The Zinn Reader: Writings on Disobedience and Democracy
The actor Richard Burton once wrote an article for the New York Times about his experience playing the role of Winston Churchill in a television drama:
In the course of preparing myself...I realized afresh that I hate Churchill and all of his kind. I hate them virulently. They have stalked down the corridors of endless power all through history.... What man of sanity would say on hearing of the atrocities committed by the Japanese against British and Anzac prisoners of war, 'We shall wipe them out, everyone of them, men, women, and children. There shall not be a Japanese left on the face of the earth? Such simple-minded cravings for revenge leave me with a horrified but reluctant awe for such single-minded and merciless ferocity.
When Burton's statement appeared in the "Arts and Leisure" secrion of the New York Times, he was banned from future BBC productions. The supervisor of drama productions for BBC said, "As far as I am concerned, he will never work for us again.... Burton acted in an unprofessional way."
It seems that however moral is the cause that initiates a war (in the minds of the public, in the mouths of the politicians), it is in the nature of war to corrupt that morality until the rule becomes "An eye for an eye, a tooth for a tooth," and soon it is not a matter of equivalence, but indescriminate revenge.
The policy of saturation bombing became even more brutal when B29s, with carried twice the bombload as the planes we flew in Europe, attacked Japanese cities with incendiaries, turning them into infernos.
In one raid on Tokyo, after midnight on March 10, 1945, 300 B29s left the city in flames, fanned by a strong northwest wind. The fires could be seen by pilots 150 miles out in the Pacific Ocean. A million people were left homeless. It is estimated that 100,000 people died that night. Many of them attempting to escape leaped into the Sumida River and drowned. A Japanese novelist who was twelve years old at the time, described the scene years later: "The fire was like a living thing. It ran, just like a creature, chasing us."
By the time the atomic bomb was dropped on Hiroshima (August 6, 1945) and another on Nagasaki (three days later), the moral line had been crossed psychologically by the massive bombings in Europe and by the fire bombings of Tokyo and other cities.
The bomb on Hiroshima left perhaps 140,000 dead; the one on Nagasaki, 70,000 dead. Another 130,000 died in the next five years. Hundreds of thousands of others were left radiated and maimed. These numbers are based on the most detailed report that exists on the effects of the bombings; it was compiled by thirty-four Japanese specialists and was published in 1981.
The deception and self-deception that accompanied these atrocities was remarkable. Truman told the public, "The world will note that the first atomic bomb was dropped on Hiroshima, a military base. That was because we wished in this first attack to avoid, insofar as possible, the killing of civilians."
Even the possibility that American prisoners of war would be killed in these bombings did not have any effect on the plans. On July 31, nine days before Nagasaki was bombed, the headquarters of the U.S. Army Strategic Air Forces on Guam (the take-off airfield for the atomic bombings) sent a message to the War Department:
Reports prisoner of war sources not verified by photo give location of Allied prisoner-of-war camp, one mile north of center of city of Nagasaki. Does this influence the choice of this target for initial Centerboard operation? Request immediate reply.
The reply came, "Targets previously assigned for Centerboard remain unchanged."
The terrible momentum of war continued even after the bombings of Hiroshima and Nagasaki. The end of the war was a few days away, yet B29s continued their missions. On August 14, five days after the Nagasaki bombing and the day before the actual acceptance of surrender terms, 449 B29s went out from the Marianas for a daylight strike and 372 more went out that night. Altogether, more than 1,000 planes were sent to bomb Japanese cities. There were no American losses. The last plane had not yet returned when Truman announced the Japanese had surrendered.
Japanese writer Oda Makoto describes that August 14 in Osaka, where he lived. He was a boy. He went out into the streets and found in the midst of the corpses American leaflets written in Japanese, which had been dropped with the bombs: Your government has surrendered; the war is over."
The American public, already conditioned to massive bombing, accepted the atomic bombings with equanimity, indeed with joy. I remember my own reaction. When the war ended in Europe, my crew flew our plane back to the United States. We were given a thirty-day furlough and then had to report for duty to be sent to Japan to continue bombing. My wife and I decided to spend that time in the countryside. Waiting for the bus to take us, I picked up the morning newspaper, August 7, 1945. The headline was "Atomic Bomb Dropped on Hiroshima." My immediate reaction was elation: "The war will end. I won't have to go to the Pacific."
I had no idea what the explosion of the atomic bomb had done to the men, women, and children of Hiroshima. It was abstract and distant, as were the deaths of the people from the bombs I had dropped in Europe from a height of six miles; I was unable to see anything below, there was no visible blood, and there were no audible screams. And I knew nothing of the imminence of a Japanese surrender. It was only later when I read John Hersey's Hiroshima, when I read the testimony of Japanese survivors, and when I studied the history of the decision to drop the bomb that I was outraged by what had been done.
It seems that once an initial judgment has been made that a war is just, there is a tendency to stop thinking, to assume then that everything done on behalf of victory is morally acceptable. I had myself participated in the bombing of cities, without even considering whether there was any relationship between what I was doing and the elimination of fascism in the world. Thus a war that apparently begins with a "good" cause—stopping aggression, helping victims, or punishing brutality— ends with its own aggression, creates more victims than before, and brings out more brutality than before, on both sides. The Holocaust, a plan made and executed in the ferocious atmosphere of war, and the saturation bombings, also created in the frenzy of war, are evidence of this.
The good cause in World War II was the defeat of fascism. And, in fact, it ended with that defeat: the corpse of Mussolini hanging in the public square in Milan; Hitler burned to death in his underground bunker; Tojo, captured and sentenced to death by an international tribunal. But forty million people were dead, and the elements of fascism— militarism, racism, imperialism, dictatorship, ferocious nationalism, and war—were still at large in the postwar world.
Two of those forty million were my closest Air Force friends, Joe Perry and Ed Plotkin. We had suffered through basic training and rode horses and flew Piper Cubs in Burlington, Vermont, and played basketball at Santa Ana before going our own ways to different combat zones. Both were killed in the final weeks of the war. For years afterward, they appeared in my dreams. In my waking hours, the question grew: What did they really die for?
We were victorious over fascism, but this left two superpowers dominating the world, vying for control of other nations, carving out new spheres of influence, on a scale even larger than that attempted by the Fascist powers. Both superpowers supported dictatorships all over the world: the Soviet Union in Eastern Europe and the United States in Latin America, Korea, and the Philippines.
The war machines of the Axis powers were destroyed, but the Soviet Union and the United States were bulding military machines greater than the world had ever seen, piling up frightful numbers of nuclear weapons, soon equivalent to a million Hiroshima-type bombs. They were preparing for a war to keep the peace, they said (this had also been said before World War I) but those preparations were such that if war took place (by accident? by miscalculation?) it would make the Holocaust look puny.
Hitler's aggression was over but wars continued, which the superpowers either initiated or fed with military aid or observed without attempting to halt them. Two million people died in Korea; two to five million in Vietnam, Cambodia, and Laos; one million in Indonesia; perhaps t
wo million in the Nigerian civil war; one million in the Iran-Iraq War; and many more in Latin America, Africa, and the Middle East. It is estimated that, in the forty years after 1945, there were 150 wars, with twenty million casualties.
The victorious and morally righteous superpowers stood by in the postwar world while millions—more than had died in Hitler's Holocaust—starved to death. They made gestures, but allowed national ambitions and interpower rivalries to stand in the way of saving the hungry. A United Nations official reported, with great bitterness that
in pursuit of political objectives in the Nigerian Civil War, a number of great and small nations, including Britain and the United States, worked to prevent supplies of food and medicine from reaching the starving children of rebel Biafra.
Swept up in the obvious rightness of a crusade to rid the world of fascism, most people supported or participated in that crusade, to the point of risking their lives. But there were skeptics, especially among the nonwhite peoples of the world—blacks in the United States and the colonized millions of the British Empire (Gandhi withheld his support).
The extraordinary black writer Zora Neale Hurston wrote her memoir, Dust Tracks on a Road, at the start of World War II. Just before it was to come out, the Japanese attacked Pearl Harbor, and her publisher, Lippincott, removed a section of the book in which she wrote bitterly about the "democracies" of the West and their hypocrisy. She said:
All around me, bitter tears are being shed over the fate of Holland, Belgium, France and England. I must confess to being a little dry around the eyes. I hear people shaking with shudders at the thought of Germany collecting taxes in Holland. I have not heard a word against Holland collecting one twelfth of poor people's wages in Asia. Hitler's crime is that he is actually doing a thing like that to his own kind...
As I see it, the doctrines of democracy deal with the aspirations of men's souls, but the application deals with things. One hand in somebody else's pocket and one on your gun, and you are highly civilized.... Desire enough for your own use only, and you are a heathen. Civilized people have things to show to their neighbors.
The editor at Lippincott wrote on her manuscript, "Suggest eliminating international opinions as irrelevant to autobiography." Only when the book was reissued in 1984 did the censored passages appear.
Hurston, in a letter she wrote to a journalist friend in 1946, showed her indignation at the hypocrisy that accompanied the war:
I am amazed at the complacency of Negro press and public. Truman is a monster. I can think of him as nothing else but the Butcher of Asia. Of his grin of triumph on giving the order to drop the Atom bombs on Japan. Of his maintaining troops in China who are shooting the starving Chinese for stealing a handful of food.
Some white writers were resistant to the fanaticism of war. After it was over, Joseph Heller wrote his biting, brilliant satire Catch-22 and Kurt Vonnegut wrote Slaughterhouse Five. In the 1957 film Bridge on the River Kwai, the Japanese military is obsessed with building a bridge, and the British are obsessed with destroying it. At the end it is blown up and a British lieutenant, barely surviving, looks around at the river strewn with corpses and mutters: "Madness. Madness."
There were pacifists in the United States who went to prison rather than participate in World War II. There were 350,000 draft evaders in the United States. Six thousand men went to prison as conscientious objectors; one out of every six inmates in U.S. federal prisons was a conscientious objector to the war.
But the general mood in the United States was support. Liberals, conservatives, and Communists agreed that it was a just war. Only a few voices were raised publicly in Europe and the United States to question the motives of the participants, the means by which the war was being conducted, and the ends that would be achieved. Very few tried to stand back from the battle and take a long view. One was the French workerphilosopher Simone Weil. Early in 1945 she wrote in a new magazine called Politics:
Whether the mask is labelled Fascism, Democracy, or Dictatorship or the Proletariat, our great adversary remains the Apparatus—the bureaucracy, the police, the military... No matter what the circumstances, the worst betrayal will always be to subordinate ourselves to this Apparatus, and to trample underfoot, in its service, all human values in ourselves and in others.
The editor of Politics was an extraordinary American intellectual named Dwight MacDonald, who with his wife, Nancy, produced the magazine as an outlet for unorthodox points of view. After the bombing of Hiroshima, MacDonald refused to join in the general jubilation. He wrote with a fury:
The CONCEPTS "WAR" AND "PROGRESS" ARE NOW OBSOLETE...THE FUTILITY OF MODERN WARFARE SHOULD NOW BE CLEAR. Must we not now conclude, with Simone Weil, that the technical aspect of war today is the evil, regardless of political factors? Can one imagine that the atomic bomb could ever be used "in a good cause"?
But what was the alternative to war, with Germany on the march in Europe, Japan on its rampage through Asia, and Italy looking for empire? This is the toughest possible question. Once the history of an epoch has run its course, it is very difficult to imagine an alternate set of events, to imagine that some act or acts might set in motion a whole new train of circumstances, leading in a different direction.
Would it have been possible to trade time and territory for human life? Was there an alternative preferable to using the most modern weapons of destruction for mass annihilation? Can we try to imagine instead of a six-year war a ten-year or twenty-year period of resistance; of guerilla warfare, strikes, and noncooperation; of underground movements, sabotage, and paralysis of vital communication and transportation; and of clandestine propaganda for the organization of a larger and larger opposition?
Even in the midst of war, some nations occupied by the Nazis were able to resist: the Danes, the Norweigians, and the Bulgarians refused to give up their Jews. Gene Sharp, on the basis of his study of resistance movements in World War II, writes:
During the second World War—in such occupied countries as the Netherlands, Norway and Denmark—patriots resisted their Nazi overlords and internal puppets by such weapons as underground newspapers, labor slowdowns, general strikes, refusal of collaboration, special boycotts of German troops and quislings, and noncooperation with fascist controls and efforts to restructure their societies' institutions.
Guerrilla warfare is more selective, its violence more limited and more discriminate, than conventional war. It is less centralized and more democratic by nature, requiring the commitment, the initiative, and the cooperation of ordinary people who do not need to be conscripted, but who are motivated by their desire for freedom and justice.
History is full of instances of successful resistance (although we are not informed very much about this) without violence and against tyranny, by people using strikes, boycotts, propaganda, and a dozen different ingenious forms of struggle. Gene Sharp, in his book The Politics of Non-Violent Action, records hundreds of instances and dozens of methods of action.
Since the end of World War II, we have seen dictatorships overthrown by mass movements that mobilized so much popular oppostion that the tyrant finally had to flee in Iran, in Nicaragua, in the Philippines, and in Haiti. Granted, the Nazi machine was formidable, efficient, and ruthless. But there are limits to conquest. A point is reached where the conquerer has swallowed too much territory, has to control too many people. Great empires have fallen when it was thought they would last forever.
We have seen, in the Eighties, mass movements of protest arise in the tightly controlled Communist countries of Eastern Europe, forcing dramatic changes in Hungary, Czechoslovakia, Poland, Bulgaria, Rumania, and East Germnay. The Spanish people, having lost a million lives in their civil war, waited out Franco. He died, as all men do, and the dictatorship was over. For Portugal, the resistance in its outlying African Empire weakened control; corruption grew and the long dictatorship of Salazar was overthrown—without a bloodbath.
There is a fable written by German playwright Bertol
t Brecht that goes roughly like this: A man living alone answers a knock at the door. When he opens it, he sees in the doorway the powerful body, the cruel face, of The Tyrant. The Tyrant asks, "Will you submit?" The man does not reply. He steps aside. The Tyrant enters and establishes himself in the man's house. The man serves him for years. Then The Tyrant becomes sick from food poisoning. He dies. The man wraps the body, opens the door, gets rids of the body, comes back to his house, closes the door behind him, and says, firmly, "No."
Violence is not the only form of power. Sometimes it is the least effective. Always it is the most vicious, for the perpetrator as well as for the victim. And it is corrupting.
Immediately after the war, Albert Camus, the great French writer who fought in the underground against the Nazis, wrote in Combat, the daily newspaper of the French Resistance. In his essay called "Neither Victims Nor Executioners," he considered the tens of millions of dead caused by the war and asked that the world reconsider fanaticism and violence: