do you know about Jurisfiction?' I asked.

  'They will be arriving shortly,' she explained. 'Mrs Dashwood might be beastly to Mama but she understands self-preservation. We wouldn't want to suffer the same tragic fate as Confusion and Conviviality, now, would we?'

  'Is that Austen?' I queried. 'I've not even heard of it!'

  Marianne sat down next to me and rested her hand on my arm.

  'Mama said it was a socialist collective,' she confided in a hoarse whisper. 'There was a revolution – they took over the entire book and decided to run it on the principle of every character having an equal part, from the duchess to the cobbler! I ask you! Jurisfiction tried to save it, of course, but it was too far gone – not even Ambrose could do anything. The entire book was … boojummed!'

  She said the last word so seriously that I would have laughed had she not been staring at me so intently with her dark brown eyes.

  'How I do talk!' she said at last, jumping up, clapping her hands and doing a twirl on the lawn. '… and insensible of any change in those who walk under your shade. …'

  She stopped and checked herself, placed her hand over her mouth and nose and uttered an embarrassed girlish giggle.

  'What a loon!' she muttered. 'I've said that already! Farewell, Miss … Miss … I beg your pardon but I don't know your name!'

  'It's Thursday – Thursday Next.'

  'What a strange name!'

  She gave a small curtsy in a half-joking way.

  'I am Marianne Dashwood and I welcome you, Miss Next, to Sense and Sensibility.'

  'Thank you,' I replied. 'I'm sure I shall enjoy it here.'

  'I'm sure you shall. We all enjoy it a great deal – do you think it shows?'

  'I think it shows a great deal, Miss Dashwood.'

  'Call me Marianne, if it pleases you. May I be so bold as to ask you a favour?'

  'Of course.'

  She came closer and sat on the seat with me, holding my hand and staring into my eyes intently.

  'Please, I wonder if I might be so bold as to ask when your own book is set?'

  'I'm not a book person, Miss Dashwood – I'm from the real world.'

  'Oh!' she exclaimed. 'Please excuse me; I didn't mean to imply that you weren't real or anything. In that case, when, might I ask, is your own world set?'

  I smiled at her strange logic and told her. She leaned closer still.

  'Please excuse the impertinence, but would you bring something back next time you come?'

  'Such as?'

  'Mintolas. I simply adore Mintolas. You've heard of them, of course? A bit like Munchies but minty – and, if it's no trouble, a few pairs of nylon tights. And some AA batteries; a dozen would be perfect.'

  'Sure. Anything else?'

  Marianne thought for a moment.

  'Elinor would so hate me asking favours from a stranger, but I happen to know she has an inordinate fondness for Marmite – and some real coffee for Mama.'

  I told her I would do what I could. She smiled again, thanked me profusely, pulled on a leather flying helmet and goggles that she had secreted within her shawl, held my hand for a moment and then was gone, running across the lawn.

  25

  Roll-call at Jurisfiction

  * * *

  'Boojum: Term used to describe the total annihilation of a word/line/character/subplot/book/series. Complete and irreversible, the nature of a boojum is still the subject of some heated speculation. Some past members of Jurisfiction theorise that a Boojum might be a gateway to an "anti-library" somewhere beyond the "imagination horizon". It is possible that the semi-mythical Snark may hold the key to deciphering what is, at present, a mystery.

  Bowdlerisers: A group of fanatics who attempt to excise obscenity and profanity from all texts. Named after Thomas Bowdler, who attempted to make Shakespeare "family reading" by cutting lines from the plays, believing by so doing that "the transcendental genius of the poet would undoubtedly shine with greater lustre". Bowdler died in 1825, but his torch is still carried, illegally, by active cells eager to complete and extend his unfinished work at any cost. Attempts to infiltrate the Bowdlerisers have so far met with no success.'

  UA OF W CAT – The Jurisfiction Guide to the Great Library (glossary)

  I watched Marianne until she was no longer in sight and then, realising that her '… remain to enjoy you line was the last of Chapter 5, and that Chapter 6 begins with the Dashwoods already embarked on their journey, I decided to wait and see what a chapter ending looked like. If I had expected a thunderclap or something equally dramatic, I was to be disappointed. Nothing happened. The leaves in the trees gently rustled, the occasional sound of a woodpigeon reached my ears, and before me a red squirrel hopped across the grass. I heard an engine start up and a few minutes later a biplane rose from the meadow behind the rhododendrons, circled the house twice and then headed off towards the setting sun. I rose and walked across the finely manicured lawn, nodded at a gardener, who tipped his head in response, and made my way to the front door. Norland was never described in that much detail in Sense and Sensibility, but it was every bit as impressive as I thought it would be. The house was located within a broad sweeping parkland which was occasionally punctuated by mature oak trees. In the distance I could see only woods, and beyond them the occasional church spire. Outside the front door there was a Bugatti 356 motor-car and a huge white charger saddled for battle, munching idly on some grass. A large white dog was attached to the saddle by a length of string, and it had managed to wrap itself three times around a tree.

  I trotted up the steps and tugged on the bell-pull. Within a few minutes a uniformed footman answered and looked at me blankly.

  'Thursday Next,' I said. 'Here for Jurisfiction – Miss Havisham.' The footman, who had large bulging eyes and a curved head like a frog, opened the door and announced me simply by rearranging the words a bit:

  'Miss Havisham, Thursday Next – here for Jurisfiction!'

  I stepped inside and frowned at the empty hall, wondering quite who the footman thought h
e was actually announcing me to. I turned to ask him where I should go but he bowed stiffly and walked – excruciatingly slowly, I thought – to the other side of the hall, where he opened a door and then stood back, staring at something above and behind me. I thanked him, stepped in and found myself in the central ballroom of the house. The room was painted in white and pale blue and the walls, where not decorated with delicate plaster mouldings, were hung with lavish gold-framed mirrors. Above me the glazed ceiling let in the evening light, but already I could see servants preparing candelabra.

  It had been a long time since the Jurisfiction offices had been used as a ballroom; the floor space was liberally covered with sofas, tables, filing cabinets and desks piled high with paperwork. To one side a table had been set up with coffee urns, and tasty snacks were arrayed upon delicate china. There were two dozen or so people milling about, sitting down, chatting or just staring vacantly into space. I could see Akrid Snell at the far side of the room, speaking into what looked like a small gramophone horn connected by a flexible brass tube to the floor. I tried to get his attention but at that moment—

  'Please,' said a voice close by, 'draw me a sheep!'

  I looked down to see a young boy of no more than ten. He had curly golden locks and stared at me with an intensity that was, to say the least, unnerving.

  'Please,' he repeated, 'draw me a sheep.'

  'You had better do as he asks,' said a familiar voice close by. 'Once he starts on you he'll never let it go.'

  It was Miss Havisham. I dutifully drew the best sheep I could and handed the result to the boy, who walked away, very satisfied with the result.

  'Welcome to Jurisfiction,' said Miss Havisham, still limping slightly from her injury at Booktastic. 'I won't introduce you to everyone straight away but there are one or two people you should know.'

  She took me by the arm and guided me towards a well-dressed lady who was attending to the servants as they laid out some snacks upon the table.

  'This is Mrs John Dashwood; she graciously allows us the use of her home. Mrs Dashwood, this is Miss Thursday Next – she is my new apprentice.'

  I shook Mrs Dashwood's delicately proffered hand and she smiled politely.