The Sword of Shannara Trilogy the Sword of Shannara Trilogy
A Del Rey® Book
Published by The Random House Publishing Group
This omnibus was originally published by The Random House Publishing Group in separate volumes under the titles:
The Sword of Shannara, copyright © 1977 by Terry Brooks
Foreword copyright © 1991 by Terry Brooks
The Elfstones of Shannara, copyright © 1982 by Terry Brooks
Foreword copyright © 1991 by Terry Brooks
The Wishsong of Shannara, copyright © 1985 by Terrence D. Brooks
Foreword copyright © 1991 by Terry Brooks
All rights reserved.
Published in the United States by Del Rey Books, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto.
Map on this page by the Brothers Hildebrandt. Copyright © 1977 by Random House, Inc.
All other interior art by Darrell K. Sweet. Copyright © 1985 by Random House, Inc.
Del Rey is a registered trademark and the Del Rey colophon is a trademark of Random House, Inc.
www.delreybooks.com
Library of Congress Cataloging-in-Publication Data is available upon request.
eISBN: 978-0-345-46205-3
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CONTENTS
Cover
Title Page
Copyright
Map
THE SWORD OF SHANNARA Dedication
Foreword
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
THE ELFSTONES OF SHANNARA Dedication
Foreword
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
THE WISHSONG OF SHANNARA Dedication
Foreword
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Other Books by This Author
About the Author
THE SWORD
OF SHANNARA
For My Parents,
Who Believed
FOREWORD
I was about fourteen when I discovered Sir Walter Scott, Arthur Conan Doyle, Robert Louis Stevenson, Alexander Dumas, and all the other eighteenth- and nineteenth- century European adventure-story writers. I was immediately hooked. What marvelous adventures! Ivanhoe, Quentin Durward, The White Company, Sir Nigel, The Black Arrow, Treasure Island, The Count of Monte Cristo, The Three Musketeers, and on and on. Each new tale seemed more exciting than the one before. Now here, I believed, were stories worth reading. Enough, already, of great white whales and repressed women wearing scarlet letters. Here were the kind of stories I wanted to write. And I tried, of course, but somehow they didn’t work for me as they had for Dumas or Stevenson. I didn’t seem to know enough. I wasn’t comfortable with the time or the language or the feel of things. So I floundered about in fits and starts and eventually went away to college without ever completing anything.
But I hadn’t forgotten how much I had enjoyed those stories or how profoundly they had affected me. So, four years of college and a semester of law school later, I decided to go back to them. An adventure story, something wonderfully dangerous, filled with hair-raising escapes, men and women of character and purpose, dangers that threatened from every quarter—that was what I wanted to write and that was how I would escape the mind-numbing predictability of law life. But it had to be something grand. How would D’Artagnan have handled Rupert of Hentzau from The Prisoner of Zenda? What if Jim Hawkins had met up with Quentin Durward? I envisioned a story that was panoramic, something vast and sweeping.
That was when I started thinking anew about J.R.R. Tolkien. I had read The Lord of the Rings two years earlier. What if Tolkien’s magic and fairy creatures were made a part of the worlds of Walter Scott and Dumas? What if the story took place somewhere timeless and placeless, a somewhere that nevertheless hinted strongly of our own world in the future? What if our present knowledge had been lost, and science had been replaced by magic? But it couldn’t be magic that was dependable or simply good or bad. And the right and wrong of things couldn’t be clear-cut because life simply didn’t work that way. And the central figure needed to be someone read
ers could identify with, a person very much like themselves, caught up in events not of his own making, a person simply trying to muddle through.
And that was how Sword began.
—Terry Brooks
1
The sun was already sinking into the deep green of the hills to the west of the valley, the red and gray-pink of its shadows touching the corners of the land, when Flick Ohmsford began his descent. The trail stretched out unevenly down the northern slope, winding through the huge boulders which studded the rugged terrain in massive clumps, disappearing into the thick forests of the lowlands to reappear in brief glimpses in small clearings and thinning spaces of woodland. Flick followed the familiar trail with his eyes as he trudged wearily along, his light pack slung loosely over one shoulder. His broad, windburned face bore a set, placid look, and only the wide gray eyes revealed the restless energy that burned beneath the calm exterior. He was a young man, though his stocky build and the grizzled brown hair and shaggy eyebrows made him look much older. He wore the loose-fitting work clothes of the Vale people and in the pack he carried were several metal implements that rolled and clanked loosely against one another.
There was a slight chill in the evening air, and Flick clutched the collar of his open wool shirt closer to his neck. His journey ahead lay through forests and rolling flatlands, the latter not yet visible to him as he passed into the forests, and the darkness of the tall oaks and somber hickories reached upward to overlap and blot out the cloudless night sky. The sun had set, leaving only the deep blue of the heavens pinpointed by thousands of friendly stars. The huge trees shut out even these, and Flick was left alone in the silent darkness as he moved slowly along the beaten path. Because he had traveled this same route a hundred times, the young man noticed immediately the unusual stillness that seemed to have captivated the entire valley this evening. The familiar buzzing and chirping of insects normally present in the quiet of the night, the cries of the birds that awoke with the setting of the sun to fly in search of food—all were missing. Flick listened intently for some sound of life, but his keen ears could detect nothing. He shook his head uneasily. The deep silence was unsettling, particularly in view of the rumors of a frightening black-winged creature sighted in the night skies north of the valley only days earlier.
He forced himself to whistle and turned his thoughts back to his day’s work in the country just to the north of the Vale, where outlying families farmed and tended domestic livestock. He traveled to their homes every week, supplying various items that they required and bringing bits of news on the happenings of the Vale and occasionally the distant cities of the deep Southland. Few people knew the surrounding countryside as well as he did, and fewer still cared to travel beyond the comparative safety of their homes in the valley. Men were more inclined to remain in isolated communities these days and let the rest of the world get along as best it could. But Flick liked to travel outside the valley from time to time, and the outlying homesteads were in need of his services and were willing to pay him for the trouble. Flick’s father was not one to let an opportunity pass him by where there was money to be made, and the arrangement seemed to work out well for all concerned.
A low-hanging branch brushing against his head caused Flick to start suddenly and leap to one side. In chagrin, he straightened himself and glared back at the leafy obstacle before continuing his journey at a slightly quicker pace. He was deep in the lowland forests now and only slivers of moonlight were able to find their way through the thick boughs overhead to light the winding path dimly. It was so dark that Flick was having trouble finding the trail, and as he studied the lay of the land ahead, he again found himself conscious of the heavy silence. It was as if all life had been suddenly extinguished, and he alone remained to find his way out of this forest tomb. Again he recalled the strange rumors. He felt a bit anxious in spite of himself and glanced worriedly around. But nothing stirred on the trail ahead nor moved in the trees about him, and he felt embarrassingly relieved.
Pausing momentarily in a moonlit clearing, he gazed at the fullness of the night sky before passing abruptly into the trees beyond. He walked slowly, picking his way along the winding path that had narrowed beyond the clearing and now seemed to disappear into a wall of trees and bushes ahead. He knew that it was merely an illusion, but found himself glancing about uneasily all the same. A few moments later, he was again on a wider trail and could discern bits of sky peeking through the heavy trees. He was almost to the bottom of the valley and about two miles from his home. He smiled and began whistling an old tavern song as he hurried on. He was so intent on the trail ahead and the open land beyond the forest that he failed to notice the huge black shadow that seemed to rise up suddenly, detaching itself from a great oak tree on his left and moving swiftly toward the path to intercept him. The dark figure was almost on top of the Valeman before Flick sensed its presence looming up before him like a great, black stone which threatened to crush his smaller being. With a startled cry of fear he leaped aside, his pack falling to the path with a crash of metal, and his left hand whipped out the long thin dagger at his waist. Even as he crouched to defend himself, he was stayed by a commanding arm raised above the figure before him and a strong, yet reassuring voice that spoke out quickly.
“Wait a moment, friend. I’m no enemy and have no wish to harm you. I merely seek directions and would be grateful if you could show me the proper path.”
Flick relaxed his guard a bit and tried to peer into the blackness of the figure before him in an effort to discover some semblance of a human being. He could see nothing, however, and he moved to the left with cautious steps in an attempt to catch the features of the dark figure in the tree-shadowed moonlight.
“I assure you, I mean no harm,” the voice continued, as if reading the Valeman’s mind. “I did not mean to frighten you, but I didn’t see you until you were almost upon me, and I was afraid you might pass me by without realizing I was there.”
The voice stopped and the huge black figure stood silently, though Flick could feel the eyes following him as he edged about the path to put his own back to the light. Slowly the pale moonlight began to etch out the stranger’s features in vague lines and blue shadows. For a long moment the two faced each other in silence, each studying the other, Flick in an effort to decide what it was he faced, the stranger in quiet anticipation.
Then suddenly the huge figure lunged with terrible swiftness, his powerful hands seizing the Valeman’s wrists, and Flick was lifted abruptly off the solid earth and held high, his knife dropping from nerveless fingers as the deep voice laughed mockingly up at him.
“Well, well, my young friend! What are you going to do now, I wonder? I could cut your heart out on the spot and leave you for the wolves if I chose, couldn’t I?”
Flick struggled violently to free himself, terror numbing his mind to any thought but that of escape. He had no idea what manner of creature had subdued him, but it was far more powerful than any normal man and apparently prepared to dispatch Flick quickly. Then abruptly, his captor held him out at arm’s length, and the mocking voice became icy cold with displeasure.
“Enough of this, boy! We have played our little game and still you know nothing of me. I’m tired and hungry and have no wish to be delayed on the forest trail in the chill of the evening while you decide if I am man or beast. I will set you down that you may show me the path. I warn you—do not try to run from me or it will be the worse for you.”
The strong voice trailed off and the tone of displeasure disappeared as the former hint of mockery returned with a short laugh.
“Besides,” the figure rumbled as the fingers released their iron grip and Flick slipped to the path, “I may be a better friend than you realize.”
The figure moved back a step as Flick straightened himself, rubbing his wrists carefully to restore the circulation to his numbed hands. He wanted to run, but was certain that the stranger would catch him again and this time finish him without further t
hought. He leaned over cautiously and picked up the fallen dagger, returning it to his belt.
Flick could see the fellow more clearly now, and a quick scrutiny of him revealed that he was definitely human, though much larger than any man Flick had ever seen. He was at least seven feet tall, but exceptionally lean, though it was difficult to be certain about this, since his tall frame was wrapped in a flowing black cloak with a loose cowl pulled close about his head. The darkened face was long and deeply lined, giving it a craggy appearance. The eyes were deep-set and almost completely hidden from view by shaggy eyebrows that knotted fiercely over a long flat nose. A short, black beard outlined a wide mouth that was just a line on the face—a line that never seemed to move. The overall appearance was frightening, all blackness and size, and Flick had to fight down the urge building within him to make a break for the forest’s edge. He looked straight into the deep, hard eyes of the stranger, though not without some difficulty, and managed a weak smile.
“I thought you were a thief,” he mumbled hesitantly.
“You were mistaken,” was the quiet retort. Then the voice softened a bit. “You must learn to know a friend from an enemy. Sometime your life may depend upon it. Now then, let’s have your name.”
“Flick Ohmsford.”
Flick hesitated and then continued in a slightly braver tone of voice.
“My father is Curzad Ohmsford. He manages an inn in Shady Vale a mile or two from here. You could find lodging and food there.”
“Ah, Shady Vale,” the stranger exclaimed suddenly. “Yes, that is where I am going.” He paused as if reflecting on his own words. Flick watched him cautiously as he rubbed his craggy face with crooked fingers and looked beyond the forest’s edge to the rolling grasslands of the valley. He was still looking away when he spoke again.
“You … have a brother.”
It was not a question; it was a simple statement of fact. It was spoken so distantly and calmly, as if the tall stranger were not at all interested in any sort of a reply, that Flick almost missed hearing it. Then suddenly realizing the significance of the remark, he started and looked quickly at the other.
“How did …?”
“Oh, well,” the man said, “doesn’t every young Valeman like yourself have a brother somewhere?”